Panasonic AG-DVX200 User manual

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V1.01E

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Table of contents
1. Image sensor & record formats................................................................................................4
1-1. Record modes...................................................................................................................6
1-2. Recording in different codecs with dual memory card slots ................................................6
1-3. Image size comparison between 4K/UHD and HD formats ................................................7
2. Preparation before Shooting....................................................................................................8
2-1. Major IN/OUT connecters ..................................................................................................9
2-2. Record mode settings......................................................................................................10
2-3. Audio input settings..........................................................................................................10
2-4. Record modes and required speed class of SD memory cards........................................11
2-5. Mounting to Tri-pod..........................................................................................................11
3. MENU settings ........................................................................................................................12
SCENE FILE...........................................................................................................................14
SYSTEM MODE.....................................................................................................................16
USER SWITCH.......................................................................................................................18
SWITCH SETTING.................................................................................................................20
AUTO SWITCH SETTING ......................................................................................................23
RECORDING SETUP.............................................................................................................24
AUDIO SETUP .......................................................................................................................25
OUTPUT SETUP....................................................................................................................26
DISPLAY SETTING ................................................................................................................27
OTHER FUNCTIONS .............................................................................................................29
MAINTENANCE......................................................................................................................29
4. Understanding Advanced features .........................................................................................30
4-1. Monitoring 4K & UHD image............................................................................................31
4-2. Understanding Focus assist features...............................................................................32
4-3. Understanding Dual memory card slots ...........................................................................33
4-4. Recording 4:2:2 10-bit image with external 4K recorders .................................................34
4-5. Synchronizing timecode for multi-cam operation..............................................................35
4-6. Understanding user customizable image stabilizer...........................................................36
4-7. Understanding user customizable auto focus...................................................................37
4-8. Understanding Focus transition feature............................................................................38
5. Understanding Scene file operations.....................................................................................39
5-1. SCENE FILE presets.......................................................................................................40
5-2. Factory default settings....................................................................................................41
5-3. Expressing the texture of objects (detail enhancement)...................................................42
5-4. Basic settings for Detail ...................................................................................................43
Detail control......................................................................................................................43
Detail coring control............................................................................................................44
Knee APE level control.......................................................................................................45
5-5.Expressing the gradation of a picture (Knee, Gamma)......................................................46
Gamma settings.................................................................................................................48
Black gamma and Black gamma range controls.................................................................54

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6. After recording.......................................................................................................................55
6-1. Connecting to PC/Mac.....................................................................................................56
6-2. File structure of SD memory card.....................................................................................56
6-3. Folder name structure for MOV/MP4 folders....................................................................57
7. Appendix .................................................................................................................................58
7-1. Recording time in each video setting................................................................................59
7-2. Output signal formats.......................................................................................................61
1. System frequency: 59.94Hz, output bit depth: 4:2:2(8bit)................................................61
2. System frequency: 59.94Hz, output bit depth: 4:2:2(10bit)..............................................62
3. System frequency: 50.00Hz, output bit depth: 4:2:2(8bit)................................................63
4. System frequency: 50.00Hz, output bit depth: 4:2:2(10bit)..............................................64
7-3. Dimensions (mm).............................................................................................................65
7-4. Accessories .....................................................................................................................66
7-5. Revision history ...............................................................................................................67

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1. Image sensor &
record formats

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The AG-DVX200 is a professional camera recorder, featuring a large 4/3 image sensor, x13 optical
zoom lens, and various record formats from SDTV and Full HD up to UHD (3840x2160) and 4K
(4096x2160) resolutions.
Total number of effective pixels in each record format
FHD
15.49 M pixels
UHD @59.94p/50.00p
8.71 M pixels
UHD @29.97p/25.00p
12.89 M pixels
4K @24.00p
13.35 M pixels
The 4/3 large imager allows you to create an attractive image expression with shallow depth of
field.
1. Image sensor & record formats

