TC Electronic TC STEREO CHORUS/FLANGER User manual

TC STEREO
CHORUS/FLANGER
& Pitch Modulator
SCF
USER’S GUIDE

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Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
SCF Sound Quality . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Front Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Getting Started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
The Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Examples of Settings . . . . . . . . . . . . . . . . . . . . . . . . 18
Technical Specifications . . . . . . . . . . . . . . . . . . . . . . 19
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
CONTENTS

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Thank you for purchasing the TC Chorus/Flanger/Pitch
Modulation pedal. TC Electronic has developed this
product to the highest standards ensuring top sound
quality with no noise or distortion added to your audio
signal.
The "full" spatial effects and the lack of noise has made
the TC SCF pedal a favorite choice of many professional
musicians both on the road and in the studio.
From the cast aluminum housing to the internal power
supply you will see that professional quality is the
trademark of TC Electronics products.
We hope you enjoy your purchase !
INTRODUCTION
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Features:
- 3 types of stereo effects
The 3 kinds of effects are all stereo effects, but can be used
in mono as well. The effects are suitable for all electric or
electrified instruments and will in no way compromise the tonal
quality of the instrument.
Chorus
A chorus is basically a pitch generator which mixes multiple
delay signals. When the multiple delay signals are mixed with
the original signal a soft and wide sounding modulation effect
is created.
FLANGER
A flanger is based on the same principle as a chorus, although
here the signal can be regenerated (like adding feedback on a
delay) creating a more distinctive sounding effect.
INTRODUCTION

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Pitch Modulation:
A combination of chorus and pitch - vibrato which creates a
"light" chorus sound.
Real Stereo
When using stereo the effect signals and the clean signal
appear simultaneously in both sides. The effect signals are
alternating phase reversed in left and right sides, creating a
unique spatial dimension.
Excellent dynamic range
The 100dB signal to noise ratio means that there is very little
background noise generated by the electronics. This high
signal to noise ratio is very unusual for pedal effects, and
makes this device appropriate for any kind of recording.
Preamp + Line Driver
The TC SCF can be used with almost any instrument/amplifi-
cation. Its built-in preamplifier can handle even the weakest
signals e.g. from some keyboards, mixers and transducer
pickup. High signal output allows long cable runs with full signal.
INTRODUCTION
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Frequency response 20-20.000Hz
The wide frequency response is one of the reasons why the
SCF pedal sound much better than any other effect pedals of
this type.
Linear frequency response
The linear frequence response of the TC Stereo Chorus/Flanger
ensures that the sound stays transparent and clear, and that
there will be full effect from the deepest bass note to the
highest harmonics. Rather than cutting off the precious
harmonics of your signal, the harmonics are processed when
the pedal is activated, and allowed to pass completely
unaffected when it is bypassed
DYNAMIC RANGE: 100dB
A dynamic range of 100dB means that the SCF is extremely
silent as well as being capable of handling the dynamics of
your signal. - No hiss but all the "punch" you need. With no
noise added, your music will keep its transparency and
brightness so soft passages are clear and rich in harmonics.
SCF SOUND QUALITY

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PROFESSIONAL SIGNAL LEVELS
One of the key elements to obtaining professional sound
quality is proper impedance at the in and output(s). If an effect
pedal should be able to pick up the full bandwidth from your
instrument, it is very important that it does not "load" your
instrument, i.e. it must have a high input impedance.
To prevent loss through cables, effect loops or loading by the
amp input, the outputs must have drive capability, i.e. the out
impedance has to be very low. Due to the high input and the
low output impedance, TC effects do not "steal" any detail of
your signal, neither with the effect on, nor when bypassed!
SUPERIOR CIRCUITRY
The SCF circuit uses the latest technology of circuitry to give
uncompromised sound and dependable service. The chorus
circuit has been refined by many years of experience by the
TC engineers to make the TC Chorus/Flanger sound "state of
the art" ! The components used were chosen for professional
applications so you can expect years of service free durable
performance from your SCF pedal.
SCF SOUND QUALITY
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89117
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4 WIDTH Determines how wide a modulation
(sweep) is produced. Ranges are
from "0" (no modulation) to "6"(max) on a
relative scale.
5 INPUT GAIN Controls the gain of the built-in
preamplifier. Ranges from 0dB
(no amplification) to +15dB (= 5 times
amplification).
6 OVERLOAD Indicates when the TC SCF is close to
being overloaded. Adjust for
occasional peak indication.
7 INPUT JACK High impedance input. Connect your
instrument here.
8 OUTPUT (MONO) Outputs a monophonic effect signal or, if
both outputs are used, the left channel of
the stereo signal.
FRONT DESCRIPTION
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1 SPEED Controls the Rate of sweep in a range
from 1 sweep every 10 seconds to 10
sweeps each second (0,1-10 Hz).
2 INTENSITY The INTENSITY potentiometer has 3
functions - one for each mode:
- In the CHORUS mode it blends
between chorus and clean signal.
- In FLANGER mode it controls the
strength of the Comb filter phasing of
the signal (like feedback on a delay).
- In PITCH MODULATION mode it is
blend control, mixing chorus and
vibrato.
3 MODE SELECTOR Switches between the 3 modes of
operation: CHORUS, PITCH
MODULATION (P.M.) and FLANGER.
FRONT DESCRIPTION

