Panasonic Aw-f575e User manual

Electric Industrial Co., Ltd.

PO

Box

288.

Osaka

530-8691,

Japan

Colour

Video Camera

AW-F575E

MAJOR

OPERATING

CONTROLS

AND THEIR

FUNCTIONS

CAMERA HEAD AW-F575HE

1. Lens

Connector

(12-pin)

(LENS)

Connect

the

lens

cable t

o

this

connector

2. Viewfinder

Connector

(12-pin)

(VIEWFINDER)

Connect

th

e

viewfinder

cable from the

15’

or

5’

Electronic

Viewfinder

to

this

connector

Note:

When

connecting

the

5"

Electronic

Viewfinder

VW-VF65B

to

this

connector,

use the

Viewfinder

Conversion

Cable

supplied

with

the

Refer t

o

page28 for details.

3. 1.5”

Electronic

Viewfinder

This

small

1.5

"

(1-3/8"

actual

image

size)

monitor

shows

exactly

the

image

picked

up

by

the

lens.

The

viewfinder

can be

titled

30ºfrom

horizontal

and

it

is

adjustable

up

and

down

by

approximately

20 mm.

(13/16").

Further

the

viewfinder

may be

slid

laterally

by

up

to

45

mm (1-

3/4")

a

nd

20 mm

(3/4")

back

and

forth.

Refer

to

p

age

18 for

details.

4. Auto Iris

Serfvo

Control Zoom

Lens

Thls

is

a

high-quality

zoom

lens

offering

automatic

as

well

as manual

iris

control

and

servo

control

zoom

The

lens

features

abayonet mount F1.4 Maximun

Fl

maxlmurr

aperture

Picture

size

may

be

magnified

by

up

to

14

times

through

use

of

the

zoom

feature.

Simply

rotate

the

mac:z

nng

for

close-uo

or

wde

angle

recording. M

acro

shooting

is

po

ssible

of

objects

up

to

5

cm

(15/16")

from the

lens

surface

Refer

to

page

16

for

details .

5.

VTR

Start/Stop

Button

(VTR)

(parallel

operation)

This

button

is

used

fo

crsnge

the

recorder

mode

frOm

pause

(Recording

Pause)

to

recording

and

functions

in

the

same

way as the

VTR

Start/Stop

Button

(92)

on

the

lens.

Press

zxe

to

s!art

recording.

Whlle

record-

ing,

the

Tally

Indicator

in

the

viewfinder

and the

Recording/Tally

indicator

(9)

light,

and

the

Tally

Light

(101)

on

the

viewfinder

al

so

lights.

. .

When this button

is

pressed

once more

the

recorder

is

set

to

the

Pause

mode

(Recording

Pause)

and

the

Recording/Tally

Indicator

and

Tally

Light

will

go off.

- 7 -

6. Auto

White/Auto

Black Set Switch

(AUTO

W/B

BAL

AWC/HOLD/ABC)

This

switch

sets

the

white

balance

and black balance

automatically

as

follows

AWC:

This

position

is

used

for

setting

the

white

bal-

ance when

the

White

Balance

Selection

Switch

(28)

is

set

to

the AWC A

or

AWC B

position

White

balance

adjustment

is

requiered

when ‘AWC

A NG’

or

‘AWC

B

NG’

starts

blinking

in

the

viewfinder

or

when the Auto

Warning

Indicator

in

the

viewfinder

lights

Two

white

balance

settings

for

two

light

sources,

such

as

indoor

and

outdoor

can be

retained

in

the

memory. I

n

this

case

both

the

AWC A and

AWC B

positions

are

used

HOLD:

In

this

position,

the

white

and black balances

set at the AWC

or

ABC

position

can be

held

fixed

if so

desired

for at

least

one

year.

ABC:

This

position

is

used

for

setting

the black bal-

ance.Black balance

adjustment

is

required

when

‘ABC NG’

starts

blinking

in

the

viewfinder

or

when

the Auto

Warning

Indicator

in

the

viewfinder

lights

Note: The

picture

will

flash

in

the

viewfinder

while

the

black

balance

is

being

set.

This

flashing

indi-

cates that the

adjustment

is

currently

being

per-

formed and

will

cease

once

the

adjustment

is

completed.

7.

Lens

Iris

Selection

Switch

(LENS

IRIS:

1/2

OPEN /NOR /1/2

CLOSE)

This

switch can be

used

to

set

the

lens

iris

opening

to

compensate for

unusual

lighting

conditions

if

the

object

is

brightly

lit

against

a

dark

background,set

this

switch

to

the

1/2

CLOSE

position.

This

will

close

the

lens

iris

by

a

1/2

F

stop

If

the

object

is

relatively

dark and

the

background

is

bright,

set the

switch

to

the

1/2

OPEN

position. This

will

open

the

lens

iris

by

a

1/2

F

stop

At

the

normal (NOR)

position,

the

lens

is

operating

with

normal

lens

iris

openings

Notes:

1

If

this

switch

is

used,

be

sure

to

return

it

to

the

detent

NOR

position

after

use.

2

If

the

camera

is

aimed

at

an

extremely

bright

object,

such

as

the

sun

or

a

lamp,

vertical

bars

(s

mear)

may

appear

in

the

picture.

This

is

a

peculiar

phenomenon

of the

CCD

and

is

quite

normal. T

ry as

much

as

possible

to

avoid

shoot-

ing

scenes

wth

extremely bright light, as this

ibis

could

also

be

harmful

to

the camera.

3. Set

this

switch

to

the NOR

position

when

the

cam-

era

is

used

together

with

the

Remote

Control

Unit

(RCU)

8.

68-pin

Multi

Connector

When

mounting

the

dockable VCR

or

the

AW-AD

500AE Camera

Adaptor,

engage

the

68-pin

connec-

tors

on

the Camera Head and

VCR/VTR

Adaptor,

or

Camera

Adaptor.

9.

Recording/Tally

Indicator

(REC

TALLY)

1/120

sec.

1000

lux

This

i

ndicator

changes

to one of these three colours,

three

colours,

depending

on

the camera mode.

This

indicator

lights

red when the camera

is

set

to

the

recordlng mode

(through

the

VTR

Start/Stop

Button).

and

informs

that

the

scene

is

being

recorded.

The

Tally

Indicator

also

lights

when the camera

is

in

full

system

operation

together

with

the Remote Control

Unit

and

Special

Effects

Generator. I

n case

a

tape

is

not

loaded

or

the tape end

is

reached,

or

if

the

servo

mechanism

is

working

improperly,

this

indicator

will

start

blinking

to

warn

the

operator

of

such

faults. T

his

Indicator

lights

green

when

the

camera

is

set to

the

shutter

on

mode.

This

indicator

lights

yellow

when the

camera

is

set

to

the recordlng mode and the

shutter

on

mode

is

selected.

Note: I

f

a

portable

VTR

is

not

connected

to

the cam-

era, the

Recording/Tally

Indicator

will

not

light.

1/250

sec.

1/500

sec.

2000

lux

4000 lux

1/1000

sec.

1/2000

sec.

8000

lux

16000

lux

1/4000

sec. 32000 lux

1/10000 sec. 80000 lux

2. In

the

electronic

shutter

operation,

the

vertical

smear

of CCD

is

emphasized

since

greater

light

intensity

is

required

as

mentioned

above.

Avoid

shooting

scenes

which

contain

extremely

bright

objects.

Refer

to

PECULIAR PHENOMENA OF

THE CCD

on

page

59

3

The

white

balance may be

disturbed

if

the

1/1000

-

1/10000

sec.

electronlc

shutter

IS

operated

while

the camera

is

in

the

+18

dB

high

gain

condition

10.

Scene

File

Selection

Switch

(SCENE

FILE,

USER

A/B/1/2/3)

This

switch

is

used

to

select

the

most

suitable

camera

conditions

for

various

scenes

to

obtain

the

best

pic

-

ture

1:

Studio

Mode

This

position

is

suitable

for

shooting

in

normal

condition

Note:

This

level

is

adjusted

under

the

condition

of

2000 lux,3200ºK

at

F8

2: ENG Mode

This

position

is

suitable

for

shooting

under

fluo-

rescent,

halogen

or

outdoor

lighting

Note: The

selection

of

fluorescent,

halogen

or

outdoor

lighting

can be

selected

on

the

Main

Menu.

3: Low

Light

Mode

This

position

is

suitable

for

low

illumination

level

shooting

USER

A/B:

The camera

conditions

can be set

to

the

desired

level

by

the

user

11.

Electronic

Shutter

On/Off

Switch

(SHUTTER,

ON/OFF)

This

switch

is

used

to

select

the

Electronic

Shutter

On/Off

mode.

When

setting

this

switch

to

the

ON

position,

the

shutter

speed

is

in

a

speed

set by the

menu

Notes:

1

In

the

electronic

shutter

operatlon,

the

light

of the

object/scene

is

taken

in

a

short

period

of

time.

Therefore,

higher

shutter

speeds

require g

reater

scene

illumination.

Shutter

Speed Minimum

Illumination

(at

F8)

- 8-

12.

Back

Light

Compensation

Switch

(BACK

LIGHT COMP

ON/OFF)

When backlight

affects

the

picture,

turn

on

this

switch

for

a

clear

picture.

Note: Be

sure

to

set the Auto

Iris

Button

of the

lens

to

the A (Auto)

position

or

activate

the

Electronic

Light

Control

13. Page Switch (PAGE)

By

repeated

pressing

of

this

switch,

the

Initial

Setand

User

Set

menus

can be changed

in

the

viewfinder

or

on

the

monitor.

14.

Item /I

Noise

Suppress

Switch

(ITEM/I-NS)

When the

User

Set

Switch

is

set

to

the

position

1

or

2,

this

switch

is

used

to

move

the cursor

to

the

various

items

in

the

menu.

When the

User

Set

Switch

is

set

to

the

OFF

position,

the I

Noise

Suppress

in

the

menu

can be

selected

by

this

switch.

Note:

Noise

of

the

I

axis

on

the

vector

can be

sup-

pressed

when the

Detail

Level

Selection

Switch

(20)

is

set

to

the HIGH

or

LOW

position

15.

Up/Zone

Switch

(UP/ZONE)

When

the

User

Set

Switch

is

set

to

the

position

1

or

2,

the

On

mode of

an

item

can be

selected

and/or

the

level

of

an

item

can be

increased

in

the

menu

by

this

switch.

When

the

User

Set

Switch

is

set

to

the OFF

position

the

display

on

or

off of

the

centre marker

or

safety

zone

into

the

viewfinder

can be

selected

by

this

switch

Notes:

1

The marker shows the

electronic

centre of

the

pic-

ture

and

might

not

coincide

with

the

optical

centre

of the

picture

2. The

center

marker

on/off

and type

of

safety

zone

can be set by the Sub

Menu

16.

Down/Level

Indicator Switch

(DOWN/IND)

When the

User

Set

Switch

is

set

to

the

position

1

or

2.

the Off mode of

an

item

can be

selected

and/or

the

level

of

an

item

can be decreased

in

the

menu

When the

User

Set

Switch

is

set

to

the

OFF

position,

the

display

On/Off

of

the zebra

pattern

into

the

viewfinder

can be

controlled

by

pressing

this

switch

Picture

images

exceeding

a

specified

level

(95

IRE)

will

produce

a

zebra

pattern

barely

visible

Note: The zebra

level

can be set

by

the Sub

Menu

17.

Clean

DNR

(Digital

Noise

Reduction)

Selection

Switch

(DNR OFF, LOW, HIGH)

This

switch

is

used

to

improve

the

S/N

ratio

on

the

screen

- 9 -

19.

User

Set

Switch

(USER

SET

1, 2,

OFF)

By

setting

this

switch

to

the

position

1,

a

Menu

select-

ed

by

the

Scene

File

Switch

is

displayed

in

the

viewfinder

and

menu

setting

is

available.

By

setting

this

switch

to

the

position

2,

a

Menu

select-

ed by the

Scene

File

Selection

Switch

is

displayed

in

the

viewfinder

and

the

monitor.

To

display

the

normal

picture

in

the

viewfinder

or

on

the

monitor

set

this

switch

to

the OFF

position

(The

menu

is

kept

under

the last

condition)

Note: To

select

the

USER

A or USER

E

BMenu,

.

set the

the

Scene

File

Selection

Switch

(10)

to

the

USER

position

while

pressing

the Page

Switch

(13)

or

Check

Button

(25)

When

setting

the

Scene

File

Selection

Switch

(10)

to

the

USER

position

without

the Page

Switch

or

Check

Button,

the

last

selected

menu

of

USER

A

or

B

is

displayed.

19. High Light

Chroma

Switch

(HL

CHROMA

ON/OFF)

This

Switch

is

used

to

obtain

the goad

picture

in

the

high

brightness

condiition.

