Rane TTM57mkII User manual

OWNER’S MANUAL
TTM57mkII
RANE
TTM57mkII
MIXER
MANUAL

OWNER’S MANUAL
2
TTM57mkII
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
To reduce the risk of electrical shock, do not open the unit. No
user serviceable parts inside. Refer servicing to qualied service
personnel.
The symbols shown below are internationally accepted symbols
that warn of potential hazards with electrical products.
This symbol indicates that a dangerous voltage
constituting a risk of electric shock is present
within this unit.
This symbol indicates that there are important
operating and maintenance instructions in the
literature accompanying this unit.
WARNING
Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A
grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug
does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits
from the apparatus.
11. Only use attachments and accessories specied by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use
caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply
cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus from
the AC mains, disconnect the power supply cord plug from the AC receptacle.
16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the
electrical installation of the building.
18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large power
ampliers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.
19. This apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.
WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to dripping
or splashing and no objects lled with liquids, such as vases, shall be placed on the apparatus.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses
and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.
CAN ICES-3 (B)/NMB-3(B)
WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.

OWNER’S MANUAL
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TTM57mkII
ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
An d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.
Aucune pièce ne peut être changée par l’utilisateur. Contactez un
SAV qualié pour toute intervention.
Les symboles ci-dessous sont reconnus internationalement comme
prévenant tout risque électrique.
Ce symbole indique que cette unité utilise un voltage
élevé constituant un risque de choc électrique.
Ce symbole indique la présence d’instructions
d’utilisation et de maintenance importantes dans le
document fourni.
ATTENTION
Instructions de Sécurité
1. Lisez ces instructions.
2. Gardez précieusement ces instructions.
3. Respectez les avertissements.
4. Suivez toutes les instructions.
5. Ne pas utiliser près d’une source d’eau.
6. Ne nettoyer qu’avec un chiffon doux.
7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.
8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.
9. Ne pas modier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse
possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à
votre prise, contactez votre électricien.
10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du l, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.
11. N’utilisez que des accessoires recommandés par Rane.
12. N’utilisez que les éléments de transport, stands, pieds ou tables spéciés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une
valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence an d’éviter tout risque de blessure.
13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.
14. Adressez-vous à du personnel qualié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé :
si le cordon ou les ches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la
pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.
15. La che du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement
l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.
16. Cet appareil doit être branché à une prise terre avec protection.
17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.
18. En cas de montage en rack, laissez un espace sufsant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous
de celui-ci, mais certains (tels que de gros amplicateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre
appareil et dégrader ses performances.
19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille
de rack pour une meilleure xation et sécurité.
ATTENTION: an d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et
d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en
bouteilles, vases,…).
REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15
des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une
énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux
des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation
particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/
hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:
• Réorienter ou déplacer l'antenne de réception.
• Augmenter la distance entre l'équipement et le récepteur.
• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.
• Consulter un revendeur ou un technicien radio / TV expérimenté.
ATTENTION: Les changements ou modications non expressément approuvés par Rane Corporation peuvent annuler l'autorité de l'utilisateur à
manipuler cet équipement et rendre ainsi nulles toutes les conditions de garantie.
CAN ICES-3 (B)/NMB-3(B)
Cartons et papier à recycler.

OWNER’S MANUAL
4
TTM57mkII
Copyright Notices
©2015 Rane Corporation. All rights reserved. Serato DJ and Scratch Live are trademarks of Serato.
Trademarked in the United States and other countries. This software is based in part on the work of the
Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The
Serato NoiseMap™ Control Tone, the audio pressed on Serato Control vinyl and Control CDs, is copyright
©2004-2015 Serato. The Control Vinyl and Control CDs are licensed for personal use only. The creation of
personal backups of the Control CD is allowed, however duplicating Control CDs for commercial benet is
strictly prohibited. For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly
prohibited. Please respect our copyright. Windows®is a registered trademark of Microsoft Corporation in
the United States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand,
and OSX are registered trademarks of Apple Inc., registered in the United States and other countries.
Check List
These items are included in the box:
• TTM57mkII Mixer.
• Serato DJ software and drivers install disc.
• 2 (two) control CDs.
• 2 (two) control records.
• USB cable.
• IEC C5 line cord.
• Serato DJ Software Manual.
• This TTM57mkII Mixer Manual.
Wear Parts
The TTM57mkII Mixer contains no wear parts. The control vinyl records and CDs are wear parts as
described in "Limited Warranties" on page 33.

OWNER’S MANUAL
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TTM57mkII
Contents
2 Important Safety Instructions
4 Copyright Notices
4 Check List
6 TTM57mkII Overview
7 Quick Start: Software
8 Quick Start: Hardware
9 Quick Start: Operation
10 Audio Connections
11 Two USB Ports
12 Deck Input Channels
12 Source
12 Gain
12 Tone Controls and Kill Buttons
13 Filter
13 FlexFX
13 Mic Input
13 Session In and Out
13 Aux
14 Main and Booth
14 Headphone Cue
14 Channel Faders & Crossfader
15 Software Controls
15 FX encoder, On & Shift buttons
15 Loop encoder and Roll button
16 Library encoder and Shift button
16 Transform Joystick
16 Cues / Samples control
17 Footswitch Jack
18 DJ Changeover
19 Class Compliant USB Ports
19 Rane Control Panel
19 Settings
19 Firmware
20 Deck Inputs 1-2 Control Panel
21 General Control Panel
22 MIDI Mapping
22 MIDI Implementation Chart
28 RGB & Red-Green LEDs
29 RGB Color Palette
29 Red-Green Color Palette
29 Backlight Specication
30 Magnetic Fader Maintenance
30 Fader Assembly Removal
30 Fader Cleaning
31 Fader Calibration
31 Fader Replacement
32 Technical Specifications
33 Limited Warranties
33 Factory Authorized Service
33 Limited U.S.A. Warranty
33 Limited Warranty Outside the U.S.A.
35 Declaration of Conformity

