Peavey Triumph PAG 60 User manual

A Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric shock to persons.
A Intended to alert the user to the presence of important operating and maintenance (servicing) instruc¬
tions in the literature accompanying the product.
CAUTION Risks of electrical shock - DO NOT OPEN
CAUTION To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside. Refer
Servicing to qualified service personnel.
WARNING To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before
using this appliance, read the operating guide for further warnings.
A Dieses Symbol soli den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam
machen, die Handhabung und Wartung des Produkts betreffen.
A Dieses Symbol soil den Anwender vor unisolierten gefahrlichen Spannungen innerhalb des Gehauses
warnen, die von Ausreichender Starke sind, urn einen elektrischen Schlag verursachen zu konnen.
VORSICHT Risiko - Elektrischer Schlag! Nicht offnen!
VORSICHT Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die Abdeckung enfernen. Es befinden
sich keine Teile darin, die vom Anwender repariert werden konnten. Reparaturen nur von qualifiziertem Fachper-
sonal durchfiihren lassen.
ACHTUNG Um einen elektrischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerat nicht dem Regen
oder Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.

ENGLISH
HIGH GAIN INPUT (1)
Used for most electric guitars. It is 6 dB louder than the Low Gain input.
LOW GAIN INPUT (2)
Provided for instruments that have extremely high outputs, which can result in overdriving (distorting) the
High Gain input. If both inputs are used simultaneously, the output levels are the same (both are Low Gain).
CLEAN GAIN (3)
Controls the channel volume.
BRIGHT SWITCH (4)
Provides a preset boost to treble frequencies. To activate, depress the switch to its “in” position. The bright
function affects only the clean channel.
CHANNEL SELECT SWITCH (5)
Allows selection of the Ultra or Clean channel and the “out” position selects Clean.
NOTE: Channel selection may also be accomplished by the remote footswitch. If remote selection is desired,
the channel switch must be in the “in” (Ultra) position.
LOW, MID, & HIGH EQ (6)
Passive tone controls that regulate the low, mid and high frequencies, respectively.
PRE GAIN (7)
Controls the input volume level of the channel.
POST GAIN (8)
Controls the overall volume level of the channel. The final level adjustment should be made after the desired
sound has been achieved.
ULTRA GAIN SWITCH (9)
Boosts the overall system gain of the Ultra channel. Depress to the “in” position to activate.
CRUNCH GAIN SWITCH (10)
Boosts the overall system gain of the Crunch channel. Depress to the “in” position to activate.

PRE GAIN (11)
Controls the input volume level of the channel.
POST GAIN H2)
Controls the overall volume level of the channel. The final level adjustment should be made after the desired
sound has been achieved.
BOTTOM (13) u t
An active tone control (shelving type ±15 dB) that varies the low frequency boost or cut.
NOTE: This control is not functional on the Clean channel.
BODY (14) , ,
An active tone control (peak/notch, ±15dB) that varies the mid frequency boost or cut.
NOTE: This control is not fuctional on the Clean channel.
EDGE (15)
An active"tone control (shelving type, ±15 dB) that varies the high frequency boost or cut.
NOTE: This control is not functional on the Clean channel.
REVERB LEVEL (16) r . , „ ,
Reverberation is an echo effect. Rotate clockwise to increase the effect. Remote tootswitch can control On/Oft.
Contto^die^weraU vohlme level of the system. Once a desired balance of the Clean Crunch and Ultra chan¬
nels is achieved, the entire system level may be increased or decreased with the Master Level Co
STATUS LED (18) . . .
Illuminates when amp is switched to standby indicating amplifier is not operational
POWER LED (19)
Illuminates when AC power is being supplied to the amp.
STANDBY SWITCH (20)
Allows amp to be placed in standby or active
is not operational.
mode. In standby mode the tubes remain hot, but the amplifier
POWER SWITCH (21)
Depress the switch to the “On” position. The red pilot light (LED)
supplied to the unit.
will illuminate indicating power is being