By

setting

this

switch

to

t

he

ON position. The low or

poslrion.

low

or

high

level

can be

selected

in

the

Sub

Menu

or

User

Ser menu

Note: When

the

HL

CHROMA

is

set

to

the

HIGH

posi-

tion,

the

object

in

the

high

brightness

condition

might

be

coloured.

20.

Detail

Level

Selection

Switch

(DTL,

LEVEL-HIGH/LOW/OFF)

The

detail/aperture

level

can be

selected

by

this

switch

in

three

steps.

Set

this

switch

to

the

desired

position

while

observing

the

sharpness

of the

picture

Note: When

over

modulation

has

occurred

with

recordlng

or

playing

back

the

VTR,

set

this

switch

to

LOW

position.

21.

Recording

Time

Reset

Button

(RESET)

The

accumulated

recording

time

is

displayed

in

the

viewfinder

under

REC

TIME

while

the

Check

Button

(25)

is

pressed.

The

tune

can be

reset

to

‘0

MIN’

by

pressing

either

this

button

or

the

one

on

the

AG-7450A

VTR.Thus

total recording

time

can

easily

be

checked by

first

pressing

this

button

at

the

outset

of

a

new

recording

and

then

checking

REC

TIME

at

the

end

of

the

recording

by

pressing

the check

button

Note: The

REC

TIME

displayed

in

the

viewfinder

and

the

one

d

ilsplayed

on

the AG-7450A might be dif-

dif-

ferent.

22.

Lens

Iris Control (IRIS)

The auto Iris

level

can be

adlusted

by

thls

conir

When

replacing

the

lens,

check

the

output

signal

of

the camera and make

any

necessary

adjustment

with

this

control

if

required

23. Total

pedestal

Level

Control

(T.

PED)

This

control

is

used

tor

adjusting

the

pedestal

level

of

When

attempting

to

o

or

more

cameras

in

a

itor

or

oscilloscope

for

the

video

signal

(luminance)

match

the

pedestal

level

ot

tw

system,

use

a

waveform

mon

precise

adjustment.

24.

Audio

Level

Control

(AUDlO)

Only

when

the

MII

tormat VTR

AU-45H

is

connected.

the

microphone

level

can be adjusted

25.

Check

Button (CHECK)

The

operating

conditions

ot the camera can be

dis-

played

in

the

viewfinder

by

keeplng

this

button

pressed Reter

to

page 67 tor

details

CHECK

SHTR

BATT

AUTO

H.G.

26. Power Switch (DC POWER,

OFF/SAVE/ON)

This

switch

selects

the

operating

mode

ot the camera

Refer

to

OPERATING

PROCE

D

URE FOR CAMERA

RECORDER APPLICATION

on

page

45 f

o

r

details

27.

Colour

Bar/Night

Eye/Camera

Selection Switch

(BAR/N.E/CAMERA)

BAR: Set

this

position

to

display

the colour

bars

N.E.: Set

this

position

to

shoot

the

object

in

the dark

scene

(Night

Eye

mode).

The

High

Gain

Selectlon Switch (29) can

not

work

in

this

mode

CAMERA:

By

selecting

this

position,

gain-up

level

can

be set by the High

Gain

Selection

Switch

(29)

26. White Balance Selection Switch

(AUTO/ATW

ATW/A/B)

This

switch

is

used

to

white

balance mode as

follows

ATW:

The

white

balance can be adjusted

automatical-

ly

A:

The

white

balance can be set

automatically

by

pressing

the Auto

White/Auto

Black

Set Switch (6)

upwards.

The

setting

is

stored

in

memory

A

B:

Similar

to

A.

but

the

setting

is

stored

in

memory

B

29. High

Gain

Selectlon Switch (GAIN

LOW/MID/HIGH)

This

switch

is

used

to

select

the

gain

level.

The

gain

level

can be set

in

the Sub

Menu

with

the

combination

shown

below.

HIGH MID LOW

18dB

9

dB 0

dB

24

dB

12dB

0

dB

----

12dB

6dB 0

dB

6

dB

3dB

0 dB

12dB 0 dB -

6 dB

6dB

0 dB

-6dB

Be

sure

to

use the

Operation

Seat

tor

AW-F575E

(pro-

vided

with

WV-RC700A)

when

operating

this

camera

in

combination

with

the

WV-RC700A

Remote

Control

Unit

30.

Lens

Hold

Ring/Knob

Tum

this

ring/knob

clokwise

to

secure

the

lens

to the

camera

31.

Filter

Selection Wheel

This

wheel,

which

has

four

positions,

controls

two

built-In

colour

temperature

conversion

tilters

and

ene

ND tilter.

(1) 3200K

-

indoor

light

(tungsten,

halogen,

quartz

lamps)

(2) 5600K

+6

25% ND

daylight

(sunny)

(3) 5600K daylight

(cloudy/rainy)

(4)

Close

Select

the

position

according

to

the light

source

(see

page

56)

Caution:

if

the

incorrect

filter

is

selected,

the

Automatic

White

Balance

Setting

may

not

be

suc-

cessfully

completed

32.

Viewfinder

Lock

Lever

The

wiewfinder’s

position

is

locked

or

released

through

the use ot

this

lever

When the

lever

is

released,the

viwefinder

can be

slid

approximately

45 mm

(1-3/4")

laterally

and 20 mm

(13/16")

back

and forth. Be

sure

to

lock

the

lever

after

having

adjusted

the

viewfinder

position

33.

Viewfinder

Mounting

Base

The 1.5"

Electronic

Viewfinder,

WV-VF42.

is

mounted

on

the camera by

first

installing

this

base

onto

the

camera. Reter

to

page 34 tor

detailed

mounting

instructions

34.

Microphone

This

Microphone

is

a

nondirectional

condenser

micro-

phone.When

sound

from

the

surroundings

is

not

desired,

use the

optional

Microphone

WM-L30

and

Microphone

Holder

WV-MH500

- 10 -

35.

Viewfinder

Height

Adjustment

Knob

(UP/DOWN)

The

height

ot the

viewfinder

can be

adjusted

by

first

loosening

this

knob,

adjusting

the

viewfinder

to

the

proper

height,

and then

tightening

this

knob

Adjustment

of

up

to

20 mm

(13/16’)

is

possible

36. Monitor

Output

Connector

(MONITOR)

A

composite

video

signal

tor

monitoring

is

provided

at

this

connector

Note:

This

output

signal

might

differ

slightly

trom the

output

signal

ot the

Video

Output

Connector

(52)

37.

Remote

Control Box

Connector

(RCB)

This

connector

is

provided

tor the

Remote

Control Box

(RCB)

connection

Note: When

connecting

the BNC Cable

to

the

Monitor

Output

Connecter

(36). the video

signal

trom

this

connector

through the

Remote

Control

Box

can

not

be

output.

36. Power

Indicator

This

Indicator

lights

red when the camera

is

operating

When the camera

is

in

the standby

mode,

the

indica-

tor

lights

green.

CAMERAADAPTORAW-ADS00AE

41.

VTR/RCU

Connector

(26-pin)

(VTR/RCU)

When

using

the camera together

with

a

Panasonic

portable

colour VTR, the

specified

VTR cable

should

be connected

between

the camera and VTR. T

his

Connector

is

also

used

tor

connection

ot the

26-pin

studio

cable trom the

Remote

Control

Unit

(RCU)

tor

comprehensive

system

operation.

When

connecting

the

26-pin

studio

cable

to

this

connector,

the camera

is

automatically

set

to

the RCU

operation

mode

3/4"

U-vision

portable

VTR

(14-pin)

WV-CA26A/14

(26P-14P

cable)

MII

portable

VTR

(26-pin)

WV-CA26A/26

(26P-26P

cable)

26

studio

cable

(RCU

cable)

WV-CA26U15

WV-CA26U30

WV-CA26U100

42.

Circuit

Protector (BREAKER)

When

an

excessive

current

flows

into

the

camera due

to

a

short

circuit

or

some

other

ieason.

the red

button

of

this

circuit

protector

protrudes to cut off the circuit.

After

solving

the

problem,

press

the red

button

again

to

recover

the

circuit

CAUTION:

Refer

servicing

o

quallfted

servlce

person-

nel

to

solve

the problem

43.

External

DC Input

Connector

(XLR,

4-pin)

(EXT DC)

This

connector accepts the power cable from

an

external

DC source

supplying

nominal

power of

12V.

2A

(a

belt

type battery

or

car battery for

example)

This

connector

also

accepts the power cable from

an

AC

adaptor.

For

driving

the

studio

conflguration,

a

12V DC.

2.5A

power source

is

required

30 ,

4

+

-

+ 12V nominal

----

-

44.

Battery

Pack

Mounting

Angle

Mount

the

AC

Adaptor/Charger

WV-PS34

on

the

cam-

era by

sliding

it

down

along

this

mounting

angle

45. Intercom

Jack

(M6)

(INTERCOM)

This

jack

is

used

for

communication

between

the

cam-

era

operator

and

operators

of

the RCU and

Special

Effect Generator

in

a

system

-12 -

46.

Earphone

Jack

(M3) (EARPHONE)

When

an

earphone

is

connected,the sound

picked

up

through

the

microphone

or

played

back

audio

from

a

3/4"

U-vision

recorder.

26-pin

MII

format

portable

VTR

or

14-pin

S-VHS

portable

VTR

connected

to

the cam-

era, can be

monitored.

47.

Battery

Connector

(BATTERY)

Connect

the

cord

from the

Battery

Pack

to

this

con-

nector

48.

Recording/Tally

Indicator

(red)

(REC

TALLY)

This

i

ndicator

lights

when the VTR

is

set

to

the

record-

ing

mode

(through

the VTR

Start/Stop

button),and

informs

the

person

concerned

of

scenes

being

recorded

The

Tally

Indicator

also

lights

when the camera

is

in

full

system

operation

together

with

the

Remote

Control

Unit

and

Special

Effects Generator

In case

a

tape

is

not

loaded

or

the tape end

is

reached,

or

if

the

servo

mechanism

is

working

improp-

erly,

this

i

ndicator

will

start

blinking

to

warn

the

opera-

tor

of

such

faults

Note:

if

a

portable

VTR

is

not

connected

lo

the cam-

era, the R

ecording/Tally

indlcator

II

not

light

49.

Earphone/Intercom

Level

Control

(LEVEL)

Use

this

control

to

adjust

the

volume

level

in

the

ear-

phone

connected

to

the Earphone

Jack

(46)

or

the

headset connected

to

the Intercom

Jack

(45)

50.

Accessory

Shoe

51.

Gen-lock

Input

Connector

(BNC) (GEN-LOCK)

The

colour

video

signal

of

the camera

is

automatically

synchronized

to

the

gen-lock

signal

(composite

or

black burst)

which

is

supplied

to

this

connector. The

gen-lock

signal

is

used

for system

reference,

such

as

when

uslng

a

Special

Effects Generator

Caution:

If the

gen-lock

signal

is

jittery

(like

that

obtained

from

VTR

playback),

the

camera may

not be

able

to

synchronize

properly

52. Video

Output

Connector

(BNC)

(VIDEO

OUT)

A

composite

video

signal

is

provided

at

this

connec-

tor.

53. S-VHS Video

Output

Conrector

(S-VIDEO

OUT)

The

luminance

(Y)

and

chroma

(C)

signals

for S-VHS

VTR

or

monitor

are

provided

at

this

connector.

54.

Power

Selection

Switch (POWER

SELECT.

BATT/

EXT

DC-VTR/RCU)

By

using

this

switch

the

desired

power source con-

nected

to

the camera can be

selected

BATT/EXT

DC:

This

position

is

used

for power supply

from

the

battery

pack,

and

external

DC source

or

through

an

AC

adaptor

VTR/RCU:

This

position

is

used

when power

is

to

be

supplied

through the

26-pin

connector from the

VTR

or

the

Remote

Control

Unit

(RCU).

55.

Audio

Level

Selection

Switch

(AUDI0

LEVEL

-20/-60

dB)

Two

audio

output

levels

to

the

VTR

can be

selected

-20

dB

or

-60

dB. T

he camera has

been

preset

to

-20

dB

at the

factory

56. Earphone

Selection

Switch

(EARPHONE OUT

SEL,

INT/PB)

This

switch

selects

the

audio

signal

from

the

Earphone

jack

(46) to be

monitored

INT:

The sound

picked

up by the

microphone

can be

monitored

PB: The

played

back

audio

from a

3/4"

U-vision

recorder,

26-pin

MII

format

portable

VTR

or

14-pin

S-VHS

portable

VTR,

obtained

through the

VTR/RCU

Connector

of this adaptor can be monito-

morw

tored

Note: The camera has

been

preset

to

t

he

INT

position

at the

fac:ory

57.

VTR

Video Output

Selection

Switch 1

(SIGNAL SELECT 1)

This

switch

selects

the vi

deo

output si

gnal

supplied

t

o

the

VTR/RCU

connector (41)

ENC:

A

composite

video

slgnal

is

supplied for

1/ 2

VHS and

3/4"

U-VISION

portable

VTRs.