OWNER’S MANUAL
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TTM57mkII
TTM57mkII Overview
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
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MAINCUE
HIGHLOWHIGHLOW HIGHLOW
HIGHLOW
LEVEL
SESSION IN
LEVEL
MIC
AUX
MIX
FlexFX FlexFX
GAINGAINSOURCE
FILTER FILTER
FILTER
PH/CD AUX
PHONES
PAN
SESSION OUT
BOOTH
MAIN
HIGH
MID
LOW
HIGH
MIC TONE
MID
LOW
DECK 2DECK 1
CUES
SAMPLES
A B
DECK 1 CUE DECK 2
DECK 1 CROSSFADE
LIBRARY
TRANSFORM TRANSFORM
LOOPROLL
SPLIT CUEING
FX
LIBRARY
LOOP
FX
BEATSBEATS
BACK
BACK
ON
ROLL
ON
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
CHANNEL SWAP
CUE AUX
REVERSEREVERSEREVERSE DECK 2
BA
SOURCE
BA
SHIFT
PH/CD AUX
The Mic input can be switched for a reg-
ular dynamic mic or to line-level for a
wireless mic. It has its own meter, Level
and a one-knob tone control.
Two Program buses with Gain trim and meters:
• Select USB Port A or B computer playback.
• Select Two Phono / CD deck Inputs.
• Select Two Aux line-level Inputs.
• 3-band full-cut tone controls with kill switches.
• Sweepable Low / High-pass effect Filter.
Level control for each Output:
• Main Outputs on XLR
• Booth Outputs on TRS
• Session Outputs on RCA
The Crossfader and channel
faders are Rane's famous and
dependable no-noise, no-bleed,
no-contact magnetic faders.
Direct control of Serato DJ Decks:
• Software FX on/off button.
• FX knob parameter adjustment:
• Press to select the FX.
• Hold SHIFT to change the
Beats multiplier.
• LOOP knob selects loop length.
• Press it to engage Auto Loop.
• Hold ROLL for Loop Roll.
• LIBRARY knob scrolls songs or
crates, press to load.
• Hold SHIFT to tab between
song and crate selection.
• TRANSFORM joystick:
• Press for Transform on/off.
• Transform on: any direction
cuts the audio.
• Transform off: multifunction
software control (gray text).
The USB Aux Input is usually from
the Serato SP-6 Sample Player,
with it's own Level control, Low /
High-pass sweep Filter and
headphone cue. The USB Cue
overrides the Deck Cue when on.
Channel Swap switches the left
or right fader between Deck 1
and Deck 2. Contour controls
adjust the faders and crossfader
for a smooth transistion or a
fast cut. Faders can be
individually reversed.
True Split Cue or Stereo Cue
with classic Left Deck and
Right Deck slide control.
Session Input (opposite side)
can connect an output from
another mixer, or use it as
another auxiliary input.
Session Output connects to an
input of another mixer, to
connect two mixers together.
The FlexFX external FX Loop can
assign the Left Deck, Right Deck
or Both to an external analog FX
Loop, independent of USB
software FX inserts.
The front panel accepts either
3.5mm or 1/4” headphone plugs.
A footswitch (optional) can be connected
to access learned MIDI functions. Direct control of Serato DJ Cues and Samples:
• CUES / SAMPLES button toggles between Cues (red) and Samples (green).
• Cue 1-4 or 5-8 for each Deck. The active USB follows the Deck source selection.
• Lit button colors match the Cue colors in Serato DJ software.
• Press an un-lit button to create a new Cue. Hold SHIFT to delete a Cue.
• Six Sample triggers with Bank up (A-B-C-D) and Bank down (D-C-B-A) selectors.
• Lit button (purple) indicates a ready-to-play sample in Serato DJ.

