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  9. Technics SX-PR100 User manual

Technics SX-PR100 User manual

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Technics
PCM
DIGITAL
PIANO
sxPR100
sxPR200
sx-PR300
+
a
.
e
had
-
t
ENGLISH
DEUTSCH
FRANCAIS
ESPANOL
NEDERLANDS
ITALIANO
—
'Technics—
OWNER’S
MANUAL
INSTRUCTIONS
D’EMPLOI
GEBRUIKSAANWIJZING
BEDIENUNGSANLEITUNG
INSTRUCCIONES
DE
MANEJO
ISTRUZIONI
PER
L’USO
Caution
Voltage
(except
North
America
and
Europe
[excluding
U.K.])
Be
sure
the
voltage
adjuster
(located
on
the
rear
panel)
is
in
accordance
with
local
voltage
in
your
area
before
using
this
unit.
Use
a
screwdriver
to
set
the
voltage
adjuster
to
the
local
voltage.
WARNING:
To
REDUCE
THE
RISK
OF
FIRE
OR
ELECTRICAL
SHOCK,
DO
NOT
EXPOSE
THIS
PRODUCT
TO
RAIN
OR
MOISTURE.
BEFORE
YOU
PLAY,
PLEASE
READ
THE
CAUTION-
ARY
COPY
APPEARING
ON
PAGE
21.
IMPORTANT
(for
UNITED
KINGDOM)
THE
WIRES
IN
THIS
MAINS
LEAD
ARE
COLOURED
IN
ACCORDANCE
WITH
THE
FOLLOWING
CODE:
BLUE
—
NEUTRAL
BROWN
—
LIVE
As
the
colours
of
the
wires
in
the
mains
lead
of
this unit
may
not
correspond
with
the
coloured
markings
identifying
the
terminals
in
your
plug,
proceed
as
follows.
The
wire
which
is
coloured
BLUE
must
be
connected
to
the
terminal
with
the
letter
N
or
coloured
BLACK.
The
wire
which
is
coloured
BROWN
must
be
connected
to
the
terminal
marked
with
the
letter
L
or
coloured
RED.
This
apparatus
was
produced
to
BS
800:
1977.
Vorsicht!
Netzspannung
(auBer
Nordamerika
und
Europa)
Versichern
Sie
sich,
daB
der
Spannungswahler
auf
der
Riickseite
mit
Ihrer
lokalen
Netzspannung
Ubereinstimmt,
bevor
Sie
das
Instrument
in
Betrieb
nehmen.
Ist
dies
nicht
der
Fall,
benutzen
Sie
einen
Minusschraubenzieher,
um
den
Spannungswahler
auf
die
Ortliche
Netzspannung
ein-
zustellen.
Bevor
Sie
anfangen
zu
spielen,
lesen
Sie
bitte
die
Vorsichtshinweise
auf
Seite
41
dieser
Anieitung.
Precaucion
Tensién
(excepto
América
del
Norte
y
Europa)
Cercidérese
de
que
el
ajustador
de
tension,
situado
en
el
panel
.
posterior,
esta
ajustado
al
valor
de
la
tensidn
de
su
residencia.
Efectue
esta
comprobacion
antes
de
utilizar
el
piano.
Paraajustar
la
tension
emplee
un
destornillador
para
posicionar
el
ajustador
de
tensién
al
valor
correspondiente.
Antes
de
empezar
a
tocar,
lea
las
precauciones
de
la
pagina
61.
Attenzione
Voltaggio
(eccetto
Nord
America
e
Europa)
Assicurarsi
che
il
cambio
tensione,
sul
pannello
posteriore,
concordi
la
tensione
con
il
voltaggio
della
tensione
di
rete.
Usate
nel
caso
un
cacciavite
per
adattare
la
tensione.
Prima
di
suonare
vi
consigliamo
di
leggere
le
indicazioni
della
pagina
121.
Bescheinigung
des
Herstellers/Importeurs
Hiermit
wird
bescheinigt,
da®
der/die/das
TECHNICS,
Model
No.
SX-PR100/SX-PR200/SX-PR300
(Gerat,
Typ,
Bezeichnung)
in
Ubereinstimmung
mit
den
Bestimmungen
der
Vig
1046
/
1984
(Amtsblattverfugung)
funk-entstort
ist.
Der
Deutschen
Bundespost
wurde
das
Inverkehrbringen
dieses
Gerates
angezeigt
und
die
Berechtigung
zur
Uberprtifung
der
Serie
auf
Einhaltung
der
Bestimmungen
eingeraumt.
