Sony SRX-R320P User manual

SRX-R320P
4K Digital Cinema Projector
LMT-300
Media Block
STM-100
Theater Management System

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The Next Generation of
4K Digital Cinema

In 2007, Sony introduced an ultra-high-resolution projection system that incorporates
an SRX-R220 4K SXRD projector and an LMT-200 Media Block, and adopts a unique self-
contained enclosure design. Since its sensational debut, this projection system has rapidly
acquired a huge reputation from a range of exhibitors worldwide due to its advanced
features and functionalities specifically designed for digital cinema applications.
To respond to the evolving demands of digital cinema exhibitors, Sony is proud to
introduce another unique digital cinema projection system.
At the heart of this system are the SRX-R320P 4K SXRD projector and LMT-300 Media Block.
Its secure enclosure design allows the LMT-300 server to be seamlessly integrated into the
chassis of the SRX-R320P projector, providing a high level of security that meets the anti-
tamper regulation stipulated by the Digital Cinema Initiatives, LLC (DCI).
The SRX-R320P projector is equipped with three Silicon X-tal Reflective Display (SXRD™)
devices, delivering an amazing resolution of 4096 x 2160 pixels (H x V) – more than four
times the resolution of full HDTV (1920 x 1080), achieving a high contrast ratio of 2000:1.
Thanks to selectable 4.2 kW, 3.0 kW, and 2.0 kW Xenon projector lamps and various
optional lenses, the SRX-R320P allows for screen coverage of up to 22 meters (70 feet)* –
providing a SMPTE-standard brightness level of 14 ft-L* on a wide screen.
The LMT-300 Media Block is a digital cinema server that incorporates hard disk drives
(HDDs) with a large storage capacity of approximately 1.7 TB and adopts a reliable RAID
(Redundant Array of Inexpensive Disks) system. It can play back DCI DCP (Digital Cinema
Package) files and allows the SRX-R320P projector to show digital cinema programs.
Another unique feature of the LMT-300 is its Screen Management System function, which
is equipped as standard and can provide a variety of screen-management operations
such as show scheduling, communication with other theater control systems like lighting
and curtains, and setup and maintenance of the projector.
Moreover, this projection system offers the optional STM-100 Theater Management System
software that allows theater staff to efficiently manage multiple auditoriums from a central
PC connected to the theater LAN.
With extremely high resolution,
outstanding security, and
operational versatility, Sony’s digital
cinema projection system based
on the SRX-R320P 4K projector is a
perfect choice for digital cinema
applications.
*14 ft-L is achieved on a 70-foot (22-meter)
screen, when projecting CinemaScope®
images by using the USHIO DXL-40SRXPRO
4.2 kW Xenon lamp and the LKRL-A001
Anamorphic Lens with Lens Changer Unit.
The brightness level can be measured at
the screen center with 100 IRE white and
a screen gain of 1.8, when projecting the
images through the projection booth window
(portglass) with a transmittance of 93%.
A ft-L (foot-lambert) is a unit of measurement
for luminance. One foot-lambert equals
3.4262591 candelas per square meter.
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Astonishing “4K” Visuals Powered by
Sony’s Advanced Screen and Theater
Management System
The Next Generation of
4K Digital Cinema
SRX-R320P with optional LKRA-003 Touch Panel Monitor attached

