Yamaha Sound Editor ver. 2.10 User manual

1
EFFECT LIST
ver. 2.10

2
Effect Type List
EFFECT TYPE Display Description
Distortion Distortion Advanced distortion. Mainly used for direct connection to guitar
amp’s front input.
Digital Distortion DigiDistortion Distortion effect. Mainly used for direct connection to guitar amp’s
front input.
Amp Simulator AmpSimulator DG Series amp sound. Mainly used for direct connection to power
amp. Speaker simulator allows direct recording.
Chorus Chorus Chorus effect.
Symphonic Symphonic Symphonic effect.
Flange Flange Flange effect.
Vintage Flange VintageFlanger Flanger produced by utilizing VCM (Virtual Circuitry Modeling) tech-
nology.
Phaser Phaser Maximum 16-stage phaser.
Mono Vintage Phaser MonoVntagPhaser Monaural phaser produced by utilizing VCM (Virtual Circuitry Model-
ing) technology.
Stereo Vintage Phaser StreoVintPhaser Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling)
technology.
Tremolo Tremolo Tremolo effect.
Auto Pan Auto Pan Autopanner.
Rotary Rotary Rotary speaker simulator.
Ring Mod. RingMod. Ring modulator.
Mod. Filter Mod.Filter Modulation filter.
Compressor Compressor Compressor.
M.Band Dyna. MultiBandDyna. 3-band dynamics processor.
Dyna. Filter Dyna.Filter Filter effect. The effect changes according to input level.
Dyna. Flange Dyna.Flange Flanger effect. The effect changes according to input level.
Dyna. Phaser Dyna.Phaser Phaser effect. The effect changes according to input level.
Tape Echo TapeEcho Vintage tape echo.
Mono Delay MonoDelay Basic monaural delay.
Stereo Delay StereoDelay Basic stereo delay.
Mod. Delay Mod.Delay Basic repeat delay with modulation.
Delay LCR DelayLCR 3-tap delay (left, center, right).
Echo Echo Stereo delay with crossed feedback loop.
8 Band Parallel Delay 8BandParaDelay 8-band modulation delay connected in parallel.
8 Band Series Delay 8BandSeriDelay 8-band modulation delay connected in series.
4 Band 2 Tap Mod.
Delay 4Band2TapModDly 4-band delay connected in parallel w/2 multi-tap modulation delays.
2 Band 4 Tap Mod.
Delay 2Band4TapM.Dly 2-band delay connected in parallel w/4 multi-tap modulation delay.
8 Multi Tap Mod. Delay 8MultiTapM.Dly 8 Multi tap modulation delay.
2 Band Long + 4 Short
Mod. Delay 2Lng4ShrtM.Dly 2 band parallel 2 multi tap + 4 band short modulation delay.
Short + Medium + Long
Mod. Delay S.M.L.ModDly 3 band multi tap delay w/3 delay times.
Reverb Reverb Hall, room, stage, and plate reverb simulations, all with gates.
Early Ref. Early Ref. Early reflections.
Gate Reverb Gate Reverb Early reflections with gate.
Reverse Gate Reverse Gate Early reflections with reverse gate.
Spring Reverb Spring Reverb Spring reverb simulation.
HQ. Pitch HQ. Pitch High-quality pitch shifter.
Dual Pitch DualPitch Pitch shifter.
3 Band Parametric EQ 3BandParaEQ 3-band parametric equalizer.

