Yamaha YFL412 User manual

ピッコロ / フルート 取扱説明書
Piccolo/Flute Owner’s Manual
Pikkoloöte/Queröte Bedienungsanleitung
Piccolo/Flûte Mode d’emploi
Flautín/Flauta Manual de instrucciones Español
Português
Français
Deutsch
English
日本語
中文
Русский
한국어
Piccolo/Flauta Manual de instruções
短笛 /长笛 使用手册
Пикколо/Флейта Руководство пользователя
피콜로 / 플루트 사용설명서
EN ZHESDE RUPTFR KOJA

2
You are now the owner of a high quality musical instrument. ank you for choosing Yamaha. For instructions on
the proper assembly of the instrument, and how to keep the instrument in optimum condition for as long as possible,
we urge you to read this Owner’s Manual thoroughly.
Agora você é o proprietário de um instrumento musical de alta qualidade. Obrigado por escolher a marca Yamaha.
Aconselhamos que leia cuidadosamente todo o manual do proprietário para ver as instruções de montagem
adequada do instrumento, bem como manter em ótimas condições de uso pelo máximo de tempo possível.
Sie sind nun der stolze Besitzer eines hochwertigen Musikinstruments. Vielen Dank, dass Sie sich für ein Instrument der Marke
Yamaha entschiedenen haben. Um mit den Handgrien zum Zusammensetzen und Zerlegen des Instruments vertraut zu werden
und dieses über Jahre hinweg in optimalem Zustand halten zu können, raten wir Ihnen, diese Anleitung aufmerksam durchzulesen.
衷心感谢您选购雅马哈乐器。
为了保证您能够正确组装乐器 , 并尽可能长时间地将您的乐器保持在最佳状态 , 我们建议您完整
地阅读使用手册。
Vous êtes dès à présent le propriétaire d’un instrument de musique de haute qualité. Nous vous remercions d’avoir choisi Yamaha. En
ce qui concerne les instructions relatives à un assemblage adéquat de l’instrument et sur la façon de garder l’instrument dans des
conditions optimales aussi longtemps que possible, nous vous conseillons vivement de lire entièrement le présent Mode d’emploi.
Поздравляем вас с покупкой высококачественного музыкального инструмента. Благодарим
за выбор инструмента Yamaha. Убедительно просим вас внимательно ознакомиться с данным
руководством, содержащим указания по сборке инструмента и надлежащему уходу за ним.
Usted es ahora propietario de un instrumento musical de alta calidad. Le agradecemos su elección de un instrumento Yamaha. Le aconsejamos
que lea todo este manual de instrucciones para ver las instrucciones para el montaje correcto del instrumento y para aprender a conservar el
instrumento en óptimas condiciones durante tanto tiempo como sea posible.
야마하 악기를 구입해 주셔서 감사합니다 . 악기의 알맞은 조립 방법 및 보관을 위해 본 사용
설명서를 반드시 읽어주시기 바랍니다 .
このたびは、ヤマハピッコロ / フルートをお買い上げいただき、まことにありがとうございます。
楽器を正しく組み立て、性能をフルに発揮させるため、また永く良い状態で楽器をお使いいた
だくために、この取扱説明書をよくお読みください。

