Solidyne 2600 series User manual

Page 2 Broadcast mixing consoles - 2600 series solidynepro.com

Table of Contents
Chapter 1.........................................................5
1.1 What’s in the box?.................................................5
1.2 Brief description.....................................................5
1.2.1 Input modules.........................................................5
1.2.2 Outputs...................................................................5
1.2. Start devices output................................................6
1.2.4 Cue.........................................................................6
1.2.5 ETM-CPU faders....................................................6
1.2.6 On-Air mics button..................................................6
1.3 xpansions & accessories....................................6
1. .1 VU-meter and stereo phase vector.........................7
1. .2 Timer / Clock...........................................................7
1. . 26 0-VQR module..................................................7
1. .4 AoIP output.............................................................7
1. .5 AES- outputs (AES/EBU)......................................7
1. .6 HD & HD5 monitoring box....................................7
Chapter 2.........................................................8
2.1 About the wiring.....................................................8
2.2 Inputs & Outputs connections..............................9
2.2.1 Power source..........................................................9
2.2.2 MONITOR OUTPUTS.............................................9
2.2. HEADPHONES.......................................................9
2.2.4 TALLY LIGHT.........................................................9
2.2.5 CONNECTING THE PHONE LINES......................9
2.2.6 StudioBox output..................................................11
2.5. .1 Connections................................................................11
2.2.7 INPUT MODULES................................................11
2.2.7.1 Line inputs..................................................................11
2.2.7.2 Microphone inputs......................................................11
2.2.8 The Master Module...............................................11
2.3 Connectors and wiring........................................12
2. .1 General recommendations...................................12
2. .1 Inputs and outputs................................................12
2.3.3 Additional signals on Master 2608..................12
2.3.4 RJ45 to standard connectors..........................13
2. .5.1 USB connection..........................................................1
2. .8 Ground connections recommended for protection
against electric storms...................................................15
2. .9 Schematic Diagram – Recommended connection of
2600 consoles................................................................16
2.4 Customizing the modules...................................17
2.4.1 Configuration mode..............................................17
2.4.2 Customizable features..........................................17
2.4.2.1 48V Phantom power...................................................17
2.4.2.2 Using a mic into the Control Room............................17
2.4.2. CUE mode..................................................................17
2.4.2.4 Link to 'Master Mic' (mic channels only).....................17
2.4.2.5 Auto-On (only for online channels).............................17
2.4.2.6 Remote dimming (PAD).............................................18
2.4. Jumpers on Master Module..................................18
2.4. .1 Hybrid’s priority circuit................................................18
2.4. .2 External control of Master MIC button........................18
2.4.4.1 Jumper’s table for 2610, 2612 y 2601........................18
2.5 Adding modules to console................................19
2.5.1 USB 2602.............................................................19
2.5.2 26 0 VQR module................................................19
2.6 Set the gain of the inputs....................................19
2.7 Models 2600 /IP.....................................................20
2.7.1 STL link.................................................................20
2.7.2 Using a microwave digital link...............................21
2.7. Decoding using a computer..................................21
Chapter 3.......................................................22
3.1 Introduction...........................................................22
3.2 Meter bridge..........................................................22
.2.1 Audio meters.........................................................22
.2.2 Clock / Timer - Set the hour..........................................22
3.3 2608 Master module.............................................23
. .1 Speakers and headphones...................................24
. .2 CUE......................................................................24
. . Master MIC button................................................24
. .4 Talk-back..............................................................24
.4 Telephone Hybrid section........................................25
3.5 2610 Microphone module & 2601 Line module.28
3.6 2612 Microphone Modules..................................29
3.6 Special features of 2602......................................30
.6.1 Operation with Skype............................................ 0