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System Advantages/Features
4K Resolution
Historically, the movie theater experience has always
exceeded that achieved by home entertainment systems.
The advent of HDTV (1920 horizontal pixels) and technical
improvements in home theater equipment have stimulated
the movie industry to think further ahead into the future.
Meanwhile, the Hollywood movie studios have jointly
agreed on standardizing 4K (4096 horizontal pixels) and
2K (2048 horizontal pixels) as the next-generation digital
movie distribution and projection standards. Creating
movies in 4K protects the future value of the content, and
also provides a significant benefit to the theater audience.
In recent years, stadium-type seating is becoming
increasingly popular among modern cinema complexes.
By sitting closer to the screen, the audience can enjoy
a more immersive visual experience. However, those
sitting in the front rows may witness pixel artifacts when
the resolution provided by the projection system is not
sufficient to fill the screen size. The SRX-R320P provides true
4K output, which reproduces the full detail of 4K content
thanks to the 4K SXRD panels, 4K internal signal processing,
and 4K-compatible optical system. Besides, since the
SRX-R320P provides four times the resolution of 2K
projectors, the visual quality of 2K and HD content is
also improved over those provided by native 2K and
HD-resolution projectors.
Cineplex
(Stadium seating)
Screen
Traditional theater
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System Advantages/Features
High 2000:1 Contrast Ratio
The SRX-R320P offers a high contrast ratio of more than
2000:1 through the use of Sony’s unique SXRD device. The
SXRD device itself achieves a contrast ratio of over 4000:1.
This stunning picture quality makes the SRX-R320P ideal for
applications in which dynamic range is essential.
The high contrast ratio has been achieved through two key
technologies – the ‘normally black mode’ system and an
extremely thin liquid crystal cell gap.
Xenon Lamp Provides Highly
Bright and Pure Light Source
The SRX-R320P provides a high brightness of 14 ft-L* on a
wide screen using a Xenon lamp at full brightness. This
high brightness can be achieved for a 65-foot (20-meter)
wide screen when the SRX-R320P projects a full pixel size
(4096 x 2160) image with a 4.2 kW Xenon lamp (USHIO
DXL-40SRXPRO only) and the brightness level is measured
at the screen center with 100 IRE white and a screen gain
of 1.8. This brightness can also be achieved for a 55-foot
(17-meter) or 45-foot (14-meter) wide screen when the
SRX-R320P projects a full pixel size (4096 x 2160) image
with a 3.0 kW or 2.0 kW Xenon lamp, respectively, and the
brightness level is measured at the screen center with 100
IRE white and a screen gain of 1.2.
A Xenon lamp, standard in film projectors, provides pure,
superb color tonal reproduction essential to meeting the
stringent requirements of digital cinema. Xenon lamps,
which are designed for the SRX-R320P and available from
lamp manufacturers, satisfy the wide color range required
for digital cinema by dispersion at a very flat and wide light
spectrum.
* A ft-L (foot-lambert) is a unit of measurement for luminance.
One foot-lambert equals 3.4262591 candelas per square meter.
** By lowering the brightness level of the projector lamp and attaching an
appropriate ND filter to the projector lens, the SRX-R320P can be used for
projection even on small screens. With this brightness adjustment,
the SRX-R320P with a 2.0 kW lamp can be used for a 15-foot (4.5-meter)
wide screen.
Variety of High-quality Lenses
Five optional zoom lenses are available for the SRX-R320P.
All lenses utilize very large image circles that contribute
to minimizing the optical vignetting that typically occurs
on projector lenses, and to obtaining the highest possible
values of MTF (Modulation Transfer Function). With these
features, the optical systems of the SRX-R320P have the
capacity to reproduce resolutions higher than 4K, which is
necessary to project 4K content exactly at 4K resolution. In
addition, these lenses are designed to minimize chromatic
aberrations using Sony’s accumulated technical knowledge.
Variety of Interfaces
The SRX-R320P supports a wide variety of signal formats
including the 12-bit X’Y’Z’signal that is stipulated in the DCI
specification. 10-bit 4:4:4 RGB and 10-bit 4:2:2 YPbPr signal
formats are also supported for playback of other alternative
content.
nTwo channels of SRLV, which are used for connection to
the LMT-300 Media Block (for 4K projection: 4K DCP).
nA DVI (HDCP) interface that accepts DVI (HDCP) signals for
up to 2048 x 1080 at 60 Hz (for 2K projection).
nA dual-link HD-SDI/DC-SDI input* that accepts any of the
following signals:
•ForHDprojection:SMPTE372Mdual-linkHD-SDI(4:4:4),or
SMPTE 292M HD-SDI (4:2:2)
•For2Kprojection:Dual-linkDC-SDI(RGB4:4:4),DC-SDI
(YPbPr 4:2:2), or 12-bit X’Y’Z’ signals (4:4:4)
* To support this input, the optional LKRI-003 board is required.
L K R L- Z 119 LKRL-Z122
Resolution Remarks
1 1024 x 768 at 60 Hz (XGA) VESA
2 1280 x 960 at 60 Hz (SXGA1) VESA
3 1280 x 1024 at 60 Hz (SXGA2) VESA
4 1400 x 1050 at 60 Hz (SXGA+) VESA
5 1600 x 1200 at 60 Hz (UXGA) VESA
6 2048 x 1080 at 60 Hz (DC)
7 1920 x 1080 at 24 Hz (HD)
8 2048 x 1080 at 24 Hz (DC)
9 1920 x 1200 at 59.95 Hz Reduced Blanking (WUXGA) VESA
10 1920 x 1080 at 60 Hz (HD) EIA/CEA-861B
11 2048 x 1080 at 48 Hz (DC)
Available Xenon Lamps
Sony-recommended Xenon lamps for the SRX-R320P are
available from lamp manufacturers such as USHIO, OSRAM,
and PHILIPS. For detailed information on the lamps, please
contact your nearest Sony or lamp manufacturer’s office.
LKRL-Z219LKRL-Z214L K R L- Z 211

