Casio TONEBANK MT-750 User manual

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AN MANUAL 2
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MANUAL
DE
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OPERACION
3

Tone
Bank
MIT-750
KEYBOARDS
ELECTRONIC
MUSICAL
INSTRUMENT
:
Contents
1.
General
Guide
«0.000.000...
cee
cc
cce
cece
eee...
4
7.
Tone
Editor
.....
Sere
ere
eer
ee
rabtevlid
orci
20
m™
Demonstration
tune..........
0...
cece
cece
cece.
5
-
;
|
@
Using
the
TONE
EDITOR
buttons
fig
BILE
wre
ol
Si
-20
2.
Power
Supply
...........
0...
ccc
cece
cence
ee
eeee
6
«8,
Performance
Memory
Function
eee
eee
21
DG
POWe
raises
cnosx
eats
maa
dieandddtoedoseacnd
6
*
W@
Recording
:.......02...0..000.
Males
ent
chaatets
2
|
BING
DOWED
a
ios
oe
sreateries
ons
aeeiiiie
pale
Ake
3
7
_™
Playing
back
memory
contents..:........
nave
doe
3.
General
Operations
.......................
pinta
8
9.
MIDI
Functions.....................0..
Seas
eee
es
™
Getting
started.
.........
ccc
cece
cece
wccecce
8
2
Mat
1S
AIDE
ig
4
sacs
eee
xis
etalon
23
M
Volume
sliders.
......
00...
cece
cease
caucececce
8
-
@
MIDI
terminal
functions
...............004.
23
PIGIY
DENOOE
ase
oid
acd
ioc
Speen
tents
turddend
aceaie
8
_™
MT-750
MIDI
settings
.................0000008%
23
MUNIN
COMO)
aioe
cite
es
bel
2
od
eacer
hitb
aisld
ahaneaars
8
@
Setting
the
MIDI
mode
....................
23
4,
Preset
Tones
(220-SOUND
TONE
BANK)...........
9
:
@
Setting
the
MIDI
channel
..................
24
..
@
Selecting
a
basic
tone
.........0.0
0...
cece
eee
9
¢
Assigning
preset
tones
to
MIDI
channels
m
Selecting
a
BANK
sound........
Se
Cee
i
|
(MODE
Doin
ente
aoe
256 eit
sot
dees
meu
ceautads
25
'
@
Keyboard
split
tones
.............ccc
cece
eee.
11
_.
@
Setting
the
MIDI
clock
(internal/external)
....25
|;
5.
Auto-Rhythms
(110
BEAT
BANK)
..................
12
_-:
@
Setting
the
volume
in
the
MID!
mode...:....25
“i
Selecting
a
basic
rhythm
.....................
12
|
-.
+.
|
MTE-750
MIDI
applications
.....................
26
vast
i
Selecting
a
BANK
POV
ORIM
saat
hak
nt
oso
12
+
Connecting
to
another
MIDI
keyboard
.
ees
.26
gis
ae
Playing
an
auto-rhythm
...............0.c0
cee.
14
:
|
|
.
.
@
Use
as
multi-timbral
sound
source.......
ya
26
ps
6.
&.
Multi
"accompaniment
System.....................
1S.
i,
2
.™@
Technical
reference
..............
0c
0000
ces
es
28
es
;
B
Accompaniment
keyboard
...........0.....08.
15
_-
@
Program
change
reference.
:......
ies
an
08
oi
Playing
an
accompaniment
using
CASIO
_.'
«
@
Polyphony
reference
............
ee
ere
29
3
ie
DCHORD
scohstesuus
nasueatiaua
teenies
demain
15
10.
Troubleshooting
.................
Pee
reomeees
30
eeaiewe
|
™
Playing
an
accompaniment
using
FINGERED
|
11.
Care
of
Your
Keyboard
......
ee
eee
eeoanen
31
PP
CHORD
0
16
12.
Specifications
............
0.00.
cece
cece
e
ec
eee,
32
Pageeg™
Using
the
MUSICAL
CONTROLLER
buttons
....17
to
“Foy
the
ORCHESTRATION
buttons
..........
18

oes
cee
een?
og
densi
©
®
<Rear
panel>
|!
TEER FREE!
pte
ela]
AE
APIE
ur
HU
ae
@ MIDI terminals (IN/OUT/THRU)
@ Tuning control
@® Output jacks (L/R)
@® Headphones jack
@ AC adaptor jack
o
8
-
;
@
@
©
@
Built-in
speakers
'"
:
@
TONE
BANK
button
@POWER
switch
©
9
+s:
7
~@
220
TONE
BANK
list
:
©
VOLUME
sliders
_
@
TONE
EDITOR
buttons
©
CHORD/MIDI
selector
~~
@
MEMORY
buttons
©
ORCHESTRATION
buttons
@
PITCH
bender
Demonstration
Tune
—
@
INTERPLAY
buttons
-
@
MUSICAL
CONTROLLER
buttons
|
@
110
BEAT
BANK
list
|”
@
BEAT
selectors
This
unit
avures
a
preset
denonsation
fone
Which
fas
peek
©
3-digit
display
—--
@
BEAT
BANK
button
carefully
programmed
to
showcase
all
the
features
and
benefits
=DEMO=
O
TONE
selectors
-@
DEMO
button
of
this
unit.
Simply
press
the
DEMO
button
@®,
and
listen
to
ZC
Jz
oi
@
TONE
SELECT
button
the
MT-750
play.
¢ The demonstration tune is played in an endless loop. Press the DEMO button again
to stop the tune.
¢ The keyboard is inoperable while playing the demonstration tune.