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Multi Filter MultiFilter 3-band multi-filter (24 dB/octave).
Reverb+Chorus Reverb+Chorus Reverb and chorus effects in parallel.
Reverb->Chorus Reverb->Chorus Reverb and chorus effects in series.
Reverb+Flange Reverb+Flange Reverb and flanger effects in parallel.
Reverb->Flange Reverb->Flange Reverb and flanger effects in series.
Reverb+Symphonic Reverb+Sympho Reverb and symphonic effects in parallel.
Reverb->Symphonic Reverb->Sympho Reverb and symphonic effects in series.
Reverb->Pan Reverb->Pan Reverb and autopan effects in series.
Delay+Early Ref. Delay+E.Ref. Delay and early reflections effects in parallel.
Delay->Early Ref. Delay->E.Ref. Delay and early reflections effects in series.
Delay+Reverb Delay+Reverb Delay and reverb effects in parallel.
Delay->Reverb Delay->Reverb Delay and reverb effects in series.
Distortion->Delay Dist->Delay Distortion and delay effects in series. Mainly used for direct connec-
tion to guitar amp’s front input.
Amp Multi (Chorus) AmpMulti(Cho)
Multi effect consisting of Comp + Amp Simulator + Chorus + Delay +
Reverb. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Amp Multi (Flange) AmpMulti(Flng)
Multi effect consisting of Comp + Amp Simulator + Flanger + Delay +
Reverb. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Amp Multi (Tremolo) AmpMulti(Trem)
Multi effect consisting of Comp + Amp Simulator + Tremolo + Delay +
Reverb. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Amp Multi (Phaser) AmpMulti(Phas)
Multi effect consisting of Comp + Amp Simulator + Phaser + Delay +
Reverb. Mainly used for direct connection to power amp. Speaker
simulator allows direct recording.
Distortion Multi
(Chorus) DistMulti (Cho) Multi effect consisting of Comp + Distortion + Chorus + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input.
Distortion Multi
(Flange) DistMulti(Flng) Multi effect consisting of Comp + Distortion + Flanger + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input.
Distortion Multi
(Tremolo) DistMulti(Trem) Multi effect consisting of Comp + Distortion + Tremolo + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input.
Distortion Multi
(Phaser) DistMulti(Phas) Multi effect consisting of Comp + Distortion + Phaser + Delay + Reverb. Mainly used for direct connection to guitar amp’s front input.
Acoustic Multi AcousticMulti Multi effect for electric-acoustic guitar.
Bass Preamp BassPreamp Pre-amplifier designed for use with bass guitars.
EFFECT TYPE Display Description
What is TAP?
The “Tap” parameter found in delay effects is the timing at which the delay sound is taken out of the delay loop.
To illustrate this function, the delay shown below is using a delay time setting of 360msec. However, with the
“Tap” parameter set to 60, the first delay sound will be heard at 216msec. This happens for the first delay sound
only. If the Feedback (FB.) level is increased, all subsequent delay sounds will be heard at 360msec. intervals.
360msec
TAP=100%
216msec
TAP=60%
Delay Circuit
216
msec
360
msec
360
msec
TIME
Original Sound
First Delay Sound
Feedback Delay Sound

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Effect Parameters
Distortion
Advanced distortion. Mainly used for direct connection to guitar amp’s front input.
Digital Distortion
Distortion effect. Mainly used for direct connection to guitar amp’s front input.
Parameter Display Range Description
Type TYPE
Lead1, Lead2, Drive1, Drive2,
Crunch1, Crunch2, Fuzz1,
Fuzz2, Distortion1, Distortion2,
Overdrive1, Overdrive2, Tube,
Solidstate
Distortion type
Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion
Master MSTR 0.0 to 10.0 Adjusts the volume
Tone TONE 0.0 to 10.0 Adjusts the tone
EQ 1 Freq. EQ1F 50.0 to 400 Hz Specifies the post effect EQ1 frequency
EQ 1 Gain EQ1G -12.0 to 12.0 dB Specifies the post effect EQ1 gain
EQ 1 Q EQ1Q 0.100 to 20.0 Specifies the post effect EQ1 Q (bandwidth)
EQ 2 Freq. EQ2F 200 to 1.60 kHz Specifies the post effect EQ2 frequency
EQ 2 Gain EQ2G -12.0 to 12.0 dB Specifies the post effect EQ2 gain
EQ 2 Q EQ2Q 0.100 to 20.0 Specifies the post effect EQ2 Q (bandwidth)
EQ 3 Freq. EQ3F 600 to 4.80 kHz Specifies the post effect EQ3 frequency
EQ 3 Gain EQ3G -12.0 to 12.0 dB Specifies the post effect EQ3 gain
EQ 3 Q EQ3Q 0.100 to 20.0 Specifies the post effect EQ3 Q (bandwidth)
EQ 4 Freq. EQ4F 2.00 k to 16.0 kHz Specifies the post effect EQ4 frequency
EQ 4 Gain EQ4G -12.0 to 12.0 dB Specifies the post effect EQ4 gain
EQ 4 Q EQ4Q 0.100 to 20.0 Specifies the post effect EQ4 Q (bandwidth)
Pre EQ Level PELV 0.0 to 10.0 Specifies the pre effect EQ level
Pre EQ 1 Freq. PE1F 50.0 to 500 Hz Specifies the pre effect EQ1 frequency
Pre EQ 1 Gain PE1G -12.0 to 12.0 dB Specifies the pre effect EQ1 gain
Pre EQ 1 Q PE1Q 0.100 to 20.0 Specifies the pre effect EQ1 Q (bandwidth)
Pre EQ 2 Freq. PE2F 200 to 2.00 kHz Specifies the pre effect EQ2 frequency
Pre EQ 2 Gain PE2G -12.0 to 12.0 dB Specifies the pre effect EQ2 gain
Pre EQ 2 Q PE2Q 0.100 to 20.0 Specifies the pre effect EQ2 Q (bandwidth)
Pre EQ 3 Freq. PE3F 1.00 k to 10 kHz Specifies the pre effect EQ3 frequency
Pre EQ 3 Gain PE3G -12.0 to 12.0 dB Specifies the pre effect EQ3 gain
Pre EQ 3 Q PE3Q 0.100 to 20.0 Specifies the pre effect EQ3 Q (bandwidth)
N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates
N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold
N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open
N. G. Decay NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh-
old
Parameter Display Range Description
Type TYPE
Distortion1, Distortion2,
Overdrive1, Overdrive2,
Crunch
Distortion type
Drive DRV 0 to 100 Distortion drive
Master MSTR 0 to 100 Master volume
Tone TONE –10 to +10 Tone
Noise Gate NG 0 to 20 Noise reduction