.6.2 Private comunication using VoIP.......................... 0
.6. Jumpers into 2602's connector............................. 0
3.7 HD3 / HD5 monitoring box...................................30
.7.1 About Studio Headphones.................................... 0
.7.2 About Studio Monitors.......................................... 0
.7. About the Intercom............................................... 0
.7.4 About Timer/Clock (only HD5).............................. 0
3.8 2630VQR Hybrid’s processor.............................31
.7.1 Using the VQR...................................................... 1
3.9 Remote control.....................................................32
.9. Virtual Interface (/VI option).................................. 4
.9.4 Advanced settings................................................ 5
Maintenance..................................................36
Chapter 4.......................................................36
4.1 Fuses....................................................................... 6
4.2 On console’s temperature........................................ 7
4. Cleaning................................................................... 7
4.4 Preventive maintenance.......................................... 7
4.5 Parts Replacement.................................................. 7
4.6 Service Manual........................................................ 7
Specs & Measurements................................38
Chapter 5.......................................................38
5.1 General Measurements........................................38
5.1.1 Microphone.................................................................... 8
5.1.2 Line................................................................................ 8
5.1. Aux Input........................................................................ 8
5.1.4 Balanced Outputs.......................................................... 9
5.1.5 Unbalanced Outputs...................................................... 9
5.1.6 Gain............................................................................... 9
5.1.7 Frequency Response.................................................... 9
5.1.8 Phase............................................................................. 9
5.1.9 Stereo Tracking............................................................. 9
5.1.10 Harmonic Distortion (THD).......................................... 9
5.1.11 Equivalent Input Noise................................................ 9
5.1.12 Signal/Noise ratio........................................................40
5.1.1 Crosstalk......................................................................40
5.2 Bock diagrams......................................................41
5.3 Technical specs....................................................44
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Page 4 Broadcast mixing consoles - 2600 series solidynepro.com

Getting started Chapter 1
1.1 What’s in the box?
With the console, you will receive the following
items:
•This user’s manual. (Rev. May 2017)
•1 Interlock power cord.
•Guaranty certificate.
•1 tubular connector for Tally lights.
•1 set of self-adhesive labels for channel identifica-
tion.
•4 self-adhesive rubber supports.
•1 screwdriver for adjustment of gain presets.
•spare parts: 2-TL074; 1-TL072; 1-CD4013; 1-
NE5532; 1 button MEC; 1 button MULTIMEC; 1
slide potentiomete 10K LIN; 1 ota y potentiome-
te 50K LIN
OPTIONALS
•ON-AIR Tally light
•Wiring kit SOL-45
•STUDIO BOX (headphone distributor/amp)
1.2 Brief description
1.2.1 Input modules
All input modules of consoles Solidyne 2600
manage the audio signal electronically, that is to
say, there is not audio signal on the switches.
The faders are ultra-light touch and operate man-
aging the audio indirectly through digital control
amplifiers. All input modules are programmable
from the front avoiding the use of internal
jumpers.
The Solidyne 2600 consoles have a great flexibil-
ity since they are fully modular. This feature al-
lows to reconfigure the console without leaving
the air. Most the input modules are double. Each
module has two fade s of 100mm that manage
two stereo signals, and each channel has two
inputs (Line or Microphone and Aux) commutable
from a button in the front panel. There are differ-
ent modules to manage different signals, that
are:
Microphone modules (2610 and 2612): The
modules 2610 manage two microphone channels
(MIC) and two unbalanced stereo line inputs
(AUX). The 2610 features:
•Pan-pot
•Gain control with 0dB of range (+/- 15dB)
that allows to adjust the input levels for
comfortable operation of the main fader.
•2 bands low/high EQ, Baxandall type, with
+/- 15dB of rage.
The mic module 2612 manages microphone
channels and unbalanced line inputs (AUX). It
have the same features that the 2610 but include
a stage of microphone processor with dynamic
compression and noise gate.
Line modules (2601): Manage 2 balanced
stereo inputs (LIN) and two unbalanced inputs
(AUX). Main and auxiliary gains can be adjusted
using 4 trims located at the front panel, to match
the levels of the different sources.
Digital inputs 2602: Modules 2602 offers direct
connection to the computer via USB. It works
as external sound card, giving to the computer 2
playing devices and 2 recording devices (PGM
and AUD can be recorder directly).
2602 modules also allow operation with Skype or
telephone hybrids. Each 2602 channel internally
generates its own Mix-Minus signal.
