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  9. Yamaha MC-Series User manual

Yamaha MC-Series User manual

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p
1.
om
merces
rr
sam
РУДНИК
oA
d—nesl
AL
к
аж
+.
umerena
ym
ermee
t
YAMAHA
-
MC-Series
Mixing
Consoles
|
Tables
de
mixage
de
la
série
MC
мноо
ааг
сег!
Me-
Serie
Operating
Manual
Manuel
d'utilisation
Bedienungsanleitung
MC1602
Congratulations!
You
are
the
proud
owner
of
a
Yamaha
MC-series
Mixing
Console.’
Whether
you
chose
the
8,
12
or
16-channel
model,
your
Yamaha
mixing
console
is
a
high-quality
product
that
will
give
you
superior
performance
in
a
wide
range
of
applications.
In
|
addition
to
offering
a
versatile
mixing
system,
the
MC-series
consoles
offer
electron-
ically
balanced
inputs
and
stereo
outputs
to
maintain
optimum
‘signal
quality
over
long
cable
runs,
a
versatile
3-band
equalizer
with
sweepable
mid-frequency
EQ.
on
each
input
channel,
three
independent
AUX
.submix
systems
for
external
effects.
routing
or
additional
power
amplifier
feeds,
cue
switches
for
independent
monitor-
ing
of
all
input
channels
and
busses,
and
a
built-in
talkback
system
for
convenient
communication.
mE
М
Of
course,
the
MC-series
mixing
consoles
also
offer
the
high
standard
of
quality
and
great
sound
that
Yamaha
is
famous
for.
We
urge
you
to
read
this
operation
manual
thoroughly
in
order
to
make
the
most
of
the
mixer’s
many
features
and
controls:
1
—
—
——
CONTENTS
PRECAUTIONS
elle
"m
el
vies.
2
FRONT
PANEL
CONTROLS
......
и...
3
їприї
Сћаппеб........
ә
зз:
~
A
Ses.
3
.
Master
Control
Section:
DENEN
TE
-
..
6
REAR
PANEL
CONNECTORS
AND
CONTROLS
.
9
APPLICATION
EXAMPLE
.....
0.5.00
cre
ee
ey
11.
ВЕОСК
О!АбВАМ
.................1.......
12.
LEVEL
DIAGRAM...
iere
Rees
18.
DIMENSION
CHART
....
ee
iere
13
SPECIFICATIONS
...
ies.
14
SERVICE
es
ce
D
reels
15
а
а
aA
aa
A
уље
sol
PRECAUTIONS
.
AVOID
EXCESSIVE
HEAT,
HUMIDITY,
DUST
AND
VIBRATION
Keep
the
unit
away
from
locations
where
it
is
likely
to
be
exposed
to
high
temperatures
or
humidity—such
as
near
radiators,
stoves,
etc.
Also
avoid
locations
which
are
subject
to
excessive
dust
accumulation
or
vibration
which
'
could
cause
mechanical
damage.
.
AVOID
PHYSICAL
SHOCKS
|
Strong
physical
shocks
to
the
unit
can
cause
damage.
Handle
it
with
care.
.
DO
NOT
OPEN
THE
UNIT
OR
ATTEMPT
REPAI
RS
OR
MODIFICATIONS
YOURSELF
This
product
contains
no
user-serviceable
parts,
Refer
all
maintenance
to
qualified
Yamaha
service
personnel.
Open-
ing
the
unit
and/or
tampering
with
the
internal
circuitry
will
void
the
warranty.
.
MAKE
SURE
POWER
!S
OFF
BEFORE
MAKING
OR
REMOVING
CONNECTIONS
Always
turn
the
power
OFF
prior
to
connecting
or
dis-
connecting
cables.
This
is
important
to
prevent
damage
to
the
unit
itself
as
well
as
other
connected
equipment.
5.
HANDLE
CABLES
CAREFULLY
Always
plug
andunplug
cables—including
the
AC
cord—by
gripping
the
connector,
not
the
cord,
.
CLEAN
WITH
A
SOFT
DRY
CLOTH
Never
use
solvents
such
as
benzine
or
thinner
to
clean
the
unit,
Wipe
clean
with
a
soft,
dry
cloth.
7.
ALWAYS
USE
THE
CORRECT
POWER
SOURCE
Make
sure
that
the
power
source
voltage
specified
on
the
rear
panel
matches
your
local
AC
mains
supply.
U.S.
&
Canadian
Models:
120V
AC,
60Hz
General
Model:
110
—
120/220
—
240
V
AC,
50/60Hz
‘FRONT
PANEL
CONTROLS
Input
Channels
Leo]
2088
(
и
}
2
720
лм
780
О
3
А
1
FR
G
>
a
i
&n
E
Е
су:
у
+
о
ЕЯ
yd
5
o
m
D
Пол
y!
