
2 3
PACKAGE CONTENTS
TOOLS NEEDED
WARNING!
Phillips
Screwdriver
A1 (x1)
Vocal Recording
Booth
B1 (x1)
Microphone Mount
A(x1)
Microphone
Adapter
If you do not understand these directions, or if you have any doubts about the safety of the
installation, please call a qualied technician. Check carefully to make sure there are no missing or
defective parts. Improper installation may cause damage or serious injury. Do not use this product
for any purpose that is not explicitly specied in this manual. Do not exceed weight capacity.
We cannot be liable for damage or injury caused by improper mounting, incorrect assembly or
inappropriate use.
NOTE: SOME HARDWARE INCLUDED MAY NOT BE USED
B(x1)
Microphone
Post
WARNING: CHOKING HAZARD
SMALL PARTS - NOT FOR CHILDREN UNDER 3 YEARS. ADULT SUPERVISION IS REQUIRED.
ASSEMBLY STEPS
C(x1)
Washer
D(x1)
Microphone Post
Thumbscrew
E(x1)
Microphone/Booth
Connecting Plate
STEP 1
Assemble the microphone mount (B1) as
shown. Place microphone mount on top
of your microphone stand, then screw vo-
cal recording booth (A1) onto microphone
stand. Attach a microphone to the mount,
and adjust as desired.
RECORDING TIPS
Select a microphone that has a cardoid pickup pattern. Compared with an omnidirectional
microphone used at the same distance, a cardoid microphone will be more sensitive to the direct
sound from the vocalist or other source, and less sensitive to reected sound arriving at the sides
and rear of the microphone. Selecting a large-diaphragm cardoid capacitor microphone is the most
common choice for vocal recordings. Additional measures to improve your audio recordings can
include hanging a broadband absorber behind the vocalist to trap reections that might otherwise
bounce o the rear wall and into the sensitive front side of the microphone. Using a Pop Filter will
also block explosive consonants and excessive sibilance at the source. Finally, the position of the mic
in relations to the screen can make a dierence in your recordings. Moving the mic further into the
screen area should increase the attenuation of room reections. You’re ready to start recording!
B
D
A
C
E
A1
^
_
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a
b
A
B
D
E
C