17
Precautions Please read before using
Disobeying the points indicated with this mark
may lead to damage or injury.
Piccolo/Flute
Owner’s Manual
The precautions given below concern the proper and safe use of the instrument, and are to protect
you and others from any damage or injuries. Please follow and obey these precautions.
If children are using the instrument, a guardian should clearly explain these precautions to the child and make sure they
are fully understood and obeyed. After reading this manual, please keep it in a safe place for future reference.
■About the Icons
: This icon indicates points which should be paid attention to. : This icon indicates actions that are prohibited.
Caution
Do not throw or swing the instrument when others
are close by.
The mouthpiece or other parts may fall off hitting other
people. Always treat the instrument gently.
In regards to brass instruments with a plate finish, the color of the finish may change over time however, it
should be of no concern in regards to the instrument’s performance. Discoloration in its early stage can easily
be removed with maintenance. (As discoloration progresses, it may be difficult to remove.)
* Please use the accessories that are specified for use with the particular type of finish found on the instrument. Also, metal
polishes remove a thin layer of the finish’s top coat which will make the finish thinner. Please be aware of this before using
polish.
Keep the oil, polish, etc., out of children’s mouths.
Keep the oil, polish, etc., out of children’s reach and do
maintenance when children are not present.
any extreme conditions of temperature or humidity. Do-
ing so may result in damage to key balance, linkage, or
pads, resulting in problems during performance.
Take care not to disfigure the instrument.
Placing the instrument where it is unstable may cause
the instrument to fall or drop resulting in disfigure-
ment. Take care as to where and how you place the
instrument.
Accessories
● Cleaning rod ● Polishing Cloth ● Gauze
Be careful not to touch the pin springs during maintenance, etc.
The end of the pin springs found on high-end models is
sharpened to provide greater key action.
Keep small parts out of the reach of infants.
Your children may accidentally swallow them.
Be aware of climatic conditions such as temperature, humidity, etc.
Keep the instrument away from heat sources such as
heaters, etc. Also, do not use or store the instrument in

18
Nomenclature
■Piccolo ■Flute
Embouchure Hole
Embouchure Hole Embouchure Hole
Headjoint
Crown Body
Keys
Crown
Headjoint
Body
Keys
Footjoint
Crown
Headjoint
Body
Keys
Footjoint
Lip Plate

19
■Alto Flute ■Bass Flute
Crown Headjoint
Embouchure Hole
Lip Plate
U-Joint
Lip Plate
Crown
Headjoint
Embouchure Hole
Body
Keys
Footjoint
U-Joint
Keys
Footjoint
Body
Hand rest
Crown
Lip Plate Embouchure Hole
Headjoint

20
Before Playing the Instrument
■Cautions regarding wooden instruments
Some flute and piccolo bodies are made of natural wood (Grenadilla) so sudden changes in
temperature or humidity may result in cracking of the body or difficulty when connecting
the body sections together. For this reason, take into careful consideration the place and manner in
which the instrument is used.
• During winter, wait until the entire instrument has adjusted to room temperature before playing.
• When the instrument is still new, do not play it for long periods of time. Play it for about 20 to 30
minutes a day for approximately 2 weeks.
• Both during and after performance, remove moisture and dirt from the instrument whenever
possible.
Before assembling the instrument, please observe the following points.
• When holding or assembling the instrument, do not apply any excessive force to the keys.
• Wipe away any dirt or foreign matter from the joints before assembling.
• If you experience diculty connecting the joints together, apply a thin coat of cork grease to the
cork and try again (this applies to piccolo and bass utes only).
■Cautions regarding the joints
Before assembling the instrument, always wipe o any dust or grime from the joint sections of all parts.
• Headjoint (Wipe to remove dust and grime from the outside of the headjoint and in-
side of the body.)
•Footjoint (Wipe to remove dust and grime from the outside of the body and inside
of the footjoint.)

21
Ointments or creams containing sulfur (for acne, etc.) coming in contact with the
metal on the instrument can cause discoloration (the metal turns black or brown)
of the silver or silver plate. To prevent this, make sure that both hands and face are
clean before playing.
Key cap
■Using the ring key caps
For instruments with ring key caps, take care not
to loosen the caps. ese can be freely removed or
replaced to change the instrument’s tonal character
as you please.
■When not holding the ute
Piccolo/Flute/Alto Flute
Place the instrument with the keys facing up
on a stable surface.
Bass Flute
1. Turn the thicker end of the hand rest so it is at
a 90° angle to the performer.
2. Rest the instrument with its hand rest and
footjoint placed on a stable surface.
* Please realize that the angle at which the he-
adjoint is positioned may make the instru-
ment unstable. Hand rest

22
Flute
Taking care not to press the keys, attach the head-
joint to the body.
* Take care not grasp the lip plate on the head-
joint, and do not apply pressure to the keys on
the body or footjoint.
*Use a cloth to wipe o any dirt or foreign matter
from the joint sections before assembling.
Headjoint
Body
■Assembling the instrument
Piccolo
Headjoint
Body
Marks
Preparing to Play
Footjoint
Body
Marks
Taking care not to press the keys, connect the he-
adjoint to the body.
* Use the markings on the headjoint and body as
a guide for aligning the two sections.
* If you experience diculty attaching the joint
sections, apply a thin coat of cork grease to the
cork and try again.

