Roland Dj-2000 User manual

Roland

mPRrOFESSIONAL

OI

MIXER

Jj-2eOoOoO

OWNER'S

MANUAL

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Roland

PROFESSIONAL

OJ

MIXER

JjI-2-Oooo

OWNER'S

MANUAL

Thank

you

for

purchasing

the

Roland

PROFESSIONAL

DJ

MIXER

DJ-2000.

Before

using

this

unit,

carefully

read

the

sections

entitled:

"IMPORTANT

SAFETY

INSTRUC-

TIONS"(page

2),

"USING

THE

UNIT

SAFELY"(page

3),

and

"IMPORTANT

NOTES"(page

4).

These

sections

provide

important

information

concerning

the

proper

operation

of

the

unit.

Additionally,

in

order

to

feel

assured

that

you

have

gained

a

good

grasp

of

every

feature

provided

by

your

new

unit,

this

manual

should

be

read

in

its

entirely.

The

manual

should

be

saved

and

kept

on

hand

as

a

convenient

reference.

Main

Features

@

The

DJ-2000

is

a

professional

four-channel

DJ

mixer

featuring

newly

designed

DSP

effects

geared

specifically

for

DJs,

as

well

as

a

BPM

(Beat

Per

Minute)

control

feature,

opening

up

new

possibilities

for

DJ

performances.

In

addition

to

its

mixer

functions,

the

DJ-2000

makes

it

easy

to

create

and

process

the

sounds

that

are

central

to

DJ

performances.

@

Features

numerous

built-in

isolator

to

boost

or

cut

volume

(from

negative

infinity

to

+12

dB).

Uses

spring-loaded

"GRAB

Switch",

the

best

kind

for

switching

connected

feeds

on

and

off

along

with

the

beat.

@

Whatever

kind

of

source

or

machine

you

want

to

plug

in,

the

DJ-2000

can

handle

it,

with

highly

adjustable

gain

controls.

@

By

connecting

MIDI

devices

such

as

the

SP-202,

VT-1,

MC-303/505,

JP-8000,

or

the

JX-3085,

you

can

put

together

your

own

customized

DJ

system.

#

With

the

BOSS

SP-202

Features

a

Sampler

output

that

is

separate

from

the

Master

output.

You

can

use

SP-202

sampling

in

the

background

during

performances.

@

With

the

BOSS

VT-1

You

can

route

the

output

of

the

dedicated

microphone

channel

(MIC

1)

to

solely

the

VT-1.

With

the

VT-1

connected

for

use

as

an

effect,

your

voice

becomes

a

powerful

tool

in

your

perfor-

mances.

@

With

the

Roland

MC-303/505,

JP-8000,

or

JX-305

The

DJ-2000

features

a

MIDI

OUT

jack.

You

can

connect

MIDI

devices

such

as

the

MC-303/505,

JP-8000

or

JX-305

for

synchronizing

BPM,

or

controlling

Start

and

Stop

functions.

Copyright

©

1998

ROLAND

CORPORATION

All

rights

reserved.

No

part

of

this

publication

may

be

reproduced

in

any

form

without

the

written

permission

of

ROLAND

CORPORATION.

CAUTION

RISK

OF

ELECTRIC

SHOCK

ATTENTION.

risque

0

choc

ELecTRIQUE

NE

PAS

OUVRIA

CAUTION:

TO

REDUCE

THE

RISK

OF

ELECTRIC

SHOCK,

DO

NOT

REMOVE

COVER

(OR

BACK).

NO

USER-SERVICEABLE

PARTS

INSIDE.

REFER

SERVICING

TO

QUALIFIED

SERVICE

PERSONNEL.

A

The

lightning

flash

with

arrowhead

symbol,

within

an

equilateral

triangle,

is

intended

to

alert

the

user

to

the

presence

of

uninsulated

“dangerous

voltage”

within

the

Product's

enciosure

that

may

be

of

sufficient

magnitude

to

constitute

a

risk

of

electric

shock

to

persons.

The

exclamation

point

within

an

equilateral

triangle

is

intended

to

alert

the

user

to

the

presence

of

important

operating

and

maintenance

(servicing)

instructions

in

the

literature

accompanying

the

product.

INSTRUCTIONS

PERTAINING

TO

A

RISK

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS.

IMPORTANT

SAFETY

INSTRUCTIONS

SAVE

THESE

INSTRUCTIONS

WARNING

-

When

using

electric

products,

basic

precautions

should

always

be

followed,

including

the

following:

Read

all

the

instructions

before

using

the

product.

.

Do

not

use

this

product

near

water

—

for

example,

near

a

bathtub,

washbowl,

kitchen

sink,

in

a

wet

basement,

or

near

a

swimming

pool,

or

the

like.

3.

This

product

should

be

used

only

with

a

cart

or

stand

that

is

recommended

by

the

manufacturer.

4.

This

product,

either

alone

or

in

combination

with

an

amplifier

and

headphones

or

speakers,

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

Do

not

operate

for

a

jong

period

of

time

at

a

high

volume

level

or

at

a

level

that

is

uncomfortable.

If

you

experience

any

hearing

loss

or

ringing

in

the

ears,

you

should

consult

an

audiologist.

5.

The

product

should

be

located

so

that

its

location

or

position

does

not

interfere

with

its

proper

ventilation.

.

The

product

should

be

located

away

from

heat

sources

such

as

radiators,

heat

registers,

or

other

products

that

produce

heat.

.

The

product

should

be

connected

to

a

power

supply

only

of

the

type

described

in

the

operating

instructions

or

as

marked

on

the

product.

NM

o>]

NI

8.

The

power-supply

cord

of

the

product

should

be

unplugged

from

the

outlet

when

left

unused

for

a

Jong

period

of

time.

9.

Care

should

be

taken

so

that

objects

do

not

fall

and

liquids

are

not

spilled

into

the

enclosure

through

openings.

10.The

product

should

be

serviced

by

qualified

service

personnel

when:

A.

The

power-supply

cord

or

the

plug

has

been

damaged;

or

B.

Objects

have

fallen,

or

liquid

has

been

spilled

into

the

product;

or

C.