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Operational Features
3D Projection Lens Unit
Attaching the 3D projection lens unit* to its lens mount,
the SRX-R320P can deliver crisp 3D images** to screens up
to 50 feet (15 meters)*** in width at 4.5 ft-L brightness.
It allows full 2K resolution for the left and right eyes
simultaneously, resulting in a high-brightness, high-quality
stereoscopic cinema presentation that offers more faithful
reproduction of motion in 3D.
* For detailed information on the 3D projection lens units, please contact
your nearest Sony office.
** To produce 3D images on a screen, 3D filters available from a 3D system
integrator are required. For detailed information on the 3D filters, please
contact your nearest Sony office.
*** Screens up to 50 feet (15 meters) wide are supported, when 3D images are
presented in Side Masking mode. When they are presented in Top-bottom
Masking mode, screens up to 40 feet (12 meters) wide are supported.
For detailed information on supported screen sizes, please contact your
nearest Sony office.
Anamorphic Lens
When projecting digital cinema content created in the
CinemaScope format (4096 x 1716 pixels), the SRX-R320P
cannot use all of the 4096 x 2160 pixels available for the
4K SXRD device. To improve this inefficiency, the optional
LKRL-A001 Anamorphic Lens with Lens Changer Unit * was
developed. When CinemaScope images (4096 x 1716 pixels)
are input, the SRX-R320P extends them in a longitudinal
direction via the projector’s image-processing function,
which effectively uses all the pixels of the SXRD device. The
LKRL-A001 attached** in front of the projector’s lens extends
the images in a transverse direction, so that the aspect ratio
of the images projected on a screen can be restored to its
original 2.39:1. This can increase the brightness level of the
images on the screen by approximately 20%, allowing for the
projector to provide a high brightness of 14 ft-L on screens up
to 70 feet (22 meters) wide***.
The LKRL-A001 includes a lens-changer function that can
set the anamorphic lens not to be in use manually. This
function allows for the SRX-R320P to accept digital cinema
content created in the Flat format (3996 x 2160 pixels),
without dismounting the LKRL-A001 unit from the projector.
* The LKRL-A001 supports the LKRL-Z214, LKRL-Z219, LKRL-Z117, and LKRL-Z119
optional lenses. (The LKRL-Z211 is not supported.)
** To attach the LKRL-A001 to the projector, lens support stays are required.
For detailed information, please contact your nearest Sony office.
***The brightness level may vary depending on portglass and screen conditions.
CinemaScope Image on Screen
(
aspect ratio of 2.39 :1
)
4K SXRD Device
Digital Cinema Content
in CinemaScope Format
4096 Pixels 4096 Pixels
1716 Pixels
2160 Pixels
SRX-R320P Projector
LKRL-A001
SRX-R320P with 3D projection lens unit attached
SRX-R320P with LKRL-A001 attached;
Anamorphic lens not in use

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Anamorphic Mode Function
The SRX-R320P allows squeezed images (16:9 or 1.896:1) to
be changed to 2.39:1 un-squeezed images. This can be
done electrically without an anamorphic lens.
Color Space Conversion (CSC)
Function
The SRX-R320P features a Color Space Conversion (CSC)
function, which helps users easily adjust the projector’s
color space to that which is defined in the DCDM (Minimum
D-Cinema Color Gamut) or ITU-R BT.709. The target color
gamut parameters required to meet the DCDM or ITU-R
BT.709 standards can also be applied to the projector
with this function. The internal test generator simplifies
adjustment and lets the operator align the projector in
minutes.
Gamma Curve Selection
The SRX-R320P provides three preset gamma curve values.
Users can select an optimum value from 1.8, 2.2, and 2.6
according to the desired color tone.
Lens Shift Function
The SRX-R320P is equipped with a lens shift function that
allows projected images to be moved up and down or
from side to side. This lens shift function can be operated
manually via the finger screws incorporated on the
projector’s unit. Using this function, the position of the
projected images can be moved vertically by -50% to +50%
and horizontally by -5% to +5%.
Keystone Masking
To compensate for keystone distortion, which typically
occurs when the projector is not installed directly in front of
the screen, the SRX-R320P has an image-masking function.
To determine the best position for the masking, this function
allows users to set further two points in addition to the four
corner points, which is particularly useful when projecting
onto a curved screen.
Zoom/Focus Memory Function
The SRX-R320P is equipped with zoom and focus memory
functions that make it easy to switch the projection
between two types of aspect ratios.
When used with an optional zoom lens – such as the
LKRL-Z211, LKRL-Z214, LKRL-Z219, LKRL-Z119, or LKRL-Z122 – the
zoom and focus positions for the 1.85:1 screen format
and 2.39:1 CinemaScope can be stored in the projector’s
memory and then instantly recalled from there. This allows
for full-screen display regardless of the aspect ratio. An
electronic vertical alignment feature is included in the
same memory to compensate for vertical changes in the
image, should the projector be mounted at a downwards
angle.
Select four corner positions to mask the area outside the perimeter.
Masked area
For curved screens, select two positions at the apex of the curve,
one at the top and one at the bottom of the screen.