23
2. Taking care not to press to the keys, hold the
body at its uppermost point, and the footjoint
by its lowest point, and attach the footjoint to
the body.
* Use a cloth to wipe o any dirt or foreign
matter from the joints before attaching.
If you experience diculty, hold the body in
the middle and try to attach it again.
* Take care not to apply unnecessary force to
the keys.
Body
Footjoint
Flute
(Curved Headjoint Models)
/Alto Flute/Bass Flute
1. Attach the U-joint to the main body. Align the
U-joint so that it is positioned slightly to the
left of the keys when looking at the keys from
directly above. Next, rotate the headjoint and
adjust the position (angle) of the embouchure
hole so that it aligns with your mouth.
* If you experience difficulty attaching the
joint sections, use a cloth or gauze to wipe
o any grime and try again.
For the bass ute, the next step is to attach the
hand rest to the instrument at a comfortable
angle.
* Take care not to tighten the handle too
rmly.
U-Joint
Body
Headjoint
Hand rest

24
Tuning
Since changes in temperature and humidity have an eect on the instrument’s pitch, blow some air through the instrument to warm it up before tuning.
1. Check the position of the tone reector.
As slippage in the tone reector’s position can eect the instru-
ment’s intonation, its position should be checked periodically.
Checking the position
Using the supplied cleaning rod accessory, insert it into the head-
joint and make sure that the line on the cleaning rod is centered
in the embouchure hole.
Should it be o center, either right or left, follow the instruc-
tions given on the next page to properly position the tone
reector.
Piccolo Alto Flute
Flute Bass Flute
Tone reector Cleaning rod
7.5mm
Tone reector Cleaning rod
26mm
Tone reector Cleaning rod
17mm
Tone reector Cleaning rod
40mm
Line on the cleaning rod

25
If the tone reector is out of alignment 2. After tone reector adjustment is complete, tune the instrument.
Piccolo/Flute
Tuning is accomplished by sliding the headjoint
slightly toward or away from the body.
* Pull out on the headjoint to lower the pitch
and push it in to raise the pitch.
Alto Flute/Bass Flute
On the alto and bass utes, tuning is accomplished
by sliding the U-joint slightly toward or away from
the body.
* Do not adjust the space between the headjoint and
U-joint. Doing so will degrade the pitch balance
making it dicult to tune the instrument.
Headcork
Crown
Body
U-joint
Headjoint
Headjoint Body
Headcork
Crown
When adjusting the tone reflector’s
position
Adjusting the tone reflector’s position requires
some skill and should be done by the dealer from
whom you purchased the instrument, rather than
by yourself.
When the tone reflector is too close to the
crown
Turn the crown counter-clockwise to loosen, and
then push the crown toward the headjoint moving
the tone reector to the right. Retighten the crown
after positioning the tone reector.
* If the cork has become worn or loose due to
tone reector slippage, replace the cork with a
new one (about once a year).
When the tone reector is too far from
the crown
Turn the crown clockwise to tighten, mov-
ing the tone reector to the left.

26
Maintenance
3. Rotate the body in the same direction that the
gauze is wrapped and wipe away moisture from
the instrument’s bore. Wipe away moisture
from the joint sections as well.
* Take extra care removing moisture from
wooden instruments. Moisture left in the
bore can result in cracking.
Cleaning rod
Gauze
■After playing the instrument
●Cleaning the body
1. Insert the corner of a gauze through the hole
at the end of the cleaning rod.
2. Wrap the gauze around the end of the clean-
ing rod, making sure no bare metal is exposed.
* Exposed metal can damage the interior of
the body.
Gauze
Gauze
Gauze