PANASONIC
DEUTSCHLAND
GMBH
Name
des
Herstellers/importeurs
Attention
Tension
(al’exception
de
’
Amérique
du
nord
et
de
l'Europe)
Avant
de
mettre
cet
appareil
sous
tension
s’assurer
que
le
sélecteur
de
tension
situé
sur
le
panneau
arriére
est
réglé
sur
la
tension
locale.
Pour
régler
le
sélecteur
de
tension
utiliser
un
tournevis
plat (—).
Avant
toute
utilisation,
apparaissant
a
la
page
81.
Aitentie!
Netspanning
(behalve
voor
Noord
Amerika
en
Europa)
Let
er
op
dat
de
spanningscaroussel,
die
zich
op
het
achterpaneel
bevindt,
op
de
juiste
netspanning
staat
voor
de
piano
wordt
aangesloten.
Gebruik
een
kleine
schroeve-
draaier
om
de
spanningscaroussel
in
te
stellen.
Voordat
u
gaat
spelen,
lees
de
waarschuwings
punten
op
bladzijd
101
zorgvulding
en
goed
door.
priére
de
lire
l’avertissement
nUZrrumomZ
IM—--OzZzm
LOMWACMO
O-POZPInN
E
S
P
A
IN)
ie)
L
|
T
A
i
A
iN
o)
TMH-—-OzZzm
The
circled
numbers
on
the
separate
sheet
correspond
to
the
section
numbers
in
this
instruction
manual.
©
Playing
Your
Technics
is
Easy!
Let's
get
ready.
1.
Plug
the
power
cord
into
an
outlet.
2.
Turn
the
POWER
switch
on.
@
@
(a
POWER
ca
I
OFF
.
ON
Notes:
®
Open
and
close
the
cover
slowly.
©
To
move
the
unit
safely,
be
sure
to
first
close
AC
IN
the
cover.
Let's
set
the
standard
settings
<initial
mode>.
1.
Press
the
FSC
(FULLBAND
SETTING
COMPUTER)
button
to
-
ine
Ot
re
ate
ee
turn
iton.
SETTING
2.
Press
the
INITIAL
key
on
the
keyboard.
ee
e
When
set
to
the
initial
mode,
the
piano
returns
to
the
factory
preset
settings,
and
the
entire
keyboard
is
set
to
the
PIANO
1
tone.
Let's
play.
Rie
ark
Goucm
Now
let’s
play
a
song.
Adjust
the
MAIN
VOLUME
to
an
appropriate
level.
MAIN
VOLUME
MIN
.accounseeREUREEG
MAX
Changing
the
tones
You
can
choose
from
17
tones
on
the
PR100/PR200
or
from
21
tones
on
the
PR300.
RIGHT
saccome
TONE
—§
RIGHT
vaccome
TONE
fee
iANOB
rE
PIANO.
—-HARPSI-
JAZZ
-GEn-
cE
PIANO;
—_-HARPSI-
JAZZ
SYNTH
PERC
1
2
1
2
CHORD
GUITAR
GUITAR
HARP
VIBETONE
1
2
1
2
CHORD
GUITAR
GUITAR
HARP
VIBETONE
1
2
°
°
°
°
° ° ° ° °
° ° ° °
°
° °
° °
°
°
Be
Lees
ae
Hee
Ea
ea
sy
es).
Es
ee
oe
«a
ee)
fey
seed
Se
PIPE
=
JA2Z_—
STRING
TENOR
SUSTAIN
PIPE
JAZZ
STRING
VOCAL
TENOR
SYNTH
SUSTAIN
ORGAN
ORGAN
ensemae
BRASS
TRUMPET
SAX
CLARINET
FLUTE
PEDAL
ORGAN ORGAN
enseMaLe
ENSEMaLe
BRASS
TRUMPET
SAX
CLARINET
FLUTE
BRASS
PEDAL
°
° °
°
°
co)
°
°
°
°
co)
° °
ro)
° ° °
° °
°
(PR100/PR200)
(PR300)
Balance
————
BALANce
————
The
volumes
for the
RIGHT,
LEFT,
DRUMS,
ACCOMP
and
BASS
BASS
ACCOMP
DRUMS
LEFT
RIGHT
Parts
are
adjusted
with
the
respective
BALANCE
buttons.
—
soa
yas
ae
ae
®
Volume
will
increase
when
a
A
button
is
pressed
and
O-
O-
O-
Of
O-
decrease
when
a
Y
button
is
pressed.
No
sound
will
be
Produced
if
neither
indicator
is
lit.
