RODE Microphones NTG-1 User manual

(EMC, LVD)
Instruction Manual
NTG-1

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I want to thank you for your purchase of a
NTG-1.
Please take the time to read this manual as it
contains information that will help you achieve the
best results from your microphone, as well as help
you get many years of reliable service from your
investment.
The design brief for this microphone was to build
a shotgun that could be used in professional video,
film and live stage applications where low noise,
a wide frequency response and tightly controlled
polar patterns are vital. I am sure that once you
have used your new microphone, you will agree we
achieved our aim!
Like all microphones the NTG-1 is
manufactured using the finest surface mount
electronic components available, and has a body
machined of high grade aluminium which is finished
in hard wearing epoxy paint. The heart of any
microphone is the capsule, and with the NTG-1, we
have designed and incorporated what we believe to
be one of the best transducers in its class.
The NTG-1 has many uses. It can be mounted on
video cameras using either the on-board camera
mic mounts or the optional shock mount.
The NTG-1 is also suitable as a boom mounted mic
for film and video use where it is desirable to get
closer to the sound source yet still be out of the
shot. Another area where the NTG-1 excels is in a
live sound situation, and the NTG-1 is perfect for
plays, as well as a cymbal overhead mic or can be
used to great effect as a ‘crowd mic’ when doing a
live band recording.
The NTG-1 comes complete with a heavy duty
microphone holder and a wind cover for ‘moderate’
outdoor applications. has also designed
a series of products which include ‘furry’ wind
socks (for high wind applications), pistol grips and
boom poles as well as cables and adaptors. Details
of these units are available on the website www.
rodemic.com
If you have any questions or comments, please dont
hesitate to contact us direct at [e-mail]
Peter Freedman
Sydney, Australia

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Specifications
Acoustic principle:
Line plus Gradient.
Directional pattern:
Super-Cardioid.
Frequency range:
20 Hz ~ 20 kHz selectable HPF
@ 80 Hz/12 dB octave
Output impedance:
50 
Signal/Noise ratio DIN/IEC 651:
76 dB (1 kHz rel. 1 Pa;
per IEC651, IEC268-15)
Equivalent noise:
18 dB SPL (per IEC651, IEC268-15)
Maximum SPL:
139 dB (@ 1% THD into 1 k )
Sensitivity at 1 kHz into 1 k :
-36 dB re 1 Volt/Pascal
(15 mV @ 94 dB SPL) +/- 2 dB
(at 1 kHz in free field into open circuit)
Dynamic range - Amplifier DIN/IEC 651:
121 dB (per IEC651, IEC268-15)
Power (Supply voltage):
P48 Phantom, 44 V to 52 V
Current consumption:
3.5 mA
Output Connection:
3 pin XLR, balanced output between
pin 2 (+), pin 3 (-) and pin 1 (ground)
Weight approx.:
105 g approx. (3.37 oz.)
Features
• Broadcast sound quality.
• Low noise circuitry.
• Condenser transducer.
• Rugged metal construction.
• Low handling noise.
• Includes stand mount, zip pouch
and windshield.
• Designed and manufactured in Australia
• Full 2 year guarantee.

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dB re 1 V./Pa
1 0
0
-10
-20
-30
-40
20 Hz 100 1000 10 000 20 000
Specifications cont.
Frequency range:
20 Hz ~ 20 000 Hz selectable (HPF)
@ 80 Hz 12 dB/octave.
NTG-1 Polar Pattern:
Super Cardioid - 4 KHz
NTG-1 Polar Pattern:
Super Cardioid - 1 KHz
0˚
90˚ 270˚
180˚
0.0
-2.0 -2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0 -20.0
-22.0
-24.0 -25.0
dB rel. 1V/Pa
+5.0
-10.0
0˚
90˚ 270˚
180˚
0.0
-2.0 -2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0 -20.0
-22.0
-24.0 -25.0
dB rel. 1V/Pa
+5.0
-10.0
0˚
90˚ 270˚
180˚
0.0
-2.0 -2.0
-4.0
-6.0
-8.0
-10.0
-12.0
-14.0
-16.0
-18.0
-20.0 -20.0
-22.0
-24.0 -25.0
dB rel. 1V/Pa
+5.0
-10.0
NTG-1 Polar Pattern:
Super Cardioid - 250 Hz