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1-1. Record modes
An Ultra High Definition (UHD: 3840x2160) image, (which has four times higher density resolution
than FHD video) and 4K (4096x2160 at 24.00p) images, can be selected. It is also possible to
select Full High Definition (FHD: 1920x1080) image for recording if required.
Resolution
Aspect
ratio
Frame rate
Bit rate
Video
Audio
File
extension
4K
4096x2160
17:9
24.00p
100Mbps
Long
GOP
LPCM
MP4,
MOV
UHD
3840x2160
16:9
59.94p, 50p
150Mbps
29.97p, 25p, 23.98p
100Mbps
FHD (Full HD)
1920x1080
16:9
59.94p, 50p
200Mbps
ALL-
Intra
LPCM
MP4,
MOV
29.97p, 25p, 23.98p
59.94p, 50p
100/50Mbps
Long
GOP
29.97p, 25p, 23.98p
50Mbps
59.94i, 50i
AVCHD
1920x1080
16:9
59.94p, 50p
25Mbps
Long
GOP
AC3
AVCHD
59.94i, 50i
21/17Mbps
23.98p
21Mbps
1440x1080
59.94i, 50i
5Mbps
1280x720
59.94p, 50p
8Mbps
720x480
16:9/
4:3
59.94i
9Mbps
720x576
50i
1-2. Recording in different codecs with dual memory card slots
Simultaneous recording with two different codecs is possible. It allows users to record high quality
UHD image for main recording while capturing light-weight FHD images for scenario checks etc.
Main recording
Sub recording
(50Mbps mode)
Sub recording
(8Mbps mode)
Format
Bit rate
A
Format
File
A
Format
File
A
[email protected]
100M
LPCM (2Ch, 48KHz, 16-bit)
+
[email protected]
MP4,
MOV
LPCM 2Ch
or
[email protected]
MOV
LPCM 2Ch
UHD@25p
100M
+
FHD@25p
FHD@25p
[email protected]
100M
+
[email protected]
[email protected]
[email protected]
200M
+
-
-
[email protected]
[email protected]
100M
+
-
-
[email protected]
FHD@50p
200M
+
-
-
FHD@50p
FHD@50p
100M
+
-
-
FHD@50p
[email protected]
200M
+
-
-
[email protected]
FHD@25p
200M
+
-
-
FHD@25p
[email protected]
200M
+
-
-
[email protected]
* UHD = 3840x2160, FHD = 1920x1080
* Unit of Bit rate = Mbps
1. Image sensor & record formats

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1-3. Image size comparison between 4K/UHD and HD formats
The UHD (3840x2160) image is four times sharper than an FHD 1080p image (nine times that of
720p). And the 4096x1080 resolution (referred to as “4K”on AG-DVX200), which is often used for
cinema shooting, has a slightly wider image aspect ratio of 17:9. In comparison to a UHD image,
this is an extra 256 pixels in the horizontal direction.
Record format
Resolution
Aspect ratio
4K
4096 x 2160
17:9
UHD (Ultra HD)
3840 x 2160
16:9
FHD (Full HD)
1920 x 1080
16:9
1. Image sensor & record formats
Comparison
between
4K/UHD and
FHD
Comparison
between
4K/UHD and
720p

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2. Preparation before
Shooting

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2-1. Major IN/OUT connecters
Image resolution of HDMI, SDI and VIDEO OUT signals vary and will depend on the system
settings. See 7-2. Output signal (P.61) for the details.
Visit the following website for information of tested external USB storage devices.
http://pro-av.panasonic.net/en/products/ag-dvx200/index.html
2. Preparation before shooting
SDI output
(3G: 1080p
LEVEL-A ready)
Analog audio out
(Ø3.5mm stereo mini jack)
Level= 600Ω, 316mV
Wired remote terminals
USB3.0 HOST terminal
(Type-A connector)
For external storage
device connection*
USB3.0 DEVICE terminal
(Type micro-B connector)
For connection between
computers
HDMI2.0 output
(Type-A connector)

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2-2. Record mode settings
Set the record file format type, frequency, etc. with MENU > “SYSTEM MODE” where the following
menu items are available.
MENU > SYSTEM MODE
-SYSTEM FREQ : 59.94Hz or 50.00Hz
-OUTPUT BITS : 4:2:2 8bit (*)
-REC MODE : MOV, MP4 or AVCHD
-REC FORMAT : Choose a combination of the number of pixels and bitrate （see P.61）
* By choosing “4:2:2 10bit”output mode, superb images can be recorded from the HDMI OUT or
SDI OUT using external recorders. When “4:2:2 10bit”mode is chosen, built-in SD memory
card recorder does not work.
2-3. Audio input settings
The AG-DVX200 can handle up to 2 channels of audio and record them.
1. Set switches (A) for audio source selection (built-in MIC / external)
2. When external input is chosen, set attenuation type (LINE, MIC) and phantom powering option
with switches (B). Input levels for LINE and MIC inputs can be set with MENU > AUDIO
SETUP.
3. Set record level adjustment (AUTO / MANUAL) with switches (C).
Audio record level can be set with the AUDIO LEVEL knob when (C) is set to MANU (MANUAL).
(A)
(C)
(B)
2. Preparation before shooting
Audio level meter
AUDIO LEVEL CH1 / CH2 knob

