Rane SIXTY-TWO User manual

OWNER’S MANUAL
SIXTY-TWO
RANE
SIXTY-TWO
MIXER
MANUAL

OWNER’S MANUAL
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SIXTY-TWO
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
To reduce the risk of electrical shock, do not open the unit. No
user serviceable parts inside. Refer servicing to qualied service
personnel.
The symbols shown below are internationally accepted symbols
that warn of potential hazards with electrical products.
This symbol indicates that a dangerous voltage
constituting a risk of electric shock is present
within this unit.
This symbol indicates that there are important
operating and maintenance instructions in the
literature accompanying this unit.
WARNING
Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A
grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug
does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits
from the apparatus.
11. Only use attachments and accessories specied by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use
caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply
cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from
the AC mains, disconnect the power supply cord plug from the AC receptacle.
16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the
electrical installation of the building.
18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power
ampliers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.
19. This apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.
WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping
or splashing and no objects lled with liquids, such as vases, shall be placed on the apparatus.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses
and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.
This Class B digital apparatus complies with Canadian ICES-003.
WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.

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ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
An d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.
Aucune pièce ne peut être changée par l’utilisateur. Contactez un
SAV qualié pour toute intervention.
Les symboles ci-dessous sont reconnus internationalement comme
prévenant tout risque électrique.
Ce symbole indique que cette unité utilise un voltage
élevé constituant un risque de choc électrique.
Ce symbole indique la présence d’instructions
d’utilisation et de maintenance importantes dans le
document fourni.
ATTENTION
Instructions de Sécurité
1. Lisez ces instructions.
2. Gardez précieusement ces instructions.
3. Respectez les avertissements.
4. Suivez toutes les instructions.
5. Ne pas utiliser près d’une source d’eau.
6. Ne nettoyer qu’avec un chiffon doux.
7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.
8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.
9. Ne pas modier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse
possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à
votre prise, contactez votre électricien.
10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du l, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.
11. N’utilisez que des accessoires recommandés par Rane.
12. N’utilisez que les éléments de transport, stands, pieds ou tables spéciés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une
valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence an d’éviter tout risque de blessure.
13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.
14. Adressez-vous à du personnel qualié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé :
si le cordon ou les ches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la
pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.
15. La che du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement
l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.
16. Cet appareil doit être branché à une prise terre avec protection.
17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.
18. En cas de montage en rack, laissez un espace sufsant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous
de celui-ci, mais certains (tels que de gros amplicateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre
appareil et dégrader ses performances.
19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille
de rack pour une meilleure xation et sécurité.
ATTENTION: an d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et
d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en
bouteilles, vases,…).
REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15
des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une
énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux
des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation
particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/
hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:
• Réorienter ou déplacer l'antenne de réception.
• Augmenter la distance entre l'équipement et le récepteur.
• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.
• Consulter un revendeur ou un technicien radio / TV expérimenté.
ATTENTION: Les changements ou modications non expressément approuvés par Rane Corporation peuvent annuler l'autorité de l'utilisateur à
manipuler cet équipement et rendre ainsi nulles toutes les conditions de garantie.
Cet appareil numérique de classe B est conforme à la norme Canadienne ICES-003.
Cet appareil numérique de classe B est conforme à la norme Canadienne NMB-003.

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SIXTY-TWO
Copyright Notices
©2014 Rane Corporation. All rights reserved. Serato DJ and Scratch Live are trademarks of Serato.
Trademarked in the United States and other countries. This software is based in part on the work of the
Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The
Serato NoiseMap™ Control Tone, the audio pressed on Serato Control vinyl and Control CDs, is copyright
©2004-2014 Serato. The Control Vinyl and Control CDs are licensed for personal use only. The creation of
personal backups of the Control CD is allowed, however duplicating Control CDs for commercial benet is
strictly prohibited. For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly
prohibited. Please respect our copyright. Windows®is a registered trademark of Microsoft Corporation in
the United States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand,
and OS X are registered trademarks of Apple Inc., registered in the United States and other countries.
Check List
These items are included in the box:
• 1 Sixty-Two Mixer.
• Serato DJ software and drivers install disc.
• 2 (two) control CDs.
• 2 (two) control records.
• 2 USB cables.
• IEC C5 line cord.
• Serato DJ Software Manual.
• This Sixty-Two Mixer Manual.
Wear Parts
The Sixty-Two Mixer contains no wear parts. The control vinyl records and CDs are wear parts as
described in "Limited Warranties" on page 40.