Easy Maintenance of Luminance
Level
During long periods of usage, users commonly have to
adjust the luminance level of their projector, as Xenon
lamps typically get darker over time. The SRX-R320P has a
convenient function to help users know when to make such
adjustments. It allows users to set a standard luminance
level, and displays an alert message on the LCD screen of
the projector when the value changes from the standard
level. With this feature, proper and timely maintenance of
the luminance level can be performed.
Automatic Lamp Power
Calibration Function
When switching the aspect ratio of projection from
CinemaScope to VistaVision and vice versa, the luminance
levels happen to change. To maintain a constant
luminance level even after making these changes, the
SRX-R320P can automatically calibrate the luminance level
by controlling the lamp output power.
Air-flow Sensor for Reliable Cooling
The SRX-R320P has a chimney on top of the unit that expels
warm air, thereby keeping the projector unit cool. The
chimney has an air-flow sensor that measures the amount
of discharged air. When the projector is powered on from
Standby mode, the air-flow sensor operates automatically.
If the value does not reach a normal level, an alert
message is displayed on the projector’s LCD screen.
Thanks to this function, the operator can immediately
take proactive maintenance action, allowing for reliable
projector cooling.
Power Supply and Control of
External Ventilation Fan
To efficiently discharge warm air from the unit, the chimney
of the SRX-R320P projector must be connected to an
exhaust duct with a ventilation fan. For optimum reliability
and effectiveness, the projector supports an Interlock
interface, which enables the SRX-R320P to operate this
external ventilation fan. The projector can supply power to
the fan and control its operation – the fan works when the
projector is in Lamp ON mode or Standby ON mode.
Key Lock System
The SRX-R320P is designed to be highly secure. It does
not have screw holes, and requires physical keys to open
the enclosure. This body structure meets the anti-tamper
requirement of the DCI. Even if the enclosure is opened
with the physical keys, anti-tamper sensors will trigger the
LMT-300 Media Block to immediately start recording logs for
further safety. In this case, the projector also deletes Key
Delivery Messages (KDM) automatically, so that DCP files
cannot be played back.
SRX Controller Software
The SRX Controller software* is a convenient tool for system
integrators to set up and maintain the SRX-R320P. This runs
on a PC** connected to the projector via the RS-232C
interface, and features intuitive GUIs that enable easy
setup and adjustment of the projector. A comprehensive
range of setup parameters including input configurations,
colorimetry controls, installation adjustments, and
maintenance settings can be controlled via this software.
For example, it allows operators to easily verify a lamp’s
operating time. Plus, the versatile projector functions
such as Squeeze Mode, Color Space Conversion (CSC),
and Zoom/Focus Memory can also be controlled via this
software.
* For detailed information on availability of the SRX Controller software, please
contact your nearest Sony office.
** System requirements for the SRX Controller software: Microsoft®Windows®XP
Professional. Supported OS languages are English and Japanese only.
8
Maintenance and Security Features

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In addition to its extreme resolution and high contrast,
the SXRD device used in the SRX-R320P projector
has the following remarkable
technological features:
‘Normally Black Mode’ System
In every type of projection system, displaying absolute
black is a major issue – as this helps to achieve a high
contrast ratio. In other words, the contrast ratio of a
projector depends on how effectively the light from the
source can be blocked, so it does not leak through the
display device.
All Liquid Crystal Display (LCD) devices control the amount
of light to be projected by applying an electric field to
the liquid crystal gap. In typical LCD devices, black is
produced when an electric field is applied across the liquid
crystal cell gap. However, molecules near the surface of
the glass substrate may not be accurately controlled due
to the influence of the alignment film. This is not an issue
for bright images but, when displaying dark images, light
may tend to leak from the LCD device, since the molecules
near the surface are less accurately controlled. This results
in a creamy black instead of a deep black.
The SXRD device does not exhibit these characteristics.
This is because the ‘normally black mode’ system displays
black when the electric field is not applied and, because
all molecules are in the correct alignment, the polarized
light alignment is also optimized. The direct result is a far
deeper black level, leading to a high contrast ratio.
Thin Liquid Crystal Cell Gap
Another important factor allowing for the high contrast
of the SRX-R320P is the SXRD device’s ultra-thin cell gap
of less than 2 micrometers. With conventional ‘vertically
aligned liquid crystal’ systems, a thin cell gap could not be
achieved. Sony has overcome this difficulty through the
use of innovative planarization technology in the silicon
backplane structure and an advanced silicon wafer-based
assembly process.
The SXRD device also adopts a structure that does not
use ’spacers’. These are columns found in conventional
reflective liquid crystal devices to maintain a constant gap
between the liquid cell floor and the top of the device.
Spacers tend to both scatter and reflect light, which can
impair high-contrast pictures. In the spacer-less SXRD
device, these artifacts are no longer seen.
Short Response Time
The thin cell gap structure in SXRD devices also contributes
to an ultra-fast response time of 2.5 milliseconds (for both
rise and fall). The SXRD device reacts promptly to an
instantaneous change of picture content, enabling SXRD-
based projectors to display smooth motion. Consequently,
the SRX-R320P virtually eliminates motion blur; a particularly
significant benefit when presenting content that includes
fast-moving objects.
Reliable Display Device
The SRX-R320P uses bright and highly powerful lamps. As
a result, special attention has been paid to the reliability
of the SXRD device. The inorganic materials utilized for
the alignment layer of the SXRD device are resistant to
deterioration or deformities that could occur due to the
intense heat and light generated by the powerful lamp
system.
12-bit SXRD Driver
The SRX-R320P utilizes a 12-bit display panel driver for
reproducing extremely natural images.
High-Density Pixel Pitch 8.5 µm
Thin Cell Gap (2.0 µm) Spacer-less
Light
Inorganic
Alignment Layer
Liquid Crystal
Glass Substrate
Silicon Backplane
Narrow Inter-Pixel
Spacing (0.35 µm)
Aluminium Pad
•Highfill factor
•Highreflectivity
•Highreliability
•Short response time < 2.5 ms (for both rise and fall)
•HighDevice Contrast ratio 4000 : 1
•4xFull-HDTV(4096Hx2160V pixels)
SXRD Cross-Section Diagram
SXRD Technologies