DC
jaLjalqalljallja
Pia
ie
7
in
UJ
@
Playing
Modes
This
piano
has
two
playing’modes:
cancel
mode
and
AUTO
PLAY
CHORD
mode.
M@
Cancel
mode
This
mode
is
activated
when
the
both
the
ADVANCED
and
BASIC
buttons
are
off.
It
is
used
when
AUTO
PLAY
CHORD
is
not
required.
¢
Normally,
the
selected
tone
is
effective
for
the
entire
keyboard.
e
As
explained
later,
when
the
split
function
is
used,
the
keyboard
is
divided
into
left
and
right
sections
for
which
separate
tones
can
be
selected.
@
AUTO
PLAY
CHORD
mode
in
this
mode,
playing
any
chord
on
the
left
part
of
the
keyboard
will
automatically
give
you
the
BASS
and
ACCOMP
as
well.
There
are
two
levels
of
AUTO
PLAY
CHORD,
ADVANCED
and
BASIC.
©
For
details
on
AUTO
PLAY
CHORD,
refer
to
@).
@
Split
Function
The
keyboard
can
be
split
into
two
parts,
left
and
right,
which
can
be
independently
set
for
different
tones
and
effects.
Pressing
the
KEY
SPLIT
button
changes
the
location
of
the
split
in
this
sequence:
from
G2
up
~
C3
~
C4
—
OFF.
®
The
key
at
the
split
location
is
included
in
the
right
keyboard,
and
the
remaining
keys
comprise
the
left
keyboard.
¢
The
split
is
automatically
set
at
C3
when
an
AUTO
PLAY
CHORD
mode
is
selected.
The
split
function
is
turned
off
when
the
AUTO
PLAY
CHORD
buttons
are
turned
off.
@
Keyboard
and
split
location
Example:
C3
split
AUTO
PLAY
CHORD
ADVANCED
BASIC
fe)
°
LJ
CI
|
keyboard
=«———-
effective
for
entire
keyboard
————+
IM-C-OZM
left
keyboard
right
keyboard
left
keyboard
right
keyboard
<—-
chord
—_>«—___—-.
melody
—————>
assignment
KEY
SPLIT
ES
e
When
the
split
function
is
not
activated,
the
tones
and
effects
set
for
the
right
section
are
effective
for
the
entire
keyboard.
ope
Hy
2
LL
|
left
keyboard
-
right
keyboard
({-_]is
for
PR200/PR300)
@
Right/Accomp
Tone
The
RIGHT
TONE
biock
is
used
when
setting
the
tone
and
effects
for
the
right
part
of
a
split
keyboard
or
for
the
entire
keyboard
when
it
is
not
split.
®
These
tone
buttons
are
also
used
to
select
the
tone
when
storing
the
ACCOMP
part
of
the
PLAY
SEQUENCER
(explained
tater).
(Refer
to
@).)
Tones
17
kinds
of
tones
for
the
PR100/PR200,
or
21
kinds
of
tones
for
the
PR300,
can
be
selected
using
the
RIGHT
TONE
buttons.
®
The
tones
cannot
be
mixed.
e
Each
tone
features
Touch
Response,
which
increases
volume
when
the
keyboard
is
played
harder.
®
The
voice
produced
for
FLUTE
is
raised
by
one
octave,
and
those
for
PIPE
ORGAN,
TENOR
SAX
and
BRASS
are
lowered
by
one
octave.
@
The
voices
for
PIPE
ORGAN,
TENOR
SAX
and
BRASS
played
by
the
keys
in
the
lowest
part
of
the
keyboard
are
raised
by
one
octave.
With
the
FLUTE
tone
of
the
PR200/PR300,
the
rightmost
key
sounds
one
octave
lower.
When
OCT
SHIFT
or
TRANSPOSE
is
used,
the
range
of
the
keyboard
over
which
the
octave
is
raised
or
lowered
changes,
affecting
even
other
tones
at
the
outer
ranges
of
the
keyboard.
@
The
number
of
notes
which
can
be
produced
simulta-
neously
is
shown
below.
(When
the
keyboard
is
split,
the
total
number
of
notes
which
can
be
produced
is
the
sum
of
the
left
and
right
parts
of
the
keyboard.)
@
Cancel
mode
(when
both
the
ADVANCED
and
BASIC
buttons
are
off):
12
notes.
M
AUTO
PLAY
CHORD
mode
(when
the
ADVANCED
or
BASIC
button
is
on):
8
notes.