OWNER’S MANUAL
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TTM57mkII
Quick Start: Software
Before using your mixer, at least read this short section for the basics. Read the complete manual to get
the best investment from your new TTM57mkII. This section will help get you started with one computer.
Class Compliant Audio and MIDI
The USB ports are 100% class compliant, allowing hook-up to any Mac OSX computer without the need
for an additional driver. A high-performance ASIO driver is installed with the Serato DJ installer to run
most Windows DAW and DJ software. A TTM57mkII control panel delivering additional mixer options is
installed with the Serato DJ installer on both Mac and Windows. MIDI end points are class compliant with
both OSX and Windows devices. See "Class Compliant USB Ports" on page 19.
Serato DJ Software Installation for Mac OSX
Before installing, we recommend you check for
a newer version of Serato DJ at serato.com/dj/
downloads and install the latest version if it is newer
than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Finder to the location where the Serato DJ download was saved.
2. Double-click the Serato DJ .dmg installer le.
3. The software EULA screen will appear - read the License Agreement, then click Agree.
4. The disk image mounts and opens the actions folder, once this is nished you can unmount the disk
image and launch Serato DJ.
5. Drag the Serato DJ application icon to the Applications folder alias.
6. You may then need to enter your User Password to authenticate.
7. Serato DJ will now copy to the Applications folder, once this is nished you can unmount the disk image
and launch Serato DJ.
Serato DJ Software Installation for Windows
Before installing, we recommend you download and install the latest Serato DJ version from serato.com/
dj/downloads if it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Windows Explorer to the location where the Serato DJ download installer was saved.
2. Double click the SeratoDJ_installer.exe le.
3. Accept the Security Warning and click “Run”.
4. The installer introduction screen will appear, click Next.
5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.
6. If a User Account Control window appears, click Yes.
7. Serato DJ will now perform a standard installation.
8. The installation is now complete. You can now click Close.
NOTE: A shortcut will be also be created on your desktop.
When you first connect your TTM57mkII Mixer via USB in Windows, you may see a request to install
drivers. Accept the request and allow the driver installation to proceed. After drivers are installed, a
TTM57mkII control panel will be available, and your software will recognize the mixer.
After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a
new compatible device that has not already had its driver installed.

OWNER’S MANUAL
8
TTM57mkII
BOOTH
PHONO
GROUNDS
SEND
RETURN
DECK 1
DECK 2
SESSION
100-240V 50/60 Hz 15 WATTS
RANE CORPORATION
OUT
IN
AUX
PH / CD
AUX
PH / CD
MIC
FlexFX LOOP
USB
MAIN OUT
B
A
RIGHT
LEFT
MIC
LINE
PH
CD
-10
+4
PH
CD
!
!
USB
CD OR TURNTABLE OUTCD OR TURNTABLE OUT
TO MAIN SPEAKERS OR AMPLIFIERS
POWERED POWERED
Quick Start: Hardware
This guide will help you get your decks connected and music playing on one computer. Leave the
power off until your decks and amplifiers are connected.
1. Connect your Left deck’s RCA cables to DECK 1 PH / CD.
•If it’s a CD player, release the CD button next to these jacks so it's out.
•If it’s a turntable, push the CD button next to these jacks so it's in. Secure the ground wire to a Phono
Ground terminal.
2. Set the SOURCE selector for DECK 1. This lets the left PH / CD 1 deck play directly.
To play from Serato DJ, choose A.
3. Connect your Right deck’s RCA cables to DECK 2 PH / CD.
•Select CD or PH as in step 1.
4. Set the SOURCE selector for DECK 2. This lets the right PH / CD 2 deck play directly.
To play from Serato DJ, choose A.
5. Connect one of the outputs to ampliers or powered speakers.
•Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
•Booth Out is on a pair of balanced ¼" TRS (tip-ring-sleeve) jacks.
•Session Out is on a pair of unbalanced RCA jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, you may use any of these
outputs as the “Main” output if a different cable type is required to your speaker ampliers.
Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and
noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an
unbalanced cable. See the RaneNote “Sound System Interconnection” at rane.com for cable wiring
recommendations.

OWNER’S MANUAL
9
TTM57mkII
Quick Start: Operation
Calibrating Serato DJ for Control Vinyl or CD
Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in
by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range
of signals, and be congurable to use them optimally. Calibrating is just conguring the software to your
situation. Calibration is equally important for both vinyl and CD users of Serato DJ.
There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening
to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over
the top of the tone. The directional tone provides the current speed and direction of the record, while the
noise map tells the software precisely where on the record the needle is currently.
The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which
a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input
signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered
noise and ignored.
This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the
environment as well as the signal on the record, especially in the noisy environment of a live show.
How To Calibrate Serato DJ
With music playing in the background through your system or booth output, put your needle on the record
with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused
or stopped while calibrating.
Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider
to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to
background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be stationary.
• The background music playing must be at a similar level to which
you will play your set at.
• Calibrate Serato DJ every time you play.
TIP: If the slider jumps to the far right, then you have a problem
with noise in your turntables/CD players/mixer. Check all your
connections and make sure your equipment is well earthed. In some
situations you will not be able to improve the signal quality, and you
will have to play on regardless. In this situation, stick to rel mode.
The Scopes
The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors
to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the
lower right corner.
Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
For optimal performance the inner ring should be as close to circular as possible. Use the scope Zoom
slider to ll the view. Use the scope L/R balance and P/A balance controls to adjust the shape of the inner
ring. The number in the top left corner of the scope view gives the current absolute position within the
control record or CD. The number in the top right corner is the current speed in RPM. In the bottom left is
the current threshold setting, and the number in the bottom right shows the percentage of readable signal
– this number should be close to 85% when your system is calibrated properly.
For complete software operating instructions, see the Serato DJ Manual.