The

product

has

been

exposed

to

rain;

or

D.

The

product

does

not

appear

to

operate

normally

or

exhibits

a

marked

change

in

performance;

or

E.

The

product

has

been

dropped,

or

the

enclosure

damaged.

11.Do

not

attempt

to

service

the

product

beyond

that

described

in

the

user-maintenance

instructions.

All

other

servicing

should

be

referred

to

qualified

service

personnel.

For

the

USA

This

product

may

be

equipped

with

a

polarized

line

plug

(one

blade

wider

than

the

other)

.

This

is

a

safety

feature.

If

you

are

unable

to

insert

the

plug

into

the

outlet,

contact

an

electrician

to

replace

your

obsolete

outlet.

Do

not

defeat

the

safety

purpose

of

the

plug.

For

Polarized

Line

Plug

CAUTION:

For

Canada

TO

PREVENT

ELECTRIC

SHOCK,

MATCH

WIDE

BLADE

OF

PLUG

TO

WIDE

SLOT,

FULLY

INSERT.

ATTENTION:

pour

éviter

Les

CHOCS

ELECTRIQUES,

INTRODUIRE

LA

LAME

LA

PLUS

LARGE

DE

LA

FICHE

DANS

LA

BORNE

CORRESPONDANTE

DE

LA

PRISE

ET

POUSSER

JUSQU'

AU

FOND.

For

the

U.K.

IMPORTANT:

THE

WIRES

IN

THIS

MAINS

LEAD

ARE

COLOURED

IN

ACCORDANCE

WITH

THE

FOLLOWING

CODE.

BLUE:

NEUTRAL

BROWN:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug,

proceed

as

follows:

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

Under

no

circumstances

must

either

of

the

above

wires

be

connected

to

the

earth

terminal

of

a

three

plug.

USING

THE

UNIT

SAFELY

INSTRUCTIONS

FOR

THE

PREVENTION

OF

FIRE,

ELECTRIC

SHOCK,

OR

INJURY

TO

PERSONS

About

A\

WARNING

and

Z\.

CAUTION

Notices

Used

for

instructions

intended

to

alert

the

user

to

the

risk

of

death

or

severe

Z\WARNING

injury

should

the

unit

be

used

improperly.

Used

for

instructions

intended

to

alert

the

user

to

the

risk

of

injury

or

material

damage

should

the

unit

be

used

improperly.

Z\

CAUTION

*

Material

damage

refers

to

damage

or

other

adverse

effects

caused

with

respect

to

the

home

and

all

its

furnishings,

as

well

to

domestic

animals

or

pets.

Z\WARNING

¢

Before

using

this

unit,

make

sure

to

read

the

\\

instructions

below,

and

the

Owner's

Manual.

*

Do

not

open

or

perform

any

internal

oe)

on

the

unit.

(The

only

exception

would

be

where

this

manual

provides

specific

instructions

which

should

be

followed

in

order

to

put

in

place

user-installable

options;

see

p.

20.)

*

Make

sure

you

always

have

the

unit

placed

so

it

c@

level

and

sure

to

remain

stable.

Never

place

it

on

stands

that

could

wobble,

or

on

inclined

surfaces.

*

Avoid

damaging

the

power

cord.

Do

not

bend

LO)

excessively,

step

on

it,

place

heavy

objects

on

it,

etc.

A

damaged

cord

can

easily

become

a

shock

or

fire

haz-

ard.

Never

use

a

power

cord

after

it

has

been

dam-

aged.

e

In

households

with

small

children,

an

adult

should

provide

supervision

until

the

child

is

capable

of

fol-

lowing

all

the

rules

essential

for

the

safe

operation

of

the

unit.

«

Protect

the

unit

from

strong

impact.

J

(Do

not

drop

it!)

*

Do

not

force

the

unit's

power-supply

cord

to

share)

an

outlet

with

an

unreasonable

number

of

other

devices.

Be

especially

careful

when

using

extension

cords—the

total

power

used

by

all

devices

you

have

connected

to

the

extension

cord's

outlet

must

never

exceed

the

power

rating

(watts/amperes)

for

the

extension

cord.

Excessive

loads

can

cause

the

insula-

tion

on

the

cord

to

heat

up

and

eventually

melt

through.

*

Always

turn

the

unit

off

and

unplug

the

power

cord

4

before

attempting

installation

of

the

circuit

board

(model

no.

CFX-1;

p.

20).

Z\

|determined

by

the

design

contained

within

the

@

must

not

be

done

is

indicated

by

the

design

contained

@:

indicated

by

the

design

contained

within

the

circle.

In

About

the

Symbols

The

A

symbol

alerts

the

user

to

important

instructions

or

warnings.The

specific

meaning

of

the

symbol

is

triangle.

In

the

case

of

the

symbol

at

left,

it

is

used

for

general

cautions,

warnings,

or

alerts

to

danger.

The

©

symbol

alerts

the

user

to

items

that

must

never

be

carried

out

(are

forbidden).

The

specific

thing

that

within

the

circle.

In

the

case

of

the

symbol

at

left,

it

means

that

the

unit

must

never

be

disassembled.

The

@

symbol

alerts

the

user

to

things

that

must

be

carried

out.

The

specific

thing

that

must

be

done

is

the

case

of

the

symbol

at

left,

it

means

that

the

power-

cord

plug

must

be

unplugged

from

the

outlet.

ALWAYS

OBSERVE

THE

FOLLOWING

----------------------2070700007

00>

Z\WARNING

*

Before

using

the

unit

in

a

foreign

country,

consult

with

your

retailer,

the

nearest

Roland

Service

Center,

or

an

authorized

Roland

distributor,

as

listed

on

the

"Information"

page.

A\

CAUTION

¢

Always

grasp

only

the

plug

on

the

power-supply

cord

when

plugging

into,

or

unplugging

from,

an

out-

let

or

this

unit.

¢

Try

to

prevent

cords

and

cables

from

becoming

entangled.

Also,

all

cords

and

cables

should

be

placed

so

they

are

out

of

the

reach

of

children.

*

Never

climb

on

top

of,

nor

place

heavy

objects

on

SO

the

unit.