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Auditorium B
Auditorium A
Auditorium C
Firewall
Theater LAN
TMS Server
with STM-100
TMS Controller
with STM-100
/SMS Controller
with SNS-C software*
Center
Storage
Sound Processor
Automation System
SRX-R320P
LMT-300
Light Controller
Curtain Controller
Secured Contents
from Distributors
GPIO
USB2.0
Pedestal
UPS
HDD, etc
HDD, etc
AES/EBU
Digital Audio
* For detailed information on availability of the SMS-C software, please contact your nearest Sony office.
DCP
DCP
Control
LKRA-003
Touch Panel
Monitor
(Projectionist
Terminal)
Large Storage Capacity and
Reliable RAID System
The LMT-300 incorporates HDDs with a large storage
capacity of approximately 1.7 TB. It employs a RAID
(Redundant Array of Inexpensive Disks) system that allows
for highly reliable digital cinema presentation.
Decryption and Unwrapping of
DCP Files
The LMT-300 can decrypt DCP files that have been encrypted
using the AES (Advanced Encryption Standard FIPS 197). It
can also unwrap individual picture, audio, and subtitle data
files for processing that are encoded within the MXF file.
Picture and Subtitle
The LMT-300 can decode JPEG 2000 picture data in real time
for playback, regardless of whether the file was encoded at
2K or 4K resolution. Subtitles in Timed-Text/XML or PNG/XML
format can be overlaid onto picture data before it is sent to
the projector.
Audio
The LMT-300 transcodes audio DCP files into AES/EBU digital
audio signals, and then outputs them from two audio output
connectors (D-sub 25-pin) to external audio processors such
as Dolby®sound processors. The audio output 1 and audio
output 2 can support up to 8 and 16 channels, respectively.
The timing of the audio output can be adjusted for
complete synchronization with the picture, and any channel
can be routed to any output to simplify installation.
Log Creation
The LMT-300 can generate logs to record certain
information – such as the number of times a movie has
been played – which is a DCI requirement for secure
content control.
Ingest of DCP Files During Playback
DCP files can be ingested to the LMT-300, even while
playing a movie.
The LMT-300 Media Block is a digital cinema server with a large storage capacity and high reliability. It can
be seamlessly integrated into the chassis of the SRX-R320P projector, allowing for a highly secure digital
cinema projection system. The LMT-300 can handle DCI DCP (Digital Cinema Package) files that consist
of picture, audio, and subtitle data files, and that are wrapped into an MXF (Material eXchange Format)
file. It can play back the DCP file by using advanced processing
to decrypt and decode the picture data, and then send it to the
projector over a secure multi-pin connection system.
Moreover, the LMT-300 incorporates the Screen Management System
(SMS) function, which lets operators manage all of the devices
necessary for digital cinema presentation from one location.
Digital Cinema Server – LMT-300 Media Block
System Configuration Example

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Screen Management System
As standard, the LMT-300 incorporates the Screen
Management System (SMS). Thanks to this SMS function,
the operator can perform a variety of functions required
for digital cinema presentation via the touch-panel screen
of a projectionist terminal attached to the projector. This
SMS function can also be operated remotely from a PC*
connected to the theater network. In addition, the SMS
can be seamlessly integrated with other theater systems
that have the optional STM-100 Theater Management
System software installed, as well as third-party auditorium
automation systems.
The SMS of the LMT-300 satisfies the requirements of the
DCI specifications version 1.2 for screen management and
security.
*To support the SMS controller functions, the SMS controller software must
be installed on the PC. For detailed information on its availability, please
contact your nearest Sony office.
Screen Management Functions Operated
by a Projectionist Terminal:
•DCPingest/registrationandDCPmanagement
•KeyDeliveryMessage(KDM)registrationandkey
management
•ShowPlayList(SPL)creationandmanagement
•Showscheduleviewing
•Playbackcontrol
•ExecutionofSPLs
•Deviceconfiguration
•Devicemonitoring
•Statusmonitoring:collectstatusinformationfrom
the projector and Media Block; report status at
pre-configured intervals
•MonitoringofcavitysecuritystatusfromMediaBlock
•Automationsysteminterface
•ProjectorPowerOn/Standbycontrol
•LampPowerOn/Offcontrol
•Adjustmentoflamppowervalues
•Adjustmentofthelambbulb’sz-axis
•Lampserialcodeinputfunctionwheninstallinganew
lamp bulb
•Adjustmentofaregistrationgap
•Displayoffilterinformationandresettimer
•InitializationofCavitySecuritySystem(CSS)
•Contentinformationdisplay:title,aspectratio,
and KDM validity
Setup and Maintenance Functions by an SMS
Control PC:
•Auditoriumsetup
•Logretrieval:includinglogfilteringandsecondarylog
distribution
•Interface(XML/HTTPS)toexternalTheaterManagement
System (TMS)
•Automationsysteminterface
•Securityfunctions
Enclosure Status Light Management Functions:
•Monitorsandaggregatesstatusofallsystem
components
•Sendsaggregatedstatusinformationtothestatuslightof
the enclosure
Menu window of optional LKRA-003 Touch Panel Monitor
(projectionist terminal)