27
●Cleaning the exterior
Taking care not to apply pressure on the keys,
use a polishing cloth to wipe away ngerprints or
oil from the instrument’s exterior.
* When cleaning the keys, take care not to
damage the pads.
Cleaning paper
Powder paper
Polishing cloth
●Pad maintenance
1.While the pads are still wet, insert a piece of
cleaning paper between the pad and the tone
hole and completely remove moisture from
them.
2.If the pads are still sticky, use a piece of powder
paper to remove the stickiness.
Polishing cloth

28
■Maintenance required every two to three months
Be careful when using the key oil
e end of the oil spout is sharp and therefore can be a danger. Never touch the end of the spout
with your hand. Also, do not point the end of the spout toward your face. Oil can spray out of the
spout and possibly into your eyes.
Key oil
1.
Apply some key oil to the key mechanisms.
* Do not apply too much key oil.
* Completely remove any oil that gets onto
the surface of the keys or instrument.
2.After applying oil, move the key several times
to spread the oil evenly.
■Putting the instrument in its case
When closing the case, make sure there are no ob-
jects such as a gauze or cloth on top of the instru-
ment. Doing so may put unnecessary pressure on
the keys causing damage. Also, never leave a damp
cloth or gauze, etc., in the case.
First, wipe o moisture and dirt from the joints,
then place the headjoint into the case. Fit it into the
case snugly, without forcing.

29
Troubleshooting
e tone is not clear, or the instrument plays out of tune.
e tone reector may be out of alignment.
→If you couldn’t properly adjust the position of the reector, contact the dealer from whom you pur-
chased the instrument.
e pads and tone holes may be out of alignment or the pads may be worn.
ere may be a dent or some other deformation in the body of the instrument.
→Contact the dealer from whom you purchased the instrument.
e keys are sti and function poorly.
e spring may be dislodged.
→Take care and return the spring to its proper position.
Excessive force applied to the keys may have bent them.
→Contact the dealer from whom you purchased the instrument.
Too much oil may have been applied to the key mechanisms.
→Wipe away excessive oil from the key mechanisms. If that doesn’t improve key function, contact the
dealer from whom you purchased the instrument.
Attaching or removing the headjoint or footjoint is dicult.
ere may be dust or grime on the joint.
e body may have become deformed.
e headjoint may have been left attached to the body for a long period of time.
→Contact the dealer from whom you purchased the instrument.
e keys produce noise when played.
Felts or corks may be deformed.
Excessive force applied to the keys may have bent them.
→Contact the dealer from whom you purchased the instrument.
e key mechanisms may be worn.
→Apply some key oil to the key mechanisms. If that doesn’t improve key function, contact the dealer
from whom you purchased the instrument.
Screws may have come loose.
→Re-tighten the screws.

125
: 押さえる /Close/Geschlossen/Fermé/Cerrado/Fechado/ 按下 /Закрыто/닫기 : 放す /Open/Oen/Ouvert/Abierto/Aberto/ 松开 /Открыто/열기
フ ィン ガ リン グ チ ャ ート /Fingering Chart/Gritabelle/Tableau des doigtés/Gráco de digitado/Gráco de digitação/ 指法表 /Аппликатура/운 지법

126
: 押さえる /Close/Geschlossen/Fermé/Cerrado/Fechado/ 按下 /Закрыто/닫기 : 放す /Open/Oen/Ouvert/Abierto/Aberto/ 松开 /Открыто/열기
フ ィン ガ リン グ チ ャ ート /Fingering Chart/Gritabelle/Tableau des doigtés/Gráco de digitado/Gráco de digitação/ 指法表 /Аппликатура/운 지법