*

Never

handle

the

power

cord

or

its

plugs

with

wet

hands

when

plugging

into, or

unplugging

from,

an

outlet

or

this

unit.

¢

Before

moving

the

unit,

disconnect

the

power

plug

(yr

from

the

outlet,

and

pull

out

all

cords

from

external

“™®

devices.

¢

Before

cleaning

the

unit,

turn

off

the

power

and

4A

unplug

the

power

cord

from

the

outlet

(p.

8).

-

«

Whenever

you

suspect

the

possibility

of

lightning

in

€:

your

area,

pull

the

plug

on

the

power

cord

out

of

the

™

outlet.

*

Install

only

the

specified

circuit

board(s)

(model

no.

rt)

CFX-1).

Remove

only

the

specified

screws

(p.

20).

e

When

you

mount

the

unit

onto

a

rack,

please

be

ZX

careful

so

that

you

won't

pinch

your

fingers.

Important

Notes

In

addition

to

the

items

listed

under

“IMPORTANT

SAFETY

INSTRUCTIONS”

and

“USING

THE

UNIT

SAFELY”

on

pages

2

and

3,

please

read

and

observe

the

following:

Power

Supply

Do

not

use

this

unit

on

the

same

power

circuit

with

any

device

that

will

generate

line

noise

(such

as

an

elec-

tric

motor

or

variable

lighting

system).

Before

connecting

this

unit

to

other

devices,

turn

off

the

power

to

all

units.

This

will

help

prevent

malfunc-

tions

and/or

damage

to

speakers

or

other

devices.

Placement

Using

the

unit

near

power

amplifiers

(or

other

equipment

containing

large

power

transformers)

may

induce

hum.

To

alleviate

the

problem,

change

the

orientation

of

this

unit;

or

move

it

farther

away

from

the

source

of

interference.

This

device

may

interfere

with

radio

and

television

reception.

Do

not

use

this

device

in

the

vicinity

of

such

receivers.

Maintenance

For

everyday

cleaning

wipe

the

unit

with

a

soft,

dry

cloth

or

one

that

has

been

slightly

dampened

with

water.

To

remove

stubborn

dirt,

use

a

cloth

impregnated

with

a

mild,

non-abrasive

detergent.

Afterwards,

be

sure

to

wipe

the

unit

thoroughly

with

a

soft,

dry

cloth.

Never

use

benzine,

thinners,

alcohol

or

solvents

of

any

kind,

to

avoid

the

possibility

of

discoloration

and/or

deformation.

Additional

Precautions

Use

a

reasonable

amount

of

care

when

using

the

unit’s

buttons,

sliders,

or

other

controls;

and

when

using

its

jacks

and

connectors.

Rough

handling

can

lead

to

malfunctions.

When

connecting

/

disconnecting

all

cables,

grasp

the

connector

itself—never

pull

on

the

cable.

This

way

you

will

avoid

causing

shorts,

or

damage

to

the

cable’s

internal

elements.

A

small

amount

of

heat

will

radiate

from

the

unit

during

normal

operation.

To

avoid

disturbing

your

neighbors,

try

to

keep

the

unit’s

volume

at

reasonable

levels.

You

may

prefer

to

use

headphones,

so

you

do

not

need

to

be

concerned

about

those

around

you

(especially

when

it

is

late

at

night).

When

you

need

to

transport

the

unit,

package

it

in

the

box

(including

padding)

that

it

came

in,

if

possible.

Otherwise,

you

will

need

to

use

equivalent

packaging

materials.

Using

the

Unit

Safely...

ccssscsscsssssssssrssssscsssssssssesssssscssseanscssssssesscsonsenssssassssnessssssssausenusessesasnsseneseasacaterseseaeeatanes

2

Important

Note

............cccscccsensssssceeecessnesecsecensessonsnecsenecsssscesecesenssssscscasenseaseaesarsaceessseceusensssesegsaseneacesssausranessenenseenes

4

Names

and

Funrctions

of

Each

Part...........csscssccsssscecsscsssscenssssossesscsccssesscecseccesenesssasensacnsesssscucescsesasessaseosscsnsesesecees

6

Channel

Section

/

Master

Section

.......cceccscessssesssecessecsssesesescessscsccsesceeesenseseseeseseccesnsnsavesaesssceceasersseesacsenenarananensees

6

Rear

Pare

lisa.

i.c25.cihcc

a

nooo

eat

bedeese

codes

doses

ceeded

aetna

nbn

iveeaeiaiel

aineheedn

hi

teaeen

see

hes

ae

iad

8

Example

of

a

DJ

System

.........cscsssssssssssscsssessssesssessecssssssnsseessensersnsesssenscessssesssearsesssesnsaeatacseseseesensscansacseneensensnesstetes

9

Using

the

DSP

Effects......c.sscsccssssssersssssssessnesssenssscnsenssssssenensesesssssesesesesusscusecnsssseneatensnenenesenenesscausuessacaratavesserenseas

10

The

DSP

Effects

Section:

Names

and

FUnctions

«0.0.0...

:cceccsesesceececessceceecesseneessseecesceacsessenseaseassacsoeecaeeesarenaeass

10

The

DSP

Effects

Section:

Block

Diagram

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The

DSP

Effects

Section:

Parameter

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SLICER

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About

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24.

Names

and

Functions

of

Each

Part

Channel

Section/Master

Section

3

4

56

11

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10

9

8

7

14

Channel

Section

Dedicated

Mic

Input

Channel

1.MIC

1

EQ

(Equalizer)

Controls

@

HIGH:

Adjusts

the

upper

frequency

range

@

LOW:

Adjusts

the

lower

frequency

range

Channel

Fader

(MIC

1)

Adjusts

the

volume

of

MIC

1

(does

not

affect

MIC

2)

2.

MIC

2

LEVEL

Control

Adjusts

the

volume

of

MIC

2.

*

The

"MIC

1"

and

"MIC

2"

are

specific

channels

for

microphone,

please

do

not

connect

anything

else

but

microphones.

Line

Input

Channels

1-

4

3.