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Amp Simulator
DG Series amp sound. Mainly used for direct connection to power amp.
Speaker simulator allows direct recording.
Chorus
Chorus effect.
Symphonic
Symphonic effect.
Parameter Display Range Description
Amp Type AMP
Heavy1, Heavy2, Lead1, Lead2,
Drive1, Drive2, Crunch1,
Crunch2, Clean1, Clean2, Solid
Amp type
Gain GAIN 0.0 to 10.0 Adjusts the amount of distortion
Master MSTR 0.0 to 10.0 Adjusts the volume
Tone TONE 0.0 to 10.0 Adjusts the tone
Treble TRE 0.0 to 10.0 Adjusts level of high range frequencies
High Middle HMID 0.0 to 10.0 Adjusts level of upper mid frequencies
Low Middle LMID 0.0 to 10.0 Adjusts level of lower mid frequencies
Bass BASS 0.0 to 10.0 Adjusts level of low frequencies
Presence PRE 0.0 to 10.0 Adjusts level of extremely high frequencies
Speaker
Simulator SP
Off, American 412, British 412,
Modern 412, YAMAHA 412, Hybrid
412, American 212, British 212,
Modern 212, YAMAHA 212, Hybrid
212, American 112, Modern 112,
YAMAHA 112, Hybrid 112, 410,
210
When using a line connection to connect directly to a mixer, this can be
used to simulate the natural characteristics of a speaker giving the tone
a more natural sound
N. G. Threshold NGTH 0.0 to 10.0 Level at which the noise gate activates
N. G. Attack NGAT 0 to 120 ms Time required for the noise gate to open after signal exceeds threshold
N. G. Hold NGHL 0.02 to 2040 ms Time noise gate stays open
N. G. Decay NGDC 6 to 44500 ms Time required for the noise gate to close after signal goes below thresh-
old
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
AM Depth AMDP 0 to 100% Amplitude modulation depth
PM Depth PMDP 0 to 100% Pitch modulation depth
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPT 0 to 100% Modulation depth
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level