RIGHT
-accome
TONE
HARPSi-
JA
GE
22
S
1
2
CHORD
GUITAR GUITAR
HARP
VIBETONE
ae
°
°
° °
°
° °
°
°
O-1
ES}
Eau)
a
ea)
Es) (Ea
a).
te
=
PIPE
JAZZ
STRING
ORGAN
ORGAN
ensemste
BRASS
TRUMPET
OCT
SHIFT
cE
PIANO,
1
2
KEYBOARD
TENOA
SUSTAIN
SAX
CLARINET
FLUTE
PEDAL
PERCUSSION
°
°
° ° °
°
° °
°
°
(PR100/PR200)
RIGHT
vaccowe
TONE
OCT
SHIFT
ry.
rE
PIANOs
HARPSt
JAZZ
SYNTH
PERC
t
2
1
2
CHORD
GUITAR
GUITAR
HARP
VIBETONE
2
o-2
°
°
°
° ° ° °
°
°
° °
o-1
Ce
TD
ah
a,
as
ead,
ie
Ee
PIPE
JAZZ
STRING
VOCAL
TENOR
SYNTH
SUSTAIN
KEYBOARD
ORGAN
ORGAN
ENSEMBLE
ENSEMBLE
BRASS
TRUMPET
SAX
CLARINET
FLUTE
BRASS
PEDAL
PERCUSSION
°
°
oO
fe]
°
° °
Oo
°
3°
°
fel
GS)
Gey Gea
Ee
ESE
Ep
eh
os
“Eo
Ee
Ea)
(PR300)
The
sounds
generated
by
the
digital
piano
are
those
of
real
instruments.
However,
the
range
of
notes
that
can
be
produced
is
wider
than
that
of
the
actual
instruments.
Especially
in
the
bass
range,
the
tones
start
up
slowly.
Therefore,
for
fast-tempo
pieces
use
the
treble
range
for
the
most
effective
performance.
Effects
BH
SUSTAIN
PEDAL
Press
the
SUSTAIN
PEDAL
button
on
to
activate
the
sustain
nedal.
When
the
SUSTAIN
PEDAL
button
is
off,
the
sustain
pedal
does
not
function.
(Refer
to
©.)
@
OCT
SHIFT
The
notes
of
the
keyboard
can
be
changed
by
two
octaves.
Each
push
of
the
OCT
SHIFT
button
shifts
the
octave
as
follows:
—1
octave
—
—2
octaves
—
OFF.
©
When
OCT
SHIFT
is
used,
depending
on
the
selected
tone,
some
keys
at
the
outer
ranges
of
the
keyboard
may
produce
notes
in
the
next
higher
or
lower
octave.
e
When
the
mode
is
changed
to
an
AUTO
PLAY
CHORD
mode,
the
keyboard
is
automatically
set
to
—1
octave.
When
the
AUTOPLAY
CHORD
is
turned
off,
OCT
SHIFT
also
turns
off.
@
CHORUS
Turn
on
this
button
for
a
wide, ethereal
chorus
effect.
@
The
CHORUS
effect
functions
for
both
the
LEFT
and
RIGHT
parts
simultaneously.
CHORUS
3°
ie
©
Left/Bass
Tone
LEFT
seass
TONE
OCT
SHIFT
PIANO
HARPSI-
JAZZ
0
#
1
2
E
PIANO
CHORD
CLAVi
GUITAR GUITAR
HARP
fe)
°
° °
°
o
°
°
oO
+l
JAZZ
STRING
SYNTH
BASS
SUSTAIN
ORGAN
ensempte
BRASS
PERC
ACOUSTIC
ELECTRIC
CHOPPER
SYNTH
PEDAL
fe)
°
°
fe)
° °
°
° °
Pale
Jest.
Et
eas
Eee
Ce
EN Hy
C]
MIN
PIANO
©
MEDLEY
=
NORMALT
«NORMAL?
~—-PRO
RANGE
TUNING
I
neg
(PR100/PR200)
The
LEFT
TONE
block
is
used
when
setting
the
tone
and
effects
for
the
left
part
of
a
spiit
keyboard.
®
These
tone
buttons
are
also
used
to
select
the
tone
when
storing
the
BASS
part
of
the
PLAY
SEQUENCER
(explained
later).
(Refer
to
@).)
Tones
You
can
choose
from
16
tones
on the
PR100/PR200
or
from
18
tones
on
the
PR300.
®
Only
one
TONE
selection
can
be
made
for
the
left
keyboard;
tones
cannot
be
mixed.
©
Pedals
Sustain
pedal
The
right
pedal
allows
you
to
turn
sustain
on
and
off.