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9 OUTPUT Outputs the right channel
(STEREO) of the stereo effects signal.
10 BYPASS Switches the audio signal into or
around the effects circuitry.
11 EX. BYPASS By connecting a simple momentary
switch here, the bypass function can
be remote controlled.
12 LED INDICATOR The LED at the top of the unit
indicates the sweep rate (as set by
SPEED) with effect on.
In BYPASS mode the LED "glows" at a
low levels indicating "power on".
FRONT DESCRIPTION
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Connect the input source (instrument, pick-up or high output
microphone) by a mono jack cord to the Input jack.
The amplification used (amp(s), mixer) should be
connected by a mono jack cord(s) to: Output jack if you are
using one amp or a mono mixer. Both Output jacks - if you are
using two amps or a stereo mixer.
The TC SCF has a built-in power supply, which
should be connected to an AC "wall outlet".
GETTING STARTED

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There are four sound controls on the SCF:
INPUT GAIN, SPEED, WIDTH and INTENSITY
Setting Input Gain:
Using the TC SCF with an instrument…
When used with a guitar, bass or keyboard with normal output
volume and an amplifier with normal input volume the
INPUT GAIN should be turned fully counter clockwise.
(The signal will then have an unchanged level).
Or…using the TC SCF with a mixing console.
The AUX/EXT. EFFECTS SEND on the mixing console
should connect to the SCF input and drive with a 0dB signal
level. The INPUT GAIN on the TC SCF should be adjusted so
the LED lights on the peaks of the input signal only. The SCF
outputs should be connected to "LINE" input on a mix module
or the effects return module.
THE CONTROLS
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Note:
If both outputs are used for stereo, you must use a stereo
return on the mixing console. Do not mix the stereo outputs of
the TC SCF together! If you do, you will get no effect, as the
effects part of the signal is out of phase on the LEFT/RIGHT
OUTPUT.
SETTING SPEED AND WIDTH
The SPEED and the WIDTH should be regarded as a
set of controls rather than two individual. They both
influence the apparent degree of effect. A good
starting point when creating more "pleasant" sounds
in any of the 3 effect modes is to keep the controls
"generally opposite". Here is an example:
SPEED at ".2", WIDTH at "5" or
SPEED at "5", WIDTH at "1".
THE CONTROLS

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If you want "out of pitch" sounds for special effects, both
SPEED and WIDTH can be turned into the last third of their
range.
Adjusting INTENSITY
This has 3 different functions depending on the mode
setting…
In the CHORUS mode INTENSITY is a control
for the "notching" depth of the chorus effect. Turning the control
clock-wise increases the "notching" which is well suited for non
distorted single and rhythm guitars as well as most keyboards.
With chorus effects applied to song and generally when the
sound is more of a bass character, lower settings should be
used. When using the unit through returns on a mixing console
keep the INTENSITY control at maximum.
THE CONTROLS
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In PITCH MODILATION mode, the INTENSITY control mixes
an increasing amount of pitchshift (vibration, following the
speed rate) over the chorus signal. If the control is turned fully
clockwise the chorus part of the signal is at minimum. The
effect is most pronounced at high speed settings, and
applicable to give e.g. a keyboard sound a "leslie-like"
character.
In FLANGER mode, INTENSITY controls the amount of signal
which is regenerated. More regeneration creates a "deeper"
more metallic sound.
THE CONTROLS

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Dynamic Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100dB
Frequency response . . . . . . . . . . . . . . . . . . . . . . . . . .20-20kHz
Input impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Mohm
Output impedance . . . . . . . . . . . . . . . . . . . . . . . . . . . .500 ohm
Max Input level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .+9dBm
Input gain range . . . . . . . . . . . . . . . . . . . . . . . . . . . .0 to +15dB
Max Output level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .+14dBm
Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<0.1%
Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .max 15ms
Phaseshift . . . . . . . . . . . . . . . . . . . . . . .at 1kHz, max 27k deg.
Noise reduction . . . . . . . . . . . . . . . . . . . . .fast action, 2:1 slope
Power . . . . . . . . . . . . . . . . . . . . . . . . . . .200-240V or 100-120V
Size . . . . . . . . . . . . . . . . . . . . . . . .(LxWxH-mm) 124 x 98 x 31
TECHNICAL SPECIFICATIONS
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NAME SPEED INTENSITY MODE WIDTH
CHORUS I 1 4 CHORUS 3
CHORUS II 2 5/6 CHORUS 5
CHORUS III 5 2 CHORUS 5
FLANGER I 2 3 FLANGER 5
FLANGER II 2 2 FLANGER 2
METALLIC
FLANGER 4 4 FLANGER 1
CLASSIC
FLANGER .5 3.5 FLANGER MAX
PITCH MOD. .5 5 P.M. 2
EXAMPLES OF SETTINGS