Rodgers 690 User manual
INSTRUMENT
CORPORATION
ATTENTION:
RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF
ELECTRICAL SHOCK:
'
DO
NOT
REMOVE COVER OR BACK.
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
WARNING:
TO
REDUCE THE RISK
OF-
FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE
THIS APPLIANCE
TO
RAIN
OR MOISTURE.
PATENTS
G.B. 1312161
F.R.G. 22 02 658
CANADIAN 951550
(1974) .
~--------------~~------------~
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to alert
the user to the presence
of
uninsulated
"dangerous voltage" within theproduct's
enclosure that may be of sufficient magnitude to
constitute a risk of electrical shock to persons.
The exclamation point within the equilateral
triangle is intended to alert the user.to the
presence
of
important operating and
maintenance (servicing) instructions
in
the
~------------------------------
......
literature accompanying the product. .
NOTICE TO USERS
Information
in
this document
is
subject to change withoutnotice.
No
part of this manual may be translated into any language, stored
in
a
retrieval system, reproduced ortransmitted
in
any form or by any
me·ans, electronic or mechanical, including photocopying
and
recording,
for any purpose without the express written permission
of
Rodgers
Instrument Corporation.
RODGERS INSTRUMENT CORPORATION
1300 N.E. 25th Avenue
Hillsboro, Oregon 97124
(503} 648-4181
RODGERS
CANADA
5480 Parkwood Way
Richmond, B.C. V6V 2M4
(604) 270-6332
e Copyright 1993, Rodgers Instrument Corporation, a member
of
the Roland Group. All rights reserved. Printed in the United States of America.
Rodgers®Classic
Organs"'
and Rodgers®
DVM"'
(Digital Voice Module) are trademarks
of
Rodgers Instrument Corporation.
(
1.
2.
3.
4.
5.
6.
7.
8.
9.
SAFETY
INSTRUCTIONS
INSTRUCTIONS PERTAINING TO A RISK OF FIRE,
ELECTRIC SHOCK OR INJURY TO PERSONS
IMPORTANT SAFETY INSTRUCTIONS
WARNING: When using this Instrument, always follow basic precautions, Including the following:
Read
all
the instructions before using, adjusting or 10. Unplug
the
power cord of
the
instrument
from
the
repairing this instrument. power source when left unattended for a
long
period
of time.
To
reduce the risk
of
injury, supervise children closely
when
they
are around the instrument. 11.
Do
not walk
on
or place objects
on
top of
the
power
cord.
Use
this instrument only
in
the
manner recommended
by
Rodgers Instrument Corporation. 12.
Do
not pull
the
cord
to
unplug.
Hold
the
plug
when
unplugging
from
the
power
source
.
Do
not use this instrument near water, for example, near a
swimming pool or a damp/wet
room.
13.
When
setting
up
with other instruments or peripherals,
follow
the
procedures
in
accordance with Rodgers'
Use of this instrument, either alone orin combination with owner's manual.
an
amplifier and headphones or speakers,
may
be
capable
of producing sound levels that could cause permanent 14. Take care that objects
do
not
fall
or liquids spill into
hearing loss.
DO
NOT operate for a
long
period of
time
at
the
instrument.
a high volume level orat a level that
is
uncomfortable. If
you
experience any hearing loss orringing
in
the ears,
you
15. Service
the
instrument with qualified service
should consult
an
audiologist personnel when:
Locate
the
instrument
so
its position does not interfere
a.
The
power
cord
or
plug
has
been
damaged.
with its proper ventilation.
b.
Objects have fallen or liquid
has
spilled into
the
Locate the instrument away
from
heat sources such
as
instrument.
radiators, heatregisters
or
other products that radiate heat
directly onto the instrument. c. The instrument
has
been
exposed
to
rain
orother
weather damage.
Protect the instrument
from
dust
as
much
as
possible. d. The instrument does not appear
to
operate
Connect the instrument
to
a power source only of
the
type normally or exhibits a
marked
change
in
described
in
the operating instructions or
as
marked
on
the
performance.
instrument.