When
a
key
is
released
while
this
pedal
is
depressed,
the
sound
is
sustained
so
that
it
lingers
and
slowly
fades
out.
©
This
pedal
is
a
four-stage
pedal,
and
the
length
of
the
sustain
is
controlled
by
the
degree
to
which
the
pedal
is
depressed.
Soft
pedal
The
left
pedal
can
be
used
as
a
soft
pedal.
When
the
pedal
is
depressed,
the
sound
is
softer
and
the
volume
is
lower.
LEFT
sass
TONE
OCT
SHIFT
PIANOA
HARPSI-
JAZZ
SYNTH
gay
1
2
EPIANO
CHORD
CLAW!
GUITAR
GUITAR
HARP
PERC
°
°
ro)
°
° °
°
° °
orl
Fa
YR
at
OE
a
OR
eel
A
UA
a
Vs
a,
PIPE
JAZZ
STRING
=VOCAL
BASS
SUSTAIN
ORGAN
ORGAN
ensempic ENSEMBLE
BRASS
ACOUSTIC ELECTRIC
CHOPPER
SYNTH
PEDAL
°
°°
°
°
3° °o
°
fo) fo)
°
ya
Oe
a
I
a
0
A
MIN
PIANO
MEDLEY
NORMAL}
=
=NORMALZ
PAO
RANGE
TUNING
annem
FD
(PR300)
Effects
@
SUSTAIN
PEDAL
Press
the
SUSTAIN
PEDAL
button
on
to
activate
the
sustain
pedal
for
the
left
part.
When
the
SUSTAIN
PEDAL
button
is
off,
the
sustain
pedal
does
not
function.
(Refer
to
®.)
@
OCT
SHIFT
Each
press
of
the
OCT
SHIFT
button
changes
the
octave
as
follows:
+1
octave
—
+2
octaves
—
OFF.
When
an
AUTO
PLAY
CHORD
mode
is
selected,
the
left
keyboard
is
automatically
set
to
+1
octave.
———_
Sustain
pedal
Sostenuto
pedal
(PR300)
Soft
pedal
Sostenuto
pedal
(PR300
only)
The
middle
pedal
is
used
as
a
sostenuto
pedal.
If
the
pedal
is
pressed
while
the
keys
are
pressed,
a
sustain
effect
is
applied
to
those
notes
only.
@
Forcontinuous-type
tones,
such
as
PIPE
ORGAN,
the
notes
sound
as
long
as
the
pedal
is
pressed.
Pedal
select
With
the
PEDAL
SELECT
bution,
the
left
pedal
and
middle
pedal
(PR300)
can
be
used
to
activate
other
functions.
¢
Refer
to®
for
details
regarding
START/STOP
and
FILLIN
&
INTRO
functions.
@
PR100/PR200
@
PR300
PEDAL
PEDAL
SELECT
SELECT
LEFT
CENTER
©
FILLIN&
INTRO
FILL
IN
&
INTRO
©
START/STOP
©
SOSTENUTO
SOFT
©
START/STOP
©
[SOFT]
SOFT}
©
[SOSTENUTO|
4
=
@
Transpose
Suppose
you
learn
to
play
a
song—in
the
key
of
C,
for
example—and
decide
you
want
to
sing
it,
only
to
find
it’s
either
too
high
or
too
low
for
your
voice.
Your
choice
is
to
either
learn
the
song
all
over
again,
in
a
different
key,
or
to
use
the
TRANSPOSE
feature.
Adjust
the
key
with
the
UP
and
DOWN
buttons.
®
If
the
two
buttons
are
pressed
at
the
same
time,
the
key
returns
to
C.
®
When
a
TRANSPOSE
buiton
is
pressed,
the
transposed
key
is
shown
on
the
MUSICAL
DISPLAY.
Asharpis
indicated
by
“anda
flat
by
4.
B
and
D
are
displayed
as
hand
a
faspectively:
@
When
TRANSPOSE
is
used,
depending
on
the
selected
tones,
the
sound
produced
by
some
keys
in
the
outer
ranges
may
be
raised
or
lowered
by
one
octave.
Digital
Reverb
(PR300)
TRANSPOSE
DOWN
UP
°o
fe}
ees
ee
—
DIGITAL
REVERB—
DIGITAL
REVERB
applies
a
reverberation
effect
to
the
sound.
au
ae
Select
from
four
echo
types—ROOM,
HALL
1,
HALL
2
and
Oo
6
6
PEDAL
REVERB.
e
When
the
PEDAL
REVERB
button
is
on,
a
slight
reverb
effect
is
active.
