Yamaha MT100II User manual

YAMAHA
MULTITRACK CASSETTE RECORDER
ENREGISTREUR DE CASSETTES MULTIPISTE
MEHRSPUR-KASSETTENDECK
RAT 1O01
OPERATION MANUAL
MANUEL D'INSTRUCTIONS
BEDIENUNGSANLEITUNG
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MIC/LINE 2 MIC/LINE 3 MIC/LINE 4 PHONES PUNCH 1/0

CONGRATULATIONS!
Your
МТ10ОП
Multitrack
Cassette
Recorder
is
a
powerful
recording
tool that
will
enable
you
to
work
with
sound
in
many
ways.
No
other
multitrack
cassette
recorder
offers
the
straightforward
simplicity
and
ease-of-use
of
the
MTIOOH.
Whether
you
need
to
record
acoustic
instruments
or
voice
using
microphones,
electronic
instruments
and
line-level
sources,
or a
creative
blend
of
the
two,
the
МТІ0ОП
makes
the
process
of
building
tracks
extraordinarily
smooth
and
simple.
You
can
simply
record
and
remix
four
tracks,
or
use
the
multitrack
“ping-pong”
recording
technique
to
in-
dividually
record
up
to
ten
independent
parts
—
adding
sound layer
by layer
until
you
create
exactly
the
arrangement
and
texture
your
imagination
demands
with
its
ability
to
record
on
all
four
tracks
at
once,
or
in
any
conbination,
MT100II
is
the
ideal
choice
for
recording
bands
or
layering
tracks
at
home.
And,
because
it's
a
YAMAHA,
you
know
that
the
MTIOOII
will
give
you
the
very
finest
sound
quality
and overall performance
available.
In
order
to
make
use
of
the
MTIOOII's
many
features
and
obtain
maximum
performance,
we
urge
you
to
read
this
operation
manual
thoroughly
—
and keep
it
in
a
safe
place
for
later
reference.
CONTENTS
PRECAUTIONS ......................................... 1
THE CONTROLS AND CONNECTORS ..................... 2
MT100II CONTROLS AND THEIR FUNCTIONS .................. 2
CONNECTION EXAMPLES ............................... 8
ABOUT CASSETTE ТАРЕ8............................... 9
THE RECORDING PROCESS ............................ 10
RECORDING THE FIRST TRACK ......................... 11
STEP 1: CHANNEL-TO-TRACK ASSIGNMENT ................. 11
STEP 2: MONITOR SETUP .................................. 12
STEP 3: SETTING RECORDING LEVELS ...................... 13
ЗТЕРИ RECORD nn nn 13
OVERDUBBING: с. oro cx ne ew oe ee 14
PING-PONG RECORDING ............................... 15
A PING-PONG RECORDING EXAMPLE ....................... 16
MIXDOWN weh wa wx rs sats eas bie deb ied бата 17
USING THE GRAPHIC EQUALIZER ....................... 18
USING THE TAPE OUT JACKS .......................... 19
USING THE AUX SEND/RETURN LOOP ................... 20
PUNCH-IN/OUT RECORDING ............................ 21
MAINTENANCE `. "rre 22
SPECIFICATIONS ana u 23
BLOCK DIAGRAM ..................................... 77

PRECAUTIONS
.
AVOID
EXCESSIVE
HEAT,
HUMIDITY,
DUST
AND
VIBRATION
:
Keep
the
unit
away
from
locations
where
it
is
likely
to
be
exposed
to
high
temperatures
or
humidity
—
such
as
near
radiators,
stoves,
etc.
Also
avoid
locations
which
are
subject-
to
excessive
dust
accumulation
or
vibration
which
could
cause
mechanical
damage.
,
. AVOID PHYSICAL SHOCKS
Strong
physical
shocks
to
the
unit
can
cause
damage.
Handle
it with
care.
.
DO
NOT
OPEN
THE
CASE
OR
ATTEMPT
REPAIRS
OR
MODIFICATION
YOURSELF
This
product
contains
no
user-serviceable
parts.