SELECT 2: The

slgnal

selected

by the

VTR

Video

Output

Selectlon

Swtch

(59)

is

output

from the

VTR/RCU

Connector

(41).

Note: The camera has

been

preset

to

the

ENC

post-

tion

at the

factory

.58.

VTR

Compatibility

Switch

(+1/+2/-1)

Set

thls

swltch

accordlng

to

the VTR type connected

to

the camera

+

1:

For

1/2"

VHS

VTRs.

+2:

For

3/4"

U-VISION

VTRs,

connected

to

the camera,

S-VHS

VTRs

and

MII

portable

VTRs

-1

:

If

a

VTR

of

other

manufacture is

used,

or

If

the

VTR

pauses when

the

tape should be

running

and

vice

versa,this

switch

should

be set

to

thls

posi-

tion.

Notes:

1 The

switch

has

been

preset

to the +1

position

at

the

factory

2

Some

VTRs

may not

operate

properly

when

con-

nected

to

this

camera,

even

though the

setting

of

this switch is

changed.

Please

consult

your

deal-

er

for further

Informatlon

-13 -

-59.

VTR

Video Output

Selection

Switch

2 (SELECT

2)

When the VTR Video

Output

Selectlon

Switch 1 is

set

to

the

SELECT 2

Position,

this

switch

should

be set

according

to

the VTR

type.

YlCiB:

The

chrominance

(C)

and

luminance

(Y)

si g-

nals

are

supplied

from

the

R,

G

and B

Output

Connectors

(145) of

the

RCU and from

the

VTR/RCU

Connector

(41) for S-VHS format

VTR.

WG/B:

The

R,

G and B

signals

are

supplied

from

the

R,

G and B

Output

Connector

(145) of the RCU

and from the

VTR/RCU

Connector

(41).

YBPIPR:

The

colour

dlfference

(R-Y & B-Y)

signals

and

luminance

(Y)

signal

are

supplied

from the

VTR/RCU

Connector

(41) and the

R,

G and

B

Output

Connectors

(145)

on

the

Remote

Control

Unit

for

MII

and Betacam format

VTRs.

60. Camera Adaptor Holding

Screws/Knobs.

These

screws/knobs

are

used

to

fix

the camera

adap-

tor

to

the Camera head

61. 68

-pin

Multi

Connector

When

mountlng

the camera

adaptor,

engage the

68

connectors

on

the Camera and the Camera

adap-

tor

CAMERA ADAPTOR

AW-AD700BSE

62. Camera

Handle

63. Camera Adaptor

Holding

Screw/Knob

The camera

adaptor

can be removed from the camera

after

loosening

two

knobs

on

top of the

adaptor

and

then

pressing

the

release

button

underneath

of

the

camera

while

pulling

on

rear

of camera

adaptor

64.

VTR

Start/Stop

Button

(VTR)

(parallel

operation)

This

button is

used

to

change

the recorder mode from

pause

(Recording

Pause) to recording and

functlons

in

the

same

way

as the VTR

Start/Stop

Button

on

the

lens.

Press

once

to

start

recording.

While

recording,

the

Tally

Indicator

in the

viewfinder

Iights

and the

Tally

Light

on

the

vlewfinder

also

lights

When t

he

button is pressed once more,

the

recorder is

set

to

the Pause mode

(Recording

Pause), and the

Recording/Tally

I

ndicator

and

Tally

Light

will go off

65.

Intercom/Earphone

Level

Control

(INCOM

EARPHONE)

Use

thls

control

to

freely

adlust

the

volume

level

in

the

earphone

connected

to

the Earphone

Jack

(68)

or

the

headset connected

to

the Intercom

Jack

(67)

-

14 -

F

66. S-Video Output

Connector

(S-VIDEO

OUT)

The

lumlnance

(Y)

and

chroma

(C)

signals

for S-VHS

VTR

or

monitor

are

provided

at

this

connector

67.

Intercom

Jack

(M6)

(INCOM)

This j

ack

is

used

for

communication

between

the cam-

era

operator

and

operators

of the

Remote

Control

Unit

(RCU)

and

Special

Effect

Generator

in the

system.

68. Earphone

Jack

(M3)

(EARPHONE)

When

an

earphone

is

connected,the

sound

picked

up

by the microphone

or

the

played

back

audio

from

a

3/4"

U-VISION

recorder, connected

to

the camera

through the

VTR

14-pin,

camera

connector,

can be

monitored Selection

of

the

audio

source is

enabled

by the Earphone Out

Selection

Switch

(71)

69.

RCU/VTR Signal Selection Switch

(RCU/VTR

SIGNAL

ENC,

Y/C/B,

R/G/B.

Y/PR/PB)

This

switch selects

the video

Output

signal

supplied

at

the

VTR/RCU

Connector

(79)

on

the

adaptor

and the

Red,Green and

Blue

O

utput

Connectors

on

the

Remote

Control Unit

(RCU).

The

switch

has

been

set

to the

R/G/B

position

at

the

factory

ENC:

The

composite

Output

signal

for the

VTR,

such

as

1/2

VHS o

r

3/4"

U-

Matilc,

is

supplied

Y/C/B:

The

chrominance

(C)

and l

uminance

(Y)

sig-

nals

are

supplied

from the

R,

G and B

Output

Connectors

for S-VHS format

VTR.

R/G/B:

The

R.

G and B

stgnals

are

supplled

from the

R.

G and

B

Output

Connectors.

Y/PB/PR:

The

colour

difference

(R-Y

&

B-Y)

signals

and

luminance

(Y)

signal

are

supplied

from the

VTR/RCU

Connector

(79) and the

R,

G and B

Output Connectors

on

the

Remote

Control

Unit

for

MII

and Betacam format

VTRs

70.

VTR

Compatibility Switch

(+1/+2/-1)

Set

this

switch

according

to

the

VTR

which

is

connect-

ed

to

the camera.

+1:

For

1/2"

VHS

VTRs

+2:

For

3/4”

U-vision

VTRs,

connected

to

the camera

uslng

a

14-pin

connector,

S-VHS

VTRs

and

MII

portable

VTRs

-1

:

If

a

VTR

of

other

manufacture is

used,

and if

this

VTR

pauses when the tape

should

be

running

and

viceversa,

this

switch

should

be set

to

this

posi-

tion

Notes:

1 The

switch

has

been

preset

t

o

the +

1

posltlon

at

the

factory

2

Some

VTRs

may not operare

properly

when

con-

nected

to

this

camera,

even

though the

setting

of

this

switch

is

changed.

Please

consult

your

dealer

for further

mformation

71. Earphone Out

Selection

Switch

(INT/PB)

This

switch

selects

the

audio

signal

from

the

Earphone

Jack

(68)

to

be

monitored.

INT: The

sound

plcked

up by the

microphone

can be

monitored.

PB: The

played

back

audio

can be

monitored

Note: The camera has

been

preset

to the INT

position

at

the

factory

72.

Audio

Level

Selection

Switch

(AUDI0

LEVEL

-20/-60

dB)

Two

audio

output

levels

lo

the

VTR

can be

selected:

-20

dB

or

-60

dB

The camera has

been

preset

to

-20

dB

at

the

factory

When

using

this

adaptor

with

WVRC700A,

set

this

switch

to

the -20

dB

position

73. Cable

Selection

Switch

(VTR

MULTIPLEX)

This

switch

is

used

to

select

either

the

multicable

VTR/RCU

cable

or

the

single

coaxial

multiplex

cable.

When

using

the

multi-cable

in

the

VTR

or

Remote

Control

Unit

(RCU),

set this

switch

to

VTR MULTI

posi-

tlon.

In case

of

the

multiplex

or

VP

multiplex

operatlon

using

a

coaxial

cable,set

this

switch

to

MPX

position

Note:

Video

Power

(VP)

Multiplex

system is

multiplex

signal

and

power

are

supplied

uslng

a

slngle

coaxial

cable

74. Video Output

Connector

(B

NC)

(VIDEO

OUT)

A

composite

vid

eo

signal is

provided

at

this

connec-

tor

-15 -

75. Gen-lock Input

Connector

(ENC)

(GEN-LOCK)

The

colour

vi

deo

signal

of

the camera is

automatically

synchronized

to

the gen-lock

signal

(composite or

black burst)

whtch

is

supplied

to

this

connector.

The

gen-lock

signal

is

used

for

system

reference,

such

as

when

using

a

Special

Effects

Generator

Caution:

If the gen-lock

signal

is

jittery

(such

as when

obtained

from VTR p

layback),

the camera may

not be

able

to

synchronlze

properly.

76.

Multiplex

Signal

Input

Connector

(MPX)

Communications

between

the camera

side

and the

Remote

Control

Unit

(RCU) are

available

through

a

Single

coaxial

cable by

using

this

Connector

as the

composite

signal,

gen-lock

signal,

control

signal

and

Intercom/audlo

signal

are

multiplexed,

and the

com-

posite

signal

is

output

from the

Remote

Control

Unit.

(RCU)

77.

External

DC

Input

Connector

(XLR,

4-pin)

(EXT DC)

This

connector

accepts

the

power

cable from

an

external

DC

source suppying

nominal

power

of

12V.

2A

(a

belt

type battery

or

car battery for

example)

This

connector

also

accepts the

power

cable from

an

AC

adaptor. F

or

powering

the

studlo

configuration,

a

12V DC, 2,5A

power

source is required.

Cautions:

?? Use only

with

a

12V DC

power

source

with

a

Class

2

rating.

Do

not

use

with

an

external

stor-

age

battery

unless

provided

with

an

8A

rated

fuse,

located

withln

5

inches

of

the battery

con-

necting

means.

??

An

external

DC

source

supplied

to

this

connector

gets the highest

priority,

if it is

selected

before

the battery

connector

or

Multicore/VTR

DC

source

78.

Circuit

Protector (BREAKER)

When

excessive

current

flows

i

nto

the camera due

to

some

fault,

the red button of

this

cIrcuit

protector

pro-

trudes

to

cut

off

the

circult

power

After

solving

the

problem,

press

the red button

again

to

reset

the

circuit

protector.

Caution:

Refer

serving

to

qualifled

serwce

person-

nel

to

solve

the

problem.

79.

VTR/RCU

Connector

(26pin)

(VTR/RCU)

When

using

the camera together

with

a

Panasonic

portable

colour

VTR,

the

specified

VTR Cable

should

be connected

between

the camera and

VTR.

T

his

connector is

also

used

for

connection

with

the

26-pin

studio

cable from the

Remote

Control

Unit

(RCU)

for

comprehensive

system

operation.

When

connecting

the

26-pin

studio

cable t

o

this

connector,

the

camera

is automatlcally

set

to

the

Remote

Control

Unit

(RCU)

operatlon

mode

??

3/4"

U-vlsion

portable

VTR

(14-pin)

WVCA26A14

(26P-14P

cable)

MII

portable

VTR

(26-pin)

WV-CA26A26

(26P-26P

cable)

?? 26

Studio

Cable

(RCU

Cable)

WV-CA26U15

WV-CA26U30

WV-CA26U100

80

.

Lens

Connector

Thi

s

connector is

used

to

connect the le

ns

cable

for

zoom,

focus

or

servo

control.

81.C

ontrol

connector

This

connector is

used

to

connect the optional Pan/T

ilt

Control Cable

WV-CA10U25

92.

Battery

Connector (BATTERY)

Connect the

cord

from the Battery

Pack

t

o

this

con-

nector

93.

Recording/Tally

Indicator

(red)

(REC

TALLY)

This

i

ndicator

Iights

when the

VTR

is set

to

the

record-

ing

mode (through the

VTR

Start/Stop

Button) and

informs the p

erson

concerned

of scenes being

14X SERVO CONTROL ZOOM LENS AW-LZ14ST73

recorded.

The

Tally

indicator

also

lights when the

camera is

in

full

system operation together

with

the

Remote

Control

Unit

and

Special

Effects Generator i

n

case

a

tape

is

not loaded

or

the tape end is reached,

or if

the

servo

mechanism

is

working

i

mproperly,

this

indicator

will start

blinking

to

warn the

operator

of

such

faults.

Note:

lf

a

portable

VTR is not connected to the cam-

era,the

Recording/Tally

indicator will not light.

84.

Battery

Pack

Mounting

Angle

Mount the

AC

Adaptor/Charger

WV-PS34

or

Power

Separator

WV-PS700

on

the camera by

sliding

i

t

down

along

this

mounting

angle

85.

66-pin

Multi Connector

When

mounting

this

adaptor

engage

the

66-pin

con-

nectors

on

the camera and

this

connector

94-

-16 -

86.

Le

ns

Cable with

12-pin

Connector

This cable s

upplies

power

to

the

servo

control

zoom

motor and the

automatlc

iris

control

device.

The cable

should

be connected

to

the

Lens

Connector

(1)

on

the camera.

87.