Power
Supply
This
unit
operates
on
both
AC
and
DC
power.
°
™DC
Power
|
a
¢
Dry
batteries
|
~
8
;
This
unit
can
be
powered
by
six
D
size
(SUM-1/R20P)
manganese
dry
cell
batteries.
Weakened
batteries
will
result
in
lower
volume
or
poor
tonal
quality.
-
The
power
indicator
lamp
will
gradually
lose
its
brightness
when
battery
power
weakens.
At
this
time,
change
batteries
or
shift
to
one
of
the
alternate
Power
sources
mentioned
below.
i
|
¢
To
replace
batteries
|
=
a
@)
Open
the
battery
compartment
cover
on
the
bottom
of
the
unit
and
take
out
the
used
batteries.
2
ae
|
(2)
Load
new
batteries
taking
care
that
the
plus
(+)
and
minus
(—)
poles
are
facing
in
the
correct
directions.
eS
°
Refer
to
the
specifications
for
standard
battery
life.
PRECAUTIONS
Incorrectly
using
batteries
can
cause
them
to
leak
or
burst,
and
may
damage
your
product.
Note
the
following
precautions:
*
Be
sure
that
the
plus
(+)
and
minus
(—)
poles
are
facing
in
the
correct
directions.
¢ Do*not mix battery types.
¢
Do
not
mix
new
batteries
with
old
ones.
*
Never
leave
dead
batteries
in
the
battery
compartment.
¢
Remove
batteries
when
not
using
the
product
for
extended
periods,
¢
The
batteries
supplied
with
the
unit
are
not
rechargeable.
*
Do
not
expose
batteries
to
direct
heat,
let
them
become
shorted
or
try
to
take them apart. )
(If
a
battery
leaks,
clean
out
the
battery
compartment
of
the
product
immediately,
taking
care
to
avoid
letting
the
battery
fluid
come
into
direct
contact
with
your
skin.)
HES
ea
ge
a
ee
ee
i
t
© ee eer wef
>»
se
- . ot u Z
aren) : cane ei
e ae :
ae
9
peer
Supply
Car battery . |
With the car battery adaptor (CA-5, optional), DC power is supplied from a
car battery through the cigarette lighter socket. © | ' pe es,
od
e
m AC Power : a ee. a Soca ee
An AC adaptor (AD-5, optional) is required when using household current.
Use only a genuine CASIO adaptor with the same voltage rating (100, 117, 220
or 240) as the power supply in your area to prevent damage to internal
components. Plug the AC adaptor into the AC outlet and the cord into the
unit. This will automatically cut off the battery power supply. oa all
¥
Cigarette lighter socket
AC adaptor jack
~ CA-5 Car battery adaptor oa
ee
ee
ee
re es | .
Ue ea, ah
CAUTION
e Use only genuine CASIO adaptors to avoid risk of damage.
¢
The
adaptor
may
become
warm
when
left
connected
to
an
AC
outlet.
This
is
normal,
but
the
adaptor
should
be
unplugged
when
not
in
use.
"4a *
es si tyyeble

General
Operations
*
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
= Getting started ©
@)
Set
the
Power
switch
to
ON.
@)
Adjust
the
volume
level
using
the
MAIN
VOLUME
slider.
(3)
Select
one
of
the
220
preset
tones
(see
“Preset
HOHE
pape
9).
@
Now,
start
playing.
_ VOLUME sliders 7 oO _
MAIN VOLUME lider. | | :
Adjusts
the
overall
volume
of
the
unit.
ACCOMP VOLUME slider:
Adjusts
the
volume
of
the
accompaniment
pattern.
RHYTHM
VOLUME
slider:
Adjusts
the
volume
of
the
auto-rhythm..
MAIN VOLUME slider | ae
ACCOMP VOLUME slider * = a
RHYTHM VOLUME slider
MAIN ACCDMP RHYTHM
aOrF
# FINGERED
2 On
Ki
fas
e- , °
MAR
HL
Ral:
Min ror)
VOLUME
CHORD MIDI
= PITCH bender _ 7 ac oe
Rotating
the
pitch
bend
wheel
located
to
the
left
of
the
Rev
baate
changes
the
pitch
of
the
melody
tone
(range:
+1
whole
tone).
*
The
pitch
bender
affects
the
entire
keyboard
when
the
CHORD/MIDI.
selector
is
set
to
OFF.
¢
When
the
CHORD/MIDI
selector
is
set
to
ON
or
FINGERED,
it
affects
the
melody
keyboard
keys
only.
= Tuning control
You
can
adjust
the
pitch
of
the
entire
keyboard
within
+30
cents
using
the
tuning
control
on
the
rear
panel.
This
allows
easy
tuning
with
other
instruments.
a:
“~
Preset
Tones
(220-SOUND
TONE.BANK),
S|
a
¢ Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and. uF
connections.
BANK sounds. (ELA rs sdantigite
Look at the 220 SOUND TONE BANK list on the front panel. As you'll notices:
the preset tones are divided into 20 groups such as ‘PIANO’. ani
“HARPSICHORD” group, etc. The basic tones are the representative ones, whi
appear at the top of the list of each group. You can select the basic tones directly
using a TONE selectors. The BANK sounds are variations of each group, which
veee
GEN ges os
220
SOUND
TONE
a
«
Basic tone oe ar: dba a
0O PIANO 1
00.0 PIANO 2
00.1 TOY PIANO ’
00.2 _HONKY-TONK
"
|
00.3
PIANO
3
iar
aoe
cand
— | 00.4 PIANO 4 BANK sounds <1 rr
00.5 PIANO 5 je me a
00.6
PIANO/STRINGS
ze
4
0S
00.7 STRING PIANO
00.8 BASS/PIANO 3 _-
00.9 BASS/PIANO 4
ne Ormpc MOPAR 1
s
ers,
a Selecting a basic tone (tone 00-19) subsea
Note that you do not press the TONE BANK o
@) Specify either the upper or lower row of pres
SELECT button. The indicator above Of, belc a.
active row. ! ay
@) Press one of the TONE selectors to ches oy
° “PIANO 1” hone 00) is automaticaly) selected W
* rape :h
x Selecting a BANK. sound ay
Look at the 220 SOUND TONE BAJy
numbers are BANK sounds. To
tone of the group that contaj
the TONE BANK button (the j Ih
select the BANK sounds of the’,
selector. | oe oa tS