1.2.2 Outputs
All outputs are located on the Master 2608. Line
(2601 and 2602) and microphone modules (2610
and 2612) have stereo sends: PGM (program),
AUD (audition) and SEND.
•The PROGRAM output is the main output,
used to send the audio signal to the trans-
mitter.
•AUDITION is used to record or to hear au-
dio in control monitors but not on the air.
•S ND is a stereo bus. It’s used, by exam-
ple, to make a mix of all input channels, ex-
cept the microphones. This mix can be sent
to the studio monitors. This way the speak-
ers will be able to listen a return in the loud-
speakers, without headphones, still on the
air.
•The CU bus allows hearing the signals
with the channel off and fader closed. The
monaural audio hears through an internal
speaker, located at the right of the meters
bridge. CUE can be assigned to the main
monitors of Control Room.
solidynepro.com Broadcast mixing consoles - 2600 series Page 5

1.2.3 Start devices output
This output modules present in the console
(stereo mini-jack located next RJ45) can com-
mand the Audicom computer, digital audio pro-
cessors or any other device with a remote con-
trol. Activation is performed by opening the fader
and press the AIR button on each channel.
1.2.4 Cue
There are several modes for the cueing:
"Solo": In this mode, when a CUE button is
pressed and then another; the second CUE turn
off the first one. If all channels are set in mode
"soloist"; then only one CUE can be on. By
pressing a CUE buton that is on, it will off.
"Mix": CUE works with independence of other
channels. The CUE button turns on or off each
time that is pressed. All channels defined as "Mix
mode" can have the CUE button turned on at the
same time.
"Auto-off": With independence of the modes ex-
plained above, the option Auto-off turn off the
CUE when the channel is send on-air (AIR button
turned ON and fader raised). The CUE can be
turned on once the channel is on-air, but it will
turned off again if the fader is moved.
The CUE behavior is defined in the configuration
of each module; as explains at “2.4.2. - Custom-
izable features".
The level of the CUE speaker is set using a knob
located at the Master Module.
At the section "Control Room", there is a button
called "CUE to Speaker" that allows to send the
CUE signal to the Control Room's main monitors
and headphones.
1.2.5 TM-CPU faders
The 2600 uses a new generation of slide
potentiometers: conductive ceramic with “feathe
touch”. In normal use, offers more than 20 years
of duty. They have a very solid construction, as
the skate slides on two sylver-steel cylindrical
axis with teflon bushings. The fader generates a
DC voltage that controls the module's internal
computer. In a 2600 mixer the audio signal never
passes through a carbon track neither
mechanical switches. For more information
please visit our web site.
Main advantages of this technology are:
•Eliminates noise generated by dirty faders.
•Maintenance free and greater useful life.
•Maintains a perfect stereo tracking (error >
0,1 dB).
•Allows the use of conductive ceramic sliding
potentiometers which offers 2 millions of op-
erations guaranteed.
1.2.6 On-Air mics button
Located above the main fader, this button turn
on/off the channel. The button lights when is on.
The button ON AIR switch the signal electroni-
cally; there in no mechanical contacts. It gives an
operation clicks & plops free, due to 2600's uses
a fast slope fading action instead of the hard
switch that are characteristic on the mechanical
switches.
When an AIR button is pressed, turns on the
tally light (the console gives 12 V DC as tally
signal). Also, a relay mutes the studio moni-
tors.
A Master Microphone button is located on the
2608 Master module. The purpose of this button
is switch on/off all microphones channels at the
same time. Each channel can be linked to Master
Mic button with independence. By default, all mic
channels are linked to the Master Mic button.
1.3 xpansions & accessories
The series 2600 can be customized according to
the requirements of the radio station. The user
decides how many microphone and line modules
will have.
All models feature as an option the kit of wiring
and adapters for connecting the console without
the need to assemble cables.
