Phil Jones Bass PJB DOUBLE FOUR User manual

PJB DOUBLE FOUR
OWNER’S MANUAL

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Thank you for purchasing the PJB DOUBLE FOUR. A great deal of
dedication and passion went into designing and building this no
compromise, high performance compact-combo amplifier. It was
conceived to be a dedicated amplifier for the “connoisseur” bassist.
Reading this manual will enable you to get the best performance from it so that
you may enjoy many years of service.
READ THIS FIRST
·Before using the DOUBLE FOUR please read ALL the instructions.
·On receipt of product, check for any signs of physical damage arising from
shipping. If any damage is visible contact yourdealer.
·Do not install this equipment in a confined or building-in space such as a
book case or similar unit, and remain a well ventilation conditions at open
site. The ventilation should not be impeded by covering the ventilation
openings with items such as newspaper, table-cloths, curtains etc.
·WARNING: Only use attachments/accessories specified or provided by the
manufacturer (such as the exclusive supply adapter etc).
·WARNING：Please refer the information on exterior bottom enclosure for
electrical and safety information before installing or operating the apparatus.
·WARNING：To reduce the risk of fire or electric shock, do not expose this
apparatus to rain or moisture. The apparatus shall not be exposed to
dripping or splashing and that objects filled with liquids, such as vases, shall
not be placed on apparatus.
·WARNING: The mains plug is used as disconnect device, the disconnect
device shall remain readily operable.
·When not in use and during movement, please take care of the power cordset,
e.g. tie up the power cordset with cable tie or something like that. It shall be
free from sharp edges and the like that can cause abrasion of the power
cordset. When put into use again, please make sure the power cordset being
not damaged, If any damages found, please look for the service person to
replace the power cordset specified by the manufacturer or have the same
characteristics as the original one.
·Correct Disposal of this product. This marking indicates that this product
shoul d not be disposed with other household wastes throughout the EU. To
prevent possible harm to the environment or human health from
uncontrolled waste disposal, recycle it responsibly to promote the sustainable
reuse of material resources. To return your used device, please use the return
and collection systems or contact the retailer where the product was
purchased. They can take this product for environmental safe recycling.

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OVERVIEW OF THE DOUBLE FOUR
With the great success of the PJB Bass Cub, we had many requests to make a truly
affordable bass practice amp. There were two major obstacles: it had to be small and have
the great PJB sound. Using existing parts we could not achieve our goals so we started from
scratch with new driver design, acoustic loading and the latest digital amplifier technology.
The DOUBLE FOUR is a single channel bass amplifier that has an auxiliary input for
ipad/ipod, mp3 or drum machine. It features 3 band EQ that is perfectly tailored for bass
guitar, headphone out jack and a line out for recording. It is ideal for all kinds of basses and
can handle the open B string on a 5 string bass with ease.
The Enclosure
It is well known that big speakers are capable of reproducing true bass fundamental
frequencies but as you decrease the physical size of a speaker, the bass response will fall
away. Same reason why Violins are small and Double Basses are big!
So how do you get huge bass sound from a small speaker cabinet? Well with our know how
of using smaller drivers to get the ultimate bass sound, we applied our vast experience to an
even smaller driver just 4 inches across. It is built with Swiss watch precision; it has to be to
cope with the extreme signals coming infrom an amplified bass guitar. Using our extensive
R&D facility which includes the largest anechoic chamber in the bass guitar amplifier
industry and the KLIPPEL transducer measurement system (it uses lasers!), we were able
to develop the perfect 4 inch loudspeaker. We analyzed the neodymium magnetic system,
the cone behavior at all frequencies in 3D representation, cone suspension, frame etc. until
we had achieved a transducer beyond what anyone would have ever though possible. Then
we looked at the acoustic loading using the acoustic simulation software and calculated
exactly the full power cone displacement at every frequency.
We designed a custom Rectangular Auxiliary Low Frequency Radiator (RALFR®).
That is a pneumatically coupled radiator loaded to the rear of the two 4 inch speakers that
operates at the lowest bass frequencies only. It augments the output of the loudspeakers at
frequencies from 30 to 150 Hz. It also reduces the cone excursion of the speakers allowing
greater power handling.
The proprietary PJB NeoPower 4-inch speakers are full frequency range to the
highest audio frequencies. Not only does this give greater clarity and transparency to
your instrument but also gives a high fidelity sound to any backing track fed into the
auxiliary input.