127
: 押さえる /Close/Geschlossen/Fermé/Cerrado/Fechado/ 按下 /Закрыто/닫기
: 放す /Open/Oen/Ouvert/Abierto/Aberto/ 松开 /Открыто/열기
★ アミかけはかえ指です。
★ 5 小節目以降の E-C#(Db) はオクター
ブ同じ運指です。
★ アルトフルートの実音は、記載より 4
度下になります。
★ バスフルートの実音は、記載より 1 オ
クターブ下になります。
★ ピッコロの実音は、記載より 1 オク
ターブ上になります。
★ Alternate ngerings are given with the shaded
examples.
★ For E to C#, starting at the 5th measure,
ngerings are the same for an octave higher.
★ The pitch actually produced by the alto ute is
a perfect 4th lower than marked.
★ The pitch actually produced by the bass ute
is an octave lower than marked.
★ The pitch actually produced by the piccolo is
an octave higher than marked.
★ Die schraferten Beispiele zeigen alternative
Griffe.
★ Für E bis C# entsprechen die Griffe ab dem 5.
Takt denen eine Oktave höher.
★
Die tatsächlich von der Altöte erzeugte Tonhöhe
liegt eine reine Quarte unter der angegebenen.
★ Die tatsächlich von der Bassöte erzeugte Ton-
höhe liegt eine Oktave unter der angegebenen.
★
Die tatsächlich von der Pikkoloöte erzeugte Ton-
höhe liegt eine Oktave über der angegebenen.
フ ィン ガ リン グ チ ャ ート /Fingering Chart/Gritabelle/Tableau des doigtés/Gráco de digitado/Gráco de digitação/ 指法表 /Аппликатура/운 지법
★ Des doigtés de rechange sont indiqués avec
les exemples ombrées.
★ Pour mi à do #, en commençant à la cin-
quième mesure, le doigté est identique pour
une octave plus haut.
★
La hauteur du son actuellement produite par la ûte
alto est un quatrième parfait inférieur à celui indiqué.
★
La hauteur du son actuellement produite par la ûte
basse est une octave inférieure à celle indiquée.
★
La hauteur du son actuellement produite par le
piccolo est une octave plus haut à celle indiquée.
★ En los ejemplos sombreados se dan digitados
alternativos.
★ Para E a C#, empezando por el quinto
compás, los digitados son los mismos que
para una octava más alta.
★
El tono realmente producido por la auta alta es
una negra perfecta más baja que la marcada.
★ El tono realmente producido por la auta baja
es una octava más baja que la marcada.
★ El tono realmente producido por el autín es
una octava más alta que la marcada.
★ Os exemplos sombreados são digitações
alternativas.
★
Para E a C#, com inicio no 5º compasso, as digi-
tações são as mesmas para uma oitava acima.
★ O som real produzido pela auta alto é exata-
mente uma 4ª abaixo do que está marcado.
★
O som real produzido pela auta baixo é exata-
mente uma oitava abaixo do que está marcado.
★ Som real produzido pelo Piccolo é uma oitava
mais alta do que está marcado.
★ 阴影部分表示也可用此指法。
★ 第五 小节以 后 E ~ C #高八度音度的指
法与原位指法相同。
★ 中音长笛的实音 , 比记谱低 4 度。
★ 低音长笛的实音 , 比记谱低 8 度。
★ 短笛的实音 , 比记谱高 8 度。
★ Дополнительная аппликатура обо-
значена затемненным цветом.
★
Начиная с 5 такта, от F до C# положения
пальцев для октавы выше аналогичны.
★ Звук, фактически издаваемый альто-
вой флейтой, на чистую кварту ниже
написанного.
★
Звук, фактически издаваемый басовой
флейтой, на октаву ниже обозначенного.
★ Звук, фактически издаваемый пикколо
на октаву выше обозначенного.
★
음영으로 표시된 예는 대체 운지법입니다.
★ 5 번째 소절에서 시작하는 E~ C#의 경
우 한 옥타브 위의 운지법 과 같습니다 .
★ 알토 플루트가 내는 실제 음은 표시된
것보다 정확히 4 도 아래입니다 .
★ 베이스 플루트가 내는 실제 음은 표시
된 것보다 1옥타브 아래입니다 .
★ 피콜로가 내는 실제 음은 표시된 것보
다 1 옥타브 위입니다 .

Manual Development Group
© 2013 Yamaha Corporation
Published 05/2019 发行 POCP-A0
VDE1610
〒430-8650 静岡県浜松市中区中沢町 10-1