it "g ee 4
id wy mae, hl ee
a “ye aan
he Re rr ig
3
7
be
‘pi
Tones
(220-
SOUND
TONE
BANK)
ee
ae
ee ne eee
Dib ers
<Example>
To
‘select
“OCARINA”
(tone
number
174)
after
selecting
“BASSOON”
sae
NODE —
@
Set
the
Power
switch
to
ON.
“PIANO
1”
tone:
‘(tone
00)
is
eee
tevenn
peveeteay
Sars
(lo 22428 Get ' F , _ Juggs. AG A he
., cs os ae
yeah rs TEMPO
A
oC
SAXO-
PHONE? - +h
; ° TRUMPET : Pas
a ren =,
BANX BAN
sat
ae on =
BANK
cc ror a
fiANR
ae ror =
BANK B8AN
@©Press
the
TONE
SELECT
button,
and
then
|
s=
oat
press
TONE
selector
7
(now
tone
17
is
om
selected).
ruvte
’ a ee i
ot ee as a
(2) Press TONE selector 4.
(3)
Press
the
TONE
BANK
button.
The
indicator
above
this
button
lights.
(4) Press the TONE selector 3.
“BASSOON” is selected now.
(©)
Next,
select
“OCARINA”.
|
_
Press
the
TONE
BANK
button:
—
__ rere ner
BANK
(8)
Press
TONE
selector
4.
Now
“OCARINA
i
‘selected.
eae
veer
oe
ee
1 . t f .
op teed tigi tte Sak gs is s yben
TAUMPET
UEAT sone TEmPo
BANK
4
"4, Preset Tones (220-SOUND TONE BANK)
+ bot LAG. on
a ad
7 ' . ' . a * . . .
. . at moe ’ .
' * aed "eos oe 8 . ‘ 4 .
ee ae” elder lene
L ™ Keyboard split tones
-
Some
of
the
preset
tones
split
the
keyboard
and
assign
two
or'more
sounds.
With such a preset tone, the sound produced depends on what position of
the keyboard you play. For example, “BASS/PIANO LV Mone i ie BASS on
te oe ang On on WANE. ight of me se is
Peis eee tae We a
<trample> ae & %- SEeKegr
“BASS/PIANO i (No. 16)
“PERCUSSION 1” (No. 12)
je
e
wie
e
Finck
-t
‘ ‘
-t
sth eS
nS
@ bass dam ee er ee " @ mid tom - en Matas te ee eat
@ snare drum — eT er ee - @ low COW ice, og dl nae eR oe 8
© gated snare drum | | — @ floor tom :
@ closed hi-hat @ cow bell
© open hi-hat ® timbales
© crash cymbal @® maracas
@ ride symbal @® claves
@ hi tom | @ clap hands
me ye

Auto-r
hy
thms
(110
BEAT
BANK)
*
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
This
unit
features
a
total
of
110
rhythm
patterns
including
10
basic
rhythms
and
100
BANK
rhythms.
—
.
7
3
.
ue
|
Look
at
the
110
BEAT
BANK
list
on
the
front
panel.
As
with
preset
tones,
the
rhythm
patterns
are
divided
into
groups.
The
basic
rhythms
at
the
top
of
the
list
for
each
group
are
the
representative
ones.
You
can
directly
select
the
basic
rhythms
using
the
BEAT
selectors.
The
BANK
rhythms
are
variations
of
each
group,
which
can
be
selected
using
the
BEAT
selectors
after
pressing
the
BEAT
BANK
button.
en
_
,
M0 BEAT BANK ye
z Basic rhythm __..
BANK rhythms
06 SLOW ROCK 2
07 SURF ROCK 1
08 SURF ROCK 2
0.9 HARD ROCK
e nA oN
=
Selecting
a
basic
rhythm
(rhythm
number
0-9)
,
Note
that
you
do
not
press
the
BEAT
BANK
button
(the
indicator
above
this
button
is
not
lit)
when
selecting
a
basic
rhythm.
©
|
-
2
Simply
press
one
of
the
BEAT
selectors.
|
ft
a
°
“ROCK
1”
rhythm
(rhythm
0)
is
automatically
selected
when
the
power
of
the
unit
is
switched
ON.
™
Selecting
a
BANK
rhythm,
We
Ae
ee
|
Look
at
the
110
BEAT
BANK
list
again.
The
rhythms
which
have
2-digit
numbers
are
BANK
rhythms.
To
select
a
BANK
rhythm,
first
select
the
basic
rhythm
of
the
group
that
contains
the
BANK
rhythm
you
want,
and
then
press
the
BEAT
BANK
button
(the
indicator
above
this
button
lights).
Now,
you
can
select
the
BANK
rhythms
in
the
group
you've
selected
by
pressing
a
BEAT
selector.
: : * Be nay SEN tee oat, ba as isgs
i Se ale oe UGS ONS ae Cee ce 2?
a ah : -
ae
Ree by same
ae ee, SE ah
5. Auto-rhythms (110 BEAT BANK)
i ic b a
< Example > ee a Aa mt
To select ‘‘BOSSA NOVA” (rhythm 7.6) after selecting ‘“‘DISCO (rhythm 1
ily
SEAT TONE TEMPO
BANK BANK
7
BEAT TONE TEMPO
GANK BANK
po
BEAT. TONE TEMPO
BANK GANK
BEAT - TONE TEMPO
BANK BANK
_
BEAT. TONE TEMPO
BANK GANA .
BEAT TONE TEMPO
Bank BANK
"I é
BEAT TONE TEMPO
BANK SANK ~
BEAT TONE . TEMPO
BANK BANK
@)Set the Power switch to ON. “ROCK: 1”
(rhythm 0) is automatically selected.
(2) Press BEAT selector.5.
(3) Press the BEAT BANK button. The indicator
above this button lights.
(4) Press BEAT selector 1.
“DISCO” is selected now.
(5) Next, select ““BOSSA NOVA”
Press the BEAT BANK button.
(6) Press BEAT selector 7.
@) Press the BEAT BANK button again.
(8) Press BEAT selector 6.
Now “BOSSA NOVA’ is selected.
a ip ae