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The STM-100 Theater Management System (TMS) is one
of the key digital cinema software applications that can
provide efficient centralized management of theater
operations – including schedule management, content
data management, and status monitoring – allowing
cinema complexes to streamline routine theater operations.
The STM-100 provides the following range of functions:
Centralized Monitoring of Auditoriums
Functions:
•Monitoringofauditoriumandprojectorstatus
•Emergencyoperationofshow(Stop,Pause,Resume,
Resume with latency time)
•Displayofauditoriumdetails(Projectorstatus,DCPingest
schedule, Show details, Error/Warning)
•Indicationofstatusinformationsuchasfatalerror/warning
and creation/exporting of error logs
Schedule Management Functions:
•Dailyandweeklyscheduleviewwithzoomfunction
•ImportofscheduledatafromPOS/Ticketsystem
•AutomaticupdateoflatestschedulefromPOS/Ticket
system
•AutomaticallocationofShowPlayList(SPL)withPOS
schedule update
•Easyschedulecreationbydrag-and-dropoperation
•AutomaticcreationofTo-doListwithpriority(unassigned
SPL, lack of DCP/KDM, etc) for schedule making
Theater Management System – STM-100
Creation of SPL Functions:
•SPLcreationandmanagement
•CompositionPlayList(CPL)groupingfunctionstocombine
multiple compositions (content programs such as trailers)
•CustomizedSPLtemplatewithCue(outputtrigger)
•BlanktimeinsertionintoSPL
•Automaticallyadjustablecuesetting
•ManualtransferofSPLtoauditoriumfortestscreening
•Contentsearch/sortfunctionwithmultipleparameters
such as title and content group
•Flexiblecontrolofscheduled/manualplayout
DCP/KDM Management Functions:
•CentralizedDCP/KDMmanagementandstatusmonitoring
•DisplayofhierarchicalDCP/KDMlistwithautomaticlinkage
•DisplayofurgentlevelfornecessaryDCP/KDMingestionto
local storage
•KDMvaliditystatusindication
•Displayofcapacityofcentralstorageandlocalstorage
•AutomaticandmanualingestofDCP/KDMtoauditorium
•AutomaticandmanualdeletionofDCP/KDM
•Contenttransferbetweenmultiplesourcesincludinglibrary
servers and local servers
•Managementofmultiplelibraryserverswithintheater
network
Other Valuable Features
•Interfacewithpeopledirectorysystems
•InterfacewithexternalsystemviaGPIO
•Managementofthird-party’sserversunderasingleTMS
Menu windows of STM-100

13
17 1/2 (443)
19 (482)
18 3/8 (465)
17 1/2 (443)
1 1/4 (30.5)21 5/8 (547.3)
22 7/8 (580)
5 1/4 (131) 5 1/4 (131)
3 5/8 (89)
27/32 (21)
22 7/8 (580)
6 1/8 (154)
3/4 (19)
24 (609)
27 5/8 (699)
8 3/8 (212) (barycentric position)
2 5/8 (64)
17 1/2 (442)
25 1/4 (640)
29 1/4 (740)
(barycentric position)
28 5/8 (726) 3 1/2 (88)
49 1/4 (1250)
6 7/8 (174)
1 1/4 (31)
Area necessary for
cooling of LMT-300
9 1/2 (241)
8 3/4 (222) 23 1/4 (590)
27 5/8 (699)
3/4 (19)
(barycentric position)
11/32 (8)
ø7 7/8 (198)
(barycentric position) (for LKRL-Z214)
Dimensions
Unit: inches (mm)
SRX-R320P
LMT-300