If
the
sustain
pedal
is
pressed
when
the
PEDAL
SUSTAIN
PEDAL
button
in
the
RIGHT/ACCOMP
TONE
ae
section
is
on,
the
reverb
effect
is
stronger.
re
fee
ame
SWING
SiECHAIRN
ME
TANGO
rr
BOSSA
NOVA
Oo~«
LC]
MUSICAL
DISPLAY
SHUFFLE
BALLAD
|
8
BEAT
|
16
BEAT}
DISCO
11
DISCO
2
ISWING
ROCKIFUNK
ROCK]
SAMBA
Oo
<i
[|
|
“|
7
fe} fe}
oO
°
{
a
!
/
re,
oie
io
LJ
=
=
cy
=
co
“SiaaT
ae
alias
FILL
IN
&
INTRO
ONE
TOUCH
PLAY
METRONOME
- }
S
.
EAT
°
SLOW
TEMPO
FAST
ca
oo
oo
Tt
ea
The
rhythm
unit
consists
of
rhythm
selector
buttons,
start/stop
devices,
beat
indicators,
and
volume
and
speed
controls.
The
rhythm
is
selected
by
pressing
the
2
buttons
on
the
right
and
the
9
buttons
across
the
bottom
of
the
matrix.
*
Forsomerhythms,
a
different
pattern
is
produced
with
the
BASS
&
ACCOMP
1
(or
2)
and
3
(or
4)
buttons.
The
START/STOP
button
instantly
starts
and
stops
the
drum
rhythm.
The
rhythm
always
starts
on
the
first
beat
of
a
measure.
The
BEAT
indicators
light
to
indicate
the
beat.
This
helps
you
relate
the
drum
rhythms
to
the
music
and
helps
you
keep
track
of
“where
you
are”
while
playing.
SYNCHRO
START
starts
the
drum
rhythm
you've
chosen
only
when
a
key
on
the
left
part
is
pressed
(keys
to
the
left
of
F2
#
if
the
keyboard
has
not
been
split).
The
DRUMS
buttons
in
the
BALANCE
section
allow
you
to
adjust
the
loudness
of
the
drums
to
be
in
perfect
balance
with
the
piano
voices.
TEMPO
adjusts
how
fast
or
siow
the
rhythm
is
played.
@
The
tempo
is
shown
on
the
MUSICAL
DISPLAY.
When
the
METRONOME
button
is
turned
on,
the
metronome
sound
can
be
used
instead
of
a
drum
rhythm.
Use
the
START/
STOP
button
to
turn
the
metronome
sound
on
and
off.
Turn
the
METRONOME
button
off
when
using
a
drum
rhythm.
©
Fora
3-beat
rhythm,
select
WALTZ
or
JAZZ
WALTZ.
FILL
IN
&
INTRO
This
feature
lets
you
use
a
one-measure
drum
solo
(or
“fill”)
as
an
introduction
to
a
song,
or
to
connect
different
sections
of
asong.
Using
the
8
BEAT
rhythm,
let’s
see
how
this
works.
As
an
intro
(introduction):
1.
Press
8
BEAT.
2.
Press
FILL
IN
&
INTRO—
indicator
lights
up.
3.
Start
the
rhythm
(press
START/STOP).
You'll
hear
the
drums
start
with
the
intro
and
continue
on
to
the
8
BEAT.
After
the
intro,
the
indicator
light
goes
out.
Start
INTRO
8
BEAT
be
As
a
fill-in:
1.
Press
8
BEAT.
2.
Start
the
rhythm.
NIC
roe
3.
Whenever
you
want
the
“drummer”
to
“fill-in”,
press
FILL
IN
&
INTRO—the
fill-in
is
immediately
played
for
one
measure,
after
which
the
8
BEAT
rhythm
resumes.
i
1
measure
8
BEAT
FILL
IN
i
8
pear
|
Press
FILL
IN
&
INTRO.
lf
this
button
is
pressed
at
the
end
of
a
rhythm
tune,
one
measure
of
the
ending
pattern
will
sound,
and
then
the
rhythm
will
stop.
®
The
ending
patterns
for
the
bass
and
chords
of
the
AUTO
PLAY
CHORD
(explained
later)
are
also
produced
by
pressing
this
button.
ONE
TOUCH
PLAY
If
this
button
is
pressed,
the
appropriate
tone
and
effect
registration
for
the
rhythm
chosen
are
automatically
set.