‘athbeh
eagle
ik
:
; R , let 2b > ee Hue : ae. ae ‘ i. “ ba
fang Heed: pag Faery
‘Auto-rh
thms.(110:BEAT.BANK)
~
Multi-accompaniment
system
°
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
Pipa so ce Kener vines
44 jikpanecdons,
eh ae DI.
“Fem
Playing
an
auto-rhythm
ee
)
EE
carlbaar
atc
an‘auto-rhythm,
press
the
START/STOP
button
to
start
the
Nr
ythm.
@)
Adjust
the
tempo
using
the
TEMPO
control
buttons.
Cs
‘This
unit
features
110
accompaniment
patterns
that
let
you
enjoy
automatic
play
of
full
accompaniments
to
your
performances.
Five
parts,
including
Rhythm,
Bass,
Chord
1,
Chord
2
and
Obbligato
add
more
depth
to
your
music.
A
set
of
ORCHESTRATION
buttons
even
lets
you
switch
any
of
these
parts
ON
and
OFF
to
let
you
tailar
the
accompaniment
to
the-music
you
are
playing.
In
addition,
the
MUSICAL
CONTROLLER
buttons
also
give
you
full
control
over
the
accompaniment
patterns,
including
intro,
fill-in
and
ending.
°°
i
js:
Each
press
of
[A]
speeds
'’
up
the
tempo,
while
pressing
[W]
slows
it
down:
The
3-digit
display
shows
|
the
tempo.
of
the
rhythm.
a
7
,
|
=
The
tempo
of
the
auto-rhythm
can
be
adjusted
between
40
and
256
beats
per
minute.
)
You
can
adjust
the
volume
of
the
rhythm
by
using
the
RHYTHM
volume
slider.
@
Press
the
START/STOP
button
again
to
stop
auto-rhythm
play.
/@
You
can
use
the
MUSICAL
CONTROLLER
buttons
to
start
an
auto-rhythm
with
intro
pattern,
aaa
ae
to
the
rhythm,
etc.
Please
refer
to
page
17,
“Using
MUSICAL
CONTROLLER
buttons”
Or
details,
“«
.
i
t
=
Accompaniment
keyboard:
=.
2)
62)
ee
’
|
If
the
CHORD/MIDI
selector
is
set
to
FINGERED
or
ON,
keys
of
the
lower
15
octave
of
the
keyboard
become
accompaniment
keyboard.
You
can
use
the
accompaniment
keyboard
keys
for
auto-accompaniment
performance.:
ear
|
|
ee
i
|
:
~—
Accompaniment
Melody
keyboard
Bia
ae”.
ary
‘ee
4
|
:
keyboard
:
ji
as
a
|
|
=
Playing
an
accompaniment
using
CASIO
CHORD
Pee
ie
ee
|
|
@)
Set
the
CHORD/MIDI
selector
to
the
ON
position.
|
ee
ee
|
(2)
Select
one
of
the
auto-rhythms
(refér
to
“5.
Auto-rhythms’’
on
page
12).
@)
Start
the
auto-rhythm
by
pressing
the
START/STOP
button.
:
i
(4)
Play
on
the
accompaniment
keyboard
keys
according
to
the
CASIO
CHORD
system
(refer
to
“CASIO
CHORD
system”
on
page
16).
The
moment
you
press
an
accompaniment
keyboard
key,
the
auto-accompaniment
pattern
starts
to
play
in
the
rhythm
track.
a
ma
;
a
: |
We
&
s
|
a
ee
|
|
;
©
Press
the
START/STOP
button
again
to
stop
auto-accompaniment
play.
—
aves.
a
e
oe

tn -, % q r ,
“ft Oe Boe oe fee a t
6. Multi- accompaniment ‘system
rf
Casio Chord system-
The Casio Chord system has been developed SO ) you can play the four main
types of chords more easily. Playing of the chords is simplified as shown
below: |
° pressing one of the Accompaniment keyboard keys produces a major
chord corresponding to that note. a
¢ Simultaneously pressing any key to the right (two keys at the same time)
results in a minor chord.
° peace pressing one more key to the right (three keys in all) produces
-a seventh chord, and pressing the fourth ues to the right (four oe
/: in all) creates a minor seventh chord. :
Seamless:
C (C major chord)—Press @.
Cm (C minor chord)—Press. @, @ together.
| ' 0000 | 3
C7 (C seventh chord)—Press @, @, © together. . Ss ina accom panineehees
Cm7
(C
minor
seventh
oie
Press
@
©,
©,
ae
eae
together.
|
4
:
° Not ye 2} e, and ©, but a black. or white hae can be used as long as hepa are to.
the right of @.
= Playing an accompaniment using FINGERED CHORD
@) Set the CHORD/MIDI selector to the FINGERED position.
(2) Select one of the auto-rhythms (refer to “5. Auto-rhythms” on page 12).
(3) Start:the auto-rhythm by pressing the START/STOP button.
® Play chords as usual on the accompaniment keyboard keys. The moment you
_ play a chord on the accompaniment scien keys, the auto- PCO ae
pattern starts to play in the rhythm track:
© Press the START/STOP button again to stop auto- accompaniment play.
¢ This unit is capable of recognizing the following chords; M, m, neue ain, sus4, 7 MZ m7, 7-5,
mM7, m7-5, 7sus4, add 9 madd 9, dimZ Ss |
’
d
16—
m
Using
the
MUSICAL
CONTROLLER
buttons
The
10
MUSICAL
CONTROLLER
buttons
give
you
control
over
the
accompani-
ment
patterns.
When
the
CHORD/MIDI
selector
is
in
the
FINGERED
or
ON
position,
you
can
control
all
of
the
accompaniment
patterns.
When
it
is
in
ne
OFF
position,
you
can
contro!
the
ye
tal
ony
F ae ‘ . 7S : ak j
4
os
BREAK button
INTRO
button
ENDING
button
TEMPO control buttons
cmono:
|
cHono2
oseuparo
HARMONIZE
ECHD
Line
cites
oe
C4)
IMTRO
. 4
‘(=}-— SYNCHRO button
d
." "EB START s100
C=} START/STOP button
WWTROWLONG) FuL-we
« Muri} Accomeanimens (System >
INTRO ONS button CODA button
|
FILL-IN
button
r
< MUSICAL CONTROLLER buttons >
eye
ae
6.
Multi-accompaniment
system
penne
|
+ INTRO button -
|
This
button
inserts
a
light
1-
measure
‘introduction
before
starting
the
normal
accompaniment pattern. |
¢ INTRO (LONG) button
This
button
inserts
a
4-
to
5-
measure
introduction
before
starting
the
normal
accompaniment
pattern.
The
chord
progression
used
in
the
intro
leads
into
the
progression
used
for
the
accompaniment.
Even
if
you
«
do
not
specify
an
accompaniment
keyboard
chord
when
you
press
this
button
for
an
intro,
the
unit
automatically
bases
the
intro
on
the
last
chord
you
played
(or,on
Cmaj
if you have switched the unit on and have not yet played a chord).
¢ BREAK button
When
you
press
this
button
during
play
of
an
accompaniment,
a
1-
to
2-measure
pattern
is
inserted,
which
stops
at
the
beginning
of
a
subsequent
pattern.
i as