14
Specifications of SRX-R320P
SXRD Device Main Specifications
Display device SXRD (Silicon X-tal Reflective Display)
Size 1.55-inch (diagonal)
Resolution 4096 (H) X 2160 (V) Pixels
Reflectivity 77%
Contrast More than 4000:1
Pixel pitch 8.5 µm
Width (between pixels) 0.35 µm
Response speed 2.5 ms (for both rise and fall)
Liquid crystal mode Normally Black Mode
Alignment layer Inorganic Thin Film
Backplane process 0.35 µm MOS Process
Liquid crystal cell gap Less than 2 µm
Optical
Projection system 3-SXRD panel, prism color integrated system
Imaging device SXRD, 1.55-inch (diagonal),
4096 (H) x 2160 (V) pixels on each chip
Lamp 4.2 kW Xenon lamp (x1) or 3.0 kW Xenon lamp (x1) or
2.0 kW Xenon lamp (x1)
Screen coverage 15-foot (4.5-meter) to 70-foot (22-meter) screen width
(approx.) on Scope size (USHIO DXL-40SRXPRO 4.2 kW lamp and
LKRL-A001 anamorphic lens)
15-foot (4.5-meter) to 55-foot (17-meter) screen width
on Scope size (3.0 kW lamp)
15-foot (4.5-meter) to 45-foot (14-meter) screen width
on Scope size (2.0 kW lamp)
Light output 21000 lumens (center)
(Average) (USHIO DXL-40SRXPRO 4.2 kW lamp)
General
Colorimetry Xenon color primaries
Encoding primaries X Y
R 0.6800 0.3200
G 0.2650 0.6900
B 0.1500 0.0600
White reference Xenon white reference
X Y
White reference 0.3140 0.3510
Contrast Over 2000:1
Input signal Media Block input (x2): 4096 x 2160 pixels
HD-SDI/Dual-link HD-SDI*: 1920 x 1080 pixels
(SMPTE-372M/SMPTE-292M/ITU-R.BT709/BTA-S004)
DC-SDI/Dual-link DC-SDI*: 2048 x 1080 pixels
12 bit/X’Y’Z’ (with Dual-link HD/DC-SDI Input Board)
DVI-D: XGA (1024 x 768), SXGA1 (1280 x 960),
SXGA2 (1280 x 1024), SXGA+ (1400 x 1050),
UXGA (1600 x 1200), WUXGA (1920 x 1200),
HD (1920 x 1080), DC (2048 x 1080)
Power consumption Max. 5.4 kW (USHIO DXL-40SRXPRO 4.2 kW lamp)
Max. 4.2 kW (3.0 kW lamp)
Max. 3.0 kW (2.0 kW lamp)
Power requirements AC 200 V to 240 V, 50/60 Hz, single-phase,
27 A to 22.5 A
Operating temperature 41 °F to 95 °F (5 °C to 35 °C)
Operating humidity 35% to 85% (no condensation)
Storage temperature 12 °F to 140 °F (-20 °C to +60 °C)
Dimensions 27 5/8 x 25 1/4 x 49 1/4 inches (700 x 640 x 1250 mm)
(W x H x D) (excluding a touch-panel display and projecting parts
of the unit such as a status light and a chimny)
Weight 429 lb (195 kg) (excluding an optional lamp and a lens)
Input/Output
Input A DVI-D (HDCP)
Input B Open (option slot for the LKRI-003 or LKRI-005 board)
Input C A channel MDR- 68-pin (x1) (for projector output A of Media Block,
SRLV connection)
B channel MDR- 68-pin (x1) (for projector output B of Media Block,
SRLV connection)
Remote interface D-sub 15-pin (female) (x1), RS-232C
RJ-45 (x1), 10BASE-T/100BASE-TX Ethernet
DCP ingest port (x1)
Interlock D-sub 15-pin (female) (x1), RS-232C
For supply of power to an external ventilation fan and
control of its operation
Others
Safety regulations [UL60950 listed], [cUL60950], [FCC Class A],
[IC Class A], [VCCI Class A], [EN60950], [CE Class A],
[C-tick], [CISPR22], [CISPR24]
Supplied accessories Keys for removing panels (5),
Keys for lamp replacement panel (2),
Lens attachment screws (M8) (4),
Status indicator lamp (1), TPC adaptor (1 set),
One-touch bush (1), Attachment screws for status
indicator lamp and TPC adaptor (1 set),
Duct for LMT-300 (A) (1), Duct for LMT-300 (B) (1),
LVDS cables (2), CSS cable (1), Ethernet cable (1),
Operating instructions (1)
* To support the HD-SDI/Dual-link HD-SDI or DC-SDI/Dual-link DC-SDI interfaces, the LKRI-003 Dual-
link HD/DC-SDI Input Board is required. For information on using this board, please contact your
nearest Sony office.