OWNER’S MANUAL
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TTM57mkII
Audio Connections
Analog Inputs
Two Phono / CD inputs may each be set for PH or CD using the rear panel buttons, in for a turntable and
out for a CD deck. Two more RCA Aux inputs are provided, one for each input channel. This conguration
allows you to connect the Aux inputs to a pair of CD decks, while the PH/CD inputs connect to a pair of
turntables or two more CD decks. Connect your turntable ground wires to the PHONO GROUNDS posts
when using PH inputs.
One stereo Session Input is on a pair of RCA input jacks. This input may connect two mixers together or
as a general purpose auxiliary input to the mixer.
The Mic Input will accept an XLR 3-pin plug, a balanced ¼" TRS (tip-ring-sleeve) plug or an unbalanced
TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the MIC - LINE button on the
rear panel. Set this to Line (button out) when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on unbalanced RCA jacks. The FlexFX Return input is normally
used along with the FlexFX Send output to connect an outboard analog effects processor.
Phono Sensitivity can be adjusted in the "Deck Inputs 1-2 Control Panel" on page 20.
Analog Outputs
There are ve stereo analog outputs available on the mixer:
• MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• BOOTH OUT is on a pair of balanced ¼" TRS jacks.
• SESSION OUT is available on a pair of unbalanced RCA jacks.
• FLEXFX LOOP SEND output is available on a pair of unbalanced RCA jacks. The FlexFX Send output is
normally used along with the FLEXFX LOOP RETURN input to connect outboard effects. The +4 / -10
switch changes the send level for your effects device. Typically, RCA connections prefer the -10 setting,
and ¼" devices may sound better with the +4 setting. Consult your effects device manual.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, you may use any of these
outputs as the “Main” output if a different cable type is required for system connection.
Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your
cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.
See the RaneNote “Sound System Interconnection” at rane.com for cable wiring recommendations.
Power Supply
This mixer features an internal universal switching power supply that operates on any AC mains 100 to
240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ,
who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn
on/off muting, it’s smart to leave the power unplugged until everything else is connected.
BOOTH
PHONO
GROUNDS
SEND
RETURN
DECK 1
DECK 2
SESSION
100-240V 50/60 Hz 15 WATTS
RANE CORPORATION
OUT
IN
AUX
PH / CD
AUX
PH / CD
MIC
FlexFX LOOP
USB
MAIN OUT
B
A
RIGHT
LEFT
MIC
LINE
PH
CD
-10
+4
PH
CD
!
!
This device complies with Part 15 of the FCC Rules. Operation is subject to the
following two conditions: (1) this device may not cause harmful interference,
and (2) this device must accept any interference received, including
interference that may cause undesired operation. CAN ICES-3 (B)/NMB-3(B)

OWNER’S MANUAL
11
TTM57mkII
Two USB Ports
There are ve stereo record channels and ve stereo playback channels. These channels are
simultaneously available on two USB ports, allowing two computers to share the device. This allows two
DJs to play together and supports uninterrupted transitions from one DJ to another.
Rane class-compliant audio compatibility and a Windows ASIO driver allows the TTM57mkII to act as a
10-record 10-playback USB sound card for use with Serato DJ and most DJ and DAW programs. Multiple
applications on one or two computers can share the mixer at the same time.
Each of the two USB ports are completely independent. It is possible to run Serato DJ on one computer
while running third-party software on the other, Mac or PC. See how to easily share the TTM57mkII in "DJ
Changeover" on page 18.
USB Playback Stereo Pair Serato DJ Description Mixer Use
11-2 Left Virtual Deck Output Select as Deck 1 Source from A or B
23-4 Right Virtual Deck Output Select as Deck 2 Source from A or B
35-6 SP-6 Output Option AUX Source
47-8 Left Deck FX Return to the Mixer Deck 1 FX Return
59-10 Right Deck FX Return to the Mixer Deck 2 FX Return
USB Record
11-2 Record or DVS Control for Left Deck Deck 1 Pre-fader; Record PH/CD 1 or AUX 1*
23-4 Record or DVS Control for
Right Deck Deck 2 Pre-fader; Record PH/CD 2 or AUX 2*
35-6 Record the Main Mix Main Mix Output, Pre-Level control.
47-8 Left Deck FX Send from the Mixer Deck 1 Post-fader; Send to Deck 1 FX
59-10 Right Deck FX Send from the Mixer Deck 2 Post-fader; Send to Deck 2 FX
*Select the USB Record Source in the "Deck Inputs 1-2 Control Panel" on page 20.
9-10 Deck 2 FX send, or post-fader record L&R
3-4 Deck 2 record L&R (DVS control or audio)
1-2 Deck 1 record L&R (DVS control or audio)
7-8 Deck 1 FX send, or post-fader record L&R
5-6 Main Mix Record L&R
9-10 Right Virtual Deck FX Return L&R
7-8 Left Virtual Deck FX Return L&R
3-4 Right Virtual Deck L&R
5-6 SP-6 Sample Player L&R
1-2 Left Virtual Deck L&R
USB RECORD x2 USB Ports
USB PLAYBACK