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Flange
Flange effect.
Vintage Flange
Flanger produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Phaser
Maximum 16-stage phaser.
Mono Vintage Phaser
Monaural phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPT 0 to 100% Modulation depth
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Type TYPE 1, 2, 3 Flanger type
Speed SPD 0.0 to 10.0 Modulation speed
Depth DPTH 0.0 to 10.0 Modulation depth
Manual MANU 0.0 to 10.0 Adjusts flanger’s delay time
Feedback FB 0.0 to 10.0 Feedback gain
Spread SPRD 0.0 to 10.0 Left and right flange spread (diffusion)
Mix MIX 0.0 to 10.0 Mix level
Parameter Display Range Description
Stage STAG 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPT 0 to 100% Modulation depth
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Offset OFST 0 to 100 Lowest phase-shifted frequency offset
Phase PHAS 0.00 to 354.38 degrees Left and right modulation phase balance
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Stage STAG 4, 6, 8, 10, 12, 16 Number of phase shift stages
Mode MODE 1, 2 Phaser type
Speed SPD 0.0 to 10.0 Modulation speed
Depth DPTH 0.0 to 10.0 Modulation depth
Manual MANU 0.0 to 10.0 Sets the manner in which the phaser acts
Feedback FB 0.0 to 10.0 Feedback gain
Color CLOR 0.0 to 10.0 Sets the phaser’s tone

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Stereo Vintage Phaser
Stereo phaser produced by utilizing VCM (Virtual Circuitry Modeling) technology.
Tremolo
Tremolo effect.
Auto Pan
Autopanner.
Rotary
Rotary speaker simulator.
Parameter Display Range Description
Stage STAG 4, 6, 8, 10 Number of phase shift stages
Mode MODE 1, 2 Phaser type
Speed SPD 0.0 to 10.0 Modulation speed
Depth DPTH 0.0 to 10.0 Modulation depth
Manual MANU 0.0 to 10.0 Sets the manner in which the phaser acts
Feedback FB 0.0 to 10.0 Feedback gain
Color CLOR 0.0 to 10.0 Sets the phaser’s tone
Spread SPRD 0.0 to 10.0 Left and right phaser spread (diffusion)
Parameter Display Range Description
Wave WAVE Sine, Triangle, Square Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPTH 0 to 100% Modulation depth
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Parameter Display Range Description
Wave WAVE Sine, Triangle, Square Modulation waveform
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPTH 0 to 100% Modulation depth
Direction DIR L<->R, L—>R, L<—R, Turn L,
Turn R Panning direction
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Parameter Display Range Description
Rotate ROT Stop, Start Rotation stop, start
Slow SLOW 0.05 to 10.00 Hz Slow rotation speed
Fast FAST 0.05 to 10.00 Hz Fast rotation speed
Speed SPD Slow, Fast Rotation speed (see Slow and Fast parameters)
Drive DRV 0 to 100 Overdrive level
Accel ACCL 0 to 10 Acceleration at speed changes
Low LOW 0 to 100 Low-frequency filter
High HIGH 0 to 100 High-frequency filter
Mix MIX 0 to 100% Mix level

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Ring Mod.
Ring modulator.
Mod. Filter
Modulation filter.
Compressor
Compressor.
Parameter Display Range Description
Source SRC OSC, SELF Modulation source: oscillator or input signal
OSC Freq. OSC 0.0 to 5000.0 Hz Oscillator frequency
FM Freq. FM.F 0.05 to 40.00 Hz Oscillator frequency modulation speed
FM Depth FM.D 0 to 100% Oscillator frequency modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Type TYPE Low Pass Filter, High Pass Filter,
Band Pass Filter Filter type: low pass, high pass, band pass
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Depth DPTH 0 to 100% Modulation depth
Phase PHAS 0.00 to 354.38 degrees Left-channel modulation and right-channel modulation phase differ-
ence
Offset OFST 0 to 100 Filter frequency offset
Resonance RESO 0 to 20 Filter resonance
Level LEVL 0 to 100 Output level
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Comp. Threshold THRE -54.0 to 0.0 dB Level at which compressor activates
Comp. Ratio RATI 1:1 to ∞:1 Compression ratio
Comp. Attack ATAK0to 120 ms Time required for compressor to peak after exceeding threshold
Comp. Release RELE 6 to 11500 ms Time required for compressor to terminate after going below threshold
Comp. Knee KNEE Hard, 1 to 5 Adjusts the width of the gain curve just above the threshold
Comp. Gain GAIN 0.0 to 18.0 dB Output level