Do
NOT attempt
to
defeat
the
grounding
connection of
the
three-prong attachment
plug
.
This
is
a e. The instrument
has
been
dropped or
the
enclosure
safety feature.
If
you
are unable
to
insert
the
plug
into the has
been
damaged.
outlet, contact
an
electrician
to
replace your obsolete
outlet.
Do
NOT defeat the safety purpose of the
plug
. 16.
Do
not attempt
to
service
the
instrument
beyond
that
described
in
the
owner's
manual.
Refer
all
other
servicing
to
qualified technical service
person
.
nel
.
WARNING: THIS INSTRUMENT MUST
BE
EARTH GROUNDED.
You must GROUND instruments equipped with a TYPE AC, 3 WIRE GROUND PLUG.
SAVE THESE INSTRUCTIONS
1
Radio and Television Interference
The Rodgers 690 uses and generates small amounts
of
radio-frequency (RF) energy.
The instrument complies with the limits set for Class B digital devices.
FCC
Rules,
Part 15, Subpart B defme the limits for radio and television interference in a
residential installation.
Follow the installation and the use instructions
in
the manual, or the instrument could
potentially cause interference with some radio
or
television reception.
In
the unlikely
event this occurs, we encourage the user to
try
the following corrective measures:
ii
./
Turn the instrument OFF to see
if
it is the actual source
of
the
interference.
Disconnect the peripheral devices and their input/output cables one
at a time. Hthe interference stops, it is caused by the peripheral
device or its 1/0 cable.
./
Try coiling and uncoiling the instrument's power cord
in
different
ways.
Connect the instrument's power cord to a power outlet on a
different circuit.
Move the instrument farther away from the radio
or
television
recetver.
./
Turn the radio or television receiver until the interference stops.
./
Connect the radio
or
television receiver to a different power circuit.
./
Reorient
or
move the receiver antenna farther away from the
instrument. Consider installing a rooftop antenna with coaxial
cable lead-in between the antenna and receiver.
Consult the nearest Rodgers dealer for more information
if
the
above corrective measures don't remove the interference.
Table
ofContents
CAUTIONS and Notice to Users inside cover
Safety Instructions i
FCC
Notice ii
Table
of
Contents
iii
Overview
of
the 690 page 1
BriefTour page 2
Turn On{fum
Off
page 2
Divisions page .2
Selecting
or
Retiring a Stop page 3
Combination Action page 3
Couplers page 4
Tremulants page 5
Expression Pedals page 5
Great to Swell Expression Coupler page 5
Crescendo Pedal page 5
Tutti page 5
Bass Coupler page 6
Melody Coupler page 7
Tuning Control page 8
Chorus Control page 8
Transposer Control page 8
Antiphonal On/Main Off page 8
User
1/0
Panel page 9
MIDI IN/OUT{IHRU page 9
Auxiliary Inputs (Left and Right) page 9
Auxiliary Input Level page 9
Auxiliary Outputs (Left and Right) page 10
Reverb Level page 10
Headphone Volume and Jack page 10
iii
iv
MIDI
(Musical
Instrument
Digital
Interface)
Sending a Program Change
Velocity Information
Channel Reassignment
·Octave Transpose
Enabling/Disabling MIDI Master Channels
GS Format Sound Selection Instructions
Saving a Combination Memory
Receiving a Program Change
Local On/Off
Returning to Default Settings
Common MIDI Connections
690 Specifications
Suggested Registrations
Care
and
Maintenance
MIDI
Implementation
MIDI Features
Implementation Chart
System Exclusive Code
page
11
page
11
page
11
page 12
page 12
page
13
page 14
page 16
page 16
page
17
page 17
page
18
page
19
page 20
page 33
page 34
page
36
page
37
II
I
ii·
~~
.LH
~H
OVERVIEW
OF
THE
690
Thankyou forchoosingtheRodgers 690. This instrumentis ahighqualityclassical organ
in
both sound and construction, designed to provide years
of
reliable service.