Auto Iris Button (IRIS)

When

this

button

is

pressed

while

the

lris

Control

Selection

Switch (86) is set

to

the M (manual) position

t

he

Iens

iris is

automatlcally set

according

to

the

light

intensity

reaching

the

lens

Note: Button must be pressed

for

5

seconds

or

improper iris

setting

will

result

88.

Iris Control

Selection

Switch(A/M)

This

switch

selects

the

operational

condition of the

lens iris:

A(Auto): The

lens

iris is

automatically

controlled.

When the camera is

used in

studto

applications

together

with

the

Remote

Control

Unit

(RCU), this

switch

should

be set

to

the

‘A’

position. In this

case,the

lens

iris is remotely

controlled

from the

RCU

or

RCB

M

(Manual): The

lens

iris can be manually

controlled

by

rotatlng

the

lris

Rlng

(97).With

this

setting, the

correct

lens iris

setting

can

also

be set by

press-

ing

the Auto

Iris

Button (87).

89.Servo

Zoom

Control

(Wide/Tele)

The

zoom

function

of

this

1.4f

zoom

lens

can be

con-

trolled

by

pressing

this

control.

Zooming

to tele as

well

as

wide

angle is

possible.

Furthermore,the

zoom-

i

ng

speed

can be

controlled

by

changing

the

pressure

applied

on

this

control.

90.

Return

VideoButton

When

an

auxlllary

signal

such

as a

Ilneview

signal

from a

Special

Effects Generator is supplied to the

auxiliary

connector of the

Remote

Control

Unit

(RCU)

while

the camera is set up for system operatlon,

this

signal

can be

previewed

on

the

electronic

viewfinder

as

long

as

this

button is kept pressed. When a

3/4"

U-

vision

portable

recorder,

connected through the

VTR

s

14-pin

camera i

nput

connector,

or

an

S-VHS

VTR

recorder

is

set

to

the playback

mode,

the played

back

picture

can be

viewed

as

long

as

this

button is

kept

pressed

91. Auto Iris Sensitivity Control (IRIS GAIN)

With

setting

theiris Control

Selection

Swltch

(88)

to

the A

position,

adjust

the iris

Galn

by

turnlng

this con-

trol.

92.

VTR

Start/Stop

Button(VTR)

This

switch

is

used

to start and pause the

connected

recorder.

The

function

of

thls

button is i

dentlcal

t

o

the

VTR

Start/Stop

Button (5)

on

the camera

-17 -

After

having

set the

recorder

to the

recording

standby

mode,

pr

ess

this

button

to

start and pause

recording.

While

recording

is in

progress, the Recording/Tally

indicator

in the

viewfinder

and the

Tally

Light

(101)

on

front of the

viewfinder

lights.

93.

Servo/Manual

ZOom

Selection

Switch

(SERVO/MANU)

This

swltch

is

used

to

select

between

zooming by

servo

control or

manually

SERVO:

Zoom

operation is performed by

pressing

either

side

of the

Servo

Zoom Control (89)

MANU:

Zoom

operation is

performed

manually

by

rotating

the Zoom

Ring/Lever

(96)

94. Connector

for

Zoom

Remote

Controller

The Zoom

Remote

Controller

i

ncluded in

the

Lens

Control

Kit

WV-LK35

should

be connected

to

thls

con-

nector.

This

will

allow

remote

control

of

zooming

95.

Focus

Ring

Rotating

this

ring will

I

change the

lens

focus.

By

observing

the

picture

in

the

vliwfinder,

correct

focus

can

easily

be set.

With the

optlonal

Lens

Control

Kit

WV-LK35,i

ncluding

flexible cable for the

Zoom

Remote

Controller

and

Focus

Controller,

zooming

and

focusing

can be

remotely

controlled.

96. Zoom

Ring/Lever

By

seyying

the

Servo/Manual

Zoom

Selection

Switch

(93)

to

the

MANU

(manual) position,

zooming

can be

manually

performed

through use of

this

rlng/lever.

13

times

magniflcation is

posslble

from

wide

angle

to

telephoto.

Whenthe

Servo/Manual

Zoom

Selection

Switch

(93) is set

to

the SERVO

position,

zooming is

performed

with

the

Servo

Zoom Control

(69)

97. Iris

Ring

When the iris Control

Selection

Switch (66) is set to the

M (manual)

positlon,

the

lens iris

can be

manually

adjusted by

rotating

this

ring.

98.

Flange-back

Lock

Knob

The

Flange-back

Adjustment

Ring

(99) can be locked

by

turning

this

knob.

99.

Flange-back

Adjustment Ring

The

flange-back

(or

back

focus) of the

lens

can be

adfusted by

rotating

this

ring.

The

Flange-back

Lock

Knob (98)

should

be

released

prior

to

adjustment

100.

Macro

Ring/Button

For

close-up

shooting,

rotate

this

ring

to

the

macro

area

while

pressing

this

button. After

setting

lhe

Servo

Zoom Control

(69)

to

the WIDE

position,

close-

up

shooting

up

to

approximately

50 mm

(2”)

from

the

lens

surface

is

posslble

by

rotating

this

ring

1.5” ELECTRONIC VIEWFINDER WV-VF42

101.

Tally

Light

This light is lit when the Tally

ON/OFF switch

(105) is

set to O

N

position

and the

VTR

has

been

set to the

recording mode with

the

VTR

Start/Stop

Switch.

This

light i

ndicates

that

recording in in progress.

102.

Accesory

Shoe

DO

not

mount

a

light

source

103.

Eye

Cap

The

eye

cap,

besides

blocking

out

stray light,offers

comfortable

viewing

of the monitor

picture.

The cap

may be flipped

open

i

f

thls

is

desired.

104.

Diopter

Adjustment

Ring

Rotate

this

rlng

for

optimum

diopter

setting

Note:

Loosen

the

Lock

Ring

(110)

before

this

adlust-

ment

105. Tally ON/OFF Switch

(TALLY

ON/OFF)

This

swtich

turns

ON/OFF the Tally

Light

(101)

located

on front

of

fhe

viewfinder

LED

Indicators

in

the

Electronic

Viewfinder

r

-Recording/Tally

Indicator

(Red)

This

i

ndicator

lights

when the

VTR is

set

to

the

recording

mode by

pressing

the VTR

Start/Stop

Switch.

When

using

the camera

with

a

3/4"

U-vision

recorder

or

1/2"

S-VHS portable VTR,

through

the use of the

VTR’s

14-pin

camera

connector,

MII

portable

VTR’s

26-pin

connector.

I

f

the

vldeo

tape is

not

loaded,

the tape

end

is reached

or

if

the

servo

mechanism

is

not

working

properly,

this

Indicator

blinks

to

warn

the

camera

operator.

Nota:

If

a

portable VTR is

not

connect-

ed

to

the camera,the

Recording/

Tally

Indlcator

will

not

Iight.

-Auto

Warning

Indicator

(Green)

This

Indicator

blinks

while

the

white

balance

or

black balance is

being

automatically

set.

This

indicator

lights

when the

white

or

black balance is set

i

mproperly.

In

this

case,

carry

out

the

automatlc

settlng

procedure for

white

and/or

black balance.

-

Battery

Warning

Indicator

(Amber)

When

this

lndicator

blinks,

the

battery

should

be

replaced.

The battery

will

only

supply

suffi-

cient

power

to

the camera for

a

few minutes

after

the i

ndicator

starts

blinking.

-

Shutter/High Gain

Indicator

(GreenlRed)

The

Indicator

lights

red

to

indicate

high

gain

selection

of

MID

or

HIGH

has

been

selected

with

the

High/Gain

Selection Switch (29)

When the

shutter isturned

on,

this

Iights

in

green.

This

indicator

Iights

yellow

to

indicate

the

shutter

on

when

the

high

gain

selection

of MID

or

HIGH

has

been

selected.

And

also

this

indicator

lights

yellow

to

indIcate

the

shutter

on

when the

high

gain

selection

of N

E

has

been

selected

by the

Colour

Bar/Night

Eye/Camera

Selectlon

Switch (27).

106.

Brightness

Control

(BRIGHT)

Turn

this

control

clockwise

t

o

i

ncrease

the

brightness

of

the

picture

in the

wiewfinder.

107.

Contrast

Control (CONTRAST)

Turn

this

control

clockwise

to

increase

the

contrast

of

the

picture

in

the

viewfinder

108.

Peaking Control (PEAKING)

When

shooting

under

low light

conditions,

turning

this

control

clockwise

will

facilitate

easy

focusing

adjust-

ment.

109.

Viewfinder

Slide

Stopper

When

removing

the view

finder

from the camera,

fist

release

the vi

ewfinder

Lock

lever

and

then

slide

the

viewfinder

to

the

right

(as

viewed

from

the

front)

while

pulling

this

stopper

110.

Lock

Ring

After

completing

the

diopter

adjustment,

tighten

this

ring

REMOTE

CONTROL UNIT WV-RC7OOA

$1

YO

!k

The

illustration

of the front panel

shown

above

has

been

stuck

the operation seat.

111.

Power

Switch (POWER,

ON/OFF)

Thls

swltch

turns

on

and off the

power

of

the

Remote

Control Unit (RCU)

112.

Power

Indicator

This

switch

Iights

red

whenever

the

unit

is

operating.

113.

Luminance

Gain

Fine Control (Y

ADJUST)

This

control

allows

for

fine

adjustment

of the

lumi-

nance

signal

level

for

matching

the

levels

of

all

cam-

eras in

a

system.

Adjust

this

control

only

after

having

set the Cable Length

Compensation

Switch (115)

to

the

correct positi

on

114.

Chroma

Gain

Fine Control

(CHROMA

ADJUST)

This

control

allows

for

fine

adjustment

of the

chroma

signal

level

for

matching

the

chroma

levels

of

all

the

cameras in

a

system.

Adjust

this

control only

after

hav-

ing set the Cable Length

Compensation

Switch

(115)

to

the

correct

position

115. Cable Length Compensation Switch

(CABLE/COMP)

This

swltch

is

used t

o

compensate for

extensive

cable

lengths

used

with

the

26-pin

multi-cable

between

the

camera and

Remote

Control

Unit

(RCU)

1

Use for cable

length

of

less

than

75m (225

ft)

2

Use for cable l

ength

of

75-150m

(225-450

ft

)

3

Use forcable

length

of

150-230m

(450-690

ft)

4

Use for cable length

of

230-300m

(690-900

ft)

This

switch is also used

to

compensate for

extensive

cable

lengths

used

with

the

coaxial

cable

between

the

camera and

Remote

Control

Unit

(RCU)

1. U

se for cable length of

less

than 50m

(450

ft)

2. Use for cable

length

of

150-300m

(450-990

ft)

3 Not

avallable

4 Not

avallable

116.

Cable Indicator (CABLE,

MULTI/MPX)

Thls

indicator

shows the

setting

position

of t

he

Cable

Selection

Switch (152)

on

the

rear

panel

-18 -

-19 -

117.

Remote

Control

Box

(RCB)

Operation

Switch

(RCB)

When

co

nnecting the Remote Control Box to the cam-

era

without using the Remote Control Box, set this

switch to ON position. When the RCB is installed in the

RCU, this switch can not operate.

118.RemoteControlBoxIndicator (ON/OFF)

This indicator lights when control data is communicat-

ed between the camera and the Remote Control Unit

(RCU)

or

Remote Control Box (RCB).

119.

High Gain Selection switch

(GAIN.

HlGH/MID/LOW)

The gain up level

can be

selected

by

this

switch

The

Ievet

of

HIGH,

MID and LOW can be set by

the

Sub

Menu

with

the

combination shown

below

120. Night

Eye

Selection Switch

(NIGHT

EYE,

HIGH/LOW/OFF)

HIGH:

Gain-up

level

of

+36

dB can be

obtalned

at

this

position

LOW:

Gain-up

level

of

+30

dB

can be

obtained

at

this

position

OFF:

Gain-up

level

can be set by the High

Gain

Selection

Switch

(119).

Note: When

this

switch

is

set the HIGH

or

LOW

posi-

tion,

the High

Gain

Selection Switch (119)

does

not

work.

121.

Colour

Bar/Camara

Selection Switch

(BAR/CAM)

In a system

configuration,

this

switch is

used

for

signal

selection

between

camera mode and

colour

bar

mode.

BAR: A

colour

bar

signal

is

provlded

from the Video

Output

Connector (146)

on

the

Remote

Control

Unit

(RCU)

CAM: The actual

picture,

as

picked

up through the

lens is displayed

122.

Detail

Level Selection Switch

(DTL,

LEVEL-HIGH/LOW/OFF)

The

detail/aperture

level

can be selected by

this

switch

in

three

steps. Set

this

swltch

to

the desired

position

while

observing

the

sharpness

of the

picture.

123. Red and

Elua

Gain

Controls

(PAINTlNG,

R

GAINB

GAIN)

These

controls

are

used

to

manually

adjust

the

whlte

balance.