You can also choose to include other optional
features, which are described below:
2600 XL 2600 XX 2600 XD 2600 XZ
INPUT
CHANNELS
(MIC 2601, 2612;
LIN 2610, 2602)
Up to 16 Up to 26 Up to 16 Up to 28
AES-3 OUTPUT OPTIONAL OPTIONAL OPTIONAL YES
STREAMING
OUTPUT (AoIP) OPTIONAL OPTIONAL YES YES
VC180 YES YES YES YES
Clock-Co nter YES YES YES (LCD) YES
Remote Control
LAN (/VI) OPTIONAL OPTIONAL OPTIONAL OPTIONAL
Page 6 Broadcast mixing consoles - 2600 series solidynepro.com

1.3.1 VU-meter and stereo phase vector
The Stereo Phase Vector allows measuring the
stereo phase relationship and therefore the
grade of stereo sensation achieved. The range is
0 degrees (mono) to 90º (maximum stereo); with
inverted phase indication (180 grades), to pre-
vent to the operator that a connection’s error ex-
ists in the microphones, or among equipment’s
with analogical connections.
The analogical section is gauged in steps of 20
degrees, with quadrant of vectors. This allows
following the quick program variations. By other
hand, the digital section retains for an instant the
maximum value reached by the phase rotation.
A musical program with good stereo sensation
will have averages (analogic) of 40 to 60 de-
grees, with peaks (digital) of 80 degrees. Read-
ings of 0 and 20 almost indicate a monaural sig-
nal. The indication -0 or INVERTED implies the
serious problem of inverted phase. This must be
quickly corrected because the inverted signals
‘disappear’ when they are listen in mono FM re-
ceivers.
1.3.2 Timer / Clock
a) Provides the current time while the micro-
phone channels are turned-off.
b) Shows a count up (minutes: seconds)
when the microphones are on the air.
The timer mode is activated when the mics are
activated using the Master On-Air button. When
you turn off the microphones, the time will be re-
tained on screen by sec and then the display
will return to ‘clock mode’. If you turn on the mi-
crophones again (in this sec window) the timer
will resume.
1.3.3 2630-VQR module
This optional module allows partially restore the
voice quality that has been degraded by tele-
phone transmission. Can be used with the inter-
nal telephone hybrid , or with external hybrids
connected to the console via "External Hybrid"
connector.
The 26 0-VQR module has three 100 mm faders
that allow to the operator adjust the degree of re-
construction applied to the audio; and a LED indi-
cator showing restoration levels. The module
also features and noise gate of variable thresh-
old.
Refer to " .6 Module 26 0 VQR" for the opera-
tion of this module.
1.3.4 AoIP output
The output "AoIP" st eams the p og am mix to an-
othe console Solidyne 2600. This st eaming also
be decoded with any st eaming playe softwa e; o
by using a Solidyne ADA102 decode .
1.3.5 A S-3 outputs (AES/EBU)
Optionally, models XL & XX can have AES- out-
puts for program and audition.
1.3.6 HD3 & HD5 monitoring box
The optional accessories Solidyne HD and HD5
are compact docks that concentrates all connections
needed to the monitoring at the Studio.
The main features are:
Connection for up to 5 headphones in HD5 (
in HD ) with independent level knobs.
Double bus for monitoring from two
sources.
Output for active speakers, with gain control.
Tally-light.
Talk-back into the Studio. Allows to talk with the
operator at the Control Room.
Timer/Clock (only in HD5)
2600 supports up to three HD or two HD5
docks, connected in cascade.
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Setup and connections Chapter 2
2.1 About the wiring
The consoles come with their inputs and outputs
with RJ45 connectors and are wired using multipair
cable shielded CAT-5. With the advent of audio
over IP (AoIP) various manufacturers started using
RJ45 connectors and shielded multipair cable to re-
place the various audio connectors, to standardize
the entire installation with a single type of connec-
tor and a unique type of cable.
Additionally, the use of structured cable for connec-
tion between remote devices facilitates the installa-
tion anywhere in the world, due to availability of
components and assembly tools used in data net-
works. The multipair cable end that connects to the
audio device (microphones, speakers, playback de-
vices) still require standard audio connectors. For
this, the RJ45 cable provides termination sections
with RJ-45 female at one end and connector audio
as needed at the other.