This instrumentisa two-manualclassicalorgan thatincorporates aneclectic specification
and authentic pipe organ sounds. The 690 has
31
speaking stops,·dual expression, crescendo
pedal, tutti control, antiphonal on/main
off
controls, a four-channel (stereo x 2) audio system
with external speakers and many other features.
. .
The console is constructed
of
the finest woods and veneers, suitable in the most elegant
surroundings. It is unsurpassed in beauty and longevity.
The 690utilizes lighted tilttab stop controls. Traditional couplers are included, as well as
an adjustable combination action (pistons) featuring divisionals as well as generals with four
memories.
Thisinstrumentiscompletelyvoicedandtunedforoptimumtonal authenticity. A Rodgers
factory-trained technician can provide additional voicing and finishing as required.
The 690 offers full MIDI (Musical Instrument Digital Interface) capability, allowing the
organistto controlotherMIDIdevices (keyboards, sequencers, rhythm units, sound modules,
etc.). MIDI allows the performer full recording and playback capabilities using an external
MIDI device.
Rodgers organs are built in Hillsboro, Oregon, USA. Through the most advanced
technology available, the Rodgers Instrument Corporation, a member
of
the Roland Group,
delivers proven reliability, design innovation and a tradition
of
musical excellence, marking
ourposition as
The SoundChoice!
"Leadership through technology
for
the musician
of
today
and
tomorrow."
1
II
BRIEFTOUR
II
To
get started, here is a brieftour
of
the basic operations
of
the Rodgers 690:
TURN ON/TURN
OFF
To
turn
the organ on, press the powerrocker switch at the top (1).
In
approximately 5 seconds, the
SET and GENERAL CANCEL pistons will light, indicating the poweris on and the organ is ready to
play.
To
turn
the power off, press the powerrocker switch
at
the bottom (0). The power to the organ
is off.
2
DIVISIONS
Thefollowing groupings
of
stops (tilt tabs) affect the indicated manuals (keyboards)
or
pedalboard:
SWELL-----,
.---~----GREAT
PEDAL~
II
1,-----
GENERALS
;f/
.
,-L-
1111111111
"""'""
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m
10
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Q.~
DQ<;
'(J
'lf[!jO
v ,\r a
aaoaa
a
aaoooo
aaa
aao
o
11
~
SWELL
EXPRESSION
GT
. &
PEDAL
"-
'\_
EXPRESSION
"-"""'
"""'
"""-CRESCENDO
~~~-00~10~
SELECTING OR RETIRING A STOP
Press the bottom
of
the desired tilt tab to turn iton. It will light, indicating
it
is on. Press the top
of
the tilt tab to turn
off
the stop. The light will go off, indicating the stop is off.
All
of
the 690 stops are controlled with lighted tilt tabs, with the exception
of
the Chimes on the
Great.manual, which are controlled by a lighted piston located underneath the Swell manual.
Pressthispistonto activate the Chime stop on theGreat(thepistonwilllight). Pressthispiston again
to retire the Chime stop (the light will go out).
COMBINATIONACTION
(Pistons)
The 690 features a combination action easily changed by the organist from the console. The
organist can pre-select favorite registrations and make rapid changes in tone color using this
advanced system. The pistons will light when pressed.
The 690 combination action includes ten General pistons, six Great and Swell Divisional pistons,
three Pedal Divisional pistons, a SET piston and a GENERAL CANCEL piston with four memory
levels
(Ml,
M2, M3 and M4). General pistons affect all Divisions
of
the organ (Great, Swell and
Pedal). Divisional pistons affect the specific Division.
~----1~-~--------/~~~~-~~~~----~
GENERAL
PISTONS
MEMORY
PISTONS
DIVISIONAL
PISTONS
111111
1 1
11111111
1
111111111
1
IIIII
3
~HOW
TO SET THE PISTONS:
1.
Select a memory by pressing
Ml,
M2, M3 or M4.
2. Select the stops desired.
3. Press the SET piston and hold.
. 4. While holding the SET piston, press the desired piston, and then release both
pistons simultaneously.