These

controls

only

work when the

Whlte

Balance

Selection Switch (126) is set

to

the A

or

B

position

and

PAINTING in No. 2 Sub

Menu

is set

to

the

ON

~

turn

the

controls

clockwise

to

in

crease

the

red and

blue signal levels and

counterclockwise t

o

decrease

these

levels.

Note:

As

these

controls

employ

Digital

Processing,

the Red and

Blue

signal

levelswill

be

changed in

discrete steps

124. Red and

Blue

Pedestal

Level

Controls

(PED,

R/B)

The black

balance

can be set

manually

by

these

con-

trols

when

fine

PAINTING

in

No.2 Sub

Menu

is set

to

the

ON.

Turn

these

controls

clockwise

to

i

ncrease

the

red and

blue

pedestal

levels,

and

CounterclockwIse

to

decrease

the

levels

Note: As

these

controls

employ

the

Digital

Processing,

these

level

will

be

changed

in

dls-

crete steps

125. Total Pedestal

Level

Control (TOTAL PED)

This

control can

adlust

the pedestal

level

of

the

vtdeo

slgnal

(IumlnanCe)

for

matchlng

tha

black

ievel

between

WO

or

more cameras

in

a system.

Turn

this

control

clockwlse to increase

the pedestal

level,

and

counterclockwise

to

decrease

the

level.

Note: As

this

control

employs

the

Digital

Processing.

this

level

will

be

changed

in

discrete

steps.

126. White Balance Selection Switch

(AUTO/ATW,

ATW/A/B)

This

switch

is

used

to

select

the

white

balance

modes

as

follows:

ATW:

The

white

balance can be

adjusted

automatical-

Iy

A:

The

White

Balance can be set

automatically

by

pressing

the Auto

White/Auto

Black

Set Swltch

(127) upwards. The

setting

is

stored

in

memory

A.

B:

Simllar

to

A,

but

the

setting is

stored in memory B

Note: Two

white

balance

setting,

one

each

for

dlffer-

ent

lighting

conditions

such

as

indoor

and

out-

door,

may

be

stored in

the

two

memories,

A and

B.

127. Auto

White/Auto

Black

Set Switch

(AWC/HOLD/ABC)

This

switch

Sets

the

white

balance and black balance

automatically

as

follows:

AWC:

This

position

is

used

for

setting

the

white

bal-

ance when the

White

Balance Selection Switch

(126) is set to the A

or

B

position.

White

balance

adjustment

is

required

when "AWC A NG"

or

"

AWC

B

NG" is

displayed

in the

viewfinder

or

when the Auto

Warning

i

ndicator

(129)

on

Iights

HOLD:

In

this

posltlon,

the

white

and black balances

set

at

the AWC

or

ABC

position

can be

held

flxed,

if

so desired, for

at

least

one year

ABC:

Thls

posltlon

IS

used

for

senlng

the black bal-

ance when the

White

Balance

Selectlon

Swltch

(126)

is

set

to

the

A

or

B

positlon

2

Black

balance

adjustment

is

required

when ‘ABC NG’

is

displayed

in

the

viewfinder

or

when the Auto

warning

in

dicator

(129)

on

the

Remote

Control

Unit

(RCU)

Iights.

Note:

While

the black balance

adjustment is

being

performed, the

picture will

flash in the

vlewfinder

and

on

the

monitor

screen.

This

flashing

i

ndicates

that the

adjustment

is

currently

being

performed

and will

cease

once the

adjustment

is

completed.

128.

Lens

Iris Selection Switch (IRIS,

M/A/AUTO)

This

switch is used

to

set the

lens

iris of the auto-iris

servo

control

zoom

lens

as

follows.

AUTO: The iris

level of

the

lens

is

controlled

automati-

cally

Note: Be

sure

to

set the iris Control

Selection

Switch

on

the

zoom

lens

to the AUTO

position

MAN: The iris

level

of

the

lens

is

controlled

to

the

desired

level

by

using

the

Lens

i

ris

Control (130).

129. Auto Warning

Indicator

(AUTO)

This

i

ndicator

blinks

while

the

white

balance

or

black

balance is

being

automatically

set, it

goes

out

once

the

white

and black balances

have

been

correctly

set

This

i

ndicator

Iights

when the

white

or

black balance is

set

improperly. I

n

this

case,

carry

out

the

automatic

setting

procedure for

whtte

and/or

black balance

130.

Lens

Iris Control (IRIS)

The iris

level

of the

zoom

lens

can be

manually

con-

trolled

by

turning

this

control when the

Lens

Iris

Selection

Switch (128)

is

set

to

the MAN

position.

‘AUTO IRIS'

on

Sub

Menu/User

Set

Menu is

set

to

‘ADJ

ON' in

the Auto

Iris

mode,

the

fine

adjustment

of

this level is avalilable

131. Scene Selection Switch

(SCENE

USER

SET,

1,2,3)

This

switch

is

used

to

select

the most

suitable

camera

conditions,

depending

on

scene

conditions,

to

obtain

the best

picture

possible.

Refer to

page60 for

details

132.

Electronic

Shutter

Speed

Selection Switch

(SHUTTER

0FF/120,500,1000,

S/S,

ELC)

This

switch is

operative

only

when

a

camera

featurlng

the

electronic

shutter is

connected

with

the

Remote

Control

Unit.

When

fast-moving

objects

are shot

at

the

slow

shutter

speeds

typically

found in

conventional

cameras

they

will appear

blurred.

OFF:

Set

this

switch

to

this

position

when

recording

normally

with

standard shutter speeds

120/500/1000:

Choose

the

suitable

shutter

speed

from

these

S/S:

The

shutter

speed

can be

continual

changed

from 50 0 250 4 Hz

at

this

position

by

using

the

SYNCRO in No 1 Sub

Menu

ELC:

The

ELC

posistion

makes

the

electric

control for

the

luminance

with

the

shutter

-21 -

Note: The

smear

may be appeared

with

the

high

light

objects

133. Down

switch

(DOWN)

used

to

choosa

eslred

This

switch is

used to

decrease

the

set value

of

the

item p

ointed

out

by

the cursor

when in

the

User

Set

menu

134. Up Switch (UP)

This

swltch

is

used

to

increase

the

set value

of

the

desired

item

pointed

out

by

the cursor when

in

the

User

Set

menu.

135. Item Switch (ITEM)

This

switch

is

used

to

choose

the

item

in

the set-up

menus.

136. Page Switch (PAGE)

This

switch

is used to choose the desired set-up menu

menu

from the four

menus.

137.

User

Set ENC/VF Selection Switch

(ENC/VF,

OFF/ON)

This

switch

selects

Encoder

output

or

EVF

(black

and

white)

output

from the

Video

Output

Connector and

whether the

User

Set

Function is

available

as

follows

1

Switch set

to

position

ENC/OFF

The

User

Set

function is

not

available

2 Switch set

to

position

ENC/ON:

The

User

Set

function is

available.

3.

Switch

set

to

position

VF/ON:

User

Set

functionisavailable

and the

menu is

dis-

played

on

the

monitor

and EVF

138. Horizontal

Phase

Control for Gen-lock (H PHASE)

The

horizontal

phase

of

the camera

signal

can be

adjusted

to match the

horizontal

phase of the signal at

slgnal

at

the Gen-lock

Input

Connector (143).

139.

Subcarrier

Phase

Coarse

and Fine

Controls

(SC PHASE COARSE/FINE)

These

controls

allow

for

adjustment

of

the camera

sig-

nal

subcarrier

phase from 0º

to

360º,

to

match the

phase

with

that

of

the

burst

signal

at

the Gen-lock

Input

Connector (143)

in

a system

configuration

The COARSE

control

adjusts

the subcarrier phase

subcarrler

phase

from 0º

to

360º

in

90ºsteps,

while

the FINE control

allows

for

continuous

fine

adjustment

over

a

range

of

90º

140.

Intercom

Jack

(INTERCOM)

This

jack

is

used

for

communications

between

the

’

camera

operator

and

Remote

Control

Unit

(RCU)

operator

in

a system

configuration

with

a

Special

Effects

Generator

141. Tally Indicator (REC/TALLY)

When the

Remote

Control

Unit

(RCU)

is

used

in

con-

junction

with

a

Special

Effects

Generator,

the

Tally

Indicator

Inside

the

viewfinder

as

well

as

this indicator

on

the

Remote

Control

Unit

(RCU)

will

light

to

indicate

that

recording

is

in

progress.

Note:

When

using

the

Remote

Control Box

(RCB) in

the

Remote

Control

Unit

(RCU),

the

recording

start/stop

function

is

not

avallable.

143. Intercom

Level

control

(INTERCOM

LEVEL)

Use this

control

to

adjust

the

volume

level

in

the

head-

set

connected to

the

Intercom

Jack

(140)

143.

Gen-lock

Input

Connectors

(BNC)

(GEN-LOCK

IN AUTO

75Ohm. / H i- Z

OUT)

These

connectorsreceive the gen-lock signal (black

signa1

149.

Tally

and

Intercom

lnput

Connector

(TALLY

&

INTERCOM)

Connect

a

4-pin

cable

between

this

connector and the

Tatty and

Intercom

Output

ot the Speclal Effects

Generator

150.

Fuse

(250V

1,25A)

151.

Multiplex

Connector (MPX)

This

connector

is

connected to the

Multiplex

(black

Connector ot the camera

with

coaxial

cable

(5C-2V

or

burst

or

composite)

from the

Special

Ettects Generator

equal)

for

system

reference.

Note: When

using

this

connector. set the Cable

When connecting

a

coaxial

cable

with

BNC connector

Selection

Switch

(152) to MPX

position

to

this connector,

this

connector

is

automatically

termi-

152. Cable

Selection

Switch

nated

with

75 ohms. (CABLE SELECT,

MULTI/MPX)

Caution: As

this

connector

is

in

parallel

connection

Set

this

switch

to the MULTI

or

MPX

position

accord-

with

the

Remote

Control

Box

Gen-lock Input ing to the control cable

used.

Connector (155),do not

input

gen-lock

signals

to

MULTI:

Select

this

position

when the

26-pin

cable

both

of

these connectors

simultaneously

(Multi

cable)

is

used

to control the camera

144. Auxiliary Input

Connectors

MPX:

Select

this

position

when the

coaxial

cable

(5C-

(AUX

IN-AUTO/75Ohm.

Hi-Z

OUT)

2V)

is

used

to

control the camera

These connectors

receive

the

lineview

signal

from

a

Caution: Do

not

use the

multi-cable

and the

coaxial

Special

Effects Generator.Two connectors are

provid-

cable together

ed for

bridging

or

looping

application

153.

Multi-cable

Connector (CAMERA)

When

connecting

a

coaxial

cable

with

BNC connector

This

connector

is

connected

with

the

VTR/RCU

to

this

connector,

this

connector

is

automatically

termi-

Connector (41) by

using

the

multi-cable

(26-pin)

nated

with

75 ohms Note: Be

sure

to

Set the Cable

Selection

Switch

(152)

145. Red,

Green

and

Blue

Output Connectors

to

the

MULTI

position.

(OUTPUT-R/PR/C,

G/Y/Y,

B/PB/B)

154. Monitor Output Connector of the

Remote

Control

Signals

supplied

from these connectors are

selected

Box (RCB)

by the

RCU/VTR

Signal

Selection

Switch

(69)

on

the As

this

connector

is

in

parallel

connection

with

the

Camera Adaptor.

Refer

to

page 47 tor

setting

the OUTPUT-VIDEO 2 Connector (146).do

not

output the

RCU/VTR

Selection

Switch.

signal

slmultaneously

from both connectors.

Note: The

RCU/VTR

Signal

Selection

Switch

(69)

on

the Camera Adaptor has

been

set

to

the

ENC

155. Gen-lock Input Connector

of

RemoteControl Box

position

at the

factory

This

connector

is

used

to

input

the gen-lock

signal

to

the

Remote

Control Box when

using

the

Remote

146. Video Output Connectors Control

Box

extended trom the

Remote

Control

Unit

(OUTPUT-VIDEO 1, VIDEO 2)

These connectors supply

a

composite

video

signal

to 156. RemoteControl

Unit

Extension

Connector

a

Special

Effects Generator,

a

Video

Monitor

or

a VTR

This

connector

is

used

to

extend

the

Remote

Control

Note:

This

connector

is

in

parallel

connection

with

the Box from the

Remote

Control Unit

or

from the camera

Monitor

Output Connector (154)

on

the

Remote

by

using

the

optional

RCB cable

(WV-CA10B02/WV-

Control

Box

(RCB).

CA10B25/WV-CA10B50)

The

maximum

cable

length

for the

extension

is

100m

147. Sync Output Connector (SYNC

OUTPUT)

(300 tt)

This

Connector

supplies

a

negative

4Vp-p/75

sync

Refer

to the

following

table

signal

to the Sync Input of

an

RGB

Colour

Video

Monitor

tor

synchronization.