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Contents
2 Important Safety Instructions
4 Check List
6 Quick Start: Software
6 Serato DJ Software Installation for Mac OSX
6 Serato DJ Software Installation for Windows
6 Serato Scratch Live
6 Other DJ and DAW Programs
7 Quick Start: Hardware
7 Analog Inputs
8 Analog Outputs
8 Quick Start: Operation
8 USB Control Source
10 Sixty-Two Overview
11 Sixty-Two Connections
13 Deck Input Channels
13 Source Selector
13 Level
13 Pan
13 Tone Controls
14 Filter
14 FlexFX
14 Channel Faders & Crossfader
14 Channel Meters
14 Headphone Cue
15 Aux
15 Session In and Out
15 Main and Booth
16 Software Controls
16 Library Browse
16 Loops Manual / Auto
16 Manual Loop Controls
16 Auto Loop Controls
17 Cues / Samples control
17 Cue Points
17 Sample Player (SP-6) Triggers
18 FlexFX Loop
19 Internal Audio Effects
21 Effects Parameter Table
22 Shift Options
22 Ext. Insert Options Menu
22 Filter Effect Options Menu
22 Flanger Effect Options Menu
22 Echo Effect Options Menu
23 Deck 1-2 Channel Options Menu
23 Mic Option Menu
23 Mic Bypass Mode
23 Headphone Tone Control
24 Mixer Shift Functions
24 MIDI Start/Stop
24 Nudge
24 BPM Adjust
24 Sync
24 Slip
25 DJ Changeover
26 Rane Drivers
28 Factory Defaults
29 MIDI Mapping
36 Magnetic Fader Maintenance
38 Technical Specifications
39 Battle Bridge Accessory
40 Limited Warranties
42 Declaration of Conformity

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Quick Start: Software
Before using your mixer, at least read this short section for the basics. Read the complete manual to get
the best investment from your new Sixty-Two. This section will help get you started with one computer.
Serato DJ Software Installation for Mac OSX
Before installing, we recommend you check for a
newer version of Serato DJ at serato.com/downloads
and install the latest Serato DJ version if it is newer
than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Finder to the location where the Serato DJ download was saved.
2. Double click the Serato DJ .dmg installer le.
3. The software EULA screen will appear - read the License Agreement, then click Agree.
4. The disk image mounts and opens the actions folder, once this is nished you can unmount the disk
image and launch Serato DJ.
5. Drag the Serato DJ application icon to the Applications folder alias.
6. You may then need to enter your User Password to authenticate.
7. Serato DJ will now copy to the Applications folder, once this is nished you can unmount the disk image
and launch Serato DJ.
Serato DJ Software Installation for Windows
Before installing, we recommend you download and install the latest Serato DJ version from serato.com if
it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Windows Explorer to the location where the Serato DJ download installer was saved.
2. Double click the Serato DJ .exe installer le.
3. Accept the Security Warning and click “Run”.
4. The installer introduction screen will appear, click Next.
5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.
6. If a User Account Control window appears, click Yes.
7. Serato DJ will now perform a standard installation.
8. The installation is now complete. You can now click Close.
NOTE: A shortcut will be also be created on desktop.
When you first connect your Sixty-Two Mixer via USB, you may see a request to install drivers. Accept
the request and allow the driver installation to proceed. After drivers are installed, a Sixty-Two control
panel will be available, and your software will recognize the Sixty-Two.
After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a
new compatible device that has not already had its driver installed.
Serato Scratch Live
Your Sixty-Two is completely compatible with Serato Scratch Live, downloadable from serato.com. You
can download the Sixty-Two Manual for Serato Scratch Live at either serato.com or dj.rane.com.
Other DJ and DAW Programs
Rane drivers come with the Serato DJ installer to use other software. See "Rane Drivers" on page 26.

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7.
MAIN OUT
SEND
PHONO
GROUNDS
INPUT SELECT
SESSION
ANALOG INPUTS
100-240V 50/60 Hz 15 WATTS
LEFT
RIGHT
MADE IN U.S.A. RANE CORP.
RETURN
FLEXFX LOOP
USB A
USB B
BOOTH OUT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
OUT
IN
2
1
4
3
PH - CD
PH - CD
PH - CD
PH - CD
SIXTY-TWO
MIC - LINE
MIC
INPUT
USB
CD OR TURNTABLE OUTCD OR TURNTABLE OUT
MAIN SPEAKERS OR AMPS
POWERED POWERED
Quick Start: Hardware
This guide will help you get your decks connected and music playing on one computer. Leave the
power off until your decks and amplifiers are connected.
Analog Inputs
1. Connect your Left deck’s RCA cables to ANALOG INPUT 1.
•If it’s a CD player, select CD with the switch above the input jacks.
•If it’s a turntable, select PH (Phono) with the switch above the input jacks. Secure the ground wire to a
Phono Ground terminal.
2. Set the SOURCE selector for DECK 1.
PH / CD 1 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose A.
3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.
•Select CD or PH as in step 1.
4. Set the SOURCE selector for DECK 2.
PH / CD 3 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose A.