For
other
than
routine
cleaning,
refer
maintenance
to
qualified
YAMAHA
personnel.
Opening
the
case.
and/or
tampering
with
the
internal
circuitry
will
void
the
warranty.
.
MAKE
SURE
POWER
IS
OFF
BEFORE
MAKING
OR
REMOVING
CONNECTIONS
Always
turn
the
power
OFF
prior
to
connecting
or
discon-
necting
cables.
This
is
important
to
prevent
damage
to
the
unit
itself
as
well
as
other
connected
equipment.
. HANDLE CABLES CAREFULLY
Always
plug
and
unplug
cables
—
including
the
AC
cord
—
by
gripping
the
connector,
not
the
cord.
6.
CLEAN WITH A SOFT DRY CLOTH
Never use solvents such as benzine or thinner to clean the
unit. Wipe clean with a soft, dry cloth.
. ALWAYS USE THE CORRECT POWER SUPPLY |
The MT100II should only be powered using the supplied
YAMAHA PA100 AC Adaptor. The use of other adaptors
can cause serious damage to the МТ100П.
. KEEP THE HEADS AND TAPE PATH CLEAN
To ensure consistent high performance and sound quality
from your MT10OII, it is important to clean the head and
tape path regularly (ideally before each recording session).
To do this, use a cleaning kit specifically designed for use
with cassette tape equipment. |
. USE ONLY HIGH-QUALITY CHROME CASSETTE
TAPE
“Тһе МТ100П is designed for use with CrO2 (chrome) formu-
lation tape, and will not provide proper performance with
any other type of tape. Always choose cassette tapes from
a reliable manufacturer.
IMPORTANT
NOTICE
FOR
THE
UNITED
KINGDOM
Connecting
the
Plug
and
Cord
IMPORTANT.
The
wires
in
this
mains
lead
are
coloured
in
accordance
with
the
following
code:
BLUE
NEUTRAL
BROWN
:
LIVE
As
the
colours
of
the
wires
in
the
mains
lead
of
this
apparatus
may
not
correspond
with
the
coloured
markings
identifying
the
terminals
in
your
plug
proceed
as
follows:
|
The
wire
which
is
coloured
BLUE
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
N orcoloured
BLACK.
The
wire
which
is
coloured
BROWN
must
be
connected
to
the
terminal
which
is
marked
with
the
letter
L or
coloured
RED.

THE CONTROLS AND CONNECTORS
— CONTROL PANEL —
11111 нё
2 т
оф Фф ФФФФ
—— FRONT PANEL —
MIC/LINE 1 MIG/LINE 2 MIC/LINE 3 MIC/LINE 4 PHONES PUNCH Loo
2 МТ100П MULTITRACK CASSETTE RECORDER.
20

a
ne
MT100II
CONTROLS
AND
THEIR
FUNCTIONS
[Note]
The
terms
“channel”
and
"track":
In
this
owner's
manual,
the
term
"channel"
refers
to
the
circuitry
and
controls
required
to
process
one
input
source.
MT100IT's
mixer
section
has
four
"channels."
The
term
"track"
refers
to
the
magnetic
bands
on
tape
used
to
store
signals
recorded
by
MT100II's
recorder
section.
Since
MT100I
records
four
separate
bands
of
audio
on
tape,
it
is
a
four-"track"
recorder.
|
Ф INPUT SELECT Switches `
The
INPUT
SELECT
switches
are
used
to
select
the
input
source
for
each
of
the
four
channels.
TAPE:
Select
this
position
to
play
back
already
recorded
material.
When
selected,
mixer
channel
1
will
receive
playback
from
track
1;
channels
2,
3,
&
4
will
receive
tracks
2,
3,
&
4
respectively.
OFF:
In
this
position,
the
channel
receives
no
input
signal.
MIC/LINE:
In
this
position,
the
channel
can
receive
a
microphone,
keyboard,
or
other
line-level
signal
which is connected to the input jack.
[Note]
All
channels
which
are
not
in
use
should
be
set
to
"OFF"
position.