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2-4. Record modes and required speed class of SD memory cards
SD memory cards require a higher writing speed when recording at high bitrates. The following
table shows the minimum speed class necessary for each bitrate.
Record
mode
Record bit rate
Minimum required speed class
Speed class
symbols
MOV/MP4
100Mbps or higher
UHS Speed Class3 (*1)
50Mbps
UHS Speed Class1
Class10
AVCHD
5 to 28Mbps
Class4
*1: If “UHD 2160/59.94p 150M”or “UHD 2160/50.00p 150M”record mode is selected, your
chosen SD memory card needs to meet or exceed 64GB SDXC, UHS Speed Class3
specifications. Only cards of this type can be used.
2-5. Mounting to Tri-pod
The AG-DVX200 has two different standard screw sizes, industrial standard 1/4-20UNC size
and broadcast equipment standard 3/8-16UNCsize.
Use screws shorter than 5.5mm in length, otherwise damage may occur to internal parts.
2. Preparation before shooting
3/8-16UNC
1/4-20UNC

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3. MENU settings

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3-1. MENU items overview
MENU
SCENE FILE (Image related settings) [P.14]
SYSTEM MODE (Fundamental settings such as CODEC etc.) [P.16]
USER SWITCH (Assign functions to USER buttons) [P.17]
SWITCH SETTING (Gain, WB and other operation related settings) [P.20]
AUTO SWITCH SETTING (Function assignment for full auto mode) [P.23]
RECORDING SETUP (Recording related such as Pre-REC, TC set) [P.24]
AUDIO SETUP (Input gain and other audio related settings) [P.25]
OUTPUT SETUP (HDMI, SDI, EVF/LCD output related settings) [P.26]
DISPLAY SETTING (Selection of items to be shown on EVF etc.) [P.27]
OTHER FUNCTIONS (Media format, calendar setting ets.) [P.29]
MAINTENANCE (Firmware version display etc.) [P.29]
3. MENU settings

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SCENE FILE
Note: Items marked will not function when OUTPUT BIT item is set to “4:2:2 10bit”.
Menu item
Description
Value (Factory default setting underlined)
CUSTOMIZE SCENE
Recall scene files.
SCENE1 - SCENE6
SCENE FILE
Load / Save custom scene
files to/from SD memory
cards.
LOAD / SAVE
VFR MODE
Turn ON/OFF variable frame
record mode.
ON / OFF
FRAME RATE
Adjust frame rate. Adjustable
range is from 2fps to 120fps
60fps
SYNCHRO SCAN
Set shutter speed for synchro
scan mode.
Adjustable range varies depending
on system frequency setting.
MASTER DETAIL
Adjust image contour
correction level for entire
image.
-31 - 0 - +31
DETAIL CORING
Adjust threshold level of image
contour correction.
0 - 1 - 60
SKIN TONE DETAIL
Adjust level of softness effect
for a certain color tone (flesh
tone).
ON / OFF
V DETAIL LEVEL
Adjust image contour
correction level for vertical
direction.
-7 - 0 - +7
KNEE APE LEVEL
Set KNEE compression level
for a very bright part.
0, 1, 2, 3, 4, 5
RB GAIN CONTROL
SETTING
Adjust color balance for each
white balance memory position
(A, B and PRST).
This item does not function
when white balance mode is
set to “ATW”.
R GAIN: -30 - 0 - +30
B GAIN: -30 - 0 - +30
GAIN OFFSET: ON / OFF
CHROMA LEVEL
Adjust saturation of color.
-70 - 0 - +30
CHROMA PHASE
Adjust tone of color.
-31 - 0 - +31
MATRIX
Recall color presets.
NORM1: Suitable for shooting
outdoors or indoors under halogen
lighting.
NORM2: Color is slightly more vivid
than “NORM1”.
FLUO: Suitable for shooting indoors
under fluorescent lighting.
CINE-LIKE: Suitable for shooting
with cinema-like image.
COLOR
CORRECTION
SETTING
Adjust color tone and
saturation. This has an effect
on 16 different individual color
phases.
-63 - 0 - +63
MASTER PED
Adjust master black level
-150 - 0 - +150
3. MENU settings