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Analog Outputs
• Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• Booth Out is on a pair of balanced ¼˝ TRS (tip-ring-sleeve) jacks.
• Session Out is available on a pair of unbalanced RCA jacks.
• Headphones output mix is available on both ¼˝ and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, you may use any of these
outputs as the “Main” output if a different cable type is required to your speaker ampliers.
Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and
noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an
unbalanced cable. See the RaneNote “Sound System Interconnection” at rane.com for cable wiring
recommendations.
Quick Start: Operation
USB Control Source
The default Inputs for decks performing Digital Vinyl Simulation (DVS) are Inputs 1 and 3, but you can
change this. Analog Input 1 or 2 may be selected in Serato DJ software as the DVS signal for the Left
Virtual Deck. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck.
To select the control sources in Serato DJ, click the SETUP button at the top of the screen. In the Audio
tab, verify that Control Source > PGM 1 is set to “1”. This will be your Left Virtual Deck. verify that Control
Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
To select the control sources in Scratch Live, click the SETUP button at the top of the Scratch Live
screen. In the Hardware > General tab, verify that Control Source > PGM 1 is set to “1”. This will be your
Left Virtual Deck. verify that Control Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
Calibrating Serato DJ for Control Vinyl or CD
Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in
by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range
of signals, and be congurable to use them optimally. Calibrating is just conguring the software to your
situation. Calibration is equally important for both vinyl and CD users of Serato DJ.
There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening
to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over
the top of the tone. The directional tone provides the current speed and direction of the record, while the
noise map tells the software precisely where on the record the needle is currently.
The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which
a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input
signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered
noise and ignored.
This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the
environment as well as the signal on the record, especially in the noisy environment of a live show.

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How To Calibrate Serato DJ
With music playing in the background through your system or booth output, put your needle on the record
with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused
or stopped while calibrating.
Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider
to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to
background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be stationary.
• The background music playing must be at a similar level to
which you will play your set at.
• Calibrate Serato DJ every time you play.
TIP: If the slider jumps to the far right, then you have a problem
with noise in your turntables/CD players/mixer. Check all your
connections and make sure your equipment is well earthed.
In some situations you will not be able to improve the signal
quality, and you will have to play on regardless. In this situation,
stick to rel mode.
The Scopes
The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors
to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the
lower right corner.
Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
For optimal performance the inner ring should be as close to circular as possible. Use the scope
zoom slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to
adjust the shape of the inner ring. The number in the top left corner of the scope view gives the current
absolute position within the control record or CD. The number in the top right corner is the current speed
in RPM. In the bottom left is the current threshold setting, and the number in the bottom right shows
the percentage of readable signal – this number should be close to 85% when your system is calibrated
properly.
For complete software operating instructions, see the Serato DJ Manual.

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Sixty-Two Overview
Software controls are built-in for one or two computers
• Includes Serato DJ software.
• Includes Rane ASIO and Core Audio Drivers for Serato DJ and other audio programs.
• Advanced MIDI and audio routing: route either deck to either USB Port, and MIDI follows the audio.
• Independently control Library, Cues, Loops and Samples on two computers with more than 40 software
controls.
• Each of the two USB ports supports six stereo record and four stereo playback channels.
• USB record channels support:
• Vinyl control signal for two Virtual Decks, or record either of Decks post-fader.
• Record the Main Mix or the Mic.
• FlexFX USB Insert Send to each computer.
• USB playback channels support:
• Playback for two Virtual Decks.
•USB Aux playback for the SP-6 sample player.
• FlexFX USB Insert Return from each computer.
• Great-sounding 32-bit oating-point audio sampled at 48 kHz.
Deck input channel controls
• Pre-fader Level, 3-band isolator EQ, plus low-pass / high-pass sweep Filter with resonance adjustment.
• Crossfader, FlexFX and headphone Cue assigns.
• Proprietary magnetic faders and crossfader with contour and reverse controls.
Mic input
• Mic / Line input level switch.
• Controls: On, Over, Level, 2-band Tone and
FlexFX assign.
• Unused Mic controls easily map to MIDI.
Advanced post-fader FlexFX
• Internal Effects engine with:
• Filter, Flanger, Phaser, Echo, Robot and
Reverb.
• MIDI beat clock tracking and generation.
• Sync BPM with Serato DJ, MIDI beat clock
or manual Tap button.
• USB Insert loop for post-fader software
effects for each of the two ports.
• External analog insert loop for outboard effect
units.
Main Mix section
• Balanced XLR Main Mix and
1/4" TRS Booth outputs.
• RCA analog Session In & Out.
Headphone monitor with split cueing.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER

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Sixty-Two Connections
Power Supply
This mixer features an internal universal switching power supply that operates on any AC mains 100 to
240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ,
who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn
on/off muting, it’s smart to leave the power unplugged until everything else is connected.
Analog Inputs
Four Phono / CD inputs are provided by RCA jacks. These may be set for PH or CD using rear panel slide
switches. Analog inputs 1 and 2 are used by DECK 1. Analog inputs 3 and 4 are used by DECK 2. Analog
Input 1 or 2 may be selected in Serato DJ software as the Digital Vinyl Simulation (DVS) signal for the Left
Virtual Deck or for recording on USB stereo pair 5-6. Analog Input 3 or 4 may be selected in software as
the DVS signal for the Right Virtual Deck or for recording on USB stereo pair 7-8. Set any unused inputs to
CD. Connect your turntable ground wires to the PHONO GROUND posts on the rear when using PH inputs.
One stereo Session Input is available on a pair of RCA input jacks. This input may connect two mixers
together or as a general purpose auxiliary input to the mixer.
The Mic Input will accept an XLR 3-pin plug, a balanced ¼˝ TRS (tip-ring-sleeve) plug or an unbalanced
TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the MIC - LINE switch on the
rear panel. Set this to Line when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on unbalanced ¼˝ TS (tip-sleeve) jacks. These inputs automatically
switch to mono when only one cable is connected to the left or right Return input. The FlexFX Return input
is normally used along with the FlexFX Send output to connect an outboard analog effects processor.
Phono Sensitivity and Analog Insert level can be adjusted in the "Rane Drivers" on page 26.
Analog Outputs
There are ve stereo analog outputs available on the mixer:
• MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• BOOTH OUT is on a pair of balanced ¼˝ TRS jacks.
• SESSION OUT is available on a pair of unbalanced RCA jacks.
• FLEXFX LOOP SEND output is available on a pair of unbalanced ¼˝ inch TS jacks. For a mono FlexFX Send,
use the Left output. The FlexFX Send output is normally used along with the FLEXFX LOOP RETURN input to
connect outboard effects.
• HEADPHONES output is available on both ¼˝ TRS and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, users may use any of these
outputs as the “Main” output if a different cable type is required for system connection.
Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your
cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.
See the RaneNote “Sound System Interconnection” at rane.com for cable wiring recommendations.
MAIN OUT
SEND
PHONO
GROUNDS
INPUT SELECT
SESSION
ANALOG INPUTS
100-240V 50/60 Hz 15 WATTS
LEFT
RIGHT
MADE IN U.S.A. RANE CORP.
RETURN
FLEXFX LOOP
USB A
USB B
BOOTH OUT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
OUT
IN
2
1
4
3
PH - CD
PH - CD
PH - CD
PH - CD
SIXTY-TWO
MIC - LINE
MIC
INPUT

OWNER’S MANUAL
12
SIXTY-TWO
Two USB Ports
There are six stereo record channels and four stereo playback channels. These channels are
simultaneously available on two USB ports, allowing two computers to share the device. This allows two
DJs to play together and supports uninterrupted transitions from one DJ to another.
Rane ASIO and Core Audio drivers allow the Sixty-Two to act as a 12-record 8-playback USB sound
card for use with Serato DJ and other third-party software applications that support ASIO or Core Audio.
These drivers are multi-client, meaning they allow multiple applications on a computer to share the device
at the same time.
The Sixty-Two has two USB ports, allowing simultaneous connection of two computers. Each port
is completely independent. It is possible to run Serato DJ on one computer while running third-party
software on the other, Mac or PC. See how to share the Sixty-Two in "DJ Changeover" on page 25.
USB Playback Stereo Pair Serato DJ Description Mixer Use
11-2 Left Virtual Deck Output Select as Deck 1 Source from USB A or USB B
23-4 Right Virtual Deck Output Select as Deck 2 Source from USB A or USB B
35-6 SP-6 Output Option USB AUX Source (sum of USB A & USB B)
47-8 FX Return to the Mixer FlexFX Insert Return (sum of USB A & USB B)
USB Record
11-2 Record Source Deck 1 Deck 1 Post Fader and Post Crossfader Output
23-4 Record Source Deck 2 Deck 2 Post Fader and Post Crossfader Output
35-6 Record or DVS Control for Left Deck Selects PH/CD 1 or PH/CD 2 in Control Panel
47-8 Record or DVS Control for
Right Deck Selects PH/CD 3 or PH/CD 4 in Control Panel
59-10 FX Send from the Mixer FlexFX Insert Send
611-12 Record the Main Mix or Mic Select Main Mix or Mic in the Control Panel
FX Send L&R
Main Mix Record L&R
Deck 2 Record L&R
Deck 1 Record L&R
Right DVS Control L&R
Left DVS Control L&R
FX Return L&R
SP-6 Sample Player L&R
Left Virtual Deck L&R
Right Virtual Deck L&R
USB RECORD USB PLAYBACK