6.
Multi-accompaniment
system
@
FILL-IN
button
eet
few
oo
aes
-,
When.
you:
press
this
button
during
play
of
an
accompaniment,
a
1-
to
2-measure
fill-in
pattern
is
inserted.
bap
Bs
@
ENDING
button
...,
—...
A
fg
Beth,
Y
|
When
you
press
this
button
in
place
of
the
START/STOP
button
to
end
the
accompaniment
play,
a
2-
to
3-measure
ending
pattern
is
inserted
before
accompaniment
play
is
stopped.
¢
CODA
button
es
:
|
When
you
press
this
button
in.
place
of
the
START/STOP
button
to
end
the
accompaniment
play,
a
4-
to
5-measure
long
ending
pattern
is
inserted
before
accompaniment
play
is
stopped.
The
progression
of
chords
used
in
the
ending
pattern
are
based
on
the
chord
wat
is
being
played
when
the
you
press this button. - a
¢
SYNCHRO
button
a
S
aieien
ciraes
Press
this
button,
and
the
unit
stands
by
waiting
for
you
to
play
a
note
on
the
accompaniment
keyboard.
The
selected
rhythm
pattern
begins
as
soon
as you press a key.
=
Using
the
ORCHESTRATION
buttons
The
auto-accompaniment
patterns
produced
by
this
unit
consist
of
5
different
elements;
rhythm
track,
bass
line,
chord
1
pattern,
chord
2
pattern
and
obbligato.
The
ORCHESTRATION
buttons
switch
the
sound
of
these
elements
(except
the
rhythm
and
bass
line)
ON
and
OFF.
For
example,
if
you
want
only
a
rhythm
track
and
bass
line
for
your
accompaniment,
you
can
turn
off
the
other
3
elements.
2
a
eset
ay
Po sXe
ORCHESTRATION
buttons:
CHORD
1
button........switches
chord
1
sound
on
and
off.
a
|
CHORD
2
button........switches
chord
2
sound
on
and
off.
|
|
OBBLIGATO
button
saul
switches
obbligato
sound
on
and
off.
=4 6.
= RCHESTRATIOt
6. Multi-accompaniment system
CHORD 1 button
CHORD 2 button —« ORCHESTRATION buttons> —
OBBLIGATO button |
oO - ~<—INTERPLAY—
co [ om | ca [ om | co
4OnRD 1
. AUTO
U ORD 2 BLIGAIO HAAMONITE ECHO LINE 7
WTIRO
ECHO
LINE
butt
kK
<
INTERPLAY
buttons>
utton
|
.
*
Whenever
you
set
the
CHORD/MID!
selector
to
FINGERED
or
ON,
CHORD
1
and
CHORD
2
buttons
are
set
to
on
and
OBBLIGATO
button
is
set
to
off
automatically.
m™ Using the INTERPLAY buttons
¢
AUTO
HARMONIZE
button
-
.
If
this
button
is
depressed
during
play
of
an
accompaniment
pattern,
the
chord
selected
on
the
accompaniment
keyboard
is
automatically
harmonized
with
notes
played
on
the
melody
keyboard.
|
=
@
ECHO
LINE
button
|
|
|
If
this
button
is
depressed
during
play
of
an
accompaniment
pattern,
notes
played
on
the
melody
keyboard
are
automatically
echoed,
in
accordance
with
the
phrasing
you
use.
aS
OO
|
¢
The
AUTO
HARMONIZE
and
ECHO
LINE
function
cannot
be
selected
at
the
same
time.
Lies
'
a 2 eae