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Power Your NTG-1
1) The NTG-1 requires power to operate. This
is supplied via 48V phantom supply which
is available from most professional video
cameras or mixing consoles.
Mounting your NTG-1
2) The NTG-1 comes complete with a heavy
duty stand mic holder as shown in fig. 1-3.
Install as shown by pushing the mic in on
an angle coming from the back. You will
notice the holder is quite firm, and this is
intentional so that the the NTG-1 will not
come out easily, which could damage
the mic.
Make sure you do not
block the slots on the
side of the mic (Fig 3) as
blocking these will affect
the sound quality and the
polar pattern (directional
qualities).
Connecting your XLR cable
3) The NTG-1 offers a balanced microphone
level output and is wired Pin 1 earth, Pin2 +
and Pin3 -. Make sure you use a high quality
low loss cable that is as short as practical to
avoid losses and distortion (fig. 4-5).
fig. 1 fig. 2
fig. 4
fig. 3
fig. 5

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NTG-1 Controls
4) Now that you have the NTG-1 securely
fastened to your camera or mic stand,
and the audio output lead connected, you
are ready to use the mic.
The NTG-1 also incorporates a switchable
high pass filter set at 80 Hz. This is
activated by the recessed switch shown
in fig. 6-7.
fig. 6 - NTG-1 Controls
fig. 7 - HPF Control
High Pass Filter
- (HPF)
Flat Response
A small screwdriver or even a pen will
work for this application. Use the high
pass filter when you wish to remove
low frequency noise that is not part of
your intended sound source. Remember
however the tonal characteristics will be
affected by this, so it is important that
you listen to the sound with and without
the HPF in circuit before deciding if it is
appropiate for the source.
NTG-1 Windshield
5) The NTG-1 comes with a foam windshield.
The windshield should be used even in
the slightest breeze as this can cause
sound interference. When using the mic
outside in heavy winds you may need to
purchase a more specialised wind shield.
RODE has a full line of accessories such as
windshields, boom poles, cable extenders
and pistol grips which will be available in
early 2005.

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6) While it may sound like a contradiction,
shotgun mics are not designed for long
distance pick up. I have heard people
ask, “How far away can this mic pickup
sound?”. Of course you can boost
the gain level on your camera and
you will hear more defined sounds
over a longer distance than with
conventional microphones.
Long distance pick up microphones
include parabolic reflector systems and
more recently adaptive arrays using
multiple capsules and Digital Signal
Processing (DSP) technologies.
Shotgun microphones have a narrow
pick-up angle or polar response, and
so can be used to great effect with
cameras for news gathering, weddings
or sporting events.
Warranty Service
The NTG-1 is warranted for two years
from the date of purchase and the warranty
card should be used to record and register
that purchase.
The warranty covers parts and labour that
may be required to repair the microphone
during the warranty period.
The warranty excludes defects caused by
normal wear and tear, modification, shipping
damage, or failure to use the microphone as
per the instruction guide.
If you experience any problems or have any
questions regarding your microphone,
first, contact the dealer who sold it to
you. If the microphone requires factory
authorized service, that dealer will
organise return.
We have an extensive distributor/dealer
network but if you have difficulty getting
the advice or assistance you require, do not
hesitate to contact us directly or contact
your local distributor.

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Contact Details
International:
Microphones
ABN 91 000 576 483
107 Carnarvon Street
Silverwater N.S.W
2128 Australia.
P.O. Box 6685
Silverwater N.S.W
2128 Australia.
Ph: 61 2 9648-5855
Fax: [phone]
USA:
Microphones
P.O. Box 3279
Torrance, CA 90510-3279
Ph: 877 328 7456 (Toll free within the U.S.)
Ph: 310-328-7456
Fax: [phone]
Website:
www.rodemic.com