С
|
_
М,
У
1
&n
E
=
[—
5х
<
т
EM
e
>>
|
х
ас
о
=
о
S
PS
bacy
p
о
=
о
КУ
М
=
LU
|
X
M
№
о
e
Ox
uw
о
M
ШИ
="
=>)
г
im"
|
m
i
ИНИНИНИНИН
АВА
И
р
ть
Ф
оо
|
LL
ала.
—
^
Q9
PAD
Switch
This
switch
attenuates
the
signal
applied
t
input
circuitry
when
receiving
high-level
signals.
@
GAIN
Control
This
control
adjusts
the
input
sensitivity
of
each
input
channel
between
—60
dB
(0.775
mV)
and
—20
dB
(77.5
mV)
when
the
PAD
switch
is
OFF
(between
—40
dB
and
0
dB
when
the
PAD
switch
is
ON).
Continuously
variable
gain
control
allows
optimum
matching
with
virtually
any
microphone
or
fine
source.
@
CLIP
LED
Indicator
The
CLIP
indicator
LED
lights
when
the
post-EQ
signal
of
the
corresponding
channel's
input
reaches
a
level
3
dB
below
the
clipping
level
of
the
channel's
circuitry.
If
the
CLIP
indicator
lights
more
than
only
briefly
on
high-level
transients
it
is
necessary
to
decrease
the
input
sensi-
tivity
of
the
channel
using
the
GAIN
control
and
PAD
switch
or,
if
this
does
not
provide
sufficient
attenuation,
to
reduce
the
output
level
of
the
source
connected
to
that
channel's
input.
@
3-band
Equalizer
The
equalizer
section
provided
on
each
input
channel
comprises
shelving
LOW
and
HIGH
con-
trols,
and
a
peaking
MID
control
with
a
MID
FREQ
control
that
permits
sweeping
the
midrange.
center
frequency
from
350
Hz
to
5
kHz.
[HIGH
|
-15dB
|
10kHz
^
^
|
Shelving
Maximum
4150B
|
0.35~5kHz
=n
E
1373
ГГ
al
SALT
TIP
ИИ
||
УГЕ
А
Есенина
К
mmHg
T
TTNA
RESPONSE
(68)
о
x
/
4,
DK
LLLA
У
ИЦ
О
46887,
|
Љ
ГЕ
|;
АТМ
У
АЕК
А
ШИ
ТД
ТА
ГР
NEL
SRI
LL
L
Lir
13
D
i
PL
ik
јок
FREQUENCY
(Hz)
|
|__|
ы
ENND
LET
Vee
Г
AFE
H
o
the
corresponding
rear-panel
H1-Z
or
LO-Z
input
by
20
dB
prior
to
the
head,
amplifier
and
input
gain
control.
The
PAD
switch
effectively
increases
the
range
of
input
signal
levels
that
can
be
handled
by
the
mixer,
preventing
overloading
of
the
ET
о
AUX
Controls
(1,
2
&
3)
The
MC-series
mixing
consoles
Have
three
independent
AUX
busses
which
are
-fed
by
the
corresponding
AUX
controls
on
the
input
channels,
Each
AUX
contro!
determines
the
level
of
the
signal
sent
from
that
channel
to
the
correspondingly
numbered
AUX
mixing
buss,
which
in
turn
feeds
the
correspondingly
numbered
AUX
SEND
control
and
AUX
SEND
jack
on
the
console’s
rear
panel.
The
AUX
controls
can
be
used
to
determine
the
amount
of
signal
from
the
corresponding
input
channel!
sent
to
external
effect
devices
or
power
amps
fed
by
the
AUX.
SEND
jacks,
|
AUX
1
is
factory
pre-wired
for
pre-EQ/pre-fader
operation,
so
the
AUX
1
signal
is
not
affected
by
the
setting
of
the
channel
EQ
controls
or
fader,
An
internal
jumper
allows
the
AUX
1
control
to
be
rewired
for
post-
EQ/post-fader
operation.
*
AUX
2
and
AUX
3.are
factory
pre-wired
for
post-EQ/post-fader
operation,
so
the
AUX
2
and
AUX
3
signals
are
affected
by
the
setting
of
the
channel
EQ
controls
and
fader.
Internal
jumpers
allow
the
AUX
1
control
to
be
rewired
for
pre-EQ/pre-fader
operation.
An
internal
POST
EQ
jumper
allows
the
AUX
controls
to
be
further
re-configured
for
post-EQ/pre-fader
operation.
|
*
REFER
THE
ABOVE-MENTIONED
REWIRING
JOBS
TO
QUALIFIED
YAMAHA
SER-
VICE
PERSONNEL!
