TR-808 JUN. 15,1981
Snare Drum
This sound generator has two bridged T-networks for fundamental
waveforms and harmonic waveforms. The output ratio of the two can
be changed by VR8 to tailor sound characteristic. The amplitude of
snappy envelope can be controlled by VR9.
LT/LC (MT/MC, HT/HC)
These three sound generators are composed of the circuits based on
the same principle. LT/LC is described below as an example.
This sound generator is composed of amulti-feedback, bridged T-
network including IC5 as an active element. Voices are switched by
SW8 (C77 —frequency, R224 —level). While the oscillation is large
in amplitude immediately after triggering, it is on ahigher frequency
due to conductions of D80 and D81, which reduce time constant of
the filter. As the resonance is damped, its frequency is lowered by
the effect of increasing diodes' internal resistance. Timbre variations
corresponding to time elapse will appreciably be heard as in the case
of Bass Drum.
Pink noise with aslightly longer decay time is mixed for Low Tom
Tom to provide artificial reveberation.
RS/CL
CL Output from multifeedback bridged T-network incorporated
with IC20 is routed to IC19. Output from IC21 (for RS), also routed
via R320, can be ignored because of its minimized level due to im-
pedance imbalance at pin 7of IC20b.
RS Disconnected R313 makes IC20b just as a buffer for CI20a
output. The output of IC20b is applied to 062 together with the
output of IC21. The envelope applied to 062 is formed by R107
and C24. As described in the beginning of this section, VCA of this
type is intended to provide many high harmonics in the output
signals.
Normally-conducting 074 remains off only while trigger pulse is
transferred from 061 to allow IC19 to pass signals. This switching
is provided to eliminate noise leaking from IC20, especially for
CL —relatively large amount, being wired for high O.
CP/MA
White noise passed through the band pass filter (IC21) is applied
to two VCAs in parallel to have different envelopes. These envelopes
are combined tp obtain sound source for the CP sound generator.
Since an envelope with arelatively long decay time is applied to the
VCA Q70, output from this VCA constitutes reverberation of CP
sound.
The output envelope at the VCA (IC22, Q71 and Q72) is aunique
sawtooth shape, and is amain component of this sound generator.
The sawtooth envelope generator circuit is mainly described below
to explain its rather complicated operation. When trigger pulses are
applied to pin 8of the quad comparator IC23, the output is inte-
grated by R350 and Cl 40, and converted into pulses of 30ms wide
as shown in Fig. 13-2. At the falling edge of the pulse, pin 13 of
IC23 becomes H(Fig. 13-3). The output from pin 1of IC23 is also
applied to pin 4of IC23, pin 2of IC23 becomes from —15V to OV,
IC23 OV
pin 14(7)
-15V
OV
IC23
pin l(lO)
IC23
pin 13
0144
-15V
-15V
OV
-15V
IC23
pin 2
OV n5
-15V -j
IC23
pin 5
IC22 pin 87
FIGURE 13 HAND CLAP GENERATING CYCLE
Q73 turns on, pin 5of IC23 becomes —15V, pin 2of IC23 returns
to —15V, and Q73 returns to off state. Accordingly, the output
waveform at pin 2of IC23 becomes narrow pulses as shown in Fig.
13-5,
The moment Q73 is turned on, C144 is abruptly charged to —15V.
However, immediately after charging, Q73 turns off and the charges
are discharged through R365 and D71. When the level of pin 5of
IC23 becomes higher than the level of pin 4due to discharging, pin
2of IC23 reverses again and C144 is recharged to —15V. After this
process is repeated and advanced to the middle of the third time,
pin 1of IC23 rises to OV. This signal is differenciated by R357 and
C141, and the generated pulse turns on Q73. At this time, although
the terminal voltage of C144 rises gradually from —15V due to
discharging, pin 2does not reverse since pin 4of IC23 has reached OV.
The output (Fig. 13-4) of this envelope generator is applied to the
base of Q72 and converted exponentially by Q72 together with the
signals applied to the base of Q71 (offset adj. signal from TM3 and
accent signal via D68, C143 and R362. The converted signal is applied
from the collector of Q72 to pin 1of IC22 to change the amplitude
of noise from the filter IC21.
Note: IC23 (AN6912) is constructed with open collector NPN transis-
tors for output and operates on single (negative) power only.
MA White noise is gated by Q65 and supplied to the same buffer
IC19 as for the CP sound generator through the filter Q68. Envelope
for MA sound generator is generated by Q66 and Q67.
CB
This sound generator uses the outputs of two square waveform
oscillators with different frequencies (by Schmitt triggers). Each
oscillation output passes the corresponding exclusive gate (VCA,
Q14, Q15) and mixed by the filter IC2.
Aseries of R82 and C34 connected in parallel with C9 forms an
envelope having abrupt level decay at the initial trailing edge to
emphasize attack effect.
CY
The combined square wave outputs of six Schumitt triggers including
two for CB generator is separated into high and low range components
by two filters composed of IC3. The high range component from pin
7of IC3 is further separated into two frequency ranges. The output
of the gate Q16 has the highest frequency component of this sound
generator. Its decay time is short. The output of Q17 is in afrequency
range slightly lower than the above output, and its decay time is
controllable.
These three signals with different frequency ranges are outputted
with their level ratio controlled by VR4.
OH
The high frequency range component signal obtained by the above
1/2 IC3 is gated by Q27 and supplied to the buffer IC7 through the
filter Q26. When the CLOSED HI-HAT (CH) is triggered while the
OH circuit is activated, 023 turns on by the voltage applied through
R173. At this moment, the decay time of the OH circuit terminates.
CH
This shares the same sound source with the OH. The signal is gated
by 030 and supplied to the filter 031 and the buffer IC7 (1/2).
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