_ 4_
COUPLERS
~
Couplers enable stops
of
one Division to be played on
another keyboard
or
pedalboard. The couplers on the 690 are
QREATTO
PEDAL, SWELL TO PEDAL and SWELL TO GREAT.
The 690 features a GREAT TO PEDAL reversible thumb piston.
with Swell
To
Great
coupler added
Keys played
and heard.
TREMULANTS
Tremulants create changes in pitch (sharp and flat)
or
amplitude (volume).
The
use
of
tremulants
adds warmth to solo
or
small ensemble combinations and is useful
in
gospel and romantic music.
The
690
has a
regular
TREMULANT
which
is
useful for classical music.
It
also has a
FLUTE
TREMULANT
FULL
that affects all the flute voices
on
the organ.
This
tremulant has a wider
exc\lfsion (depth)
and
faster rate than other tremulant settings.
The
tremulants are adjustable for
both speed
and
depth
. .
It
is
recommended that these adjustments
be
made
by
A
Factory-
Trained
Techn~cJan.
EXPRESSIONPEDALS
The
pedal
in the middle controls the overall volume
of
the Swell Division.
The
pedal
on
the left
controls the overall volume
of
the Great and Pedal Divisions. These pedals are used
to
give variety
of
expression to the music played. Pressing the pedal forward increases the volume; drawing
back
decreases the volume.
When
the Expression Pedals are in use, the Expression indicators will light in green segments
(from bottom to top), as the pedal is depressed and more volume is created. The Expression
indicators are located to the right
of
the stop rail above the Swell manual, and are engraved
GT
and
SW.
(Note:
The
indicators will reflect the actual expression
of
volume, not necessarily the physical ·
position
of
the Expression Pedal.)
GREAT TO SWELLEXPRESSION COUPLER
The
Great to Swell Expression Coupler allows the Great and Swell Divisions to be expressed by
using the middle Expression Pedal.
CRESCENDO PEDAL
The
slightly raised pedal to the right
of
the Expression Pedals is the Crescendo Pedal, which
·gradually adds a factory pre-determined selection
of
stops as it is pressed forward.
The
Crescendo
Pedal does not affect the stops already set up on the organ, but merely adds to them. Stops added by
the Crescendo Pedal
do
not light.
When the Crescendo Pedal is in use, the Crescendo!futti indicator will light in green segments
(from bottom to top), as the pedal is depressed and more stops are added.
The
Crescendo{futti
indicator is located
to
the right
of
the stop rail above the Swell manual,
and
is engraved
CR.
TUTTI
There are times when a full organ registration is needed immediately.
The
690 is equipped with
a Tutti piston. Press the piston to tum on the Tutti, and press again
to
tum
it
off. When Tutti is on,
the Tutti piston lights, and the top segments
of
the
Crescendo!futti
indicator will light red.
The
Crescendo!futti
indicator is located to the right
of
the stop rail above the Swell manual.
5
THE
BASS COUPLER
This feature's name is derived from the ancient term "Basso Continuo," meaning thoroughbass.
Whenthispistonispressed,itwill light. Any stops
or
couplerson
in
thePedalDivision will soundfrom
thelowest key beingplayedon the Greatmanual. This provides a pedalbass withouthaving toactually
play the pedalboard with the feet.
In its normal setting, the Bass Coupler affects keys 1through
24
of
the Great manual, butitsrange
is programmable.
~HOW
TO
SET
THE
RANGE
OF
THE
BASS COUPLER:
6
1.
Hold SET and press the BASS piston, which will start flashing.
2. Release the SET piston and BASS piston.
3.
While the BASS piston is flashing, press a key which corresponds to the highest
note the range is to extend. Any note from key 1 to key 61 may be selected.
Keys above 32 will play external MIDI devices but will not play the Pedal stops.
After the selected key has been pressed, the BASS piston will stop flashing.
(Note: When key is pressed to set the range, no sound will be heard even
if
stops
are on, so no disturbance will be made
if
programming during a performance.)
c:
THE MELODY COUPLER
When the MELODY piston is pressed, itwill light. Any stop
or
coupler
of
the Swell Division will
sound from the highest key being played on the Great manual. ·This allows a solo melody and
an
accompaniment to be played from the same manual.