PAN
Pots
The
PAN
pot
determines
the
position
in
the
stereo
sound
field
at
which
the
sound
from
that
channel
is
heard,
Rotated
fully
counterclockwise
the
channel
signal
will
be
delivered
from
the
left
stereo
output
only,
and
will
be
heard
at
the
far
left
of
the
sound
field,
If
the
PAN
pot
is
turned
fully
clockwise,
the
sound
from
that
channel
will
appear
at
the
far
right
of
the
stereo
sound
field,
If
the
PAN
pot
is
set
at
its
center
position,
the
channel
signal
will
be
sent
equally
to
both
the
left
and
right
channels,
causing
the
sound
to
appear
at
the
center
of
the
sound
field.
Intermediate
PAN
pot
settings
cause
the
sound
to
be
heard
at
the
corresponding
position.
@
CUE
Switch
When
the
CUE
switch
is
pressed,
the
pre-EQ/pre-fader
signal
from
that
channel
is
fed
to
the
PHONES
output
via
the
CUE/PHONES
level
control.
The
channel
cue
signal
will
be
added
to
any
other
active
cue
signal,
If
you
want
to
monitor
only
the
signal
from
a
single
channel,
make
sure
all
other
CUE
switches
are
turned
OFF.
Q
Channel
Fader
|
|
This
is
the
main
level
control
for
each
input
channel.
It
determines
the
level
of
the
signal
sent
from
the
corresponding
input
charinel
to
the
master
stereo
buss.
The
settings
of
the
input
channel
faders
determine
the
"mix"
or
balance
of
sound
levels
between
the
instruments
or
.
other
sources
connected
to
the
inputs.
*
If
a
channel
is
not
being
used,
its
fader
should
be
set
to
the
minimum
position
to
prevent
unwanted
noise
from
being
added
to
the
main
program
signal.
+48V
ond
DOFF
65
{PHANTOM
MASTER)
2
б a
a
[
Lo
2
5
RB
+
|
B
5
u
CH
MC802
CHI~
CH8
|
INPUT
CH
INSERT
Ie
-nm
©
MCI202
CHI~CHI2
ОРЕ
IN/OUT
INPUT
MCIG02
CHI-
CHIG
©
Mz
CERE]
o
|
НА
A
|
ON
20dB
-20~
-6048
CLIP
Lut)
=)
ве
[>
—
КУК
post
ФА
LOW
MID
HIGH
|
EQ3T
PRE
ee
boo
Y
TJ
(MID
FREQ)
оо
|
»
LEON
P
о
с
EQ
Teg
INI
10
Master
Control
Section
0
10
AUX
RTN2
STEREO
П
СОЕ
МЕТЕВ
©
=
=
wx
>
©
=
x
z
g
m
У
о
>
о
SEND?
>
co
X
B
с
га
‚н,
с
>
се
5
Xx
SENDS
о
=
ај
AUX/CUE
0
о
CUE/PHONES
.
Hp
|
1]
L
ИННИНИНННИИ
АДА
АНИ
STEREO
`
R
S
9
PHONES
mAÁÁ————————
5,3
19,
OPEAK
1
3
~,
VU
L
STR
о
AUX
SEND
(1,
2
&
3)
Controls
&
CUE
Switches
These
adjust
the
overall
output
level
of
the
auxiliary
-
“mixes”
set
up
using
the
AUX
1,
AUX
2
and
AUX
3
con:
trols
on
the
input
channels,
AUX
SEND
1
sets
the
overall
level
of
the
AUX
1
mix
signal
appearing
at
the
AUX
SEND
1
jack,
AUX
SEND
2
sets
the
overall
level
of
the
AUX
2
mix
signal
appearing
at
the
AUX
SEND
2
jack,
and
AUX
SEND
3
sets
the
overall
level
of
the
AUX
3
mix
appearing
at
the
AUX
SEND
3
jack.
These
controls
should
be
used
to
optimally
match
the
AUX
SEND
out-
put
level
of
the
mixing
console
to
the
input
sensitivity
of
the
effect
unit,
signal
processing
device
or
amplifier
used.
The
CUE
switches
associated
with
each
AUX
SEND
con-
,
trol
can
be
used
to
send
the
corresponding
AUX
SEND
signal
to
the
PHONES
jack
via
the
CUE/PHONES
level
control.
The
AUX
cue
signal
will
be
added
to
any
other
active
cue
signal.
If
you
want
to
monitor
only
the
signal
from
a
single
AUX
buss,
make
sure
al!
other
CUE
switches
are
turned
OFF.
Ф
AUX
ВТМ
1
&
AUX
RTN
2
Controls
These
controls
adjust
the
level
of
the
signal
received
at
the
·
rear-panel
AUX
RTN
jacks
and
mixed
into
the
main
stereo
program.
Since.
stereo.