Ө MIC/LINE Gain Controls
The
gain
controls
adjust
the
sensitivity
of
the
channel
in-
puts
to
accept
a
wide
range
of
signal
levels
—
from
line
to
.
microphone.
The
gain
controls
are
used
in
conjunction
for
the
input
faders
to
set
the
optimum
recording
level
with
a
wide
range
of
sources
(see
"SETTING
RECORDING
LEV-
ELS"
on
page
13).
|
[Note]
A
gain
control
only
affects
the
level
of
the
signal
connected
to
the
input
jack.
Ө Input Faders
The
input
faders
are
used
to
adjust
the
level
(volume)
of
ihe
corresponding
mixer
channels
signal,
whether
it
comes
from
a
source
plugged
into
an
input
jack
or
from
the
MT100II’s
recorder
section.
(The
INPUT
SELECT
switches
are
used
to
choose
between
the
two.)
The
faders
are
used
to
set
up
the
optimum
levels
when
recording,
and
to
balance
(mix)
the
sound
from
the
recorder’s
tracks
when
playing
back
a
recording.
Noise
and
distortion
are
at
their
lowest
at
input
fader
level
у",
:
Ө REC SELECT Switches |
The
REC
SELECT
switches
are
used
when
recording
to
assign
(send)
the
signal
from
each
mixer
channel
either
directly
to
the
corresponding
track
of
the
recorder
or
to
a
different
track
via
the
PAN
controls
(see
“CHANNEL-TO-
TRACK
ASSIGNMENT”
on
page
11).
[Note]
When
any
of
the
REC
SELECT
switches
are
set
to
a
position
other
than
OFF,
.the
red
indicator
LED
above
the
transport
REC
button
will
flash,
indicating
that
the
MT100I
is
set
up
to
record.
Recording
will
commence
when
the
transport
REC
and
PLAY
but-
tons
are
pressed
simultaneously.
If
all
REC
SELECT
switches
are
set
to
OFF,
the
unit
will
not
record
even
if
the
transport
REC
and
PLAY
buttons
are
pressed.
OPAN Controls
The
PAN
controls
assign
the
signal
from
the
correspond-
ing
mixer
channel
to
any
desired
position
in
the
"stereo
sound
field".
If
à
PAN
control
is
set
to
the
maximum
"LEFT"
position,
the
signal
from
that
channel
will
appear
only
at
the
left-channel
MT100II
output
(STEREO
OUT
L).
If
the
PAN
control
is
set
fully
RIGHT,
the
signal
will
appear
only
at
the
STEREO
OUT
R
output
jack.
If
a
PAN
control
is
set
to
its
center
position,
then
the
signal
from
that
chan-
nel
will
appear
equally
at
both
the
left-
and
right-channel
outputs,
and
the
sound
will
appear
to
come
from
the
cen-
ter
of
the
stereo
sound
field,
a
point
midway
between
the
two
stereo
speakers.
By
varying
the
level
of
the
signal
sent
to
the
left-and
right-channel
outputs,
the
PAN
control
can
be
used
to
position
the
sound
at
any
point
in
the
stereo
spectrum.
The
PAN
controls
can
also
be
used
dur-
ing
recording
to
assign
the
signal
from
several
channels
to
a
single
track
of
the
recorder
section,
or
to
assign
a
chan-
.
nel
to
a
differently-numbered
recorder
track
(see
"CHAN-
NEL-TO-TRACK
ASSIGNMENT"
on
page
11).
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@ AUX SEND Controls
The AUX SEND conirols are used primarily when adding
effects such as reverberation or echo to the sound of a
channel or track. The AUX SEND control on each mixer
channel determines the amount of signal from that chan-
nel sent to the AUX SEND jack. The AUX SEND jack must
be connected to the input of an external signal processor
such as the YAMAHA ҒХ500 Simul-effect Processor (see |
"USING THE AUX SEND/RETURN LOOP” on page 20).
@ AUX RETURN Control
The AUX RETURN control determines the level at which
the signal from an external signal processor is returned
and mixed in with the МТ100Пз main stereo output signal.