148. S-Video Output Connector (S-VIDEO)

This

connector

outputs

the

Y/C

signal

when the

RCU/VTR

Signal

Selection

Switch

(69)

on

the camera

adaptor

is

set to the

Y/C/B

Position

Note: As the

video

level

is

changed

by

using

various

cable

lengths,

under

certain

conditions

it

may be

out

of

the

specification

for the

AW-F575E.

- 22 -

157.

Remote

Control Unit Connector

This

connector

is

used

for

directly

connecting

with

the

Remote

Control

Box Connector (159)

on

the

Remote

Control

Unit.

158. Not

used

159.

Remote

Control

Box

Connector

This

connector

is

connected directly

with

the

Remote

Control

Unit

Connector (157)

on

the

Remote

Control

BOX.

160.

Remote

Control Box

Extension

Connector

This

is

connected

to

the

Remote

Control

Unit

Extension

Connector (156)

on

the

Remote

Control

Box

by

using

the

optional

cable.

Refer

to

Item

156 tor more

details.

161. Control Connector (CONTROL)

This

connector is connected

with

the control

connec-

tor ot the

pan/tilt

unit

or

lens

control by

using

the

multi-

cable

(15-pin)

DEFROSTER

|

25V

|

0

WIPER

|

25V 0

|

Lens

Control

Voltage

Note: The

impedance

for the control

voltage

should

be 2 kohms

or

less

-23 -

162.

Audio

Output

Jack

(AUDI0

OUT)

By

setting

the

Audio

Level

Selection

Switch

of the

Camera Adaptor

AW-AD700BSE

to

the

-20

dB

posi-

tion,

the

audio

output

is

available.

Note: In case of

Multiplex

or VP

Multiplex

operation,

set the

Audio

Level

Selection

Switch

ofthe

Camera Adaptor

AW-AD700BSE

to the -20

dB

position.

Me

Switch

1

on

the

Audio

Board

in

side

the Camera Adaptor

AW-AD700BSE

and

Switch

2

on

the MOD board

inside

this

unlt

to

the AUDI0

position

for the

Audio

Output

function

to

be

acti-

vated

REMOTE CONTROL UNIT RACK

MOUNT FRAME WV-Q70

165.

Rack-mounting

Spacer

This

is

used

when

mounting

a

single

Remote

Control

Unit

in

a

rack

166.

Rack-mounting

Angles

These

two

Rack-mounting

Angles

are

used

for

mount-

ing

two

Remote

Control

Units

side

by

side

in

a

rack

167.

Remote

Control Unit

Joining

Bar

These

bars

are

used

to

join

two

Remote

Control

Units

together.

REMOTE CONTROL

UNIT

WV-RC550

171.

Power

Switch (POWER

ON/OFF)

This

switch

turns

on

and off the

power

of

the

Remote

Control

Unit

(RCU)

172.

Power

Indicator

This

switch lights red

whenever

the

unit

is

operating.

173.

Tally

Indicator

(TALLY)

When

this

unit

is

used

in

conjunction

with

a

Special

Effects

Generator,

this

indicator

will

light

to

indicate

the

selection

of

this

unit

from

a

Special Effects

Generator

175. Night

Eye

Selection Switch

(NIGHT

EYE,

HIGH/LOW/OFF)

HIGH:

Gain-up

level

of

+36

dB

can be

obtained

at

this

position.

LOW:

Gain-up

level

of

+30

dB

can be

obtained

at

this

position

OFF:

Gain-up

level

can be set by the

High

Gain

Selection

Swttch

Note: When

this

swttch

is

set

to

the HIGH

or

LOW

position

the

gain-level

setting

by the

High

Gain

Selection

Switch

(174)

is

not

available

176.

Colour

Bar/Camera

Selection

Switch (BAR/CAM)

In

a

system

configuration,

this

Swttch

is

used

for

signal

selection

between

camera

mode

and

colour

bar

mode

BAR: A

colour

bar

slgnal

is

provided

from the

Video

Output

Connector

(205)

of

this

unit

CAM: The actual camera

picture,

as

picked

up

through

the

lens,

is

displayed

174. High

Gain

Selection Switch (GAIN,

HIGH /MID /LOW)

The

gain-up

level

can be selected.

The

level

of

HIGH,

MID and LOW can be set by the

Sub

Menu

with

the

combination

shown

below

-24 -

177.

Detail

Level

Selection Switch

(DTL,

LEVEL-HIGH/LOW/OFF)

The

detail/aperture

level

can be selected by

this

switch in

three

steps. Set

this

switch

to

the

desired

position

while

observing

the sharpness of the

picture

178. Auto

White/Auto

Black Set Switch

(AWC/HOLD/ABC)

This

switch

sets

the

white

balance and black balance

automatically

as

follows.

AWC:

This

position

is

used

for

setting

the

white

bal-

ance when the

White

Balance

Salection

Swttch

is

set

to

the A

or

B

position

of the

White

Balance

Selection

Swttch

(180)

White

balance

adjustment

is

required

when the Auto

Warning

Indicator

on

this

unit

lights.

HOLD: In

this

position,

the

white

and black balances

set

at

the AWC

or

ABC

position

can be

held

fixed,

if so

desired,

for

at

least

one

year.

ABC:

This

position

is

used

for

setting

the black bal-

ance

even

if

the

White

Balance

Selection

Switch

(180)

is

set

to

any

position

Black

balance

adjust-

ment

is

required

when the Auto

Warning

Indicator

on

this

unit

lights

Notes:

1.

While

the black balance

adjustment

is

being

per-

formed, the

picture

will

flash

on

the

monitor

screen.

This

flashing

indicates

that the

adjust-

ment

is

currently

being

performed and

will

cease

once the

adjustment

is

completed.

2.

If

the

Lens

Iris

Selection

Swttch

is

set

to

MAN

position,

Auto

Black

Balance may be not

per-

formed

correctly

179. Auto

Warning

Indicator (AUTO)

This

indicator

blinks

while

the

white

balance

or

black

balance

is

being

automatically

set.

It

goes

out

once

the

white

and

black

balances

have

been

correctly set.

This

indicator

lights when the

white

or

black

balance

is

set

improperly

In this case,

carry

out

the

automatic

setting

procedure for

white

and/or

black

balance

180.

White

Balance

Selection

Switch

(AUTO/ATW,

ATW/A/B)

This

switch

is

used

to

select

the

white

balance

mode

as

follows.

ATW:

The

white

balance can be

adjusted

automatical-

ly

A: The

white

balance can be set

automatically

by

pressing

the Auto

White/Auto

Black Set Swttch

(178) upwards The

setting

is

stored

in

memory A.

B:

Similar

to

A.

but the

setting

is

stored

in

memory

B

Note: When

this

switch

is

set

to

the A

or

B

position

and PAINTING in No 2 Sub Menu

or

User

menu

has

been

set

to

the

ON

position,

the

white

bal-

ance

or

red and

blue

pedestal

levels

can be

adjusted

fine

by the Red and

Blue

Gain

Controls

(181)

or

Red and

Blue

Pedestal

Level

Controls

(182).

When

this

switch

is

s

et

to

the

ATW

position,

white

bal-

ance

can be

continuously

adjusted

automatically

181. Red and

Blue

Gain

Controls

(R

GAIN/B

GAIN)

These

controls

are

used

to

manually

adjust

the

fine

level

of

white

balance.

These

controls

o

nly

work when the

White

Balance

Selection

Switch

(180)

is

Set

to

A/B

position

and

PAINTING

in

No 2

Sub

Menu

is

set

to

the

ON

mode.

Turn

these

controls

ctockwise

to

increase

the

red and

blue

signal

levels,

and

counterclockwise

to

decrease

these

levels

Note: As

these

controls

employ

Digital

Processmg,

the Red and

Biue

signal

levels

will

be

changed

in

discrete

steps

182. Red and

Blue

Pedestal

Level

Controls

(PED,

R/B)

The fine

adjustment

of

black

balance can be set

man-

ually

by these

controls

These

controls

only

work when PAINTING

in

No 2 Sub

Menu

is

set

to

ON

mode

Turn

these

controls

clockwise

to

increase

the red and

blue

pedestal

levels,

and

counterclockwise

to

decrease

the

levels

Note: As

this

control employs

Digital

processing,

these

levels

are

changed

in

discrete

steps

183. Total Pedestal

Level

Control

(T.

PED)

This

control can

adjust

the pedestal

level

of the

video

signal (luminance)

for

matching

the black

levels

between

two

or

more cameras

in

a

system.

Turn

this

control

clockwise

to

increase

the

pedestal

level,

and

counterclockwise

to

decrease

the

level

Note: As

this

control

employs

Digital

Processing,

this

level

may

be

changed

in

the

step.

184.

Scene

File

Selection

Switch

(SCENE

FILE,

USER

A/B/1/2/3)

This

switch

is

used

to

select

the

most

suitable

camera

conditions

for

various

scenes

to

obtain

the

best

pic-

tute

1:

Studio

Mode

This

position

is

suitable

for

shooting

in

normal

condition.

Note:

This

level

is

adjusted

under the

condition

of

2000 lux 3200ºK at

F8

2: ENG Mode

This

position

is

suttable

for

shooting

under

fluo-

rescent,

halogen

or

outdoor

lightning

Note: The

shooting

condition

can be selected

on

the

Main

menu

3: Low

Light

Mode

This

position

is

suitable

for

low

ilumination

level

shooting

USER:

The camera

conditions

can be set

to

the

desired

level

by

the

user

185.

Electronic

Shutter

Selection

Switch

(O FF/120 /500 /1000 /

SS/ELC)

This

switch

is

operative

only

when

a

camera featuring

the

electronic

shutter

function

is

connected

with

this

unit

OFF:

set

this

switch

to

this

position

when

recording

normally with

standard

shutter

speeds

120/500/1000: Choose

the

suitable

shutter

speed

from

these

whenrecording

high

speed

action.

S/S:

Shutter

speed

can be

adjusted

to

the

desired

position

using

SYNCRO

in

No 1 Sub

Menu

so that

horizontal

bar

noise

will

be

reduced

when

this

switch

is

set

to

this

position

ELC:

The

ELC

position

makes the

electric

control

for

the

luminance

with

the shutter

Notes:

1. The

smear

may be appeared

with

the

high light

lght

objects

2. When the

Lens

Iris

Selection

Switch (186) has

been

set

to

the AUTO,

the

fine

adjustment

of

Electronic

Light

Control

(ELC)

and

lens

iris

can

be

made by

the

Iris

Level

Control (187)

simultane-

ously

186.

Lens

IrisSelectionSwitch(IRIS,

MANU/AUTO)

AUTO: When the

iris

Control Selection Switch of the

lens

has

been

set

to

the A (Auto)

position,

the iris

level

of

the

lens

is

controlled

automatically

When AUTO IRIS

in

No.1 Sub

Menu

has

been

set

to ADJ

ON.

the

iris

level

can be

adjusted

fine

by

means

of

the

Iris

Level

Control (167)

MANU:

The

iris

level

of the

lens

is

controlled

manually

by

turning

the

Iris

Level

Control (167)

187.

Iris

Level

Control (IRIS

LEVEL)

This

control

is

used

to

adjust

the

lens

iris

level.

The

iris

level,

which

had

been

automatically

set, can be

con-

trolled

fine by

using

this

control when the

Lens

Iris

Selection

Switch

(166)

is

set

to

the

AUTO

position

and

AUTO IRIS in No.1 Sub

Menu

is

set

to

the ADJ

ON

position

188.

Down Switch(DOWN)

This

Switch

is

used

to

decrease

the set value of

the

item

pointed out

by the cursor

in

a

menu

189.

Up

Switch (UP)

This

switch

is

used

to

lncrease

the set

value

of

the

desired

item

pointed

out

by the cursor

in

a

menu

190.

Item Switch

(ITEM)

This

switch

is

used

to

choose

the

item

in

the set-up

menus

191.

Page

Switch (PAGE)

This swltch

is

used to

select

the

desired

set-up

menu

from

the avallable

menus

-26-

192.

User

Set Switch

(OFF/1 /2)

This

switch

selects

Encoder

output

or

EVF (black and

white)

output

from

the

Video

Output Connector and

whether

the

User

Set

Function

is

avallable

as

follows:

OFF:

Switch

set to

position

OFF

Setup

function

is

not

available

1: Switch set

to

position

#1

User

Set

function

is

available

and the

User

Set

Menu

is

displayed

on

the EVF

2:

Switch

set

to

position

#2:

User

Set

function

is

avallable and the

User

Set

Menu

is

displayed

on

the

monitor

and the EVF

193. Chroma

Gain

Fine Control (ADJUST CHROMA)

This

control

allows

for

fine

adjustment

of the

chroma

signal

level

for

matching

the

chroma

levels

of

all

the

cameras

in

a

system

Adjust

this

Control

only

after

having

set the Cable

Length

Compensation

Switch (195) and

the

Luminance

Gain

Fine

Control (194)

to

the

correct

posi-

tion

194. Luminance Gain Fine Control (ADJUST

Y

)

This

control

allows

for fine

adjustment

of the

lumi-

nance

signal

level

for

matching

the

levels

of

all

cam-

eras

in

a

system.