OWNER’S MANUAL
13
SIXTY-TWO
Deck Input Channels
Two input channels, or buses, have nearly identical controls with the exception of the Source selectors.
Source Selector
The SOURCE selector for Deck 1 selects one of four
sources:
• ALeft Virtual Deck (USB stereo playback pair
1-2) from USB A.
•Also assigns the MIDI controls for the Left Deck
software and Deck 1 mixer to USB A.
• PH / CD 1 (THRU): Set to PH or CD on the rear panel.
•When selected in software, this input is available
on USB record 5-6 for use as the DVS control
signal or for audio recording. To select this control
source in Serato DJ: go to Setup > Audio > Deck
Setup > PGM 1 and select “1”.
• PH / CD 2 (THRU): Set to PH or CD on the rear panel.
•When selected in software, this input is available
on USB record 5-6 for use as the DVS control
signal or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck
Setup > PGM 1 and select “2”.
• BLeft Virtual Deck (USB stereo playback pair 1-2) from USB B.
•Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer to USB B.
The SOURCE selector for Deck 2 selects one of four sources:
• ARight Virtual Deck (USB stereo playback pair 3-4) from USB A.
•Also assigns the MIDI controls for the Right Deck software and Deck 2 mixer to USB A.
• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.
•When selected in software, this input is available on USB record 7-8 for use as the DVS control signal
or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
PGM 1 and select “3”.
• PH / CD 4 (THRU): Set to PH or CD with the rear panel switch.
•When selected in software, this input is available on USB record 7-8 for use as the DVS control signal
or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
PGM 1 and select “4”.
• BRight Virtual Deck (USB stereo playback pair 3-4) from USB B.
•Also assigns the MIDI controls for the Left Deck software and Deck 2 mixer to USB B.
Level
LEVEL controls adjust the input gain from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock.
Pan
Left / Right PAN controls adjust the balance of left and right signals. Left and right are equal at 12 o’clock .
Tone Controls
HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity
gain (no boost or cut) is at 12 o’clock.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1
MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2
MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL
MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
14
SIXTY-TWO
Filter
The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a at “no-lter” response. Moving
the lter toward the LOW position progressively reduces high frequencies. Moving the lter toward the HIGH
position progressively reduces low frequencies. The Resonance or Q of these Filters can be adjusted on
the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.
High resonance adds a “zip” effect to the Filter when it is moved. Low resonance is best when the Filter is
used for mixing.
FlexFX
The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software
effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned
with the option to insert internal effects, external analog effects or software effects via USB. See "FlexFX
Loop" on page 18.
Channel Faders & Crossfader
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE
and CONTOUR controls on the front panel. See "Magnetic Fader Maintenance" on page 36.
Channel Meters
Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak
hold. Use the LEVEL controls to stay out of the red.
Headphone Cue
CUE buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the
FlexFX Bus can be cued in the headphones before bringing it into the mix. Cue controls
operate as solo or radio-button controls. This means engaging a Headphone Cue turns
all the other Headphone Cue controls off. You can select more than one at a time by
simultaneously pressing more than one Cue.
• The Headphone monitor provides stereo or mono split cue operation.
•When set for stereo operation (SPLIT CUE dim), the Pan control pans between stereo
Cue and stereo Main Mix.
•When set for Split Cue operation (SPLIT CUE bright), the Pan control pans between
Mono Cue in the left ear and mono Main Mix in the right ear.
• The Phones LEVEL control sets the volume to the headphone jacks.
• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the
same mix.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
15
SIXTY-TWO
Aux
This digital input is on USB playback stereo pair 5-6 and is normally used for the Serato
DJ SP-6 Sample Player.
To enable the SP-6, go to Setup > Expansion Packs > SP-6 Sample Player and check
the box for “Enable SP-6 Sample Player.”
To assign the SP-6 Sample Player to AUX, click the SP-6 tab at the top of the main
software screen and select SP-6 Output as “A.”
This AUX input has it’s own LEVEL, FILTER and FLEXFX assign. CUE for AUX is in the
center just below the SAMPLES row of buttons.
The Resonance for the AUX FILTER can be adjusted in the "Rane Drivers" on page
26.
Mic Input
This Mic input on a XLR/TRS combo jack has LEVEL, HIGH and LOW tone controls, FLEXFX
assign and a meter. Select MIC or LINE level using the rear panel switch. LINE is usually
correct for wireless mic receivers.
• MIC ON turns the mic input on without ducking other inputs.
• MIC OVER momentarily turns the microphone on, and ducks other inputs by 10 dB (by
about 1/3). Releasing this button turns the mic off.
• The mic section has options for recording and MIDI. See "Shift Options" on page 22.
Session In and Out
The SESSION IN has it’s own level control and may be used as a general
purpose analog stereo AUX input from RCA jacks. SESSION IN and SESSION
OUT are typically used to chain mixers together, though any line-level
device may be connected to the Session Input and mixed here.
Main and Booth
The Main and Booth outputs each have their own LEVEL control. The Main outputs use
balanced XLR connectors and the Booth outputs use balanced ¼˝ TRS connectors. Since
the Main, Booth and Session Outputs have the same Mix, you can run any of them to your
main amplier if the proper cables are not available.
The Main Mix section has a quasi-peak stereo meter with peak hold.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1
MIC
DECK 1
AUX
SP-6 ASSIGN
ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2
MIX
DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL
MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
16
SIXTY-TWO
Software Controls
The Sixty-Two Mixer has dedicated Serato DJ software controls for the
Left Virtual Deck and Right Virtual Deck. The mixer has two high-speed
USB ports, USB A and USB B. Virtual Deck and associated Deck controls
are assigned to USB A or USB B using the Deck 1 and 2 SOURCE selectors.
When Ais selected for the DECK 1 SOURCE, the SP-6 ASSIGN button at
the top of the left-hand control strip turns green to coincide with the silk-
screen color for USB A. When Bis selected, the SP-6 ASSIGN button
turns orange to coincide with the color for USB B.
When Ais selected for the DECK 2 SOURCE, the SP-6 ASSIGN button
at the top of the right-hand control strip turns green to coincide with