The output from an external signal processor fed by the
AUX SEND jack must be connected to the AUX RETURN
jack(s) (see “USING THE AUX SEND/RETURN LOOP” on
page 20).
G MONITOR SELECT Switch
MONITOR: This position is selected to listen to the four
tape tracks. [n this position a mix from the four
MONITOR controls is sent to the PHONES jack and
the MONITOR OUT jack.
MIX: This position is selected to hear a combination of the
four tape tracks and input sources connected to the
input jacks. The mix from the MONITOR controls is
combined with the stereo output from the mixer sec-
tion and sent to the PHONES jack and MONITOR
OUT jack.
STEREO: This position is selected to monitor the stereo.
output from the mixer section. In this position, the
mix sent to the MONITOR OUT jack and PHONES
jack is the same mix that is sent to the STEREO
OUT jacks.
© MONITOR Controls 1 — 4
The four MONITOR controls determine the level of the
signal from the corresponding recorder tracks which is
sent to the PHONES jack and MONITOR OUT jàcks when
the MONITOR SELECT switch is set to either "MONITOR"
or "MIX." The MONITOR controls are primarily used to set
up the optimum levels for monitoring recorded tracks while
recording new material (overdubbing).
Ф) MONITOR/PHONES Control
This control is used to set headphone and control room lis-
tening level. It adjusts the level.of signal sent to the
PHONES jack and MONITOR OUT jacks with out affecting '
the signal level appearing at the STEREO OUT jacks.
4 | МТ100П MULTITRACK CASSETTE RECORDER `
Ф МАЅТЕВ Fader
The MASTER fader sets the overall output level of the
MT100IL mixer section, and thus the level of the output
signal appearing at the STEREO OUT jacks. The MAS-
TER fader also affects recording level when any of the
mixer section’s channels are assigned to the recorders
tracks via the PAN controls (see “SETTING RECORDING
LEVELS” on page 13).
(LED Peak Meters
The four LED peak meters accurately display output levels
from the MT100II's four recorder tracks when the METER
switch is set to “4 TRACK", or meters 1 and 2 display the
level of signals appearing at thé mixer section's stereo
outputs (the STEREO OUT jacks) when the METER
switch is set to "STEREO."
The LED peak meters are a guide for setting up the opti-
mum recording levels. (see "SETTING RECORDING LEV-
ELS" on page 13).
Ф METER Switch
When the METER switch is set to "STEREO," meters 1
and 2 display the level of signals appearing at the mixer
section's stereo outputs (the STEREO OUT jacks). When
set to "4 TRACK," the four LED peak meters display the
level of the corresponding recorder track signals.
abx ON/OFF Switch
The dbx switch determines whether the MT 00П в internal
dbx noise reduction system is ON or OFF. For normal
recording and playback using the MT10OII , the dbx switch
should be turned ON. This provides a significantly im-
proved signal-to-noise ratio (as much as 85 dB) so your
recordings will sound cleaner and have much less tape
hiss. | |
For dbx noise reduction to be effective, it must be turned
ON both during recording and playback. | |
The dbx switch тау. Бе turned OFF when playing back
tapes that were recorded on other equipment and which
are not dbx-encoded.
ZERO STOP Switch
When the transport is in rewind, the ZERO STOP function
automatically stops the tape at a specified location.
To set the ZERO STOP point, play the tape to the desired
location and reset the tape counter to ZERO by pressing
the counter reset button. In rewind, with the ZERO STOP
switch “ON”, the transport will stop when the tape counter
reaches 999. This is particularly handy in the multitrack
“overdub” process when it is necessary to repeatedly re-
wind the tape and play from the same point. |

DTAPE SPEED Switch
The
TAPE
SPEED
switch
selects
either
the
standard
4.8-
cm/sec
cassette
tape
speed,
or
the
MT100II’s.
special
9.5-
cm/sec
high
tape
speed.
Use
the
standard
(4.8)
speed
when
replaying
tapes
recorded
on
standard
cassette
re-
corders,
or
to
obtain
maximum
tape
economy.
When
you
want
maximum
sound
quality,
use
the
high
(9.5)
tape
speed.