Therefore,
immediate
play
is
possible
if
a
rhythm
is
selected
and
this
button
is
pressed
for
several
seconds
until
the
indicator
stops
flashing.
e
tf
the
AUTO
PLAY
CHORD
has
not
been
selected,
the
mode
is
automatically
set
to
the
ADVANCED
mode
when
ONE
TOUCH
PLAY
is
pressed
on.
Keyboard
Percussion
Press
on
the
KEYBOARD
PERCUSSION
button,
in
the
RIGHT
TONE
block,
to
turn
your
keyboard
into
a
whole
band
of
percussive
instruments
and
other
special
sounds.
¢
When
KEYBOARD
PERCUSSION
is
turned
on,
the
tones
selected
by
the
RIGHT
TONE
and
LEFT
TONE
buttons
are
not
available.
To
return
the
keys
to
the
normal
sound,
press
one
of
the
tone
buttons
in
the
RIGHT
TONE
block.
®
The
volume
of
the
KEYBOARD
PERCUSSION
section
is
controlled
by
the
RIGHT
buttons
of
the
BALANCE
section.
KEYBOARD
PERCUSSION
io)
ea
°
’
«0
INITIAL
£2,
eS
eweatMe
re
Me
SF
oer
aoe
BF
&
Hh
HB
x
Fk
a
a
LY
2
hmm
ss
IM—-OzZzm
IMm-C-Ozm
@)
Auto
Play
Chord
Simply
by
playing
a
chord
on
the
keyboard,
the
AUTO
PLAY
AUCHORD
CHORD
function
automatically
plays
the
chord
(ACCOMP)
ADVANCED
BASIC
and
bass
voices
(BASS)
matched
to
the
rhythm.
° °
This
function
features
two
modes,
BASIC
and
ADVANCED.
coca
a
|
The
keyboard
is
automatically
split;
the
left
keyboard
is
used
RAS?
&
eee
to
specify
the
chords,
and
the
right
keyboard
is
used
to
play
o o o o
the
melody.
fea]
est
ee ed
Bm
BASIC
mode
®
With
rhythm
stopped:
The
ACCOMP
and
BASS
of
the
®
With
rhythm
started:
The
ACCOMP
and
BASS
of
the
specified
chord
sound.
specified
chord
become
the
automatic
accompanimentin
The
tones
become
those
selected
when
storing
the
tones
matching
the
rhythm.
ACCOMP
and
BASS
parts
of
the
PLAY
SEQUENCER
(explained
later).
Chords
can
be
formed
with
either
the
“one-finger”
mode
or
“fingered”
mode.
When
only
one
key
on
the
left
section
of
the
When
a
chord
is
played
on
the
left
keyboard,
keyboard
is
pressed,
the
major
chord
and
the
chord
and
its
bass
note
become
the
bass
note
of
the
depressed
root
note
sound
automatic
accompaniment.
as
the
automatic
accompaniment.
@
With
the
one-finger
mode,
when
one
key
is
pressed,
the
major
chord
sounds.
However,
minor,
seventh
and
minor
seventh
chords
can
also
be
produced.
minor chord
seventh
chord
minor
seventh
chord
Play
the
chord
key
plus
a
Play
the
chord
key
plus
a
Play
the
chord
key
plus
one
black
key
to
the
left
of
it.
white
key
to
the
left
of
it.
black
key
and
one
white
key
to
the
left
of
it
(within
five
notes
of
the
chord
key).
Example:
Cm
Example:
C7
Example:
Cm7
:
to
'
a
|
within
5
keys
tt
a
PO)
EN
else
®
With
the
rhythm
on,
the
BASS
and
ACCOMP
continue
to
@
The
LEFT
TONE
button
is
automatically
turned
off
when
sound
in
the
specified
chord
until
another
chord
is
played.
the
BASIC
mode
is
selected.
You
can
then
select
a
LEFT
TONE;
but
if
you
do,
the
one-finger
chord
function
will
not
work.
®
Touch
response
does
not
function
on
the
left
section
of
the
keyboard.
M
ADVANCED
mode
@
Pattern
and
volume
With
rhythm
stopped:
As
when
the
AUTO
PLAY
CHORD
is
off,
Four
different
accompanying
patterns
can
be
selected
with
BASS
and
ACCOMP
voices
are
not
produced.
the
BASS
&
ACCOMP
buttons.
With
rhythm
started:
The
specified
chord’s
BASS
voice
and
Adjust
the
BASS
and
ACCOMP
volumes
with
their
resp
ective
chord
(ACCOMP)
are
played
automatically
in
voices
matched
BALANCE
buttons.
to
the
rhythm.