In its normal setting, the Melody Coupler affects keys 25 through
61
on the Great manual, but its
range is programmable.
~
HOW
TO
SET
THE
RANGE
OF
THE
MELODY COUPLER:
1.
Hold SET and press the MELODY piston, which starts flashing.
2.
Release the SET piston and MELODY piston.
3. While the MELODY piston is flashing, press a key which corresponds to
the lowest note the range is to extend. Any note from key 1
to
key
61
may be
selected. After the selected key has been pressed, the MELODY piston will
stop flashing.
7
TUNING CONTROL
The690 is equipped with a TUNING control. This allows the entire organ to be tuned easily
and quickly to a piano or musical instrument not at standard concert pitch (A 440).
If
the TUNING
control is pushed in, the organ will remain at standard concert pitch, and turning the control
will
have no effect. To alter the pitch, pull the TUNING control out until
it
clicks, then turn the control
to set the pitch.
CHORUS CONTROL
The 690 features a CHORUS function, which allows the Swell Division to be detuned from the
Great Division, providing even greater "warmth" to the tonal character
of
the organ.
To
select the
CHORUS function, press the CHORUS piston.
To
change the amount
of
detuning, hold the SET
piston and press the CHORUS piston. The CHORUS piston will begin to flash. By using the
TUNING CONTROL, the CHORUS setting may be adjusted.
TRANSPOSER CONTROL
Turning the TRANSPOSER control will raise orlower the pitch
of
the organ up to four semi-
tones (halfsteps). Many singers need a key change to accommodate their voice range, The
TRANSPOSER is especially useful for accompanying soloists, eliminating the need to
me~tally
transpose music on a printed sheet into a more suitable key.. The TRANSPOSER helps the organist
accomplish this effortlessly.
ANTIPHONAL ON/MAIN
OFF
The 690 is prepared with ANTIPHONAL ON/MAIN OFF pistons which can operate an
additional stereo audio system. An antiphonal speaker system is usually installed at the opposite
end
of
the building from the main organ, allowing greater musical flexibility. The ANTIPHONAL
ON
piston activates this additional audio system, and the MAIN OFF piston turns
off
the main
organ. (Note:
If
the MAIN OFF piston is lighted, the ANTIPHONAL
ON
piston must be lighted
also,
or
the organ will not sound through either system.)
c:
8
USER
1/0
PANEL
The
Rodgers
User
I/0
Panel allows the organist to conveniently make adjustments to the
headphone volume level, reverb level, auxiliary audio inputlevel and to make audio input and
output
and
MIDI
in/out and thru connections from the front
of
the organ. This panel
is
located under
the keydesk
on
the left side.
The
following descriptions detail the controls and their functions:
.
LVL
o'"oQfio
¢¢o
IN
OUT
THRU
000
MIDI
I>JJX
MIDI IN/OUT/THRU
These are the
jacks
used to connect to the Rodgers organ to an external sequencer, voice module,
computer
or
otherexternal
MIDI
device
or
instrument.
AUXILIARY INPUTS (Left
and
Right)
These are auxiliary audio inputs allowing the organist to connect the audio outputs
of
a MIDI
voice module, cassette player, compact disc player
or
other stereo audio device to the organ. This
allows the sound
of
the audio device to be heard through the organ speakers.
AUXILIARY INPUT LEVEL
This control allows you to increase
or
decrease the volume level
of
the external audio device
connected to the auxiliary audio inputs. This is factory set and rarely has to be changed, but is
provided should the volume level
of
the external device need adjustment.
9
AUXILIARY OUTPUTS (Left and Right)
These auxiliary audio outputs may be connected to the audio inputs
of
an external audio mixer,
mplifier, cassette recorder, DATrecorder
or
other external audio device
of
this type.
REVERB LEVEL
This control adjusts the amount
of
digital reverberation affecting the organ voices.
HEADPHONEVOLUMEANDJACK
The
volume level
of
the headphone set is adjusted by this control.