Tone Editor
° Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and
connections.
‘ . .
TONE EDITOR
= Using the TONE EDITOR buttons
¢ DETUNE buttons
You can use the DETUNE buttons to
change the tuning of the sounds output —
from the right channel (right speaker or .
LINE OUT R), to produce a chorus effect.
Each time you press the [A] button the ~
RELEASE buttons
output is raised 3 cents, up to a ° ATTACK/DECAY buttons
maximum of 7 half notes. Use the [V] . ees,
Be DELAY buttons
button to return to the original tuning.
DETUNE buttons
< TONE EDITOR buttons>.
¢ DELAY buttons
You can use the DELAY buttons to delay the sutaut from the ishie channel,
1 to produce an echo effect. Use the [A] button to change the ace and the
[V¥] button to return to the original setting... (2 0.$. wo: ;
Hoan ae 3
@ ATTACK/DECAY buttons
You can use the ATTACK/DECAY buttons to control the attack aad ices points
- of the sound you play. Use the [A] button to create a later attack and slower
decay, and the [¥] button to create a quicker attack and quicker decay.’
@ RELEASE buttons
You can use the RELEASE buttons to contr hes attenuation 6h ae note you
play. Use the [A] button to create a slower attenuation, and the [¥] button
for a quicker attenuation.
90
:
'
re we
Performance
Memory
Function
°
Refer
to
the
general
guide
found
on
page
4-5
for
exact
locations
of
this
keyboard
controls
and
connections.
The performancé memory function lets you ‘‘record” notes as you play them
on the keyboard. Up to 1,250 notes can be stored in memory for playback.
=
Recording
an
Rs
@) Start an auto-rhythm and adjust the mies of the score: ¢
(2) Press the RECORD button to enter the CONE, aay mode The a
above the RECORD button flashes. «= ° se
(3) Set the CHORD/MIDI selector to FINGERED or ON if you want to use auto-
accompaniment in your recording. If not, set ae switch to OFF.
(4)
Select
the
auto-rhythm
you
like.)
-
20)
>:
wie
Oe
¢ /f you don’t want an auto-rhythm in your recording (or if you want to start an auto-rhythm during
recording), press the Musical Controller START/STOP button here.
¢ /f you want to start an auto-rhythm with intro pattern, press the INTRO button here.
¢ If you want to start an auto-rhythm using synchro Start, press the SYNCHRO button here. —
SPiees the recording START/STOP button to start recording. Recording starts
after one measure of beat count.
(6) Play the keyboard as you like. |
@) Press ne recording STARTSTOR button again to stop recording.
te
Fi) | ee

8. Performance Memory Function
@ Notes on recording
¢ You can record changes in the LOnOWING pens as well as Rey poard play
during recording. . .
Changing preset tones.
Changing auto-rhythms.
Starting or stopping a rhythm track. - 7
Starting a rhythm track using an INTRO pattern.
Inserting the FILL-IN patterns of rhythms. |
Ending the rhythm track with an ENDING pattern. |
¢ Memory capacity is approximately 1,250 notes. Operations such as changes
in rhythms and tones are counted as a half-note.
e Recording automatically ends when you exceed the memory capacity.
= Playing back memory contents
() Press the recording START/STOP button to play back your performance. The
light above the RECORD button lights and playback starts.
(2) Press the recording START/STOP button again to — playback.
¢ Notes on playback
e You can play the entire keyboard with the a aah if the recording was done
in the Casio Chord OFF mode. If you recorded in the Casio Chord ON or
FINGERED mode, only the melody keyboard can be used.
e All switches and buttons except volume sliders are inoperative during
playback.
oa
a meee gp pee fF A EE EF A
ey
MIDI
Functions
¢ Refer to the general guide found on page 4-5 for exact locations of this keyboard controls and
connections.
tN
BWhat is MIDI?.. ‘
“MIDI” stands for “Musical Instrument Digital Interface” Practically speaking,
it lets you connect this keyboard to other MIDI-equipped musical instruments
and devices, such as synthesizers, cit machines, ‘Sequencers, and even
personal computers. = .
{3
¢ MIDI terminal functions — oo oes ee
MIDI IN ..... Receives external MIDI messages.
MIDI OUT ...Sends MIDI messages to external devices.
MIDI THRU . .Receives external MIDI messages through MIDI IN and outputs
them without modification.
™ MT-750 MIDI settings
Setting the MIDI mode
The MT-750 features 2 different MIDI modes.
sf. : ; .
[ho x : 0S He .
MODE A: Single channel MIDI mode | |
Whenever you set the CHORD/MIDI selector to MIDI, this unit is set to MIDI
MODE A automatically. In this mode, the MT750 sends/receives MIDI data
using channel 1 only.
MODE B: Multi-timbral mode
The MT-750 is designed for simultaneous receipt of 4 MIDI channels (channel
1 through 4). Channel 1 through 3 can be assigned their own keyboard voices,
- while channel 4 is 5 used. as either the fourth voice or thythm channel.
: ‘
‘
Bec ae