©
The
1
and
3
buttons
produce
rhythmic
patterns,
and
the
2
¢
Play
chords
with
at
least
three
keys.
If
the
piano
cannot
and
4
buttons
produce
melodic
patterns.
determine
the
chord,
the
BASS
and
ACCOMP
will
sound
in
e
For
the
MARCH/COUNTRY
rhythm,
buttons
1
and
2
the
previously
determined
chord
until
a
new
chord
is
produce
march
patterns,
and
buttons
3
and
4
produce
determined.
This
means
that
the
melody
can
be
played
on
country
patterns.
the
left
keyboard
without
changing
the
chord
if
no
more
than
two
keys
are
pressed
simultaneously.
©
When
keys
on
the
left
part
of
the
keyboard
are
pressed,
the
Corresponding
notes
are
played.
However,
these
notes
may
be
turned
off
so
that
only
the
ACCOMP
and
BASS
notes
are
played.
Simply
press
the
LEFT
TONE
button.
C,
C7,
CM7,
(Caug),
Caug7,
C
ae
cr
),
Cm,
Cm7,
(Cdim7),
Cm'5
,
Cm7*®
,
CmM7,
(Csus4),
C7sus4
@
Chords
that
can
be
determined
For
each
note,
the
following
chords
can
be
determined.
¢
Chords
in
brackets
may
have
different
root
notes
depending
on
the
inversion.
ns
@
Program
Chord
Computer
PROGRAM
CHORD
COMPUTER
is
a
function
which
can
be
used
to
preset
chord
progressions,
rhythm
sequences,
fill
in
&
intros
and
ending
for
automatic
playing
whenever
required.
This
enables
you
to
fully
focus
your
concentration
on
playing
the
melody
with
both
hands
while
the
computer
*
adds
all
accompaniments
and
rhythms.
In
addition
to
the
PCC
and
RECORD
buttons,
nine
keys
on
the
.
right
part
of
the
keyboard
may
also
be
used.
NOTE:
A
total
of
170
chord
entries
may
be
made
before
the
built-in.
computer
memory
is
full.
A
quarter-measure
(
FR+-H
)
or
D.S.
key
is
counted
as
two
chords.
When
the
computer
memory
is
full,
short
beeps
will
sound.
The
PCC
button
prepares
the
computer
for
the
storage
of
the
chords
of
your
choice
(after
RECORD
is
pressed).
The
nine
keys
are
used
for
the
actual
process
of
storing
chords
in
the
computer.
Here
is
what
they
do:
K—1_
stores
a
chord
for
an
entire
measure
(one
chord
per
measure).
fe+H
stores
a
chord
for
a
half-measure
(two
chords
per
measure).
FH-+H4
(pressing
two
keys
at
a
time)
stores
a
chord
for
a
quarter-measure
(four
chords
per
measure).
Amend
keys
(
>
~@@
)
are
used
to
correct
individual
chords
in
a
sequence,
or
to
change
chords
already
in
the
memory
bank.
it's
possibie
to
store
these
types
of
chords:
Minor
Diminished
Minor
Seventh
Major
PCC
PROGRAM
CHORD
COMPUTER
RECORD
eo)
4
A
ai
-
HO
<
DS
—#
a
mH
re
CHORD
COMPOSER
Chord
assignment
keys
(>
1e—
can
be
pressed
when
you
wish
to
start
programming
over
from
the
beginning.
—H{
(end)
is
pressed
when
the
entire
chord
sequence
is
stored.
>
(pressing
two
keys
at
one
time)
completes
storage
so
that
performances
can
be
automatically
repeated.
+
te
allows
you
to
input
a
pause
at
any
time
during
the
recording.
This
pause
is
reproduced
when
the
recording
is
played
back.
The
use
of
the
&
and
D.S.
keys
allows
you
to
store
chords
according
to
the
music,
making
storage
operation
easy.
This
is
explained
later
in
detail.
Seventh
Minor
Suspended
rMH-r-Ozm
Seventh
CN7
or
Cmaj7
Major
Minor
Seventh Seventh
Augmenied
Seventh
Fiat
Fifth
Cc
cm
C7
Cm7
Caug
C°7
or
C*%
or
Cdim7
Cm7
$5
Major
Seventh
Fourth
CmM7
C7sus4
e
If
you
try
to
store
a
chord
not
shown
above,
it
will
be
converted
to
the
storable
chord
which
sounds
the
closest.
Storing
chords
in
the
computer
@
For
practice,
try
storing
the
following
chord
progression.