BACK PANEL
Ik Ik
CAUTION
RISK Oh t-LK TRIC SHOCK
DO NO i OPEN
AVIS: RISQUE DE CHOC
ELECTRQUE - NE PAS OUVRIR.
EFFECTS PREAMP SPEAKER OUTPUTS
120 VAC SEND RETURN OUT REMOTE SWITCH
60 Hz 60 W RMS/22 V RMS
200 WATTS
Ik Ik
CAUTION
RISK OF flFCTRiC SHOCK
DO NOT OPEN
AVIS: RISQUE DE CHOC
ELECTRIQUE NE PAS OUVRIR.
EFFECTS PREAMP
SPEAKER OUTPUTS
120 VAC SEND RET URN OUT REMOTE SWITCH
6°Hz III I
200 WATTS III I
120 W RMf/31 V RMS
22 28 23 24 25 26 27
GROUND SWITCH (22)
Three position rocker-type switch which, in most applications, should be operated in its center or zero posi¬
tion. There may be some situations when audible hum and/or noise will come from the loudspeaker. If this
situation arises, position the ground switch to either positive or negative ( + or -) or until the noise is minimized.
NOTE: Should the noise problem continue, consult your Authorized Peavey Dealer, the Peavey Factory, or
a qualified service technician. THE GROUND SWITCH IS NOT FUNCTIONAL ON 220/240 VOLT
MODELS.
EFFECTS SEND (23)
Output for supplying signals to external effects or signal processing equipment.
EFFECTS RETURN (24)
Input for returning signals from external low-level effects or signal processing equipment.
PREAMP OUT (25)
The preamp output can be used to route the amplified signal to a mixing console, tape recorder, etc. Connect
the preamp output using a shielded cable to an input of the tape recorder, mixer, etc. This patch does not
affect the operation of the amplifier.
FOOTSWITCH JACK (26)
Provided for the connection of the supplied remote footswitch. Footswitch switch is used to select the Ultra
Gain, Crunch Gain, or Normal channels and defeat reverb.
SPEAKER OUTPUTS (27)
Speaker output (14 ") jacks are provided for main and auxiliary, Main jack is 8 ohms impedance and auxiliary
jack is 4 ohms. When both jacks are engaged, amplifier impedance is 4 ohms.
LINE CORD (120V PRODUCTS ONLY) (28)
For your safety, we have incorporated a 3-wire line (mains) cable with proper grounding facilities. It is not
advisable to remove the ground pin under any circumstances. If it is necessary to use the equipment without
proper grounding facilities, suitable grounding adaptors should be used. Less noise and greatly reduced shock
hazard exists when the unit is operated with the proper grounded receptacles.

SPECIFICATIONS
PAG ™ 60
POWER AMP SECTION
2-6L6GC’s with 12AX7 driver
Rated Power & Load:
60 W RMS into S or 4 ohms
Power @ Clipping:
(Typically @ 5% THD, 1 kHz,
120 V AC line) 65 W RMS into
8 or 4 ohms
(Bias must be reduced
to measure)
Frequency Response:
+0, -2 dB 50 Hz to 20 kHz
@ 50 W RMS into 8 ohms
Hum & Noise:
Greater than 76 dB below
rated power
Power Consumption:
200 W, 50/60 Hz, 120 V AC
(Domestic)
PREAMP SECTION
3-12AX7’s
The following specs are measured @ 1 kHz
with the controls preset as follows:
Low & High EQ @ 10, Mid EQ
@ 0, Bright Out
Ultra & Crunch Posts @ 10,
Gain switches out
Bottom, Body, & Edge @ 0 dB
Reverb level @ 0, Master level
@ 10
(Nominal levels are with Pre
Gains @ 5)
(Minimum levels are with Pre
Gains @ 10)
Preamp High Gain Input:
Impedance: Very high Z,
470 K ohm
Ultra Channel:
(with channel-select in)
Nominal Input Level: -46 dBV,
5 mV RMS
Minimum Input Level: -64 dBV,
0.6 mV RMS
(Subtract 15 dB with gain
switch in)
Crunch Channel:
(footswitch selected)
Nominal Input Level: -34 dBV,
20 mV RMS
Minimum Input Level: -52 dBV,
2.5 mV RMS
(Subtract 15 dB with gain
switch in)
Clean Channel:
(with channel-select out)
Nominal Input Level: -16 dBV,
150 mV RMS
Minimum Input Level: -34 dBV,
20 mV RMS
Maximum Input Level: 0 dBV,
1.0 V RMS
Preamp Low Gain Input:
(-6 dB Pad)
Impedance: High Z, 44 K ohms
All levels increased by +6 dB
Effects Send:
Load Impedance: 47 K ohms
or greater
Nominal Output: -10 dBV,
300 mV RMS
Effects Return:
Impedance: Very high Z,
470 K ohm
Designed Level: -10 dBV,
300 mV RMS
Preamp Output:
Load Impedance: 47 K ohms
or greater
Nominal Output: +10 dBV,
3 V RMS
Remote Footswitch:
Special 3 button unit with LED
indicators (supplied)
System Hum & Noise @
Nominal Level:
(Clean Channel)
(20 Hz to 20 kHz unweighted)
Greater than 74 dB below rated
power (Special noise gate
circuitry for Ultra & Crunch)
Equalization:
(clean channel only)
Custom Low, Mid, & High
passive type EQ
Push Bright: +6 dB @ 2 kHz
Voicing: (Ultra and Crunch
channels only)
Active Bottom, Body, and
Edge EQ
Push Gain: Increases gain in
Ultra and Crunch channels.
PAG ™ 120
POWER AMP SECTION
4-6L6GC’s with 12AX7 driver
Rated Power & Load:
120 W RMS into 8 or 4 ohms
Power @ Clipping:
(Typically @ 5°/o THD, 1 kHz,
120 V AC line) 130 W RMS into
8 or 4 ohms
(Bias must be reduced
to measure)
Frequency Response:
+0, -2 dB 50 Hz to 20 kHz
@ 100 W RMS into 8 ohms
Hum & Noise:
Greater than 76 dB below
rated power
Power Consumption:
400 W, 50/60 Hz, 120 V AC
PREAMP SECTION
3-12AX7’s
The follwoing specs are measured @ 1 kHz
with the controls preset as follows:
Low & High EQ @ 10, Mid EQ
@ 0, Bright out
Ultra & Crunch Posts @ 10,
Gain switches out
Bottom, Body, & Edge @ 0 dB
Reverb level @ 0, Master level
@ 10
(Nominal levels are with Pre
Gains @ 5)
(Minimum levels are with Pre
Gains @ 10)