OWNER’S MANUAL
12
TTM57mkII
Deck Input Channels
Source
The SOURCE selector for DECK 1 selects one
of four sources:
• ALeft Virtual Deck (USB stereo
playback pair 1-2) from USB A.
•Assigns MIDI controls for the Left Deck
software and Deck 1 mixer to USB A.
• PH / CD (THRU): Set to PH or CD on the
rear panel.
•When selected in software, this input is
available on USB record 1-2 for use as
the DVS control signal or for audio recording. Select this
control source in the "Deck Inputs 1-2 Control Panel" on
page 20.
• AUX (THRU).
•When selected in software, this input is available on
USB record 1-2 for use as the DVS control signal or for
audio recording. Select this control source in the "Deck Inputs 1-2 Control Panel" on page 20.
• BLeft Virtual Deck (USB stereo playback pair 1-2) from USB B.
•Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer to USB B.
The SOURCE selector for DECK 2 selects one of four sources:
• ARight Virtual Deck (USB stereo playback pair 3-4) from USB A.
•Also assigns the MIDI controls for the Right Deck software and Deck 2 mixer to USB A.
• PH / CD (THRU): Set to PH or CD with the rear panel switch.
•When selected in software, this input is available on USB record 3-4 for use as the DVS control signal
or for audio recording. Select this control source in the "Deck Inputs 1-2 Control Panel" on page 20.
• AUX (THRU).
•When selected in software, this input is available on USB record 3-4 for use as the DVS control signal
or for audio recording. Select this control source in the "Deck Inputs 1-2 Control Panel" on page 20.
• BRight Virtual Deck (USB stereo playback pair 3-4) from USB B.
•Also assigns the MIDI controls for the Left Deck software and Deck 2 mixer to USB B.
Gain
This adjusts the Deck input level from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock. Each
Deck channel has a mono meter to assist setting gain. These meters are quasi-peak with peak hold. Use
the GAIN control to stay out of the red.
Tone Controls and Kill Buttons
HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity
gain (no boost or cut) is at 12 o’clock. Each tone control has a kill switch with two modes:
•Pressing a kill button will cut the tone, as if its control is fully off (CCW). Releasing the button returns
the tone to where the control is set. Use this to drop the bass, mid or highs for a moment of suspense.
•Pressing the Shift button before pressing a kill button locks the tone off, and stays off after the kill is
released. Pressing the kill button again removes the kill, unlocking the tone to where its control is set.
•Crossover points for Low/Mid and Mid/High default at 300 Hz between Low and Mid, 3 kHz between
Mid and High. This can be changed for each Deck. See "Deck Inputs 1-2 Control Panel" on page 20
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW HIGHLOW
FlexFX FlexFX
GAINGAINSOURCE
FILTER FILTER
PH/CD AUX
HIGH
MID
LOW
HIGH
MID
LOW
DECK 2DECK 1
BA
SOURCE
BA
PH/CD AUX

OWNER’S MANUAL
13
TTM57mkII
Filter
The Filter sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a at “no-lter” response. Moving
the Filter toward the LOW position progressively reduces high frequencies. Moving the Filter toward the
HIGH position progressively reduces low frequencies. The Resonance or Q of each of these Filters can be
adjusted in the "Deck Inputs 1-2 Control Panel" on page 20. High resonance adds a “zip” effect to the
Filter when it is moved. Low resonance is best when the Filter is used for mixing.
FlexFX
The FlexFX buttons assign a Deck to the FlexFX Loop where an external effects unit may be connected.
1. Connect the FlexFX Loop SEND to the input of your external effects processor.
2. Connect the output of the effects processor to the FlexFX Loop RETURN.
a. If you use a consumer-grade effects processor, such as the Korg Kaoss Pad, engage the -10 switch
by pressing it in. This matches the I/O level of the external effects processor to the mixer.
3. Simply press the FlexFX button to engage the Loop. This is independent of Serato DJ FX.
Mic Input
The Mic input comes from a rear panel XLR/TRS combo jack. A rear panel switch
by this jack selects different mic types:
•LINE level accepts the output from a wireless mic receiver.
•MIC level is suitable for a dynamic mic.
• MIC LEVEL the mic is off at "0" and is turned up as the knob is rotated clockwise.
• MIC TONE is a spectral tilt bass and treble control.
•Increasing highs reduces lows by the same amount.
•Decreasing highs increases lows by the same amount.
Session In and Out
The SESSION IN has it’s own level control and may be used as a general purpose
analog stereo AUX input from RCA jacks. SESSION IN and SESSION OUT are
typically used to chain mixers together, though any line-level device may be
connected to the Session Input and mixed here.
Aux
This digital input is on USB playback stereo pair 5-6 and is normally used in Serato
DJ with the SP-6 Sample Player.
To enable the SP-6, go to Setup > Expansion Packs > SP-6 Sample Player and
check the box for “Enable SP-6 Sample Player.”
To assign the SP-6 Sample Player to AUX, click the SP-6 tab at the top of
the main software screen and select SP-6 Output as “A.”
This AUX input has it’s own LEVEL, FILTER and CUE. The Filter behaves
the same as those on the Deck inputs. The Resonance for the Aux Filter can be
adjusted in the "General Control Panel" on page 21.
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
HIGHLOW
LEVEL
SESSION IN
LEVEL
MIC
AUX
FILTER
MIC TONE
CUE AUX