BEAT

Indicator

Flashes

with

each

beat,

allowing

you

to

check

the

tempo

and

rhythm.

*

If

the

input

signal

is

too

strong,

the

light

stops

flash-

ing

and

stays

on.

If

the

signal

is

too

weak,

the

light

will

not

flash.

Use

the

GAIN

control

to

adjust

the

input

signal

to

the

appropriate

level.

4,

INPUT

Switch

Select

the

position

for

each

channel

according

to

the

type

equipment

connected

(p.

8).

@

Channel

1:

LINE

1

<

LINE

2

@

Channel

2:

PHONO

1

©

LINE

3

@

Channel

3:

PHONO

2

©

LINE

4

@

Channel

4:

PHONO

3

«9

LINE

5

6

5.

GAIN

Control

Adjusts

the

sensitivity,

allowing

the

proper

input

levels

to

be

achieved.

6.

EQ

(Equalizer)

Control

@

HIGH:

Adjusts

the

upper

frequency

range

@

MID:

Adjusts

the

middle

frequency

range

@

LOW:

Adjusts

the

lower

frequency

range

7.

ASSIGN

Switch

Selects

the

output

destination.

8.

CHANNEL

FADER

Adjusts

the

output

level

for

each

channel.

9.

CROSS

FADER

By

sliding

the

fader

to

the

left,

the

sounds

from

Channels

1/2

are

output;

slide

the

fader

to

the

right

to

hear

the

output

of

Channels

3/4,

With

the

fader

positioned

in

the

center,

the

sounds

from

both

sides

can

be

heard.

*

The

Cross Fader

is

replaceable.

If

problems

occur,

such

as

noise

when

the

fader

is

moved,

or

if

the

fader

doesn't

work

or

the

action

is

unstable,

replace

with

the

CFX-1 which

is

optional

Cross

Fader

for

replacing

the

DJ-2000.

When

replacing

the

fader,

be

absolutely

sure

that

the

power

is

turned

off

(p.

20).

10.

TRANSFORMER

Switches

These

switches

instantly

mix

sounds

into

the

Cross

Fader

Channels

1/2

and

3/4.

When

the

Cross

Fader

is

at

the

1/2

(or

3/4)

end,

then

while

the

3/4

(or

1/2)

TRANSFORMER

switch

is

pressed

down,

the

sounds

on

Channel

3/4

(or

1/2)

are

mixed

in

with

Channel

1/2

(or

3/4)

at

the

same

volume,

and

then

output.

Master

Section

11.

EFFECT

@

SEND

SELECT

Switch

Selects

the

output

going

to

the

EFFECT

SEND

jack.

@

When

MIC

1

is

Selected

Only

the

signal

from

the

dedicated

MIC

1

Channel

is

out-

put

to

the

EFFECT

SEND

jack.

Signals

from

the

other

channels,

but

not

MIC,

are

sent

to

the

Master

Fader.

External

Effects

processor

SEND

RETUR

MIC

1

gretennanamsesteete

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VT-1,

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CH1-4

@

When

MASTER

is

Selected

This

outputs

all

of

the

channels’

signals

to

the

EFFECT

SEND

jack.

The

signals

are

similarly

sent

to

the

Master

Fader.

If

you're

wondering

why

sound

from

the

micro-

phone

can't

be

heard...

When

MIC

1

is

selected,

the

MIC

signal

is

sent

only

to

the

EFFECT

SEND

jack,

so

be

sure

to

also

route

the

sig-

nal

from

connected

effects

or

other

devices

back

to

the

RETURN

jack.

@

Return

Control

Adjusts

the

input

level

from

the

EFFECT

RETURN

jack.

12.

LEVEL

METER

@

LEVEL

METER

@

SELECT

SWITCH

Selects

the

Level

Meter

indicator.

FERMEER

©

rower

SELECT

CUE.

MASTER

SAMASTER

@

When

the

SELECT

button

is

switched

toON

a,

the

upper

meter

indicates

the

MASTER

L

level

and

the

lower

meter

the

MASTER

R

level.

@

When

the

SELECT

button

is

switched

to

OFF

M

,

the

upper

meter

indicates

the

CUE

level

and

the

lower

meter

the

MASTER

level.

@

POWER

Indicator

Lights

when

power

is

on.

13.

ISOLATOR

Boosts

or

cuts

the

volume

in

each

frequency

range.

@

HIGH:

-s to

+12

dB

@

MID:

--

to

+12

dB

@

LOW:

-cc

to

+12

dB

@

GRAB

SWITCH

(ISOLATOR

ON/OFF)

With

the

switch

at

the

"ON"

position,

the

Isolator

will

remain

constantly

on.

Also,

while

you

keep

the

switch

at

the

"GRAB"

position,

the

Isolator

will

be

on.

However,

when

you

Ict

go

(and

the

switch

returns

to

the

center

position),

the

Isolator

is

switched

off.

What

is

the

Isolator?

An

isolator

can

be

thought

of

as

being

a

very

powerful

equalizer.

However,

it

differs

considerably

from

the

equalizers

that

are

used

for

compensating

for

hall

acoustics.

Although,

like

an

equalizer,

it

features

separate

high-,

mid,

and

low-range

controls,

with

the

DJ-2000's

Isolator,

turning

the

knob

fully

counterclockwise

completely

cuts

the

frequency

range;

and

turning

it

all

the

way

clock-

wise

boosts

the

range

by

12

dB.

HIGH

>

For

cymbals

and

high-pitched

instruments

MID

-

For

vocals

and

other

mid-range

sounds

LOW

>

For

drums

(kick,

or

bass

drum)

and

other

low-frequency

sounds

Additionally,

you

can

use

the

GRAB

switch

to

instantly

mark

the

rhythm.

Use

this

combination

of

controls

and

the

GRAB

switch

to

deliver

even

more

dynamic

DJ

performances.

14.

MASTER/BOOTH

Fader

Adjusts

the

final

output

level

of

the

mix.

15.

MONITOR

@

BALANCE

Control

Adjusts

the

headphone

(CUE

@

MASTER)

volume

balance.