－3－
Each speaker is fed with its own Pulse Width Modulation PWM amplifier. PWM
amplifiers are extremely efficient compared to more traditional analog solid state
amplifiers converting more electrical energy to power the speakers instead of getting
hot. Heat in electrical circuits is the enemy to reliability and since the amp is running
at lower working temperature, the DOUBLE FOUR will give years of service long
after other amps have faded away. By using dual amplifiers one to each speaker, the
bass control is greatly improved since the damping factor is doubled. Damping factor
is the amplifiers ability to put on the “brakes” stopping the speaker cone from
overshoot and tightening up the bass sound, so the sound is punchy, tight but never
muddy or bloomy out of control bass.
The cabinet may be as small as a shoe box but it is built to the same standards of all
PJB cabinets, heavily braced internally and damped with acoustic damping materials
to prevent cabinet coloration that can kill the true sound of your instrument. What you
hear from the DOUBLE FOUR is the closest you can get to how your instrument
actually sounds.
The DOUBLE FOUR may just be a practice amp but it does not mean that it has to
sound like a practice amp. The sound is huge for its size and you may find it hard to
believe that all the sound from your bass is just coming out of such a tiny jewel.
AMPLIFIER FEATURES
·Switchable high gain input OR low gain stage with mute function.
·One st ereo input for Drum mac hine or I-po d/ MP 3 playe r.
·3 Band EQ.
·Line Output for recording or driving another amplifier.
·Sophisticated protection circuitry.
·70watt RMS Amplifier.
·Can use on any AC voltage worldwide. (90~240V)
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PANEL DESCRIPTION
1. Input Jack
This is a high impedance input and is designed for all passive and active instruments.
2. Clip Light.
When the amplifier output is clipping, the LED will light up with red. When the amplifier
muted, the LED will light up with green.
3. Input Switch
Active and passive basses are different. The output from a passive bass is a higher
impedance circuit with less voltage out than an active bass. So if you have a passive
instrument (no internal pre amp) then set the switch to passive mode. Use active mode
for basses that have higher output to prevent signal overload. The switch also mutes
the input when set to mute.
4. Input Level Control
Different instruments and also different playing styles and even players will affect the
signal level so adjust this control so that the signal overload Clip light does not light
up. This optimizes the best signal to noise ratio between amp and instrument and will
give you the full extent of the amplifiers tone and power.
5. Bass Control
This is centered on the fundamental frequencies of 4 and 5 string basses. Boosting or
cutting this will have significant effect on the weight of the tone.
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PANEL OVERVIEW

6. Mid Range Control
This gives the "voice" of your instrument. Generally you will find that cutting this
control instead of boosting will have more of a truer bass sound. Boosting may be
useful for soloing or special effects.
7. Treble Control
This gives the instrument the definition to the sound. Boosting it for "slap" bass or
cutting back for "Reggae" bass sound.
If you boost excessively you may get more noise as hiss and that could be due to the
noise coming from the pre amp in your bass or a poorly shielded instrument cable.
PJB has a dedicated bass instrument cable (Model BI-12) that is totally noise free and
actually will improve the tone of your instrument.
8. Master Volume
This controls the volume of both instrument and auxiliary input.
9. Auxiliary Input Level
Adjust this to balance you backing track to your bass level.
10. Auxiliary Input Jack
This is a stereo mini jack and can accept any signal from iPod, iPad, computer or
drum machine.
11. Line output jack
The pre amp in the DOUBLE FOUR is recording studio quality so the line out is a
very pure signal for recording or driving another amplifier.
12. Headphone Jack
You can use any kind of stereo headphones on this jack but remember you will only
sound good in your headphones if they are high quality. Don't try using those cheap
ones you get with a phone, you will be disappointed. W e recommend the best you can
afford and PJB have designed a high quality headphone (model HD850) that can
handle bass guitar (many can not!) and they sound great on music too.
13. Power Switch
This switches off the amplifier from the DC supply but AC signal will still be in the
external supply. We advise that you disconnect the power supply from AC source if
you do not intend to use the DOUBLE FOUR for long periods of time.
14. Power Indicator
Will light up when you have DC supply connected and amp switched on.
15. DC Input
Connect the PJB DC power supply supplied with DOUBLE FOUR here. DO NOT
USE ANY OTHER POWER SUPPLY AS THIS WILL DAMA GE YOUR
AMPLIFIER!
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－6－
OPERATION & POSITIONING
TURN THE VOLUME DOWN on the DOUBLE FOUR before plugging in your
instrument. You may notice the clip light blinks once on turn on. This is normal and the
amplifier is functioning correctly. It is just a characteristic of the circuit.
Positioning the DOUBLE FOUR for Best Sound
Often, playing in different venues will cause your bass to sound different. This is partially
due to the acoustics of the hall influencing the low frequency waves that are coming from
your speaker. Bass waves are large and room dimensions heavily influence them when the
walls reflect the sound waves, causing them to collide by adding together or canceling each
other out. This causes some fundamental notes (the ones you feel more than hear) to ring out
louder than others and some notes not to be heard at all.
Here is an indication of where fundamental bass frequencies are, showing open string’s
approximate frequencies and acoustic wavelength:
B string 31Hz 36 feet
E string 41Hz 27 feet
A string 55Hz 20 feet
D string 73Hz 15 feet
G string 98Hz 11 feet
C string 130Hz 9 feet
This may give you some indication of the offending notes (frequencies) that may be booming
or resonating louder or quieter than others. For example if your speakers are five feet from a
wall, the open A string may sound weak. That could be because the path length of the
reflected sound off the wall from your speaker is exactly corresponding to half a wavelength
onthe open A string causing at that particular note to cancel out.
Where you position the DOUBLE FOUR will ultimately affect your low frequency limit.
For best results keep the DOUBLE FOUR on the floor. Placing it on objects off the floor
will cause it to sound thin and lack bass punch. Placing the DOUBLE FOUR with the
back close to a wall will help reinforce the lower notes. Placing it in a room corner will
further enhance the low notes.
Room size makes a large difference in how deep the bass will sound. The further the
distance to the listener the less the bass will be. This is due to the physics of acoustics not
the unit itself.
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Getting the most from your DOUBLE FOUR
It is important to understand that this is a very different amplifier from conventional
analog amp. The controls send information to two internal micro computers: one for
the pre amp and the second for the power amp. This information is processed as EQ
changes or level changes so it takes a very small amount of time for the computers to
act on changes to EQ and volume controls. This is known as latency and if you
change a control while playing simultaneously, you will notice a very slight delay as
the changes are processed. It is simply the characteristic of the processers and not a
fault on the unit.
All amplifiers will be affected by the room they are in and in fact it can make a huge
difference to the sound where you place your amplifier. If you place the amp on a table far
from any wall, this will give you the least bass (low frequency) output. Walls, Floor and
Ceiling act like a mirror to the amplifier because the sound wave is reflected back and it
will magnify the sound. So placing the unit on a floor and close to a room corner will give
you the most bass output. You should experiment to see the best placement for your sound.
Speakers are a bit like shoes, new ones are never as comfortable as worn in older ones and
in time speakers will "soften" up. The sound will be warmer and fuller in time and a break
in period of playing is required to get the amp to perform its best. This can also be done just
by playing music through the aux input instead of playing.
TRANSPORTING AND STORING THE DOUBLE FOUR
When transporting in a vehicle, it is recommended that you use an external case or heavy-duty
cover to prevent it beingdamaged by falling over or other objects falling on it.
When Storing:
·Keep in a dry location preferably at room temperature.
·Do not store in temperatures below -20 Degrees C or above 40 Degrees C.
·Do not allow it to get wet. If this occurs,never turn it on in this condition.
·Do not leave the DOUBLE FOUR permanently connected to a power source.
－7－
Unfortunately for bass players, low frequencies are always very difficult to control with
room acoustics. The reproduced wavelengths of the notes you are playing often correspond
to the room dimensions, in which case the reflected sound off the walls interferes with the
sound from the speaker as you get further away from it.

