
PoS100 - version 2019
Introduction
From a technical point of view, the PoS100 is an adjustable attenuator which converts
excess electrical power into heat.
The PoS100 is specially designed for use with tube ampli ers for guitar and bass and gets
connected between the ampli er output and speaker input. The attenuator makes it
possible to drive the output stage into light clipping and regulate the excess output power
down with the PoS, making it an ideal addition for so-called “none master volume”
ampli ers, ampli ers with only one volume control for the preamp which usually have to be
set quite loud to get the desired overdrive.
The PoS can be universally connected to 4, 8 or 16 ohm amp outputs and offers in addition
to the volume control a range switch to set the basic attenuation (Lo / Hi). With the
“character” switch the behavior of the volume control can be switched between linear and
logarithmic. With some ampli ers the linear behavior works better whereas with other
ampli ers the logarithmic control suits better.
With the load selector switch the connected load has to be set. E.g. for an 8 ohm
loudspeaker cabinet the selector must be set to 8 ohms and the PoS must be connected to
the 8 ohms output of the amp. An impedance matching, e.g. 4 ohm speaker to 8 ohm
ampli er output, is not possible with the PoS. The loudspeaker output of the PoS offers a
second output jack, which is internally connected in parallel with the main output jack, this
makes it possible to connect two cabinets in parallel to the PoS. The correct load setting
must be taken into consideration: e.g. two 16 Ohms cabinets in parallel provide a total load
of 8 ohms. In this case the PoS selector must be set to 8 ohms and must be connected to
the 8 ohms output of the ampli er. Two 8 ohms cabinets in parallel result in a rtotal load of
4 ohms, in which case the 4 ohms output of the ampli er must be used and the PoS
selector must be set to 4 ohms.
The built-in signal lamp on the front serves as an optical feedback for the applied power.
The higher the power, the brighter it lights, even if the nal output volume of the PoS is set
very low.
On the backside is also an unbalanced line-out, where the ampli er signal can be taken for
further processing. The signal can be used for mixer consoles or for recording purposes
for example, however, depending on the application, a speaker simulation is still
necessary.
Tube-Town GmbH - www.tube-town.net
Page 3