SPECIFICATIONS
(continued)
Preamp High Gain Input:
Impedance: Very high Z,
470 K ohm
Ultra Channel:
(with channel-select in)
Nominal Input Level: -46 dBV,
5 mV RMS
Minimum Input Level: -64 dBV,
0.6 mV RMS
(Subtract 15 dB with gain
switch in)
Crunch Channel:
(footswitch selected)
Nominal Input Level: -34 dBV,
20 mV RMS
Minimum Input Level: -52 dBV,
2.5 mV RMS
(Subtract 15 dB with gain
switch in)
Clean Channel:
(with channel-select out)
Nominal Input Level: -16 dBV,
150 mV RMS
Minimum Input Level: -34 dBV,
20 mV RMS
Maximum Input Level: 0 dBV,
1.0 V RMS
Preamp Low Gain Input:
(-6 dB Pad)
Impedance: High Z, 44 K ohms
all levels are increased by +6 dB
Effects Send:
Load Impedance: 47 K ohms
or greater
Nominal Output: -10 dBV,
300 mV RMS
Effects Return:
Impedance: Very high Z,
470 K ohm
Designed Level: -10 dBV,
300 mV RMS
Preamp Output:
Load Impedance: 47 K ohms
or greater
Nominal Output: +10 dBV,
3 V RMS
Remote Footswitch:
Special 3 button unit with LED
indicators (supplied)
System Hum & Noise @
Nominal Level:
(clean channel)
(20 Hz to 20 kHz unweighted)
Greater than 74 dB below rated
power (Special noise gate
circuitry for Ultra & Crunch)
Equalization:
(clean channel only)
Custom Low, Mid, & High
passive type EQ
Push Bright: +6 dB @ 2 kHz
Voicing: (Ultra and Crunch
channels only)
Active Bottom, Body, and
Edge EQ
Push Gain: Increases gain in
Ultra and Crunch channels

TONE SETTINGS
equalization—^ I /-<
GMD 0 €> ® ■ 0-€> 0:0 Q
Jriumph
adjust to taste
GAIN SWITCH OUT
ADJUST TO TASTE
COUNTRY CLEAN
COUNTRY/ROCK LEAD
MILD RHYTHM DISTORTION
Tone settings given are general and will vary according to type of guitar, type and gauges of strings, type of pickup and even
type of pick. Personal taste, playing style and type of music greatly contribute to desired tonality.
BLOCK DIAGRAM