the silk-screen color for USB A. When Bis selected, the SP-6 ASSIGN
button turns orange to coincide with the color for USB B.
The MIDI controls are only sent to the selected port, allowing
completely independent Library Browsing, Cue, Loop and Sample control
for each USB port. MIDI controls not dedicated to a channel strip, such
as SP-6 sample player controls, are assigned to the Left or Right control-
strip using the SP-6 ASSIGN control.
Library Browse
BACK button: Switches the focus between the Crate and Library area in
Serato DJ. If you have any panels open in Serato DJ, the BACK button will
also move the focus between this and the Crate and Library areas.
SCROLL / LOAD encoder: Rotate the knob to scroll through the Crate / Library panel currently in focus. When
the focus is in the Crate area, pressing the knob displays the contents of the selected Crate and moves
the focus into the Library area. When the focus is in the Library area, pressing the knob loads the selected
track to the Virtual Deck. Double-pressing will load an instant double to this Deck from the opposite Deck.
Loops Manual / Auto
MANUAL / AUTO button toggles the state of the Loop controls between Manual and Auto Loop mode. In
Manual mode, the LOOP buttons light green to correspond with the green lines by the LOOP controls. In
Auto mode, the buttons are lit orange to correspond with the orange lines.
Manual Loop Controls
When Manual Loop mode is selected, loop control buttons are illuminated green. Loop buttons ash
during loop playback.
SELECT - Selects a loop slot in Serato DJ when the encoder is pressed.
IN - Sets a loop in point.
OUT - Sets a loop out point.
LOOP - Turns a loop on or off.
Auto Loop Controls
When Auto loop mode is selected, loop control buttons are illuminated orange.
BARS - Selects the auto loop length in Serato DJ. This can be adjusted while an auto loop is already
looping as an effect.
LOOP - Performs an auto loop of the number of Bars selected.
ROLL - Performs a loop roll of the number of Bars selected.
SAVE - Saves the current loop to an available loop slot in Serato DJ.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN
ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT
SELECT
SHIFT
SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVE
LOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT
SELECT
SHIFT
SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVE
LOOP
IN
OUT
LOOP
DECK 2 MIX
DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
17
SIXTY-TWO
Cues / Samples control
The center CUES / SAMPLES button toggles the ten buttons between CUES and SAMPLES modes.
In CUES mode, the CUES
/ SAMPLES button is orange
and the Cue buttons are
green. There are ve Cue
buttons dedicated to the
Left Virtual Deck and ve dedicated to the Right Virtual Deck, numbered above each button.
In SAMPLES mode, the
CUES / SAMPLES button is
red, the four Bank buttons
A, B, Cand D are orange
and the six Sample buttons
are green. Sample buttons are assigned to USB A or USB B using the SP-6 ASSIGN button at the top of
each control strip.
Cue Points
In CUE mode, you can set and trigger ve cue points for each Virtual Deck using the Cue buttons. If a
Cue is set in Serato DJ, a Cue button is lit bright green, and pressing it will trigger the corresponding
Cue point in Serato DJ. If a corresponding Cue point is not set, the button will be dim and pressing it will
set a new cue point. Hold SHIFT and press a Cue button to delete a cue. See Cue Points in the Serato DJ
Manual.
Sample Player (SP-6) Triggers
In SAMPLES mode, you can trigger six samples in each of four banks. Select Bank A, B, C or D. An
orange Bank button is brightly lit if any of the six slots in that bank have a track loaded, and that Bank
is currently selected. When a bank is selected, any green Sample button with a track loaded in the
corresponding slot is brightly lit. The button ashes while it’s sample is playing. The Play behavior follows
the behavior selected in Serato DJ. Sample playback can be assigned to the Left Virtual Deck, Right
Virtual Deck or USB AUX. The Sixty-Two has a dedicated USB AUX input for the sample player typically
used for SP-6 playback. When two USB ports are in use, the SP-6 ASSIGN button at the top of each control
strip determines to which computer the SP-6 player controls are assigned. Audio from both USB ports is
summed in the mixer.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
18
SIXTY-TWO
FlexFX Loop
The FlexFX Bus in the Sixty-Two works differently than a typical effects insert loop. This architecture
opens up many new possibilities not possible with simple effect insert designs found on other mixers.
The FlexFX Bus is more like an auxiliary bus that can have multiple signals assigned to it. Signals
assigned to the bus may then have internal effects, external analog effects and external USB effects
applied in any combination. The order of processing in the FlexFX Bus is shown in the graphic below.
1. FLEXFX buttons for DECK 1, DECK 2, MIC and AUX assign signals to the FlexFX Bus (bright blue) or
the Main Mix (dim blue). This allows assigning multiple inputs to the FlexFX Bus and/or changing the
assignment without interrupting audio.
2. The six effect buttons both turn on and sync an internal effect. By keeping this separate from the
effects ON button, it is possible to turn on, sync and cue effects before you hear the wet signal in the
Main Mix. Only one internal effect is selected at a time. Having six independent buttons, it is possible to
drum in different effects without interruption.
3. EXT. INSERT is turned on/off with a separate button. The external analog insert can be used with internal
effects and the INSERT or independently. NOTE: If no external connection is made to the FLEXFX
LOOP RETURN jack, the signal will be interrupted when the EXT. INSERT button is turned on.
4. The INSERT is turned on/off with a separate button, and can be used with internal effects, the EXT.
INSERT or independently. The INSERT uses USB record pair 9-10 for the Send and USB playback pair
7-8 for the Return. Using the INSERT generally requires a low-latency driver control panel setting.
NOTE: Assign a Deck channel or signal to FLEXFX before engaging the INSERT button to avoid
audible artifacts.
5. The FlexFX CUE is after the internal effects insert, analog external insert, USB insert and before the
effects ON function. This allows cueing a Wet signal while listening to the Dry signal before turning the
effect ON.
6. When effect ON is not engaged, internal effects insert, analog external insert and USB insert points are
bypassed, and any signal assigned to the FlexFX Loop is simply summed into the Main Mix. This allows
you to CUE the wet signal before the wet signal is heard in the Main Mix.
FLEXFXDECK 1
1 2 3 4
6
5
FLEXFXDECK 2
FLEXFXMIC
FLEXFXAUX
10
8
64
2
0
DEPTH
FILTER
EFFECTS ENGINE
EXT. INSERT
SEND
TAP
PHASERFLANGER
ROBOTECHO REVERB
FLANGER +FB
BPM:120 * 4:1
2000 MS
ON
FLEXFX ON
BYPASS
ON
RETURN
SEND
LEFT
RIGHT
RETURN
LEFT
RIGHT
Main
Mix
Cue
Bus
CUE
TIME BEAT
SEND
A RETURN
SEND
RETURN
A
B RETURN
A
B
B
INSERT