The

sound

from

CUE

is

selected

with

the

CUE/SAMPLER

OUT

SELECTOR

switch,

Turning

the

knob

counterclockwise

completely

gives

you

only

the

sound

from

CUE,

turning

it

fully

clockwise

gives

you

only

the

MASTER

output,

and

setting

the

control

in

the

center

sends

both

the

CUE

and

MASTER

signals.

@

LEVEL

Adjusts

the

headphone

output

volume

level.

@

CUE/SAMPLER

OUT

SELECTOR

Switch

This

is

used

in

selecting

the

channel

output

from

the

SAM-

PLER

OUT

jack

(or

headphone

CUE).

*

The

MASTER

fader

and

CHANNEL

fader

does

not

affect

the

output

from

this

jack

(nor

the

headphone

volume).

*

When

recording

with

samplers,

DAT,

or

by

other

means,

returning

the

output

of

the

recording

devices

may

make

the

sound

unsteady.

@

When

recording,

set

the

input

channel

fader

handling

the

output

of

the

recording

device

to

0.

@

Make

sure

that

the

input

channel

handling

the

output

of

the

recording

device

and

the

channel

selected

with

the

CUE/SAMPLER

OUT

SELECTOR

switch

are

not

the

same.

@

When

using

the

BOSS

SP-202

or

other

such

device,

set

the

SOURCE

MIX

switch

to

OFF.

@

Headphone

Jack

(Stereo-ready)

16.

DSP

EFFECT

Section

(p.

10)

Rear

Panel

acrenrae

"OG

COO

1.

POWER

Switch

*

Before

turning

on

the

power

to

the

DJ-2000,

make

sure

the

DJ-2000's

faders

and

volume

controls,

as

well

as

those

on

any

connected

equipment,

are

turned

completely

down.

2.

AC

Inlet

For

connecting

the

included

AC

power

cord.

3.

OUTPUT

Jacks

@

SAMPLER

(RCA

Phono

Type)

Output

jack

for

recording.

Use

this

jack

for

connecting

samplers

or

other

external

devices.

*

The

MASTER

fader

and

CHANNEL

fader

does

not

affect

the

signals

output

from

this

jack.

(Rated

Output

Level:

-10

dBm)

*

When

recording

with

samplers,

DAT,

are

other

means,

returning

the

output

of

the

recording

devices

may

make

the

sound

unsteady.

@

When

recording,

set

the

input

channel

fader

from

the

out-

put

of

the

connected

recording

device

to

0.

@

Make

sure

that

the

input

channel

handling

the

output

of

the

recording

device

is

not

the

same

as

the

channel

select-

ed

with

the

CUE/SAMPLER

OUT

SELECTOR

switch.

@

When

using

the

BOSS

SP-202

or

other

such

device,

set

the

SOURCE

MIX

switch

to

OFF.

@

MASTER/BOOTH

(Standard

Phone

Type/RCA

Phono

Type)

This

is

the

Master

output

jack.

Since

you

can

have

two

sys-

tems

connected

at

the

same

time,

you

can

use

the

standard

phone

jacks

as

the

output

to

the

main

speakers,

and

the

RCA

phono

jacks

for

the

monitor

system

output.

4,

EFFECT

(Standard

Phone

Type)

For

connecting

external

effects.

@

SEND:

Outputs

the

signal

to

effects.

@

RETURN:

Inputs

the

signal

returning

from

the

effect(s).

5.

MIDI

OUT

This

connector

provides

output

of

MIDI

data.

Connect

between

here

and

the

MIDI

IN

on

the

rhythm

machine,

sequencer,

or

other

MIDI

device

you

wish

to

connect.

6.

INPUT

Jack

(RCA

Phono

Type)

@

Channel

1:

LINE

1/LINE

2

@

Channel

2:

PHONO

1/LINE

3

@

Channel

3:

PHONO

2/LINE

4

@

Channel

4:

PHONO

3/LINE

5

7.

GND

Terminal

Connect

the

record

player

ground

wire

here.

8.

MIC

Inputs

@

MIC

1

(XLR

Type/TRS

Standard

Phone

Type)

*

Use

either

type

of

plug,

but

not

both.

If

you

connect

both

at

the

same

time,

you

may

not

be

able

to

obtain

sufficient

volume

levels.

@

MIC

2

(TRS

Standard

phone

type)

*

The

"MIC

1"

and

"MIC

2"

are

specific

channels

for

microphone,

please

do

not

connect

anything

else

but

microphones.

*

To

prevent

malfunction

and/or

damage

to

speakers

or

other

devices,

always

turn

down

the

volume,

and

turn

off

the

power

on

all

devices

before

making

any

connections.

*

Once

the

connections

have

been

completed,

turn

on

power

to

your

various devices

in

the

order

specified.

By

turning

on

devices

in

the

wrong

order,

you

risk

causing

malfunction

and/or

damage

to

speakers

and

other

devices.

Devices

for

input

>

DJ-2000

>

Power

Amp,,

etc.

(When

quitting

and

turning

off

power,

reverse

the

above

order.)

*

This

unit

is

equipped

with

a

protection

circuit.

A

brief

interval

(a

few

seconds)

after

power

up

is

required

before

the

unit

will

operate

normally.

*

Howling

could

be

produced

depending

on

the

loca-

tion

of

microphones

relative

to

speakers.

This

can

be

remedied

by:

.

Changing

the

orientation

of

the

microphane(s).

.

Relocating

microphone(s)

at

a

greater

distance

from

speakers.

3.

Lowering

volume

levels.

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Using

the

DSP

Effects

The

DSP

Effects

Section:

Names

and

Functions

CH

SELECT

8697

1.

Channel

Select

(CH

SELECT)

This

selects

the

channel

to

which

the

effect

is

applied.

2.

Frequency

Range

(FREQ

RANGE)

This

selects

the

frequency

range

to

which

the

effect

is

applied.

@

FULL

(All

Frequency

Ranges):

Applies

effects

to

all

frequency

ranges.

@

HIGH

(High

Range):

Applies

effects

to

the

higher

fre-

quency

ranges.

@

MID

(Middle

Range):

Applies

effects

to

the

middle

frequency

ranges.