OWNER’S MANUAL
14
TTM57mkII
Main and Booth
The Main and Booth outputs each have their own LEVEL control. The Main outputs
use balanced XLR connectors and the Booth outputs use balanced ¼˝ TRS
connectors. Since the Main, Booth and Session Outputs have the same Mix, you can
run any of them to your main amplier if the proper cables are not available.
The Main Mix section has a quasi-peak stereo meter with peak hold. The Main Mix
can be set to Stereo or Mono in the Rane Control Panel. Booth and Session Outputs
are always in stereo. See the "General Control Panel" on page 21.
Headphone Cue
Deck 1, Deck 2, and USB Aux can each be cued in the headphones before bringing
into the mix. USB Aux has it's own CUE AUX button. The Deck cues are
determined by a slide control, as they were on the original TTM57SL.
• The Headphone monitor provides stereo or mono split cue operation.
•When set for stereo operation (SPLIT CUE button off), the PAN control pans
between stereo Cue and stereo Main Mix.
•When set for Split Cue operation (SPLIT CUE button On), the PAN control pans
between Mono Cue in the left ear and mono Main Mix in the right ear.
• The PHONES control sets the volume sent to the headphone jacks.
• The CUE slider cues Deck 1 or Deck 2 by moving the slider accordingly.
• Headphone ¼" and 3.5 mm jacks are on the front panel. Both share the same mix.
Channel Faders & Crossfader
These faders use magnetic non-contact mechanisms with no noise and no bleed.
Each fader has REVERSE and CONTOUR controls. Normally, Deck 1 is routed to the
left fader and left side of the crossfader, while Deck 2 is routed to the right. When activated, CHANNEL
SWAP puts Deck 1 on the right, and Deck 2 on the left. See "Magnetic Fader Maintenance" on page 30.
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
MAINCUE
MIX
PHONES
PAN
SESSION OUT
BOOTH
MAIN
DECK 1 CUE DECK 2
SPLIT CUEING
A B
DECK 1 CROSSFADECHANNEL SWAP REVERSEREVERSEREVERSE DECK 2

OWNER’S MANUAL
15
TTM57mkII
Software Controls
The TTM57mkII Mixer has dedicated Serato
DJ software controls. Virtual Deck and
associated controls are assigned to A
or Busing the DECK 1 and DECK 2
SOURCE selectors. This allows completely
independent software control for each port.
Simply, DECK 1 has the left side controls,
and DECK 2 has the right side controls
(with the exception of Samples). See the
descriptions for DJ-FX, Looping, Library,
Internal mode, Instant doubles, Censor, Slip
mode, Cue Points and the SP-6 Sample
Player in the Serato DJ manual.
FX encoder, On & Shift buttons
Each Deck of the mixer has a dedicated USB Insert for post-fader software effects. The USB FX loop
is disabled when USB is not connected. The USB FX loop is enabled automatically with Serato DJ, and
can be enabled in other programs through the "Deck Inputs 1-2 Control Panel" on page 20. Audio will
always be sent to the computer and returned with the FX on/off state determined in software. The result is
no loss of audio or shift in latency when an effect is engaged.
• The FX encoder adjusts the primary parameter of the selected effect.
• Holding SHIFT and adjusting the encoder changes the FX BEATS Multiplier.
• The ON button lets you turn an effect on and off.
To change an effect:
• Press the FX encoder, the ON button ashes, and an FX menu appears in Serato DJ.
• Turn the FX encoder to highlight an effect.
• Press the FX encoder to select the effect, and the ON button stops ashing and goes dark.
• Hold the SHIFT button down and rotate the FX encoder to adjust the FX BEATS Multiplier.
• The new effect is ready to use.
• Press ON.
• Turn the FX encoder CCW to make it more Dry, and turn it CW to make it more Wet.
Loop encoder and Roll button
Two modes of operation are supported: Auto Looping and Loop Roll.
Auto Looping workflow:
• Turn the LOOP encoder to select a length as displayed in Serato DJ.
• Press the LOOP encoder to engage the loop.
• While the Loop is active, turn the LOOP encoder to expand or contract the Loop.
• While the Loop is active, press the LOOP encoder to exit the loop.
Loop Roll workflow:
• Turn the LOOP encoder to select a length as displayed in Serato DJ.
• Press the ROLL button to engage the loop. The loop continues to play while the button is held.
• While holding the ROLL button down, turn the LOOP encoder to expand or contract the loop.
• To end the Loop, release the ROLL button, and the track moves forward to where it would have been
without the loop.
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
CUES
SAMPLES
LIBRARY
TRANSFORM TRANSFORM
LOOPROLL
FX
LIBRARY
LOOP
FX
BEATSBEATS
BACK
BACK
ON
ROLL
ON
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
SHIFT