2.1.1 Solidyne SOL45 wiring kit
Solidyne provides (as option) different kits of cables
“SOL45”, designed to make the installation of a
Solidyne 2600 console in a few minutes. This wiring
kits are made using shielded multipair CAT-5.
2.1.1.1 Standard kit
The basic option is "SOL45 / 10" that connects
consoles up to 10 audio channels. Consolas with
more than 10 channels will use the "SOL45/NN" kit
being "NN" the number of audio channels.
Consoles wired with these kits will have the con-
nections detailed below. But if you need to add
more cables, you can do so freely as explained be-
low.
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+8=>6+8+7;1
2.1.1.2 Additional cables
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1. 8(&@8&3#$%&#$%&)B-
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Page 8 Broadcast mixing consoles - 2600 series solidynepro.com

5. 8++#$%&,9/!!1
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2.2 Inputs & Outputs connections
The rear panel contains the connectors for the loud-
speakers monitors, headphones, and telephone
lines with the associate phone sets and the output to
plug the ONAIR light (Tally).
All inputs connectors are located under the rear
panel, using RJ-45 connectors. Remember: good
connections between the console and audio equip-
ment are very important question to guaranty a sure
and free of flaws operation. For that, we recommend
you take the necessary time to carry out the wiring
of the console, with a great care and always using
components of good quality.
A good solution is to acquire the wiring kit Solidyne
SOL45.
Fig. a Rear panel– connectors
2.2.1 Power source
At left, the console's rear panel have the on/off
switch, the main fuse (1 Amp) and the AC connector
(Interlock power-cord, factory provided). The con-
sole can be used with 110/240 VAC 50/60 Hz, with
automatic selection (switching power source).
Fig. b Rear panel– power source
2.2.2 MONITOR OUTPUTS
The outputs "STUDIO" and "CONTROL ROOM" are
of line level, designed to be used with powered
speakers. The connectors are TRS 1/4”. The output
level adjusts from Master module with the knobs
“Sudio” and “Control room” respectively.
2.2.3 H ADPHON S
STUDIO and CONTROL ROOM have independent
outputs, using ¼” jacks connectors. The STUDIO
output allows to connect up to 8 headphones. CON-
TROL ROOM output supports up to 2 headphones.
The headphone outputs have protection against ac-
cidental short circuits.
At the console, the operator has independent level
controls for Studio and Control headphones. We
recommend to install at the Studios the Solidyne
Studio Box (optional): a headphones amplifier/mixer.
This unit is placed on the table and manage up to 5
headphones with independent volume controls. In
addition StudioBox offers talk-back to the control
room.
2.2.4 TALLY LIGHT
The STUDIO LIGHT output gives 12V/0,4A when
one or more microphones are on-air. This allows to
connect up to 5 LED’s lights (12V/60mA).
As alternative, the outputs “Starts Devices” can be
used to manage individuals lights for each micro-
phone. The electric circuit is shown in the general
connections diagram (please see the 2.2.2.4).
FUSE: The o -air light is protected by a i ter al fuse of 1A. If the
fuse blows, you must to remove the rear pa el to replace it. This
fuse is located ear to the tubular tally co ector.
2.2.5 CONN CTING TH PHON LIN S
The Hybrid 2608 manages 2 telephone lines and 1
Bluetooth link for a cell phone.
At the rear panel there are four RJ11 connectors: two
are for telephone lines; two are for connecting the as-
sociated telephone sets (production phones). Once
connected the lines, adjust the rejection factor in or-
der to pair the impedance to the local telephone line
(please refers to . – Master Module 2608).
The lines can be connected directly to the radio sta-
tion's PBX or directly to the public telephone system.
The hybrid inputs have internal filters for RF rejection,
effective in AM, FM and UHF bands. The telephone
lines have internal high tension protection using Metal
Oxide Varistors. But we recommend having addition-
ally a good external protection.
solidynepro.com Broadcast mixing consoles - 2600 series Page 9


I case of damage o the i ter al fuses, it ca be ordered as
spare parts. See Chapter 4
Phone lines protection
The telephone lines m st have protection against
lightning and electrical s rges. Please, see general
protection diagram at the end of this chapter.