@

LOW

(Low

Range):

Applies

effects

to

the

lower

fre-

quency

ranges.

3.

Sync

Type

(SYNC

TYPE)

This

is

for

selecting

the

beat

for

synchronizing

the

DSP

effect.

BPM

is

the

standard

used

for

the

beat.

@

When

only

one

LED

(indicator)

is

lit

or

flashes,

the

beat

at

the

right

of

the

indicator

is

selected.

Qo

@

When

two

indicators

are

lit

or

flash,

the

beat

between

these

two

indicators

is

selected.

is

selected

=

w—'f

:

is

selected

H

10

4.

BPM

SYNC

@

BPM

SYNC

Button

With

this

button

pressed,

DSP

effects

can

be

synchronized

in

time

with

the

beat

selected

for

SYNC

TYPE.

See

the

descriptions

for

each

effect.

@

BPM

SYNC

Indicator

Flashes

in

time

with

the

beat

when

BPM

SYNC

is

on.

5.

Parameter

Controls

@

RATE/CUTOFF

See

the

descriptions

for

each

effect,

and

the

PARAMETER

CHART

(p.17)

for

more

on

the

functions

this

knob

performs.

@

PITCH/DEPTH

See

the

descriptions

for

each

effect,

and

the

PARAMETER

CHART

(p.17)

for

more

on

the

functions

this

knob

performs.

@

FORMANT/RESO

(Resonance)

See

the

descriptions

for

each

effect,

and

the

PARAMETER

CHART

(p.17)

for

more

on

the

functions

this

knob

performs.

6.

Effect

Select

Buttons

These

select

the

type

of

effect

to

be

added.

(p.11)

7.

MIDI

CONTROL

Button

This

button

is

used

to

start

and

stop

a

connected

MIDI

device.

(p.19)

8.

BPM

Display

This

displays

the

currently

recorded

BPM.

(p.18)

9.

BPM

ADJ

Buttons

These

are

used

for

manually

setting

the

BPM.

(p.18)

10.

TAP

Button

This

is

used

for

setting

the

BPM

in

real

time.

(p.18)

Additionally,

this

works

as

a

SHIFT

key

when

making

the

following

settings.

@

When

selecting

effects

(p.12,13,14,15,16)

@

When

setting

the

BPM

in

0.1

units

(p.18)

®

When

automatically

synchronizing

MIDI

devices

“start”

with

the

beat

(p.19)

11.

EFFECT

BAL

(Effect

Balance)

This

adjusts

the

volume

balance

of

the

direct

signal

of

the

channel

selected

with

(CH

SELECT)

and

the

effect

signal.

Turning

the

knob

all

the

way

counterclockwise

(DIRECT)

produces

only

the

direct

signal

(the

sound

with

no

effect),

and

turning

it

completely

clockwise

(EFFECT)

outputs

only

the

signal

with

the

effect.

*

If

the

frequency

range

selected

with

(FREQ

RANGE)

is

not

set

to

FULL

(i.e.,

when

set

to

HIGH,

MID,

or

LOW),

then

turning

the

(CH

SELECT)

knob

clockwise

(EFFECT)

outputs

only

the

effects

signal

for

the

selected

range.

However,

turning

the

knob

counter-

clockwise

(DIRECT)

outputs

the

direct

signal

of

FULL

(all

ranges).

About

Each

Effect

The

DSP

effects

section

features

the

ten

types

of

effect

shown

below.

@

OD+DELAY

(Overdrive

+

Short

Delay)

(p.12)

@

OD+FL

(Overdrive

+

Flanger)

(p.12)

@

DELAY

(p.13)

@

JAO

(p.13)

@

VOICE

(p.14)

@

ROBOT

(p.14)

@

FLANGER

(p.15)

@

SLICER

(p.15)

@

FILTER

(p.16)

@

AUTO

PAN

(p.16)

Pressing

the

buttons

once

selects

the

effect

pairs

shown

below.

e

OD+DELAY/OD+FL

e

DELAY/JAO

¢

VOICE/ROBOT

e

FLANGER/SLICER

«

FILTER/AUTO

PAN

How

to

Select

Effects

@

To

select

the

effect

indicated

on

the

button

itself:

press

the

button

(LED

lights)

@

To

select

the

effect

indicated

around

the

button:

SHAT

press

the

button

while

holding

down

the

[SHIFT

key

(TAP

button)]

(LED

begins

flashing)

‘

*

Tf

you

change

the

effect

while

playing,

the

sound

could

be

cut

off

momentarily.

The

DSP

Effects

Section:

Block

Diagram

CONTROLLER

11

OD+DELAY

(Overdrive

+

Short

Delay)

Neletcmanli(eme|[<i

ola

Ue

lamctareReicitc\mn

(om

ai-mcrel

als,

OD+FL

(Overdrive

+

Flanger]

Adds

mild

distortion

and

a

metallic

reverberation

to

the

sound

MULTLEFFECTS

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.Press

[OD+DELAY],

and

confirm

that

its

indicator

has

lit.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

cutoff

frequency.

Turning

the

knob

counterclock-

wise

will

cut

high-range

frequency.

@

PITCH/DEPTH

Adjusts

the

depth

of

the

overdrive.

Turning

the

knob

clockwise

will

emphasize

the

distortion.

@

FORMANT/RESO

(Resonance)

Adjusts

the

amount

of

feedback.

Turning

the

knob

clockwise

will

increase

the

number

of

delay

repetitions.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

Sync

Play

When

[BPM

SYNC]

is

pressed,

the

delay

time

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

*

The

longest

delay

time

is

1.3

sec.

12

35

2

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.While

holding

down

[SHIFT

key

(TAP

button)],

press

[OD+DELAY].

The

indicator

begins

blinking.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

cutoff

frequency.

Turning

the

knob

counterclock-

wise

will

cut

high-range

frequency.

@®

PITCH/DEPTH

Adjusts

the

depth

of

the

overdrive.

Turning

the

knob

clockwise

will

emphasize

the

distortion.

@

FORMANT/RESO

(Resonance)

Adjusts

the

amount

of

feedback.