9. MIDI Functions oe ne
CH-1 button
CH-2 button
< Channel setting buttons >
CH-3
button
Poe
ot
i
Ser
CH-4 button
nee sTRATiO NTERPLAY—- .
[om ] [ me } : pers
4OA0 2 O88. Garo macnare ECHO Lin€ Vv TEMPO A
— Oo
mMTAD SYNCHRO — EXT button. +
fo ed Eady aes | ee Se
INTROW
(LONG)
——
a
;
:
<
«bak
ee
‘
ba . . : ; a
' : : . 7 e aaa ; = '
, t . ‘ tq 4 2 ‘ . Fi ' aise ¢ Lae +4 } j ' ‘ ,
e .
.paf rey ee ; . =
Press the CH-1, CH-2 or CH-3 button to enter MODE B. You can assign 3 differ-
ent voices of the MT-750 to channel 1 through 3. At the. same. time, you can
use an auto-rhythm of the unit. In this status, channel 4 can be used to receive
program change messages to change auto-rhythm selections of the MT-750,
and to send program change messages from the MI-750 using BEAT selectors.
_ If you want to use channel 4 as the fourth voice, press;t the CH-4 button. The
_
indicator
above
the,
CH-4
button
lights
and
you
can
acy
4
different
voices
of
the
MT-750
to
channels
1
through
4.
MOUSE that you cannot use rhythm track of the MT750 in this setting.
¢ Setting the MIDI channel Wee 1 -
_In MODE B, the MIDI transmit channel ¢ can be set between dhaahel 1 and
channel.4.
Press
one
of
the
channel
setting
buttons
to
set
the
transmit
channel. One of the indicators above the buttons lights to show which
channel ts active.
ay ee
ee
¢ a
9. MIDI Functions
¢
Assigning
preset
tones
to
MIDI
channels
(MODE
B)-
ec
eae
ee
A
preset
tone
can
be
assigned
to
each
MIDI
aeancl
using
the
(allowing
procedure.
(1) Press the CH-1 button.
(2) Select one of the preset tones using the TONE selectors and TONE BANK
button, if necessary). The selected tone is assigned to the MIDI channel 1.
(3) Repeat the procedure @ and @ for CH-2 and CH-3 (and CH-4, if desired).
¢ The tone assigned to each MIDI channel can be altered when the unit receives program change
messages from other MIDI keyboards or MIDI devices.
Setting the MIDI clock (internal/external) _ os
When you set the CHORD/MIDI selector to MIDI, the MT-750 is set to internal
clock automatically. If you want to set to external clock, simply press the EXT
button. The indicator above this button lights to show that the unit is in the
external clock mode. Press the EXT button to switch back to the internal clock.
e After you set channel 4 as the fourth voice, the EXT button becomes inoperative. In this case,
set the CHORD/MIDI Son eon to any setting eines than MIDI and then set lo MIDI again.
+ , Setting the volume in the MIDI vied nine
‘You can adjust the volME of tones pie to each | MIDI ean using
_ the following controls;) «oe -
Channel 2/3........ secfesesssanNCCOMP VOLUME slider a S&S
Channel 4 (or rhythm).....RHYTHM VOLUME slider) | | 2 be diy
=)

9. MIDI Functions
ee
aS
eS
tee
earennenenemenmeneeeeenanae
™ MI-750 MIDI applications» °°
¢ Connecting to another MIDI keyboard
@
Set
the
CHORD/MIDI
selector
to
MIDI
after
connecting
the
devices
using
MIDI
cables.
(Note
that
the
MT-750
is
set
to
MIDI
MODE
A‘
now.)
(2)
Set
the
basic
channel
of
the
connected
MIDI
keyboard
to
channel
1.
In
this
configuration,
either
keyboard
can
be
master
or
slave.
The
keyboard
on
which
you
play
becomes
the
master.
In
this
setting,
the
sounds
of
both
keyboards
can
be
played
in
ensemble
to
make
a
“thick”
voice
‘or
totally
new
sound.
°
The
polyphony
of
the
MT-750
unit
is
12-note
in
the
MODE
A.
¢
Use
as
multi-timbral
sound
source
|
By
connecting
the
MT-750
to
a
multi-track
sequencer
and
setting
the
MT-750
to
multi-timbral
mode
(MODE
B),
a
single
MT-750
unit
becomes
capable
of
handling
the
rhythm, melody,
bass
and
obbligato
parts
at
the
same
time.
°
In
the
MODE
B,
the
polyphony
of
each
channel
is;
channel
1=6-note,
channel
2=4-note,
channel
3=2-note
and
channel
4=4-note
(when
used
as
the
fourth
voice).
as) oe
9. MIDI Functions
MIDI IN MIDI OUT
i Pragibesyke ays
sie MIDI +32
{SEQUENCER +
Pee SERV EME Td 4
= BRAT SR Gy SEU ae &
CH-1.....melody CH-1 — CH-4 \ |
CH-2.....obbligato Clock = external 7
CH-3.....bass | :
CH-4.,...auto-rhythm.
Clock =internal
aya
@ Set the CHORD/MIDI selector to MIDI after connecting the devices using
MiDicables.
492
“ee
eee
es
oe
(2) Press the CH-1, CH-2 or CH-3 button to enter MIDI MODE B.
(3) Program a tune using a multi-track sequencer, assigning the melody part to
channel 1, obbligato part to channel 2 and bass part to channel 3, for example.
(4) To start the tune with the MT-750’s auto-rhythm, press the START/STOP button
of the MT-750. Note that the sequencer is set to external clock.
If you want to start the tune with the auto-rhythm from the sequencer, set
the
sequencer
to
internal
clock
and
set
the
MT-750
to
external
clock
(press
the EXT button). 7
Instead of using 3 voices plus an auto-rhythm, you can use 4 voices at the same time. Press the
CH-4
button
of
the
MT-750
to
use
channel
4
as
the
fourth
voice.
In
addition
to
melody,
bass
and
obbligato you’ve programmed using 3 channels, you can program a couter melody part using
channel
4,
for
example.
Or
by
assigning
one
of
the
PERCUSSION
group
tones
to
channel
4,
you
can even program an original rhythm track.
‘
7x.

9. MIDI Functions
= Technical reference
¢ Program change reference
1. Tone number and program change number
MT-750’s preset tones correspond to the program enange numbers shown
in the chart below.
Pros. Change No. | -
¢ The tone SELECT on/off messages are sent/received as MID exclusive messages. The exclusive
data format is shown below.
el«t@ lol} fa} fm} fe]
~ 23. N (7N) ‘: BASIC CH (N=03) ee. ee
a c- DD ©: 20...SELECT switch OFF $
ee 21....SELECT switch ON a
Ries: aa
Ps 9. MIDI Functions
2. Beat numbers and program change —"
¢
spanshony
reference
:
The
polyphony
of
each
Renan
is
limited
as
listed
below.
. - < eS
ta eee oy -
(i) H
‘oe a aN ET
[cvs | - | - |. 40
MODE B (i)....When set to internal/external colck.
MODE B (ii)...When channel 4 is used as the fourth voice.
—29—