OWNER’S MANUAL
19
SIXTY-TWO
Internal Audio Effects
The internal effects engine is in the FlexFX Loop. This allows any combination of DECK 1, DECK 2, MIC and
AUX to be assigned to an effect. Individual effects are turned on/off using the six effects buttons. EXT.
INSERT and INSERT are also engaged independently. The FlexFX Loop (which includes the External
Insert and the USB Insert) is turned On/Off with the FlexFX ON button (off bypasses the loop).
The six built-in effects are:
• FILTER • FLANGER
• PHASER • HOLD ECHO
• ROBOT • REVERB
General Behavior
• The effect multiplier is
saved for each effect.
• Changing BPM for one
effect changes the BPM for all effects.
• Tapping the BPM requires at least two taps.
• Changing the BEAT multiplier results in an immediate change in the effect time.
• Changing the effect BPM adjusts the multiplier for other effects so that the new multiplier is as close as
possible to the saved effect time.
Echo Effects
Echo is an audio effect which records an input signal and then plays it back after a period of time. The
delayed signal may be played back multiple times to create the sound of a repeating, decaying echo. The
amount of recirculation determines the echo decay rate. There are four available Echo options:
• Echo: No feedback lter and adjustable recirculation 0 to 70%.
• Duck Echo: Adjustable feedback lter and adjustable recirculation 0 to 70% (see Duck Echo below).
• Low-Cut Echo: Adjustable feedback lter and adjustable recirculation 0 to 70%.
• Low-Cut Hold Echo: Adjustable feedback lter and adjustable recirculation of 0% to 100%.
The feedback-lter types help reduce the “muddy” sound that can result when using a lot of
recirculation. The type of Echo is selected in the menu on the mixer in the "Echo Effect Options Menu"
on page 22, or in the "Rane Drivers" on page 26. Operation of the Echo controls is detailed in the
"Effects Parameter Table" on page 21.
Duck Echo uses a high-pass feedback lter like the Low-Cut Echo. In the presence of signal, the Duck
Echo operates 100% dry (no echo is heard). When signal is removed, the delay is enabled and operates
according to the DEPTH knob setting just like the standard High-pass Echo. This is great for having a song
echo out regardless of what terminates play (fader cut, song ends lter cut etc.).
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT +6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms

OWNER’S MANUAL
20
SIXTY-TWO
Effects Display, BPM Source and Match Indicator
The effects display shows the name of the
current effect, BPM, MIDI Beat-Clock source,
Beat Multiplier and Time. A bar graph represents
the effect time relative to its range. If no effect
is selected, the information for the last effect is
displayed. The display for the Robot and Reverb is
somewhat different.
There four possible BPM sources:
(*) Manual Tap
(S) Serato DJ
(A) USB A Beat-Clock,
(B) USB B Beat-Clock.
To change the BPM source, press and hold the TAP button and use the BEAT joystick to step through the
sources. If a new BPM is manually tapped in or the time is manually altered, the BPM source returns to (*)
Manual.
The effect time is normally a product of the BPM and the Beat Multiplier. If the right arrow or left arrow
appears, there is an inequality between the BPM*Beat and Time. The arrow indicates which way to
adjust the Beat Multiplier to correct the inequality and get the closest possible time. If the BPM source is
displayed (*, S, A, B), the BPM*Beat matches the displayed Time.
For example, 120 BPM with a 4:1 Beat Multiplier would result in an effect Time of 2000 ms. If the Time is
adjusted to a different value, such as 2097 ms, an arrow indicates that the product of the displayed BPM
and Beat Multiplier does not result in the displayed effect Time. For this example, 2000 ms is below 2097
ms. In this case, moving the BEAT joystick left or down snaps to 120 * 4:1 and changes the time to 2000
ms.
A ashing Beat Multiplier indicates that the Time required to match the current BPM*Beat product is out
of range. For an echo example, if a BPM of 60 is used with a Beat Multiplier of 8, the resulting time is 8000
milliseconds. If the multiplier is set to 16, the resulting time would be 16000 milliseconds, which is out of
range. In this case, the time remains at 8000 milliseconds and the multiplier ashes.
Effects Synchronization
This mixer can synchronize its internal effects to four sources as described in the preceding section. The
desired clock source is selected by holding down the TAP button and pushing the BEAT joystick up/right or
down/left. The selected source (*, S, A, B) is displayed just following the BPM number. Manually tapping a
BPM forces the selection to (*) Manual.
Pressing a FLEXFX button with no other FLEXFX button engaged, with a BPM-tagged song playing in
Serato DJ on that channel, forces the clock source to (S) Serato DJ. The mixer will continue to track the
Serato DJ BPM until a new BPM is manually tapped or a new clock source is selected. When one of S,
A, or Bis selected, the clock source indicator will ash when the mixer is actively following the selected
clock.
At any point the BPM and BPM source can be locked. By clicking in on the BEAT joystick, the current
BPM is frozen and the BPM source is set to (*) Manual and locked. The BPM label on the display ashes
to indicate that the BPM source has been locked. The mixer will not change the BPM or BPM source until
the user manually enters new BPM or time information, changes the BPM source, or unlocks the BPM by
clicking in once more on the joystick.
Regardless of the clock source, the mixer broadcasts the current MIDI Beat-Clock to both USB ports
when the Send MIDI Beat Clock option is selected in the MIDI Conguration page of the driver control
panel. Both USB ports will also echo out any system real-time messages from the host computer.
PHASER
BPM:120 * 4:1
2000 ms
L2 L3
effect name
time range
*, S, A, B
multiplier
BPM
time
Deck 1 Layer Deck 2 Layer