Turning

the

knob

clockwise

will

increase

the

amount

of

feedback.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

wSyne

Play

When

[BPM

SYNC]

is

pressed,

the

LFO

rate

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

DELAY

Adds

delay

to

the

sound

MULTI-EFFECTS

35

2

4

1.

Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.Press

[DELAY].

Its

indicator

lights.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

contro]

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

delay

time.

Turning

the

knob

clockwise

will

make

the

delay

time

longer.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

HF

damp

frequency.

Turning

the

knob

counter-

clockwise

will

cut

high-range

frequency

of

effect

signal.

@

FORMANT/RESO

(Resonance)

Adjusts

the

amount

of

feedback.

Turning

the

knob

clockwise

will

increase

the

number

of

delay

repetitions.

wSync

Play

When

[BPM

SYNC]

is

pressed,

the

delay

time

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

*

The

longest

delay

time

is

1.3

sec.

JAO

This

effect

changes

the

sound

so

it

sounds

like

it

has

been

passed

through

a

pipe

CH

SELECT

35

2

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.While

holding

down

[SHIFT

key

(TAP

button)],

press

[DELAY].

The

indicator

begins

blinking.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

rate.

Turning

the

knob

clockwise

will

make

the

cycle

shorter

and

the

pitch

higher.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

depth.

Turning

the

knob

clockwise

will

make

the

sound

deeper.

@

FORMANT/RESO

(Resonance)

Adjusts

the

resonance.

Turning

the

knob

clockwise

will

make

the

sound

more

unusual.

wSync

Play

When

[BPM

SYNC]

is

pressed,

the

vibrato

rate

is

syn-

chronized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

13

hella

This

effect

changes

the

pitch

and

tone

of

voice

MULTLEFFECTS

ATE

/CUTOFF

PITCH/DEPTH

FORMANT/RESO

3.5

2

4

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.

Press

[VOICE],

and

confirm

that

its

indicator

has

lit.

3.For

this

effect,

[FREQ

RANGE]

is

fixed

at

[FULL].

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

LFO

rate,

modifying

the

formant.

Turning

the

knob

clockwise

will

make

the

cycle

shorter.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

pitch.

Turning

the

knob

clockwise

will

make

the

voice

higher.

@

FORMANT/RESO

(Resonance)

Adjusts

the

formant.

Turning

the

knob

clockwise

will

make

the

voice

thinner.

Syne

Play

When

[BPM

SYNC]

is

pressed,

the

LFO

rate

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

14

ROBOT

aU

alicmaji(qse1@

getcl,¢ctom

20)

(estomciole

ace

Maelele){(om-lalomanciearctal

lett

*This

works

best

with

vocal

input.

1

6

4

MULTI-EFFECTS

“[%

:

=

©

£

aime

(3)

u

11s

ip

Oe

a

$c

&&

Holding

down

Ul

3

2

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

*

It

may

not

function

as

expected

with

sounds

other

than

vocals.

2.While

holding

down

[SHIFT

key

(TAP

button)],

press

[VOICE].

The

indicator

begins

blinking.

3.For

this

effect,

[FREQ

RANGE]

is

fixed

at

[FULL].

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

LFO

rate,

modifying

the

formant.

Turning

the

knob

clockwise

will

make

the

cycle

shorter.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

pitch.

Turning

the

knob

clockwise

will

create

a

higher

robotic

voice.

@

FORMANT/RESO

(Resonance)

Adjusts

the

formant.

Turning

the

knob

clockwise

will

create

a

thinner

robotic

voice.

wSync

Play

When

[BPM

SYNC]

is

pressed,

the

LFO

rate

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

FLANGER

Adds

metallic

reverberation

to

the

sound

eSharp

and

mechanical

distortion

is

created.

CH

SELECT

MULTI-EFFECTS

35

2

4

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.Press

[FLANGER],

and

confirm

that

its

indicator

has

lit.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

LFO

rate.

Turning

the

knob

clockwise

will

make

the

cycle

shorter.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

depth.

Turning

the

knob

clockwise

will

deepen

the

movement.

@

FORMANT/RESO

(Resonance)

Adjusts

the

resonance.

Turning

the

knob

clockwise

will

make

the

sound

more

unusual.

wSyne

Play

When

[BPM

SYNC]

is

pressed,

the

LFO

rate

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

SLICER

Consecutively

cuts

the

sound/adds

modulation

*By

consecutively

cutting

the

sound,

it

provides

an

effect

like

backing

phrases.

This

effect

works

well

with

sustained

notes.

1

6

4

MULTI-EFFECTS

CH

SELECT

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.While

holding

down

[SHIFT

key

(TAP

button)],

press

[Franger].

The

indicator

begins

blinking.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Selects

the

timing

pattern.

Five

types

of

accent

patterns

are

included.

For

each

patterns,

refer

to

page

17

"SLICER

Pattern

Chart”.

@

PITCH/DEPTH

Adjusts

the

accent

level.

Turning

the

knob

clockwise

will

emphasize

the

intonation.

@

FORMANT/RESO

(Resonance)

Adds

the

accent

pattern

to

the

timing

pattern.

Five

types

of

timing

patterns

are

included.

For

each

patterns,

refer

to

page

17

"SLICER

Pattern

Chart”.

wzSync

Play

When

[BPM

SYNC]

is

pressed,

the

timing

pattern

is

syn-

chronized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

15

FILTER

This

effect

applies

a

filter

to

the

sound

*You

can

use

this

to

brighten

or

darken

the

tone,

and

give

it

a

distinctive

character.

CH

SELECT

MULTI-EFFECTS

1.Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.Press

[FILTER],

and

confirm

that

its

indicator

has

lit.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

cutoff

frequency.

Turning

the

knob

counterclock-

wise

will

cut

high-range

frequency.

@

PITCH/DEPTH

Adjusts

the

depth.

Turning

the

knob

clockwise

will

deepen

the

movement.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

FORMANT/RESO

(Resonance)

Adjusts

the

resonance.