° For any malfunction, always check poate condition first. (see page 6-7)
lato Remedy].
1. Turn up main volume.
i
REA
Troubles.
rete
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ENG sound, Seven: ifs ‘keys?
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.Jroubleshooting
©" Possible: Causes a= ‘bo
Paratens
&
Ey
nob
hb
(-
Sethe
ss
1. Main volume ued
down.’
2. Headphones
connected.
3. Auto power off has
activated. ;
Main and rhythm
volume turned down.
Main and
accompaniment volume
turned down.
Wher bela, washing
machines and similar
electric appliances.
1. Main volume turned
down.
2. Defective connection
cord.
230
2. Disconnect head-
' phones.
3..Turn the power
switch off and then
on again.
Turn up main and
rhythm volume.
Turn up main and
accompaniemnt volume.
Use outlet as far away
as possible from
appliance thought to be
the cause.
1. Turn up main volume.
2. Replace connection
cord.
a or
3. Keep the unit free of liquids, dust, etc. |
Care of Your: Keyboard
1. Avoid heat, humidity or direct sunlight. ._ . a
Do not overexpose the unit to direct sunlight, or place near an air conditioner,
or in any extremely hot place.
2. Take care not to drop the unit and avoid strong impact. a ge
Strong impact may cause malfunctions. When carrying or transporting the
unit, protect the keyboard and switches with soft cloth or other ‘material.
Do not allow foreign matter to get between the keys, especially metallic
objects such as hairpins, sewing needles ¢ or. coins. Also, do not let the unit
get wet.
: Seng a : nr ry : 4 = :
4 ! Na be caer boa 2 potra.
= ; a
‘
4. Never attempt to modify any parts of the unit. © | ark
The unit is a precision instrument, made of electronic parts. Any modifica-
tion lt or tampering with inner pan may-cause malfunction. ;
it
5. Do not use lacquencthinner or Peiniilak chemicals for cleaning.
Clean the keyboard with a soft cloth dampened in a weak solution of water
and a neutral detergent. (Soak the cloth | in the solution and squeeze until
:
it is almost dry.) es)
ake (aes

Specifications: ©:
Model: MT-750
Number
of
keys:
61
(mini)
—
Polyphony:
12-note
(Max.)
Preset
tones:
pi)
|
ie
a
i
ae
Auto-rhythms:|
0)
110
Multi-accompaniment
system:
|
|
¢
Casio
Chord;
ON/FINGERED..
*
Musical
controller;
|
INTRO,
INTRO(LONG),
BREAK,
FILL-IN,
ENDING,
a
oe
CODA:
aie
ae
|
©
Orchestration:
CHORD
1,
CHORD
2,
OBBLIGATO
e
Interplay;
AUTO
HARMONIZE,
ECHO
LINE
an
Built-in
effects:
Stereo
delay,
Stereo
pannin
Real-time
memory:
«:
~~
Up
to
1,250
notes
©.)
0
sinus
LINE
OUT
(UR)
[output
impedance:
3KQ,
output
voltage:
1V
(RMS)MAX],
AC
adaptor
jack
(DC
9V),
Terminals:
ae
Bary,
(IN/OUT/THRU),
headphones
jack
|
Tuning
control:
_..
A4=442Hz+30
cents
=
oe
_
Pitch
Bender:
+1
whole
tone
range
pits
Built-in
speakers:
10
cm
dia
x
2
a
se
he
ee
Auto
power
off:
Approximately
6
minutes
after
the
last
operation
Power
source:
3-way
AC/DC
power
source;
©
AC:
100,
117,
220,
240V
(+10V),
50/60
Hz,
with
optional
AD-5
AC
adaptor
*DC:
6
D
size
(SUM-1/R20P)
manganse
dry
batteries
Battery
life:
Approximately
6
hours
°
Car
battery:
Requires
optional
CA-5
car
adaptor
Power consumption: 7W
902(W) x 281(D) x 89(H)mm
35
1/2""(W)
x
11
1/16’(D)
x
3
1/2’"(H)
Weight:
4.0
kg
(88lbs)
including
batteries
Standard
accessories:
Dimensions:
6
‘‘D”
size
batteries,
score
stand
Designes
and
specifications
are
subject
to
change
without
notice.
a
a
DA
nortan
GUIDELINES LAID DOWN BY FCC RULES ~. nee PTS ae
FOR USE OF THE UNITSIN THE U.S.A, 2 0 0 :
(not applicable to other areas). Marg) WE GRE We a pane
This
equipment
generates
and
uses
radio
frequency
energy
and
if
not
installed
and
used
properly,
that
is,
in
strict
accordance
with
the
manufacturer's
instruc-
lions,
may
cause
interference
to
radio
and
television
reception.
It
has
been
type
tested
and
found
to
comply
with
the
limits
for
a
Class
B
computing
device
in
accordance
with
the
specifications
in
Subpart
}
of
Part
15
of
FCC
Rules,
which
are
designed
to
provide
reasonable
protection
against
such
interference
in
a
residential
installation.
However,
there
is
no
guarantee
that
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
interference
to
radio
or
television
reception,
which
can
be
determined
by
turning
the
equip-
ment
off
and
on,
the
user
is
encouraged
to
try
to
correct
the
interference
by
one
or
more
of
the
following
measures:
|
eee
hg
setae
reorient
the
receiving
antenna.
pte
®
PGS
-
@
ee
relocate
the
equipment
with
respect
to
the
receiver
ic
move
the
equipment
away
from
the
receiver}
'
6
0
ir
8h
seoateuess
plug
the
equipment
into
a
different
outlet
so
that
equipment
and
receiver
are
on
different
branch
circuits.
,
ee
If
necessary,
the
user
should
consult
the
dealer
or
an
experienced
radio/televi-
sion
technician
for
additional
suggestions.
The
user
may
find
the
following
book-
let
prepared
by
the
Federal
Communications
Commission
helpful:
“How
to
Identify
and
Resolve
Radio-TV
Interference
Problems.”
This
booklet
is
available
from
the
US
Government
Printing
Office,
Washington,
D.C.,
20402,
Stock
No.
004-000-00345-4.
1
|
7
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ee
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