AUX
returns
are
provided
(AUX
RTN
1
L
&
R,
AUX
RTN
2
L
&
R)
the
AUX
RE-
TURN
controls
simultaneously
adjust
the
level
of
the.
signals
appearing
at
the
corresponding
|.
and
R
return
inputs,
The
returned
L
and
R
channel
signals
are
sent
to
the
L
and
R
stereo
buss
lines.
If
only
a
single-channel
signal
is
returned
(i.e.
a
plug
is
inserted
into
only
the
L
or
R
return
jack),
the
signal
wil!
be
fed
to
both
the
L
and
R
channels
of
the
stereo
buss.
INPUT
|
`
|
|
k
=>
|
INPUT
[=
|
AUX
Y
[>>
У
2
SEND
Це
ашке
(+44В)
-
>>
EBz——
(Aux
SEND
3
CUE)
|
(AUX
SEND
3)
INPUT
E
KH
AUX
RTN
!
|
|
(+4dB)
+
aa
LR
`N
AUX
RTN
I
ES
f.
AUX
RTN
2
н
а
(+4dB)
ii
~
4
p
(AUX
RTN
2)
(D
Talkback
ON
Switch
Pressing
this
switch
activates
the
talkback
microphone
plugged
into
the
talkback
mic
connector,
allowing
voice
communication
from
the
console
operator
to
the
STEREO,
AUX
1,
AUX
2or
AUX
3
busses
according
to
the
setting
of
the
talkback
assignment
switches.
(D
TB
(Taikback)
Level
Contro!
Adjusts
the
level
of
the
talkback
signal
sent
to
the
selected
buss,
(B
Talkback
Microphone
Connector
This
female
XLR
type
connector
accepts
just
about
any
standard
50
~
600
ohm
microphone
for
talkback
pickup.
A
gooseneck-type
microphone
that
can
be
positioned
for
the
most
com-
fortable
operation
is
an
excellent
choice.
(D
Talkback
Assignment
Switches
(AUX
1/AUX
2/AUX
3/ST)
These
switches
allow
the
talkback
signal
to
be
fed
to
the
STEREO,
AUX
1,
AUX
2
or
AUX
3
busses.
Any
number
of
switches
may
be
ON
at
the
same
time,
so
you
can
"talk
back"
to
a
number
of
the
console's
busses
at
once,
=
STOUT
L
о
ST
OUT
R
‹влск
[63
TALKBACK
(3%
|
(sods)
|
>
>
So»
AUX
OUT
1
—о~о———=
АОХ
ОЏТ
2
(B
VU
Meters
and
METER
Assign
Switches
(AUX
1/AUX
2/AUX
3/CUE)
The
MC-series
mixing
console
feature
three
VU
meters
with
built-in
LED
peak
indicators
for
monitoring
signal
levels.
The
rightmost
meter
pair(L
—
ST
—
R)
continuously
monitors
signals
on
the
main
stereo
program
buss.
The
AUX/CUE
meter
can
be
switched
to
monitor
signals
on
the
AUX
1,
AUX
2,
AUX
3
or
CUE
busses
by
pressing
the
corresponding
METER
assign
switch.
:
‚ш
а
INPUT
AUX
SEND
1
AUX
SEND
2
AUX
1,
AUX
SEND
3
AUX
SEND
1
А
AUXYCUE
AUX
SEND
2
ћи
о
[+
AUX
SEND
3
e
Bio
“
с
(B
CUE/PHONES
Control
and
PHONES
Jack
The
CUE/PHONES
control
adjusts
the
level
of
the
cue
signal
sent
to
the
PHONES
jack
so
you
can
set
the
most
confortable
headphone
monitoring
level.
The
stereo
phone
jack
accepts
any
standard
stereo
headphones.
|
|
|
*
The
STEREO
cue
signal
appears
in
stereo
at
the
phones
jack,
while
the
channel
and
AUX
.
cue
signals
are
monaural.
|
INPUT
AUX
SEND
1
AUX
SEND
2
AUX
SEND
3
PHONES
CUE
/PHONES
()
STEREO
CUE
Switch
Turning
this
switch
ON
sends
the
main
stereo
program
buss
signal,
in
stereo,
to
the
stereo
PHONES
jack
via
the
CUE/PHONES
control.
The
STEREO
CUE
switch
can
normally
be
turned
ON
to
permit
headphone
monitoring
of
the
main
stereo
program,
but
it
must
be
turned
OFF
to
individually
monitor
input
channel
or
AUX
buss
cue
signals.
®
STEREO
Master
Faders
The
STEREO
master
faders
independently
adjust
the
level
of
the
left
and
right
channel
main
stereo
program
buss
signals
appearing
at
the
STEREO
OUT
connectors.
STEREO
L
FADER
INPUT
AUX
RTN
1
AUX
RTN
2-
ST
SUB
IN
ST
OUT
(+4dB)
o
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|
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|
U.S.
&
Canadian
models
d
D
23