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SCENE FILE <continued>
Menu item
Description
Value (Factory default setting underlined)
GAMMA MODE
Choose image contrast
and gradation according to
the scene.
HD/ SD/ FILMLIKE1/ FILMLIKE2/
FILMLIKE3/ CINE-LIKE V/ CINE-LIKE D
See P.48 for details about differences
among the effects of these gamma modes.
BLACK GAMMA
Adjusts gamma
characteristics in darker
signal areas.
-8 - 0 - +8
BLACK GAMMA
RANGE
Set the upper limit of
compression/expansion
level of black gamma
control.
1: Set the limit at approx.20% of video level
2: Set the limit at approx.30% of video level
3: Set the limit at approx.40% of video level
KNEE MODE
Set operation mode of
knee function (compress
bright areas to avoid an
overexposed image).
AUTO / MANUAL / OFF
KNEE MASTER
POINT
Sets the signal level where
video image compression
begins.
80.0 - 93.0 - 107.0
KNEE MASTER
SLOPE
Adjusts slope angle when
in MANUAL KNEE mode.
0 - 85 - 99
DRS
Turn ON/OFF Dynamic
Range Stretcher (DRS)
function.
ON / OFF
DRS EFFECT
Set effect level of DRS
1 / 2 / 3
Better results of dynamic range stretcher
can be expected when a higher number is
chosen. However, noise level will also
become higher.
AUTO IRIS LEVEL
Turn ON/OFF automatic
aperture level control.
ON / OFF
AUTO IRIS LEVEL
EFFECT
Set the target brightness
level in auto iris mode.
-50 - 0 - +50
V-Log L MODE
Turn ON/OFF the V-Log L
mode to capture the image
with wider latitude of 12
stops.
ON / OFF
FLASH BAND
COMPENSATION
Turn ON/OFF the image
compensation function,
which allows removing
flash-band effects from an
image.
ON / OFF
3. MENU settings

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SYSTEM MODE
Note: Items marked will not function when OUTPUT BIT item is set to “4:2:2 10bit”.
Menu item
Description
Value (Factory default setting underlined)
SYSTEM FREQ
Set system frequency
59.94Hz / 50.00Hz
OUTPUT BITS
Set image quality of signals from
HDMI and SDI outputs.
4:2:2(10bit) / 4:2:2(8bit)
REC MODE
Set record file format.
MOV / MP4 / AVCHD
REC FORMAT
Set image quality of video to be
recorded. (resolution, frame
rate, and bit-rate)
Available formats vary depending on
the system frequency and REC
mode settings.
See P.61 for the details.
OUTPUT FORMAT
Set external output image
quality when OUTPUT BITS is
set to “4:2:2(10bit)”.
Available formats vary depending on
the system frequency setting. See
P.61 for the details.
ASPECT CONVERT
Set image aspect ratio when
REC FORMAT is set to
SA 480/59.94i or SA 576/50.00i.
SIDE CROP / LETTERBOX /
SQUEEZE
HIGH SENS. MODE
Set camera sensitivity mode.
HIGH SENS mode is suitable for
shooting in dark environments.
NORMAL / HIGH SENS
“H.SENS”is indicated on the
viewfinder while HIGH SENS mode
is activated.
CAMERA NUMBER
SET
Set camera identification
number. This number is used as
a part of footage folder’s title
when MOV or MP4 file format is
selected.
See P.57 for the footage folder
name structure.
0 - 9
3. MENU settings

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USER SWITCH feature
38 features can quickly be recalled from 12 user assignable buttons. (8 of them are physical
buttons and 4 are available as a part of the touch screen.)
How to assign? MENU > USER SWITCH > Assign any function to any button.
* See next page for assignable functions including their details.
LCD
SCREEN
3. MENU settings
USER1
USER2
USER3
USER4
USER7
USER6
USER5
USER8
USER10
USER11
USER12
USER 9