The
improvement
in
sound
quality
provided
by
the
high
tape
speed
is
significant,
and
we
recommend:
that
you
use
the
high
speed
for
all
important
recordings.
[Note] Never change the TAPE SPEED setting while the
tape is running.
(D PITCH Control
The PITCH control varies tape speed by +10%, извива it.
possible to "tune" material recorded on the МТ100П to
match the pitch of musical instruments, or to slightly
lengthen or shorten the running time of a recording to
meet specific timing requirements. Tape speed is normal
when the PITCH control is set to its center click-stop posi-
tion. Tape speed is increased by sliding the control to-
wards the “+” end of the scale, and decreased by sliding
the control towards the "—" end of the scale.
(DEQ Switch
This switch turns the graphic equalizer on and off.
Ф Graphic Equalizer
An equalizer is used to tailor the signal to help it stand out
or integrate into a mix. MT100If's graphic equalizer is a
powerful signal shaping tool which allows you to augment
or attenuate signal components up to 10 dB in five fre-
quency bands. The graphic equalizer can be switched ON
to enhance signals as they are recorded on tape, and
again in playback.
[Note] When switched ON, the graphic equalizer can affect
signals being routed to tape via the PAN controls
when the REC SELECT switches which are set to “L”
or "R". The graphic equalizer will not affect signals
being routed to tape via REC SELECT switches
which are set to "1 — 4
@ Transport Controls
These light touch electronic transport controls provide
smooth, sure control of the tape transport functions.
REC: In conjunction with the PLAY button, activates
MT100II record circuitry. Recording is only possible
when one or more of the REC SELECT switches are
set to a position other than OFF. If all the REC SE-
LECT switches are set to OFF, the red REC indicator
LED will flash when the REC button is pressed, and
the orange PAUSE indicator will light. If any ВЕС SE- |
LECT switche is set to a position other than OFF, the
red REC indicator. and the orange PAUSE indicator
will light continuously. From the REC/PAUSE mode it
is necessary to press the PLAY button to start the
transport running. Actual recording will begin if at
least one track REC SELECT button is set to a posi-
tion other than OFF. If not, the transport will run in a
record/ready mode until a REC SELECT switch is set
to a position other than OFF.
[Note] Only tracks for which the REC SELECT switch is
set to a recording position will be recorded when the
RECORD mode is activated.
[Note] The RECORD mode cannot be activated if a cas-
sette is loaded from which the record-prevention tab
has been removed.
PLAY: Starts the transport running in the PLAY mode. The
green PLAY indicator LED will light to indicate PLAY
status.
REW (REWIND): Press this button the rewind the tape. If
the ZERO STOP switch is ON, the tape will stop
rewinding when the counter reaches "999."
FF (FAST FORWARD): Press this button the wind the tape
ahead at high speed. When this button is pressed
while in the PLAY mode, the audio will be heard as
the tape winds ahead at high speed.
STOP: Immediately stops the transport and/or defeats the
RECORD mode.
PAUSE: Temporarily stops playback or recording. The or-
ange PAUSE indicator LED will light when the
PAUSE mode is active. Press the PLAY button to
disengage the PAUSE mode and continue ROUES
or recording.
@ Tape Counter and RESET Button
This three-digit tape counter provides a handy index of
tape position. It's a good idea to write down the counter
readings for important points of a recording, so you can
locate them easily afterwards. The RESET button resets
the counter to "000" at the current tape position. This is a
useful function when used in conjunction with the ZERO
STOP switch to identify specific positions on the tape.

@ Cassette Compartment
Your cassette tape is loaded here. Use only high-quality
chrome (CrO2) formula cassette tape. Other tape formula-
tions will not provide optimum frequency response and sig-
nal-to-noise performance.
A "lifter-tab" is provided at the right side of the cassette
compartment cover. Lift the cover using this tab. Hold the
cassette with the open end (the end at which you can see
tape) facing the transport controls. First, press the rear
edge of the cassette DOWN and UNDER the central retain-
ing finger at the rear of the cassette compartment. Then
gently press the front-of the cassette DOWN to seat the
cassette in place. (SEE DIAGRAM)
[Note] Since the MT100II uses the entire width of the.cas-
sette tape to record four tracks, the cassette can only
be recorded on one side. Never change the TAPE
SPEED setting while the tape is running.