Adjust

thls

control

only

after

having

set the Cable Length

Compensation

Switch

(195) to

the

correct

position

195. Cable Length

Compensation

Switch

(COARSE,

1/2/3/4)

This

switch

is

used

to

compensate

for

extensive

cable

length

used

with

the

26-pin

studio

cable

between

this

unit

and the camera.

1.

Use

for

cable

length

of

less

than

75m

(225

ft)

2

Use for cable

length

of

75-150m

(225-450

ft)

3

Use for cable

length

of

150-230m

(450-690

ft)

4.

Use for cable

length

of

230-300m

(690.900

ft)

199. Subcarrier Phase Fine Control for Gen-lock

(SC FINE)

This

control

allows

for

adjustment

of

the camera

signal

subcarrier

phase

from

0º

to

360º

to

match the phase

with

that of the

burst

signal

at

the Gen-lock

Input

Connector

in

a

system

configuration

197. Subcarrier Phase Coarse Control for Gen-lock

(SC COARSE)

The

Coarse

control

adjusts

the

subcamer

phase from

0”

to

360”

in

90º

steps,

while

Fine control

allows

for

continuous

fine

adiustment

over

a

range

of

90

198. Horizontal Phase Control for Gen-lock (H PHASE)

The

horizontal

phase

of the camera

signal

can be

adjusted

to

match

the

horizontal

phase of the signal at

at

the Gen-lock

Input

Connector

199.Intercom

Level

Control

(INTERCOM

LEVEL)

Use

this

control

to

adjust

the

volume

level

in

the

head-

set

connected

t

o

the

Intercom

Jack

200.

Intercom

Jack

(INTERCOM)

This jack is used

for

communications

between

the

camera

operator

and

the

Remote

Control

unit

opera-

tor

in

a

system

configuration

with

a

Special

Effects

Generator

201.

Camera

Connector (CAMERA)

This

Connector

is

connected

with

the

VTR/RCU

Connector of camera by

using

26-pin

studlo

cable.

202.

Control

Connector

(CONTROL IN)

This

connector

is

connected

with

the control

connec-

tor

of the

pan/tilt

unit

or

lens

control by

using

the

15-

multi

cable.

Pan/Tilt

or

Housing

Control

Voltage

Lens

Control

Voltage

Note:

The impedance

for

the

control

voltage circuit

should

be 2 kOhms

or

less

203.

Gen-lock

Connectors

(GEN-LOCK

IN/OUT/AUTO

75 Ohm. -Hi Z)

These

Connectors

receive

the

gen-lock

signal

(black

burst)

or

composite

from the

Special

Effects

Generator

for

system

reference

When

connecting

two

coaxial

cables

with

BNC

con-

nectors

to

these

connectors,

the

high

impedance

video

loop

is

automatically

selected.

At

all

other

times,

these

connectors

are

automatically

terminated

with

75

ohms

Note: When

not

looping

the

gen-lock

signal,

be

sure

to

connect

the

coaxial

cable to

the

GEN-LOCK IN

Connector o

therwise

these

connectors

can

not

be

automatically

termlnated

204.

Auxiliary

Input

Connectors

(AUX

IN/OUT/AUTO

7.5Ohm. / Hi-Z )

These

Connectors

receive

the

lineview

signal

from

a

Special

Effects

Generator

Two

connectors

are

provid-

ed

for

bridging

or

looping

application

When

connecting

a

single

coaxial cable

with

BNC

connector

to

this

connector,

these

connectors

can

not

be

automatically

terminated

with

75 ohms

Note:

When

not

looping

Aux.

signal,

be

sure

to

con-

nect

the

coaxial

cable

to

AUX IN

Connector.

Otherwise,

these

connectors

are

automatically

terminated

with 75 ohms

205. Video Output Connectors (VIDEO 1, VIDEO 2)

These

connectors

supply

a

composite

video

signal

to

a

Special

Effects

Generator,

a

Video

Monitor

or

a

VTR

206. S-video Output Connector (S-VIDEO

OUT)

This

connector

outputs

the

Y/C

signal

when

the

Camera Output

Signal

Selector

is

set

to

Y/C

position

207. Audio Output Jack (AUDI0

OUT)

By

setting

the

Audio

Level

Selection

Switch

of

the

Camera

Adaptor

AW-AD700BSE

to

the -20

dB

posi-

tion,

the

audio

output

is

avallable

Note: In case of

Multiplex

or

VP

Multiplex

operation

set the

Audio

Level

Selection

Switch

of

the

Camera Adaptor

AW-AD700BSE

to

the -20

dB

position,

the Switch 1

on

the

Audio

Board

ins

ide

the Camera

Adaptor

AW-AD700BSE

and

Switch

2

on

the MOD board

inside

this

unit

to

the AUDI0

position

for the

Audio

Output

function

to

be

acti-

vated

208.

Tally

and

Intercom

Input

Connector

(TALLY

&

INTERCOM)

This

connector

is

connected

with

the

Tally/Incom

con-

nector of

aSpecial effect generator

Generatcr

5” ELECTRONIC VIEWFINDER WV-VF65B

211. Tally Light

This

light

only

works

when

the camera

is

“sed

in

full

system

operation

with

the

Remote

Control

Unit

(RCU)

and

Special

Effects Generator

This

light

Indicates

that

recording

is

in

progress

212.

Contrast

Control

(CONTRAST)

Turn this control

clockwise

to

increase

the

contrast

of

the

picture

in

the

viewfinder

213.

Brightness

Control (BRIGHT)

Turn

this

control

clockwise

to

increase

the

brightness

of the

picture

in the

viewfinder

214. Tally

ON/OFF

Switch

(TALLY

ON/OFF)

This

switch

turns

on/off

the Tally

Light

(211)

located

on

front

of

the

viewfinder

215. Peaking

On/Off

Switch (PEAKING

ON/OFF)

Normally

this

switch

should

be set

to

the OFF

position

However,

when

shooting

under

low

light

conditions,

setting

this

switch

to

the

ON

position

will

facilitate

easi-

er

focusing

adjustment

216.

Viewfinder

Adjustment Knob

The

angle

of the 5"

viewfinder

can be

adjusted

for

easy and

comfortable

viewing

217. Tally

Indicator

When

used

in

full

system

operation

with

the

Remote

Control Unit

(RCU)

and

Speclal

Effects

Generator.

this

indicator

shows

the camera

operator

that

recording

is

in

progress and the

recording

signal

is

being

sent

to

the

line

output.

218. 5”

Viewfinder

Mounting

Bracket WV-071

This

is

used

to

mount

the 5"

Electronlc

Viewfinder

WV-

VF65B,

on

the

AW-F575E

Colour

Camera

See

page

34

for

installation

details

LENS

CONTROL KIT WV-LK35

221. Clamper

Install

the

zoom

controller

on

the

right

tripod

arm

by

using

this clamper.

222.

Servo

Zoom

Control

The 1.4f

zoom

lens

can be

controlled

by

pressing

this

Control

to

zoom

in/out

for

tele/wide

picture

with

motor

drive.

The

zoom

speed

can be

adjusted

by

changing

the

pressure

on

this

control

223.

Return

Video Button

In

a

studio

application

using

a

special

effects

genera-

tor,

the

lineview

signal

is

displayed

on

the

viewfinder

while

this

button

is

being

pressed.When

a

Panasonic

3/4"

U-vision

portable

VTR with a 14-pin camera in/out

inout

connector

or

an

S-VHS

VTR

is

in

the playback mode,

the playback

picture

is

seen

by

pressing

this

button

-29 -

224.

VTR

Start/Stop

Button

This

button

is

used

to

start

or

pause

the

VTR

Press

this

button

for

recording

and

press

it

again

for pause.

225.

Clamper

Install

the

focus

controller

on

the

left

tripod

arm

by

using

this

clamper

226.

Focus

Controller

Turn

this

controller

for

adjusting

the

lens

focus

LENS

CONTROL

KIT

WV-LK36

231.

Clamper

232.

Speed

Control (SP, S-F)

The

maximun

zoom

speed

canbe

adjusted

by

this

Control.

233. Reverse Button (REV)

This

button

is

used

to

reverse the

direction

controlled

by the

Zoom

Control

Switch.

Use

this

button by

removing

the cap

234.

VTR

Start/Stop

Button

(VTR)

This

button

is

used

to

start

or

pause the VTR.

Press

this

button for

recording

and

press

it

again

for pause

235.

Servo

Zoom

Control

- 30 -

The 14.1f

zoom

lens

can be controlled by

presslng

this

control

to

zoom

in/out

for

tele/wide

picture

with

motor

drive.

The

zoom

speed

can be

adjusted

by

changing

the

pressure

on

this control

236.

Clamper

237.

Focus

Controller

Turn

this

controller

for

adjustlng

the

lens

focus.

TRIPOD MOUNTING ADAPTOR WV-QT700

241.

Release

Button

The

Lock

Levar (242) can be

unlocked

by

presslng

this

button

242.

Lock

Lever

The

mounting

or

removing

of the camera from the

Tripod

Mounting Adaptor WV-OT700

is

made by

lock-

in

g

or

unlocking

this

lever.

243.

Mountlng

Holes

These

holes

are

used

to

mount

the

Tripod

Mounting

Adaptor

on

the

tripod.

CARRYING CASE WV-CC500A

251. Cushion 1 (for

AW-AD500AE)

Thls

cushion

is

used

to

contaln

the ENG configuration

conflguratlon

of the

Colour

Camera

AW-F575E

252.

Cushion

2

(for

AW-AD700BSE)

This

cushion

is

used

to

contain

the ENG

configuration

of

the

Colour

Camera

AW-F575E.

253. Cushion 3

Thls

cushion

used

to

contain

the Camera

Recorder

System

MII

format VTR

or

S-VHS

VTR.

254.

Tripod

Mounting

Adaptor

Compartment

This

is

provided

for storing the

d

Mounting

Adaptor

WV-QT700.

255.

Microphone

Compattment

Thls

is

provided

for

storing

the

Mlcrophone

WM-L30

256.

AC

Adaptor

Compartment

This

is

provided

for

storing

the

AC

Adaptor WV-PS34.

-31 -

INSTALLATION

1.

Mounting

the

Camera

Adaptor

1-1

Mount

the

Camera

Adaptor

on

me Camera Head

while

engaging

the

68-pin connector

~onnector.1

1-2 Tighten the

two

Camera Adaptor

Holding

Screw/

Knobs

flrmly,

and make

sure

the Camera Adaptor is

securely

fixed

to

the camera.

Caution: When

mounting

the Camera Adaptor make

sure

it

slides

back

straight

and

engages

the

con-

nectors

and

lock

mechanism

squarely

in

order

to

prevent

bending

of the

pins

in

the connector

3.

Installatìon of the Optional Mìcrophone Holder

3-1

Remove

the Microphone

Fixing

Screw

on

the

MlcrophOne

Of

this

camera.

3-2

Disconnect

the Microphone Connector

(3-pin)

of this

this

Microphone from the Camera.

I

Note: Do not

pull

the Microphone Connector of

this

Microphone by the

wires

3-3 Connect

the

Microphone Connector of the

optional

Microphone Holder

to

the

one

of

this

camera as

shown

below

2. Mounting the

Lens

2-1

Remove

the

Body

Cap from the camera

2-2

Attach

the 14X Auto

Iris

Servo

Control Zoom

Lens

into

the

Lens

Mount

Hole,

and

turn

the

Lens

Hold

Ring/Knob

(30)

clockwlse

to

secure

the

lens

to

the

camera body

2-3

Check

to

make

sure

that

the

lens

is

mounted

securely.

2-4 Connect the

Lens

Cable ta the

12-pin

Lens

Connector

(

1)

on

the camera

- 32 -

3-4 Mount the

Optlonal

Microphone Holder

on

this

camera

with

two

Microphone Holder Fixing

Screws

3-5

Loosen

the

two

Microphone

Holdlng

Knobs,

slide

the

microphone

i

nto

the Microphone Holder and

turn

the

knobs

to

secure

the

microphone

t

o

the camera.

Connect the

plug

of the

microphone

to

the XLR type

microphone

connector

on

the Microphone Holder.

Note: In case of the

optional

Microphone

WM-L30,

set

the Microphone

Power

On/Off

switch

(MIC

POWER ->

ON/OFF)

to

the

ON

position

XLR type Microphone Connector (MICROPHONE)

Information.