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USER SWITCH
Note: Items marked will not function when OUTPUT BIT item is set to “4:2:2 10bit”.
The following table shows all functions that can be assigned to the USER buttons.
Menu item
Description
INHIBIT
The USER button is disabled (nothing is assigned).
FOCUS ASSIST
Turn ON/OFF the FOCUS ASSIST function. See 4-2. Understanding
Focus assist features (P.32) for further details of this function.
BACKLIGHT
Switch auto iris mode to backlight mode. The backlight mode can prevent
underexposure when the lighting is illuminating from behind the subject.
SPOTLIGHT
Switch auto iris mode to Spotlight mode. The spotlight mode optimizes iris
control behavior when the contrast around the subject is high (example:
the subject is a spot light etc.)
BLACK FADE
Apply fade-in/out effect to video (black) and audio.
WHITE FADE
Apply fade-in/out effect to video (white) and audio.
ATW
Switch white balance mode to ATW (Auto Tracking White).
ATW LOCK
Fix the white balance aligned by ATW mode.
D.ZOOM
Use Digital Zoom (electronic image magnification) feature.
The magnification ratio can be chosen from x2, x5, x10, or can be toggled
through them.
HISTOGRAM
Display distribution of brightness of the image for a quick check of
exposure. The histogram chart consists of “brightness”on the horizontal
axis, and “frequency of appearance”on the vertical axis. This chart’s
position can be moved by touching the built-in LCD screen.
REC CHECK
Plays last 2 seconds of the last recorded clip on the SD memory card.
LAST SCN DEL
Delete the last clip from the SD memory card.
DRS
Turn ON/OFF the dynamic range stretcher function. The DRS works to
minimize saturated blacks and overexposure. Its effect level can be
adjusted using the “DRS EFFECT”item of the SCENE FILE menu.
FRZ FRAME
Turn ON/OFF freeze frame feature. A still image is on the screen while this
feature is working.
SUPER GAIN
Turn ON/OFF the Super Gain control. The gain value to be boosted can
be set using the “SUPER GAIN”item of the SWITCH SETTING menu.
[SUPER GAIN values that can be set]
- 30dB or 36dB when a displayed unit of gain is “dB”.
- ISO16000 or ISO32000 when a displayed unit of gain is “ISO”.
AREA
The following features can be enabled by touching (pointing) the subjects
on the built-in LCD screen.
[Selectable items forAREAmode]
INH：No function is assigned.
FOCUS：Adjust the focus so that the pointed subject is in focus.
IRIS：Adjust the iris so that aperture level is appropriate for the pointed
subject.
Y GET：Indicate Y level of the pointed subject.
FOCUS/IRIS：Adjust both focus and iris for the pointed subject.
FOCUS/YGET：Adjust focus and indicate Y level of the pointed subject.
FOCUS TRANS
Execute FOCUS TRANSITION (recalling focus position presets) function.
See 4-8. Understanding Focus transition (P.38) for further details.
3. MENU settings

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USER SWITCH <continued>
Note: Items marked will not function when OUTPUT BIT item is set to “4:2:2 10bit”.
The following table shows all functions that can be assigned to the USER buttons.
Menu item
Description
CAPTURE
Create a still image from camera image or recorded video.
EVF/LCD DETAIL
Make focusing easier by enhancing the subject’s edge on the viewfinder
and built-in LCD monitor.
The level of this enhancement and the frequency can be set using the
“EVF/LCD PEAK LEVEL”and “EVF/LCD PEAK FREQ.”items of the
DISP menu.
IR REC
Turn ON/OFF the Infrared shooting mode.
LEVEL GAUGE
Display a level gauge on the viewfinder for the horizontal and vertical
axis’. Inclinations can be indicated up to approx. 45 degrees in the
horizontal, and up to approx. 10 degrees in the vertical directions.
BACK GROUND
Start or pause the recording in slot No.2 when the “Background record
function”is enabled.
FLASH BAND
Turn ON/OFF the image compensation function, which allows removing
flash-bands from the image.
PRE-REC
Turn ON/OFF the pre-record mode. This mode allows the camera to start
recording video and audio approx. 4 sec (in MOV/MP4 mode, 3 sec in the
AVCHD mode) before the REC/PAUSE button is pressed.
WFM
Display the Waveform or Vector scope on the built-in LCD monitor.
Open the “WFM TYPE”item of the SWITCH SETTING menu to select the
item (Waveform or Vector scope).
FAST ZOOM
Increase servo zoom speed.
Note: When this feature is turned ON, motor’s operation sound becomes
louder, and may be audible and recorded.
EVF ON/OFF
Turn ON/OFF the EVF display.
A.IRIS LEVEL
Turn ON/OFF the level adjustment mode for auto iris.
ZEBRA
Turn ON/OFF the ZEBRA indicator.
O.I.S
Turn ON/OFF the optical image stabilizer.
SCENE FILE
Save or load scene file data between an SD memory card and the
camera.
AUTO REC
Turn ON/OFF sending the embedded REC-Start/-Stop signal to external
recorders connected via SDI OUT.
AF AREA
Adjust the size of window where auto focus (AF) is enabled via jog dial.
VFR
Turn ON/OFF variable frame rate mode.
FOCUS MACRO
Turn ON/OFF the macro mode. With macro mode ON, focus adjustable
range at Wide-end is from 10cm to infinity. (With macro mode OFF, from
1meter to infinity.)
i. ZOOM
Turn ON/OFF the “i.Zoom”mode which allows the camera to magnify the
image (electronically) up to x20 at the Tele-end. This mode can only be
enabled when resolution setting is 1920x1080 or lower.
LOG VIEW ASSIST
Temporarily show the image based on Rec.709 color space when the
V-Log L mode is enabled.
LCD/EVF OUTPUT
Select the display device. (Always displayed on either Built-in LCD
monitor or EVF, or automatically switched by the eyepiece sensor)
3. MENU settings