OWNER’S MANUAL
16
TTM57mkII
Library encoder and Shift button
• When in the Crates folder, rotate the
LIBRARY encoder to highlight the desired
crate and press the encoder to select.
• When in the Songs folder, rotate the
LIBRARY encoder to highlight the desired
song and press the encoder to load it.
• Hold SHIFT and press the LIBRARY
encoder to go BACK, switching the focus
between the Crates and Songs in Serato
DJ. If you have any panels open in Serato
DJ, this also changes the focus between
this and the Library areas.
Transform Joystick
There are two primary joystick modes. Press
the joystick to toggle Transform mode on and off.
Transform Mode (LED On)
• The joystick cuts all audio with up/down/left/right movements.
• Audio returns when joystick is back in the center position.
Multifunction Serato DJ Control Mode (LED off)
• Move a joystick toward the outside of the mixer for emergency internal mode (Jumps to 0% pitch).
• Move a joystick toward the center of the mixer for instant doubles to the opposite Virtual Deck.
• Move a joystick up to censor. Releasing the joystick resumes playback without losing time.
• Move a joystick down to slip (the Transform LED ashes when slip is active). When Slip Mode is active
you can manipulate the audio as normal (e.g., Scratch, Loop, Cues etc.). Once you release the joystick,
playback is returned to where it would be if you had not manipulated the audio.
Cues / Samples control
The CUES / SAMPLES button toggles the eight buttons between Cues and Samples modes.
In Cues mode, the CUES / SAMPLES button
is normally lit red. The Cue buttons light up
the same color as any Cue markers saved
with a song in Serato DJ. Any saved Cue is
lit when the song is loaded, and pressing a
lit button will trigger that Cue.
Any Cue not lit when a song is loaded is
available to make, and pressing an unlit Cue
button adds a Cue point at the current location. To delete a Cue, hold SHIFT and press a Cue trigger, and
it will go dark. Any Cues created are saved in the song le, and deleted cues are erased from the le.
The four left Cues are assigned to the left Virtual Deck selected by the A or BDECK 1
SOURCE, and the four right Cues are assigned to the right Virtual Deck selected by the Aor B
DECK 2 SOURCE.
Cues 1-4 have buttons, though Serato DJ can have eight cues per song. When in Cues mode, press
SHIFT and CUES to access Cues 5-8 (the Cues button lights yellow). Press SHIFT and CUES again to
return to Cues 1-4 (the Cues button lights red). The button colors tell if the Cues are in 1-4 or 5-8.
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
CUES
SAMPLES
LIBRARY
TRANSFORM TRANSFORM
LOOPROLL
FX
LIBRARY
LOOP
FX
BEATSBEATS
BACK
BACK
ON
ROLL
ON
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
SHIFT
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
CUES
SAMPLES
LIBRARY
TRANSFORM TRANSFORM
LIBRARY
BACKBACK
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
SHIFT

OWNER’S MANUAL
17
TTM57mkII
In Samples mode, the CUES / SAMPLES
button is green, the two Bank buttons are
blue and the six Sample buttons are lit
purple if they have an assigned sample.
The six center Sample buttons trigger
loaded Samples from a selected Bank. If
a bank has a Sample assigned to a slot its
button is lit, and the button is dark if no
Sample is loaded in that slot. Pressing a lit button plays the associated Sample. The button ashes while
its Sample is playing. The Play behavior follows the behavior selected in Serato DJ. Hold SHIFT and press
a playing Sample to force it to stop playing regardless of play mode.
The left  BANK button decrements the current Bank, and the right BANK button increments the
current Bank, starting with A, B, C, D and back to A.
The TTM57mkII has a dedicated AUX input for the sample player typically used for SP-6 playback.
Sample playback defaults to AUX, but can be assigned to DECK 1, DECK 2, AUX or MAIN MIX in
Serato DJ.
Sample triggers are broadcast to any active USB ports. If there is a conict using two computers, turn
the SP-6 off on one of the ports.
Footswitch Jack
The TTM57mkII has a 1/4" TRS jack to connect an optional footswitch. Footswitch controls are not
mapped to any function, but can be learned. MIDI commands can be generated from:
• tip connection to ground
• ring connection to ground
• tip-ring connection to ground
See "MIDI Mapping" on page 22.
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
CUES
SAMPLES
LIBRARY
TRANSFORM TRANSFORM
LIBRARY
BACKBACK
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
SHIFT
2-conductor shielded cable
Tip
Tip
Tip+Ring
Ring
Ring Sleeve
Chassis ground
Footswitch Circuit
S
R
T

OWNER’S MANUAL
18
TTM57mkII
DJ Changeover
The TTM57mkII allows two
computers to connect to the
mixer simultaneously. This allows
two DJs to play at the same time
and for easy DJ set changeover,
even if they run different software.
Connect both computers to the
two USB ports on the TTM57mkII.
For each channel on the mixer,
set the DECK SOURCE to either
A or B depending
on which your computer is
connected to.
NOTE: If a channel is in use by
a computer already, the second
computer’s Virtual Deck in
Serato DJ will become black
and display IN USE.
When a Deck channel is assigned
to a USB port with the SOURCE
selector, both MIDI and audio
are assigned to the Aor Bport.
MIDI assignment for Deck 1 and
Deck 2 mixer controls follow the
SOURCE selection.
Swapping between two DJs is now easier than ever! With a computer already connected to the
TTM57mkII and playing, do the following:
1. Connect the second computer to the unused USB port on the TTM57mkII.
2. Switch the DECK SOURCE on the non-playing mixer channel to the USB source of the second
computer.
3. Play a track on this Deck and mix it in when ready — you’ll now have audio from both computers in the
mix.
4. Fade out the audio playing from the rst computer to the audio playing from the second computer.
5. When only audio from the second computer is left in the mix, remove the rst computer.
6. Assign the DECK SOURCE for the remaining free mixer channel to the second computer and keep
rocking.
TURNTABLE OUT
MAIN
AMPS
TURNTABLE OUT GROUND GROUND
CD
OUT
CD
OUT
USB
USB
SLIP
INTDBL
CENSOR
SLIP
DBLINT
CENSOR
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
MAINCUE
HIGHLOWHIGHLOW HIGHLOW
HIGHLOW
LEVEL
SESSION IN
LEVEL
MIC
AUX
MIX
FlexFX FlexFX
GAINGAINSOURCE
FILTER FILTER
FILTER
PH/CD AUX
PHONES
PAN
SESSION OUT
BOOTH
MAIN
HIGH
MID
LOW
HIGH
MIC TONE
MID
LOW
DECK 2DECK 1
CUES
SAMPLES
A B
DECK 1 CUE DECK 2
DECK 1 CROSSFADE
LIBRARY
TRANSFORM TRANSFORM
LOOPROLL
SPLIT CUEING
FX
LIBRARY
LOOP
FX
BEATSBEATS
BACK
BACK
ON
ROLL
ON
1 2 2 3 43 4 1
 BANK    BANK   
SAMPLES
CUES
CHANNEL SWAP
CUE AUX
REVERSEREVERSEREVERSE DECK 2
BA
SOURCE
BA
SHIFT
PH/CD AUX