@ MIC/LINE Input Jacks 1 — 4
These four input jacks accept signals from microphones, or
from line-level sources including, electronic keyboards,
electric guitars and basses and tape players. The four.
channel inputs are standard monaural 1/4" phone jacks.
When a source is plugged into one of these jacks, its signal
is sent to the corresponding channel of the MT100II's
mixer.
6 MT100Il MULTITRACK CASSETTE RECORDER
@ PHONES Jack
Any pair of stereo monitor headphones with an impedance
of between approximately 8 and 40 ohms can be plugged
into this jack. Headphone monitoring is the. most conven-
ient way to listen to the MT100II’s various signals. High-
quality headphones such as the YAMAHA RH5M or
MH100 are ideal for this purpose.
(9 PUNCH I/O Footswitch Jack
An optional YAMAHA FS-1 Footswitch can be connected to
this jack to permit foot-controlled punch-in and punch-out
recording (see "PUNCH-IN/OUT RECORDING" on page
21).
Ф AUX SEND Jack
Ф AUX RETURN R and L(MONO) Jacks
The AUX SEND and RETURN jacks make it simple to use
an external signal processor (such as the YAMAHA FX500
Simul-effect Processor) to add effects to МТ100П signals.
The AUX SEND jack should be connected to the input of
your signal processor, and the output from your signal
processor should be connected to the AUX RETURN jack.
If your signal processor produces only monaural output, it
should be connected to the L (MONO) AUX RETURN jack
(see “USING THE AUX SEND/RETURN LOOP” on page
20).
@ TAPE OUT Jacks 1 — 4
The four TAPE OUT jacks are direct outputs from the cor-
responding tracks of the MT100II recorder. These RCA pin
type jacks make it possible to feed the output from the four
recorder tracks to an external mixing console. The TAPE
OUT jacks can also be used to feed each of the recorder's
tracks to external signal processors, the output of which
can then be returned to the MT100II's mixer inputs.
@® STEREO OUT R and L Jacks
These are the main outputs from the MT10OII, delivering
the stereo output signal from the МТ100П mixer section.
The- RCA pin-type STEREO OUT jacks can be connected
to a stereo sound system for monitoring and listening. You
can record a mixdown of your tape tracks when these jacks
are connected to the inputs of a stereo recorder. `
Ф MONITOR OUT R and L Jacks
These jacks output the same signal fed to the PHONES
jack (at line level). Control the level (volume) of the output
using the MONITOR/PHONES control. The MONITOR
OUT jacks can be connected to a stereo sound system for
monitoring and listening. They are RCA pin type jacks.

«POWER Switch
Press the POWER switch once to turn power ON, a second
time to turn power OFF. When the power is ON, the
POWER LED above the LED peak meters on the MT10OII
top panel will light. Make sure that the input faders are set
to "0" and the AUX RETURN level control is set to “MIN”
before turning power on. |
[Note] A muting function operates for five seconds after
power is initially turned on, after which the recorder
can be operated.
Фос IN Jack (DC12V)
The DC output cord from the YAMAHA PA100 AC Adaptor
supplied with the MT100II should be plugged in here. Тһе
AC Adaptor should be plugged into a convenient AC wall
outlet. —
Caution: Use only a YAMAHA PA100 AC Power Adaptor
to power your МТ100П. Other AC adaptors can cause
faulty operation, and may even permanently damage your
MT100II.

CONNECTION EXAMPLES
— BASIC CONNECTIONS —
* Make sure the power to all equipment is OFF when making connections.
Monitor Power Amp/Speaker
Stereo cassette deck
to be used for mixdown
mm
External effect unit for
reverberation and/or delay
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MONITOR 2
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Instruments
(Electric guitar, bass,
keyboard, microphone, etc.)
8 | MT100II MULTITRACK CASSETTE RECORDER