This

Connector

is

used

to

connect

the Microphone

1

Shield

2 Hot

3

Cold

30

Note: When

connecting

a

microphone

connector

whose pin designations

are

different

from the

above

one,

the

audio

output

may be not

available

-33 -

4. Mounting the 1.5"Electronic Viewfinder

4-1

Unlock

the

Viewfinder

Lock

Lever

(32)

on

the

Viewfinder.

4-2

While

pulling

the

Viewfinder

Slide

Stopper,

remove

the

Viewfinder

Mountlng Base (33)

by

sliding

it

out

from

me

Viewfinder.

4-3

Remove

the

screw

from the

Viewfinder

Mounting

Base

4-4

Install

the

Viewfinder Mountlng Base (33)

into

the

Viewfinder

Mountlng

Plate

by

using

the screw

just

removed.

4-S Mount the

Viewfinder

on

the

Viewfinder

Mounting

Base

(33) by

sliding

it

onto

the base

4-6

Securely

lock

the Viewfinder

in

place by use of the

Viewilnder

Lock

Lever

(32)

5. Mounting the

5"

Electronic Viewfinder

5-1

Remove

four screws from the

handle

of the camera

5-2 Mount the

Viewfinder

Bracket WV-071

on

the Camera

Handle of the Camera

Adaptor

by

using

the

four

screws

just

removed.

5-3

Slide

the

Viewfinder

adtusting

angle

into

the

mounting

base and

tighten

the

Fixing

Knob

to

secure

the

Viewfinder.

Connect the vi

ewfinder

angle.

Note: When

connectlng

the vi

ewfinder

cable of the

view

finder

to the vi

ewfinder

connector

on

the

camera.

Use the

viewfinder

connector

conversion

cable

(supplied)

in

between

the

two

After

connection

is

completed,

attach the

conver-

sion

cable

to

the top

cover

of the camera by

turn-

ning the

wing

screw

-34-

“tevhder

Connector

Conversion

Cable

6.

Mounting

of the

MII

Format VTR

AU-45H/DVC

dockable VTR AJ-D90

6-1

Remove

four

screws

holdlng

the

cover

for the

batlery

connectors

and

remove

the

cover

6-2

Note: When

mounting

the

MII

format VTR

AU-45H

on

this

camera,

fix

the

Trlpod

Mounting

Angle

in the

reverse

position

onto the

Shoulder

Pad

Mount the

VTR

to

the camera by

engaging

the

con-

nectors and

lock

mechanism.

Caution: Mount the

VTR

by

sliding

i

t

straight

and

engaging

connectors and

lock

mechanism

in

order

to

not bend the

pins

of the connector and to

not

create

a

short

circuit

Note: The VTR

on

the

right

figure

is

mounted

the

Battery

Holder

AU-M402.

6-3 Tighten

two

VTR

Mountlng Screws

on

the

VTR Handle

firmly and make

sure

the

VTR

is

securely

fixed

lo

the

camera.

-35-

7. Mounting of the Betacam Format VTR

7-1

Mounting

the

optional

VTR

Adaptor

WV-VT16A

Mount

the

VTR

Adaptor by

connectlng

the

68-pin con-

nector

on

the camera and the

VTR

Adaptor,

and

engage

the

lock

mechanism

of the

VTR

Adaptor

and

the camera head. Then tighten

two

VTR

Adaptor

Holding

Knobs firmly and make

sure

the

VTR

Adaptor

is

securely

fixed

to

the camera.

7-2 Mount

the

VTR

on

the

VTR

adaptor

while

engaging

the

connectors

and

lock

mechanism

7-3

Secure

the VTR with

two

screws

which

come

with

the

VTR.

-36-

8.

Installation

of the

AC

Adaptor/Charger

WV-PS34

When

the

AC

Adaptor/Charger,

WV-PS34,

is

used

with

the

ENG/EFP

Colour

Camera as

an

AC

Adaptor,

this

installation

procedure

should

be

followed:

8-1

lnstall

the

AC

Adaptor/Charger

on

the

rear

of

the

camera by

matching

the

recesses

in

the

AC

Adaptor/Charger

with the

rails

on

the camera and

then

sliding

it

down

the

rails.

8-2

Connevt

the

4-pin

cable

to

the

4-pin

external

DC

Input

connector

on

the camera.

8-3 When

removing

the

AC

Adaptor/charger,

disconnect

the 4-pin cable and

remove

the

AC

Adaptor/Charger

by

sliding it

up

while

pressing

the

Release

Button

-37 -

9. Removing the

VTR

from the Camera

9-1

Loosen

two

VTR

Mounting Screws

on

the VTR

Handle.

9-2

While

pressing up on the

VTR

Release

Button,

remove

the

VTR

from the camera

10. Mounting

on

the Tripod Mounting Adaptor

10-1Mount the

Tripod

Mounting Adaptor

on

the

trlpod

by

matchlng

one

of

the

mounting

holes

(1/4"

-

20

UNC or

3/8"

-

16

UNC)

on

the Tripod Mountlng

Adaptor

with

the Trlpod

Mounting

Screw,

and

securing

the Tripod

Mounting

Adaptor

with

the

mounting

screw

on

the

tri-

pod.

10-2

Mounting the Camera

on

the Tripod Mountlng

Adaptor

While

pressing

the

Release

Button (241)

on

the

Lock

Lever

(242) of

the

Tripod Mounting Adaptor,

unlock

the

lock

lever

by

turning

it

counterclockwise

as shown

in

the

Illustration

10-3

Place the camera

on

the Tripod Mounting

Adaptor

and make

sure

the

protusion

at the

rear

of

the cam-

era

is

properly

engage

wth

the

slot

at

the

rear

of

the

Tripod Mounting

Adaptor

- 38 -

10-4Turn

the

Lock

Lever

(242)

of

the Tripod Mounting

Adaptor

clockwise,

as shown

in

the

illustration.

Make

sure

the

camera

is

securely

held

and

that

it

is

in

its

back-most

position

in

the

adaptor

11. Attaching the Shoulder Strap

Attach the

shoulder

strap

to

the

camera/recorder

sys-

tem as shown

below.

SYSTEM CONNECTION

CAUTION:

Keep

the

power

switches

of

all

units

in

the

OFF

position

during

connections.

A. ENG Application

1. Connection with the VTR

Connect the

VTR

cable

between

the camera and the

Panasonic

portable

colour

VTR

(The standard

VTR

cable length

is

3m.

(10

ft).

Portable

VTR

wlth

14-pin

camera connector

VTR

cable

WV-CA26A/14

(26P-14P

cable)

Portable

VTR

wth

26-pin

camera connector

VTR

cable

WV-CA26A/26

(26P-26P

cable)

2. Connection with the Remote Control

Box

Connect the

Remote

Control

Box

Connector (37)

on

the Camera Head

to

the

Remote

Control

Unit

Extension

Connector (156)

on

the

Remote

Control

Box

by

using

the

optional

RCB Cable

WV-CA10B02,

WV-

CA10B25

or

WV-CA10B50

Note: In the

following

system

connection,

the

video

signal

from the

Monitor

Output Connector (36)

on

the Camera Head has

priority

of the video

signal

over

the

Monitor

Output Connector (154)

on

the

Remote

Control Box,so the

ptcture

is

not

dis-

played

on

the monitor connected

to

the

Remote

Control Box

The

decrement

of the

video

signal

for the cable length

is

shown

in

the

following table

The cable length

Decrement

2 m.

Approx. 10%

25 m.Approx. 15%

50

m.

Approx. 20%

100m.

Approx. 30%

- 40 -

3. Connection with a

sub-VTR

(back-up

VTR)

Connect the

sub-VTR’s

camera connector

to

the

Camera’s

10-pin

Remote

Control

Box

Connector

Notes:

1

Only

video

slgnal,

audio

signal

(-20

dB)

and

start/stop

signal

are

sent

to

the

sub-VTR

2. The

extension

cable length for

the

sub-VTR

is

up

to

10m

(30

ft).

3

In the

above

system

connectlon,

the vi

deo

signal

from the Monitor Output

Connec!or

(36)

on

the

Camera

Head

takes

priority

over

the

vldeo

sIgnaI

from the

Monttor

Output

Conector

(154)

on

the

Remote

Control

Box

So,the

picture

is

not

displayed

on

the

monitor

connected

to

the

Remote

Control

Box.

B.

Gen-lock

EFP

Application

1

Connect a

coaxial

cable for the gen-lock

signal

between

the Gen-lock

Input

Connector (51)

(BNC-

type)

on

the Camera Adaptor and the Black

Burst

Output

Conneclor

on

the

production

system,

such

as

the

Special

Effects

Generator.

2

Connect

the

coaxlal

cable for the

vldeo

output

siIgnaI

between

the

Monitor

Output Connector (36)

(BNC-

type)

on

the camera and the Video

Input

Connector

on

the

production

system.

ENG Camera

Notes:

1 The

Subcarrier

Phase

Coarse

and

Subcarrier

Phase

Flne

as

well

as the

Horzontal

Phase

on

the

camera should be set

to

match the other cameras

in

the system

Refer

to

page

49 for

details

2.

Refer

lo

the

operatlng

nstructlons

accompanylng

the

Speclal

Effects

Generator

for

further

detalls.

3Do

not

connect

the coaxial cable for the gen-lock

signa1

to

the Gen-lock

Input

Connectors

(51)

on

the Camera Head and

on

the Camera Adaptor

slmultaneously.

PREVIEW

PROGRAM

BLACK

BURST

(GEN-LOCK)

ENGCamera

-

;

BLACKBURST(GEN-LOCK)

-pp

BLACK

BURST

VIDEOOUT

VIDEO

INPUT

VIDEO

OUT

-41 -

C. Studio Application

1

Connection

with the

Remote

Control

Unlt

by the

26-pin

multi-cable

Connect

the

26-pin

studio

cable

between

the

camera

and

the

Remote

Control

Unit

(RCU)

2

Connection

with

the

Remote

Control

Unit

by the

coaxi-

al cable

Connect a

coaxial

cable between the

Multiplex

Signal

Connector

(50)

on

the Camera Adaptor and the

Multiplex

Connector (151)

on

the

Remote

Control Unit.

D. PC Mode System

Precaution:

The specified software

should

be

requlred

for

this

operatlon.

Please

contact

with

qualifled

service

personnel

for

this

operatlon.

PC ModeSystem 1

Connect the WV-CA10B02,WV-CA10625

or

WV-CA10B50

10/10-pin

cable between the

Remote

Control

Box

Connector (37)

on

this

camera and Camera 1 Input Connector

on

the WJ-PC500

PC

Mode

System 2

Connect

the

WV-CA10B02,

WV-CA10B25

or

WV-CA10B50

10/10-pin

conversion

cable

between

the

Camera 1 Input Connector

on

this

unit

and the

Remote

Control

Box

Connector

on

the

Remote

Control

Unit.

Connect

the

25/9-pin

converslon

cable between the

RS-232C/422

Connector

on

thls

unlt

and the computer

E.

Gen-lock Studio Application

- Connect

a

coaxlal

cable for the

gen-lock

signal

between the black burst output

on

the

productlon

system and

Gen-lock input

Connectors (143)

or

(203)

on

the RCU. (The

signal

may be bridged

or

looped through

to

another RCU.)

- Connect the

coaxial

cable for the

lineview

signal

between the effect output

connector

on

the

production

system and the

Auxiliary

Input Connector (144)

or

(204)

on

the RCU. (The

signal

may be bridged

or

looped through

to

another RCU

)

Notes:

1. The

Tally

light

and

Intercom

between

the camera,RCU and

Speclal

Effects

Generator

will

function

only when

the

4-pin

cable for the

Tally

Iight

and

Intercom

is

connected between the RCU and

Speclal

Effects

Generator.

2.The

26-pin

studlo

cable can be extended

up

to

a

maxlmum

of

approx

300m

(1000

ft). When

extending

the cable,

be

sure

to

Set the Cable Length

Compensation

Switch

(115) t

o

the

position

matching

the

extension lenght

3. The

Subcarrier

Phase

Coarse

and

Fine

Controls

(139) and the

Horizontal

Phase Control

(138)

or

(198)

on

the RCU

should

be set

to

match other cameras i

n

the system.

Refer to page 54 for details.

lo

etalls.

4. B

e

sure

t

o

Set the Cable

Selection

Switches

(73)

on

the Camera Adaptor and (152) or (201)

on

the

Remote

Control

Unit to

MULTI

positlon,

i

f

using

the

26-pin

multicores

studio

cable

- The MPX mode

is

avaliable

when

connecting

the Camera Adaptor

AW-AD700BSE

G/L

OUT

Notes:

1

2.

When

using

the MPX

mode

by

connecting

the

AW-AD700BSE,

INCOM.

AUX and

R/G/B

outputs

are

not

functoned

When the

Colour

Camera

AW-F575E

is

connected

to

a desk-top type S-VHS

VTR

or

directly

to

the

video

monitor

for S-VHS

format, the S-VHS cable

(S-vldeo

cable)

is

required.

- 43-

Panasonic AW-F575E User manual

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