2.2.6 PAIR A C LL PHON
Any Bluetooth(c) cell phone can be linked to
Solidyne 2600. The phone can be up to 5 meters
away from the console, but it’s recommended
leave it near to the mixer, but not over the
console.
The procedure to link the mobile phone to the
console is similar to that used for other
Bluetooth(c) devices.
When the cell phone and console are paired, the
cell phone stores the ID of the console. This
operation is performed only once (for each
phone). Once the console and mobile are paired,
the console automatically connects to the cell
phone when the Bluetooth(c) link is enabled on
both devices.
Procedure:
•At the console: Check at the Master Module
that the button BLUETOOTH [21] is off. When
Bluetooth(c) is on, it flash slowly (one flash ev-
ery 2 seconds). In this case, turn off Bluetooth
pressing and holding until the button stops
flashing.
•At the console enable the “discovery” mode.
This mode only can be accessed if Blue-
tooth(c) is turned off. Being the Bluetooth
(c)
off
,
press and hold the button BLUETOOTH
until
the LEDs blinks fast (approx. 10 seconds). It
indicates that Master 2608 is in “Discovery”
mode, to be found by the cell phone.
•At the cell phone: start a search for a Blue-
tooth(c) device. This procedure can vary ac-
cording to the brand and model of cell phone.
Please refers to the owner’s manual.
•When the search ends, look for the 2600’s
Bluetooth(c) device, which will appear as Soli-
dyne BTM641. If the cell phone ask for a
password, enter 0000 and confirm (see the
user’s manual of the cell phone).
•The ID of the Solidyne 2600 is now stored in
the cell phone. The devices are "paired". The
user don’t need to repeat this operation while
using the same phone. BLUETOOTH button
now flash slowly (one flash every 2 seconds),
to indicate "Bluetooth(c) active".
On some phones you need to "connect" the new
device found to stay active. In others, the new
device is enabled after being detected.
2.2.6.1 Re-connect a paired phone
To reconnect to the console a cell phone, proceed
as follow:
•Turn on the Bluetooth(c) on 2600 by pressing
"BLUETOOTH" until the button lights (5 secs
approx). The button will flash slowly in blue.
•Enable the Bluetooth(c) at the cell phone.
When the cell phone notice that the connec-
tion was successfully the cell phone link are
ready. When make or receive a call, the au-
dio is routed to the console.
In some phones the re-connecon is not automac. You
need to "connect" the new device found to stay acve.
2.2.6.2 Set up the level
IMPORTANT: At the cell phone, Bluetooth
volume must be adjusted at maximum level
in order to obtain a good reception and to sure
the best signal to noise ratio.
This adjusng must be done with a real calling using
Bluetooth.
The volume of the phone's speaker is not the same of
Bluetooth device. If you change the phone's level with-
out make a Bluetooth calling you will only be changing
the volume for the phone's speaker not for the Blue-
tooth. To change the level of Bluetooth make a call us-
ing the console (or a hands free headset) and set the
Bluetooth level to the maximum or one step below
the maximun. This se%ng is stored at the cell phone's
memory. If you use another cell phone with the con-
sole you will need to set the Bluetooth level again.
2.2.6.3 Turn off Bluetooth at the console
To turn off, press and hold “BLUETOOTH” until the
button CELL PHONE stop flashing.
2.2.7 xternal Hybrid
The female TRS ¼” labeled “EXT HYBRID” gives
PGM send (tip) and return from Hybrid (ring), to con-
nect an external Hybrid. The PGM send is Mix-minus:
it includes all the signals of the PGM Bus, with excep-
tion of the Retu n f om Hyb id, to avoid a feedback
loop.
The signal that is incoming by the external hybrid’s re-
turn, is routed to the same circuit of control that the
signals of the internal hybrid. Therefore, the "Hybrid
Fader" will behave in the same way that it works with
the telephone lines connected to the console; sending
the signal to the air or to CUE according to the fader
position. When connects an external hybrid, the inter-
Page 10 Broadcast mixing consoles - 2600 series solidynepro.com