E S P A N O L
Consulte los diagramas del panel
delantero en la seccion de ingles de este manual.
HIGH GAIN INPUT (Entrada de ganancia alta) (1)
Se usa para la mayoria de las guitarras electricas. Tiene 6 dB mas volumen que la entrada de baja ganancia.
LOW GAIN INPUT (Entrada de baja ganancia) (2)
Se suministra para instrumentos que tienen una salida extremadamente alta, la cual puede causar la sobrecarga
(distorsion) de la entrada de alta ganancia. Si se usan ambas entradas simultaneamente, el nivel de salida
es el mismo (ambos son de baja ganancia).
CLEAN GAIN (Ganancia) (3)
Controla el volumen del canal.
BRIGHT SWITCH (Interrupter de brillo) (4)
Proporciona un impulso preajustado a las frecuencias de tiple. Para activar, oprima el interruptor a la posicion
hacia adentro”. La funcion de brillo solamente afecta el canal “limpio”
CHANNEL SELECT SWITCH (Interruptor de seleccin de canal) (5)
Permite la seleccion del canal “Ultra” o “Limpio” y la posicion “hacia afuera” selecciona el canal “limpio”.
NOTA. Tambien se pueden seleccionar los canales con el pedal interruptor remoto. Si desea seleccion a con¬
trol remoto, el interruptor de canal debe estar en la posicion “hacia adentro” (Ultra).
LOW, MID, & HIGH EQ (Ecualizador de frecuencias graves, medias, y agudas) (6)
Controles de tono pasivo que regulan las frecuencias graves, medias, y altas, respectivamente.
PRE GAIN (Control del preamplificador) (7)
Controla el nivel del volumen de la entrada del canal.
POST GAIN (Control de ganancia posterior al preamplificador) (8)
Controla el nivel global de volumen del canal. El ajuste final de nivel debe hacerse una vez que se hava con-
seguido el sonido deseado.
ULTRA GAIN SWITCH (Interruptor de ganancia de “ultra”) (9)
Aumenta la ganancia global de sistema del canal “Ultra”. Oprima a la posicion “hacia adentro” para activar.
CRUNCH GAIN SWITCH (Interruptor de ganancia de “crujido”) (10)
Aumenta la ganancia global de sistema del canal “crujido”. Oprima a la posicin “hacia adentro” para activar.
PRE GAIN (Control del preamplificador) (U)
Controla el nivel del volumen de la entrada del canal.
POST GAIN (Control de ganancia posterior al preamplificador) (12)
Controla el nivel global de volumen del canal. El ajuste final de nivel debe hacerse una vez que se haya con-
seguido el sonido deseado.
BOTTOM (Fondo) (13)
Un control de tono activo (gradual ±15 dB) que vara el aumento o disminuicion de frecuencias bajas.
NOTA: Este control no funciona en el canal “Limpio”.

BODY (Cuerpo) (14)
Es un control de tono activo (cima/gradual,
±15 dB) que varia el aumento o disminuicin de las frecuencias medias.
NOTA: Este control no funciona en el canal “Clean”.
Un^l'rol'deSo activo (de estante. ±15 dB) que varia el aumento o disminuicion de frecuencias bajas.
NOTA: Este control no funciona en el canal “Limpio”.
REVERB LEVEL (16)
La reverberacion es un efecto de eco. Haga girar a la derecha para aumentar el efecto.
(“on/off’) se puede controlar con el pedal interruptor de control remoto.
El encendido/apagado
S”! S s iatema. Una vez que se , 0 , 1 a e, balance deseado de ,os c.naies
“clean”, “crujido” y “ultra”, el nivel del sistema entero puede aumentarse o disminuirse con el control de
nivel maestro.
STATUS LED (LED indicador de condicion) (18) , . , . ,. r , ,
Se ilumina cuando el amplificador esta en la condicion de espera (“standby”), indicando que el amphfic
no esta en funcionamiento.
POWER LED (LED indicador de corriente) (19)
Se ilumina cuando el amplificador recibe corriente alterna.
STANDBY SWITCH (Interruptor de condicion de espera) (20) , ..
Este interruptor le permite a su aparato estar en condicion de“espera” o la condicion de activo. En la condi-
cion “standby” los tubos permanecen calientes, pero el amplificador no esta en operacion.
POWER SWITCH (Interruptor de corriente) (21)
Oprima el interruptor a la position “hacia dentro (encendido). La
indicando que la unidad esta recibiendo corriente alterna.
luz roja del piloto (indicador) se encendera