SPECIFICATIONS
Speaker
Rectangular Auxiliary Low Frequency Radiator (RALFR®)Enclosure
Speaker Frequency Response: 60Hz – 15KHz
Speaker Compliment: 2 x 4 inch proprietary, extended-range drivers
Internal Speaker Impedance: 4 Ohms
Amplifier
70watt, digital amplifier with DSP. (Digital signal processing)
Signal to Noise Ratio
Better than 84 dB (EQ off, Volume on Full.)
Impedance
High Input: >1MΩ/22pF
Low Input: >30KΩ/22pF
Pre Amp Line Out: < 2KΩ
Levels
High Input: 30mV-2V
Low Input: 50mV-1.5V
Pre Amp Out: 1.2V
Included Parts
DC power supply
－8－

SERVICE/WARRANTY INFORMATION
The DOUBLE FOUR has a warranty period of 2 years, starting from the date of purchase.
The buyer must complete and return the enclosed warranty card within 14 days of
purchase.
This warranty covers defect in materials or workmanship that occurs in normal use. Within
warranty period PJB will repair or replace the defect unit free of labor and parts charge. It is the
buyer’s responsibility to use the unit strictly according to instructions written in this manual
and amplifier manual.
This warranty is not transferable; it is provided to original owner only. Damage/defects
caused by the following conditions are not covered by this warranty:
·Improper handling, neglect or failure to operate the unit in compliance with the
instructions given in user manual;
·Connection or operation of the speakers in any way that does not comply with the technical
or safely regulations applicable in the country where the product is used;
·Repairs or modifications by anyone other than authorized PJB service agent;
·Damages/defects caused by force majeure or any other condition that is beyond the
control of PJB.
Should you need any warranty service, please bring the DOUBLE FOUR back to the dealer
from whom you purchased, along with your sales receipt. Depending on the complexity of the
repair work, your dealer may return the defect unit to PJB service center for repair or
replacement.
IN USA
American Acoustic Development LLC
8509 MID COUNTY INDUSTRIAL DRIVE,
ST.LOUIS MO 63114. USA
Tel: [phone]
Fax: [phone]
www.philjonespuresound.com
[e-mail]
For servicing outside USA please contact our
distributor in your country. Information can be
found on our website.