Turning

the

knob

clockwise

will

make

the

sound

more

unusual.

wSync

Play

When

[BPM

SYNC]

is

pressed,

the

LFO

rate

is

synchro-

nized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

16

AUTO

PAN

This

automatically

localizes

the

sound

at

a

position

between

left

and

right

in

the

stereo

field

1

6

4

Cri

SELECT

Holding

down

Fa

1.

Select

the

channel

you

want

the

effect

added

to.

(CH

SELECT

knob)

2.While

holding

down

[SHIFT

key

(TAP

button)],

press

[FILTER].

The

indicator

begins

blinking.

3.Select

the

frequency

range

for

the

effect.

(FREQ

RANGE

button)

4.Turn

the

parameter

control

knobs

to

adjust

the

effects.

Knob

Functions

@

RATE/CUTOFF

Adjusts

the

panning

speed.

Turning

the

knob

clockwise

will

quicken

the

effect.

*

This

changes

only

when

the

BPM

SYNC

is

ON.

@

PITCH/DEPTH

Adjusts

the

width

of

the

panning.

Turning

the

knob

clockwise

will

widen

the

width

of

the

right

to

left

panning.

@

FORMANT/RESO

(Resonance)

Adjusts

the

placement

of

the

panning

center.

Turning

the

knob

clockwise

will

shift

it

to

the

right,

while

turning

it

counter-

clockwise

will

shift

it

to

the

left.

iSync

Play

When

[BPM

SYNC]

is

pressed,

the

panning

speed

is

syn-

chronized

to

the

beat

selected

with

the

[SYNC

TYPE]

button.

5.Select

the

SYNC

TYPE;

the

LED

begins

blinking

(standby

mode).

6.When

you

press

[BPM

SYNC],

synchronization

starts.

The

SYNC

TYPE

LED

stays

lit,

and

the

BMP

indicator

flashes

in

time

with

the

beat.

You

can

change

the

beat

with

the

[SYNC

TYPE]

button

even

after

starting

to

play.

The

DSP

Effects

Section:

Parameter

Chart

SLICER

Pattern

Chart

PARAMETER

CHART

RATE

/CUTOFF

O

=

OG

=

aly

=

BPM

What's

EFFECTS

SYNC

synchronized?

RATE/CUTOFF

PITCH/DEPTH

FORMANT/RESO

ie)

6)

FORMANT/

PITCH/DEPTH

RESONANCE

TIMING

PATTERN

RATE

/CUTOFF

MIN

MAX

RATE/CUTOFF

ACCENT

PATTERN

FORMANT/RESO

FORMANT/

RESONANCE

LEVEL

17

About

BPM

Control

The

BPM

controls,

which

consist

of:

"BPM

settings”

and

"Synchronizing

MIDI

devices

with

BPM"

allow

you

to

synchronize

the

internal

DSP

effects

and

connected

MIDI

devices

with

signals

of

Record

or

CD

players.

MIDI

devices

f

@

The

blinking

dot

under

the

numbers

in

the

BPM

dis-

play

lets

you

check

the

beat

at

a

glance.

@

Although

any

increments

less

than

a

single

beat

are

not

shown

in

the

display,

values

to

a

single

place

to

the

right

of

the

decimal

point

are

still

recorded

and

played.

*

BPM

stands

for

"beats

per

minute,"

and

represents

the

number

of

quarter

notes

played

in

one

minute.

*

The

default

BPM

value

is

set

to

120.0

when

the

power

is

turned

on.

*

The

BPM

value

can

be

set

in

a

range

from

40.0

to

240.0.

(90.0

to

180.0

with

automatic

measurement).

BPM

Settings

You

can

set

the

BPM

in

the

following

three

ways.

1.

TAP

Button

(Setting

the

BPM

in

BPM

Real

Time)

Using

quarter

notes

as

the

reference

beat,

when

you

tap

the

TAP

button

four

times,

the

BPM

is

figured

automati-

cally,

and

that

value

shows

up

in

the

BPM

display

(the

three

dots

below

the

numbers

also

turn

on).

BPM

ADJ

BPM

ie

PL

PUB

ri

LI

ae

ee

oe

ee

od

oe

A

TY

2.

BPM

Adjust

Button

(Manually

Changing

the

Current

BPM)

When

you

know

the

preset

BPM

value,

you

can

also

change

the

current

BPM

manually.

By

pressing

the

BPM

ADJ

[A][¥]

buttons,

you

can

change

the

BPM

in

one-beat

units.

1

4

mn

BPM

ADJ

BPM

COUNT

nse

=

TS

18

When

you

do

this

while

holding

down

[SHIFT

key

(TAP

button)],

you

can

change

the

BPM

in

units

of

one-tenth

of

a

beat

per

minute.

When

you

do

this,

the

first

digit

on

the

left

shifts,

indicating

the

number

to

the

right

of

the

decimal

point.

ex.

BPM

=

120.1

3.

BPM

COUNT

(Automatic

Measurement)

The

BPM

of

connected

equipment

(record

players,

CD

players,

etc.)

can

be

measured

automatically,

within

the

range

between

90.0

and

180.0

beats

per

minute.

*

When

you

use

the

automatic

measurement,

adjust

the

input

sensitivity

of

the

signal

you

are

trying

to

measure

with

the

GAIN

knob

for

the

channel

containing

the

sig-

nal

until

the

BEAT

indicator

is

flashing

in

time

with

the

beat,

then

try

the

automatic

measurement

again.

1.Press

both

BPM

buttons

at

the

same

time.

The

BPM

of

the

signal

chosen

with

CHANNEL

SELECT

is

measured.

While

it

is

being

measured,

"---"

is

shown

in

the

display.

2.The

BPM

then

appears

in

the

display.

*

Automatic

measurement

can

determine

BPM

from

90.0

to

180.0.

*

When

the

input

sensitivity

of

the

channel

to

be

mea-

sured

is

not

appropriate,

the

display

will

respond

as

follows:

Try

the

automatic

measurement

again

after

adjusting

the

sensitivity

with

the

GAIN

and

EQ's

LOW

knobs.

*

You

may

not

be

able

to

measure

some

signals.

The

input

level

is

too

high.

The

input

level

is

too

low.

Now

being

measured.

Roland DJ-2000 User manual

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