The 690 has a headphone jack. When a set
of
headphones is plugged into the jack, the speaker
;ystem shuts off, allowing the organist privacy when playing. It is recommended that you use stereo
1eadphones with an impedance
of
not less than 8 ohms (Q).
I ]
10
Ill!I MIDI (Musical Instrument Digitallhterface)
The
Rodgers 690 features velocity-sensing keyboards, and possesses some
of
the most advanced
MIDI capabilities
in
the world. MIDI voices are activated via three MIDI coupler tilt tabs. The
MIDI channels these coupler tilt tabs control are:
Great Channel
Swell Channel
Pedal Channel
1*
2
3
MIDI
ON
GREAT
MIDI
ON
SWELL
MIDI
ON
PEDAL
*
May
be changed to
any
ofthe sixteen MIDI channels.
To
change
this
channel, see "Channel Reassignment"
SENDING A PROGRAM CHANGE
1.
Hold SET and press the bottom
of
a MIDI coupler tilt tab. The tilt tab will flash,
indicating the MIDI Set Mode is active. Release SET and the MIDI coupler.
2. Choose the desired Program Change (sound), and press the corresponding key (see the
· Program Change chart).
KEY
PROGRAM CHANGE
GREAT
LOWC-HIGHC
1-61
SWELL .
LOWC-HIGHC
62-
122
PEDAL
LOWC-LOWF
123-
128
If
SET is held while pressing a key to send a Program Change, the Program Change will be sent,
but the MIDI Set Mode will be "locked on." Once this happens, further Program Changes may
be sent by holding SET and pressing a corresponding key. This allows the organist to
try
several
sound selections until the appropriate one is found. The MIDI Set Mode will remain active until
the flashing MIDI coupler or General Cancel is pressed.
Once a Program Change has been sent on a MIDI coupler, that same Program Change will be
sent each time the tilt tab is activated. The Program Change will also be saved on any combination
piston including that MIDI coupler.
VELOCITY INFORMATION
As a default, the Great and Swell MIDI channels send detected velocity messages. The harder a
key is played, the louder the MIDI sound will be. The Pedal always sends a fixed velocity.
It is possible to have the Great or Swell MIDI coupler send a fixed velocity message. To change
the Great
or
Swell MIDI coupler from detected velocity to fixed velocity:
11
1.
Hold SET and press the MIDI coupler to be changed. The coupler will flash. Release
SET and the MIDI coupler.
2. Press the sustain switch (located to the left
of
the Great Expression Pedal) to the left. The
coupler will stop flashing.
To
change the coupler back to detected velocity, repeat steps 1 and 2 under "Velocity
[nformation." The velocity status
of
the Great and Swell MIDI couplers will be stored in the
::ombination action
of
the organ.
CHANNEL
REASSIGNMENT
All MIDI couplers transmit on fixed channels except MIDI ONGREAT. To set the transmit
channel for this coupler:
1.
Hold SET and press the bottom
of
MIDI ON GT. It will flash. Release SET and MIDI
ONGT
.
2.
Hold piston
1,
and press any key on the Great manual between low C and tenor
D#
to
signify the desired MIDI channel. Low
Cis
Channell,
low
C#
is Channel2, etc. The
MIDI ONGT coupler will stop flashing.
The new Great MIDI Channel assignment will be stored in the combination action
of
the organ.
OCTAVE
TRANSPOSE
Normally, all MIDI couplers play at standard pitch (middle C
=note
60). The Octave Transpose
parameter may be reset to cause any MIDI coupler to play one octave above
or
below standard pitch.
1.
Hold SET and press the bottom
of
the desired MIDI coupler. It will flash. Release SET
and the MIDI coupler.
2.
To
transpose up one octave, turn the TRANSPOSER control
to+
1,
+2, +3
or
+4.
3. To transpose down one octave, tum the TRANSPOSER control to -1,
-2,-3
or
-4.
4. Exit this mode by pressing General Cancel.
5. Return the TRANSPOSER to the desired setting.
The Octave Transpose status
of
each MIDI coupler will be stored in the combination action
of
the organ.
12
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