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SWITCH SETTING
Menu item
Description
Value(Factory default setting underlined)
IRIS RING
Set the IRIS control direction of the
IRIS ring.
DOWN OPEN / UP OPEN
LOW GAIN
Set GAIN value when the gain selector
is set to “L”.
GAIN/ISO DISPLAY = GAIN
0dB –24dB
GAIN/ISO DISPLAY = ISO
ISO500 –ISO8000
MID GAIN
Set GAIN value when the gain selector
is set to “M”.
GAIN/ISO DISPLAY = GAIN
0dB –6dB - 24dB
GAIN/ISO DISPLAY = ISO
ISO500 –ISO8000
HIGH GAIN
Set GAIN value when the gain selector
is set to “H”.
GAIN/ISO DISPLAY = GAIN
0dB –12dB - 24dB
GAIN/ISO DISPLAY = ISO
ISO500 –ISO8000
SUPER GAIN
Set GAIN value in the SUPER GAIN
mode, which is available as one of the
user assignable functions.
GAIN/ISO DISPLAY = GAIN
30dB / 36dB
GAIN/ISO DISPLAY = ISO
ISO16000 / ISO32000
O.I.S
Turn ON/OFF optical image stabilizer.
ON / OFF
HYBRID O.I.S
Turn ON/OFF electrical image
stabilizer which works in addition to the
optical one.
ON / OFF
CUSTOM
O.I.S
OIS characteristic customization (Blur
Amplitude and Frequency) can be
used when this item is set to ON.
ON / OFF
BLUR
AMPLITUDE
Customize characteristic of amplitude
swing for OIS.
1 / 2 / 3 / 4 / 5
BLUR FREQ
Customize characteristic of frequency
swing for OIS.
1 / 2 / 3
ATW SET
AssignAuto Tracking White (ATW) to
any position of WHITE BAL selector.
OFF / Ach / Bch / PRST
ATW SPEED
Set color transition speed of ATW
FAST / NORMAL / SLOW
ATW
TARGET R
Fine-tune the ATW adjustment result
(to make it more/less Reddish).
---
ATW
TARGET B
Fine-tune the ATW adjustment result
(to make it more/less Blueish).
---
WB PRESET
Set white balance mode when WHITE
BAL selector is set to PRST.
3200K / 5600K / VAR*
*VAR : Variable
WB VAR
Adjust color temperature of the image
when WB PRESET is set to VAR
(variable) mode.
2000K –3200K –15000K
MF ASSIST
Focus mode is momentarily set to
“AUTO”immediately after manual
focusing.
ON / OFF
MF ASSIST
MODE
Choose the window for focus
adjustment by MF ASSIST.
CENTER AREA: Detect the center
part of the screen.
MULTI AREA: Detect the subject
currently focused on.
FOCUS
ASSIST
Set focus assist type
EXPAND / PEAKING / BOTH
3. MENU settings