15
Specifications of LMT-300
General
Power consumption 3.9 A to 1.7 A
Power requirements AC 100 V to 240 V, 50/60 Hz
Operating temperature 41 °F to 95 °F (5 °C to 35 °C)
Operating humidity 35% to 85% (no condensation)
Storage temperature -4 °F to 140 °F (-20 °C to +60 °C)
Dimensions 17 1/2 x 5 1/4 x 22 7/8 inches (443 x 131 x 580 mm)
(W x H x D) (excluding projection parts)
Weight 55 lb (25 kg)
HDD
Array composition Data drive: 4
Parity drive: 2
Spare drive: 1
Record capacity 1.7 TB, RAID 6
Video
Projector output A MDR 68-pin (x1) (for projector A channel, SRLV connection)
Projector output B MDR 68-pin (x1) (for projector B channel, SRLV connection)
Compression format (decode) JPEG 2000
Bit rate (J2K) Max. 250 Mbps
Resolution 4096 (H) x 2160 (V), 2048 (H) x 1080 (V) pixels
Audio
Audio output 1 D-sub 25-pin (female) (x2), unbalanced, 8 channels
Audio output 2 D-sub 25-pin (female) (x2), AES/EBU, 16 channels
(Pin assignment for Dolby option board 790)
Digital audio format 24 bits, 48/96 kHz, Linear PCM
Interface
Network RJ-45 (x4), 1000BASE-T Ethernet
CSS HD D-sub 15-pin (female) (x1)
VGA HD D-sub 15-pin (female) (x1) (for touch-panel controller)
UPS control D-sub 9-pin (female) (x1)
Audio control D-sub 9-pin (male) (x1)
GPIO GPIO board (x3) (GPI: 1 to 8, GPO: 1 to 16)
Status light Special 8-pin connector (x1) (for signals),
special 10-pin connector (x1) (for power supply)
Table of Available Lenses
Subtitle
Format Timed-text/XML or PNG/XML
Security
Decryption format RSA 2048 bit, AES
Others
Safety regulations [UL60950 -1, CSA C22.2 No.60950.1],
[FCC/IC EMC Class A Digital Device], [VCCI Class A],
[EN60950-1], [EN50371], [EN55022/Class A],
[EN55024 (ITE)], [EN61000-3-2], [61000-3-3],
[IEC60950-1], [AS/NZS CISPR22 (EN55022) Class A],
[JIS C 61000-3-2]
Supplied accessories Plug holder (1), Screw (4),
D-sub 9-pin connecting cable (3 m) (1),
Terminal board (socket) 10-pin (1),
Operating instructions (1)
Front panel
Front view without front panel
Rear panel
LKRL-Z211 LKRL-Z214 LKRL-Z219 LKRL-Z119 LKRL-Z122
Z00m Ratio 1.67x 1.82x 2.16x 1.6x 1.8x
Throw ratio* 1.05:1 to 1.75:1 1.33:1 to 2.43:1 1.8:1 to 4.0:1 1.81:1 to 2.94:1 2.23:1 to 4.03:1
F-number 2.8 2.8 2.8 2.8 2.8
Wide Tele Wide Tele Wide Tele Wide Tele Wide Tele
4,500 mm 4,620 mm 8,017 mm 5,986 mm 10,851 mm 8,114 mm 18,252 mm 8,127 mm 13,365 mm 9,997 mm 18,150 mm
5,000 mm 5,148 mm 8,921 mm 6,665 mm 12,071 mm 9,037 mm 20,330 mm 8,999 mm 14,823 mm 11,074 mm 20,137 mm
6,000 mm 6,203 mm 10,730 mm 8,025 mm 14,510 mm 10,882 mm 24,486 mm 10,743 mm 17,738 mm 13,228 mm 24,109 mm
7,000 mm 7,259 mm 12,539 mm 9,384 mm 16,950 mm 12,727 mm 28,642 mm 12,487 mm 20,654 mm 15,383 mm 28,081 mm
8,000 mm 8,314 mm 14,348 mm 10,743 mm 19,390 mm 14,572 mm 32,798 mm 14,232 mm 23,570 mm 17,537 mm 32,054 mm
9,000 mm 9,370 mm 16,157 mm 12,102 mm 21,830 mm 16,417 mm 36,954 mm 15,976 mm 26,486 mm 19,691 mm 36,026 mm
10,000 mm 10,426 mm 17,966 mm 13,461 mm 24,270 mm 18,261 mm 41,110 mm 17,720 mm 29,402 mm 21,846 mm 39,998 mm
12,000 mm 12,537 mm 21,584 mm 16,180 mm 29,149 mm 21,951 mm 49,422 mm 21,208 mm 35,233 mm 26,154 mm 47,943 mm
14,000 mm 14,648 mm 25,202 mm 18,898 mm 34,029 mm 25,641 mm 57,735 mm 24,697 mm 41,065 mm 30,463 mm 55,888 mm
16,000 mm 16,759 mm 28,820 mm 21,617 mm 38,908 mm 29,331 mm 66,047 mm 28,185 mm 46,896 mm 34,772 mm 63,833 mm
Throwing Distance
Screen width
* Distance between the center of the projector lens and the screen, divided by the screen width.

LKRA-003
Touch Panel Monitor
LKRL-Z214
Zoom Lens
Throw ratio: 1.33:1 to 2.43:1
LKRL-Z219
Zoom Lens
Throw ratio: 1.85:1 to 4.00:1
LKRL-A001
Anamorphic Lens with
Lens Changer Unit
LKRL-Z119
Zoom Lens
Throw ratio: 1.81:1 to 2.94:1
LKRI-003
Dual-link HD/DC-SDI Input Board
*For information on using the LKRI-003 board,
please contact your nearest Sony office.
LKRL-Z122
Zoom Lens
Throw ratio: 2.23:1 to 4.03:1
LKRI-005
DVI (HDCP) Input Board
*For information on using the LKRI-005 board,
please contact your nearest Sony office.
LKRL-Z211
Zoom Lens
Throw ratio*: 1.05:1 to 1.75:1
Optional Accessories
*The throw ratio denotes the ratio that
the projection distance is divided by
the screen width.
*For information on availability,
please contact your nearest Sony office.
Sony Digital Cinema Solutions
6080 Center Drive
Los Angeles, CA 90045
www.sony.com/digitalcinema
DI-0189A (MK10626V2)
©2010 Sony Corporation. All rights reserved.
Reproduction in whole or in part without permission is prohibited.
Features and specifications are subject to change without notice.
The values for weight and dimension are approximate.
Sony is a registered trademark of Sony Corporation.
“Sony Digital Cinema” and “Sony Digital Cinema” 4K logo are
trademarks of Sony Corporation.
Microsoft and Windows are registered trademarks of Microsoft Corporation.
VistaVision is a registered trademark of Paramount Pictures Corporation.
CinemaScope is a registered trademark of
20th Century Fox Film Corporation.
Dolby is a registered trademark of Dolby Laboratories.
All other trademarks are property of their respective owners.
Printed in USA (10/10)
The SRX-R320P and LMT-300 are produced
at Sony EMCS Corporation Kosai Tec, which
has received ISO14001 the Environmental
Management System certification.