OWNER’S MANUAL
19
TTM57mkII
Class Compliant USB Ports
The USB ports are 100% class compliant, allowing hook-up to any Mac OSX device without the need for
an additional driver. A high-performance ASIO driver runs most Windows DAW and DJ software. MIDI end
points are class compliant with both OSX and Windows devices.
ASIO (Windows)
A low-latency ASIO driver is available to interface with most DJ and DAW audio software applications
on Windows operating systems. Multi-client ASIO allows different audio software applications to
simultaneously stream audio to and from the TTM57mkII. If the same playback channel is selected in
more than one application, the driver mixes the audio from the applications before streaming it to the
device. The driver Control Panel may be launched from the Windows Control Panel. Select Start > Control
Panel > Rane Products. The Serato DJ installer includes the ASIO driver and Rane Control Panel for
Windows 7-SP1, Windows 8 and 8.1.
Core Audio (Macintosh)
No driver installation is required. Connect the TTM57mkII to a Mac running OSX, and the mixer inputs
and outputs become available in your audio program. Install the Rane control panel to provide additional
mixer settings as described below. The most recent control panel installer may be downloaded from the
TTM57mkII page at dj.rane.com. The Serato DJ installer includes the Rane Control Panel for Mac OSX.
Rane Control Panel
NOTE: Settings are saved in the mixer. The control panel for Windows or Macintosh is
updated with the mixer’s settings. Therefore, when you connect to a different TTM57mkII
Mixer, it's saved settings override your previous Control Panel settings.
Settings
The TTM57mkII allows you to save and export settings. You can load your preferences when using a
different TTM57mkII than your own, or putting things back after another DJ has used your mixer.
Once you have set Rane Control Panel preferences, click Export to write these to a computer le. Click
Import to load a .rms settings le. The Control Panel shows the current settings le loaded in the mixer.
If any changes are made since the last import, [Modied] will appear after the lename along with a Save
button, offering to save your changes as the new default.
Firmware
The TTM57mkII Firmware Version currently installed in the mixer is shown in the active Rane Control
Panel. The Downloads link on the TTM57mkII page at dj.rane.com is a place to check if there is a
control panel / rmware update. Newer versions of Serato DJ may also contain rmware updates.
After downloading and installing, if the TTM57mkII rmware installed on your computer is newer than
the rmware in your mixer, an Update Firmware button is enabled. Pressing the button updates the
TTM57mkII rmware to the new version.

OWNER’S MANUAL
20
TTM57mkII
Deck Inputs 1-2 Control Panel
Analog Input Source: The analog input for each channel is set for CD (Line level) or Phono level (PH)
using a switch on the rear of the mixer. The control panel shows the input mode selected on the mixer for
each of the four inputs. The mode can only be changed on the mixer.
Phono Sensitivity: If Phono Input is selected on the mixer, the Phono Sensitivity adjustment appears in
the panel. Click the down-arrow to display a list of 16 sensitivity settings between 2.5 mV and 10 mV in
0.5 mV steps. The default is 5 mV. Set the Phono Sensitivity to the same level of your cartridge (see your
cartridge documentation for the correct value). Another method is to match the level of a CD on another
input.
Filter Resonance: Each Deck channel has a sweep FILTER control that provides a High- and Low-Pass
lter effect. Filter resonance controls the “peak” of the lter cutoff frequency. The Low setting provides the
smoothest Filter without adding gain. The High setting adds accent to frequencies near the Filter cutoff
point by adding about 12 dB of gain. Adding gain in a narrow region around the cutoff frequency adds a
“zip” effect to audio as the Filter is swept. The default is 5 dB.
USB Record Source: sets PH/CD or AUX as the record source output for digital vinyl simulation (DVS).
Each Deck records to separate USB slots. Deck 1 outputs on USB slots 1-2, Deck 2 outputs on slots 3-4.
• Select Phono / CD for DVS in Serato DJ (default), or to record the Deck pre-fader.
• Select AUX for DVS in Serato DJ, or to record the Aux Input pre-fader.
Tone Crossover sets the crossover points of the 3-band Tone controls in both Deck channels to either:
• 300 Hz between Low and Mid, 3 kHz between Mid and High.
• 150 Hz between Low and Mid, 6 kHz between Mid and High (default).
Enable USB Insert connects the signal for the USB FX loop. This is off by default and disabled when
USB is not connected. This is automatically enabled with Serato DJ. Check this box only when you need
to send and return software effects through other DJ and DAW programs.
• Deck 1 FX Send is in USB slots 7-8 Deck 1 FX Return is in USB slots 7-8.
• Deck 2 FX Send is in USB slots 9-10 Deck 2 FX Return is in USB slots 9-10.