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M.Band Dyna.
3-band dynamics processor, with individual solo and gain reduction metering for each band.
Dyna. Filter
Filter effect. The effect changes according to input level.
Dyna. Flange
Flanger effect. The effect changes according to input level.
Parameter Display Range Description
Slope SLOP –6, –12 dB Filter slope
Low Gain LO.G –96.0 to +12.0 dB Low band level
Mid Gain MI.G –96.0 to +12.0 dB Mid band level
High Gain HI.G –96.0 to +12.0 dB High band level
Lookup LKUP 0.0 to 100.0 ms Lookup delay
Ceiling CEIL –6.0 to 0.0 dB, Off Specifies the maximum output level
L–M Xover L-MX 21.2 Hz to 8.00 kHz Low/mid crossover frequency
M–H Xover M-HX 21.2 Hz to 8.00 kHz Mid/high crossover frequency
Presence PRE –10 to +10
For positive values, the threshold of the high band is lowered and the
threshold of the low band is increased. For negative values, the oppo-
site will occur. When set to 0, all three bands are affected the same.
Comp. Bypass COMP Off, On Compressor bypass
Comp. Threshold CMPT –24.0 to 0.0 dB Compressor threshold
Comp. Ratio CRAT 1:1 to 20:1 Compressor ratio
Comp. Attack CATA 0 to 120 ms Compressor attack
Comp. Release CREL 6 to 11500 ms Compressor release time
Comp. Knee CKNE 0 to 5 Adjusts the width of the gain curve just above the compressor‘s thresh-
old
Exp. Bypass EXP Off, On Expander bypass
Exp. Threshold EXPT –54.0 to –24.0 dB Expander threshold
Exp. Ratio ERAT 1:1 to ∞:1 Expander ratio
Exp. Release EREL 6 to 11500 ms Expander release time
Lim. Bypass LIM Off, On Limiter bypass
Lim. Threshold LIMT –12.0 to 0.0 dB Limiter threshold
Lim. Attack LATA 0 to 120 ms Limiter attack
Lim. Release LREL 6 to 11500 ms Limiter release time
Lim. Knee LKNE 0 to 5 Adjusts the width of the gain curve just above the limiter‘s threshold
Parameter Display Range Description
Type TYPE Low Pass Filter, High Pass Filter,
Band Pass Filter Filter type
Decay DCY 6 to 46000 ms Filter frequency change decay speed
Direction DIR Up, Down Upward or downward frequency change
Sense SENS 0 to 100 Sensitivity
Offset OFST 0 to 100 Filter frequency offset
Resonance RESO 0 to 20 Filter resonance
Level LVL0to 100 Output level
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Decay DCY 6 to 46000 ms Decay speed
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Direction DIR Up, Down Upward or downward frequency change
Sense SENS 0 to 100 Sensitivity
Offset OFST 0 to 100 Delay time offset
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
EQ Freq. EQ.F 100 Hz to 8.00 kHz EQ (peaking type) frequency
EQ Gain EQ.G –12.0 to +12.0 dB EQ (peaking type) gain
EQ Q EQ.Q 10.0 to 0.10 EQ (peaking type) bandwidth
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level

10
Dyna. Phaser
Phaser effect. The effect changes according to input level.
Tape Echo
Vintage tape echo.
Mono Delay
Basic repeat delay.
Stereo Delay
Basic stereo delay.
Parameter Display Range Description
Decay DCY 6 to 46000 ms Decay speed
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Direction DIR Up, Down Upward or downward frequency change
Sense SENS 0 to 100 Sensitivity
Offset OFST 0 to 100 Lowest phase-shifted frequency offset
Stage STAG 2, 4, 6, 8, 10, 12, 14, 16 Number of phase shift stages
LSH Freq. LSHF 21.2 Hz to 8.00 kHz Low shelving filter frequency
LSH Gain LSHG –12.0 to +12.0 dB Low shelving filter gain
HSH Freq. HSHF 50.0 Hz to 16.0 kHz High shelving filter frequency
HSH Gain HSHG –12.0 to +12.0 dB High shelving filter gain
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Time DT 0.0 to 10.0 Delay time
Feedback FB 0.0 to 10.0 Delay feedback level
Level LEVL 0.0 to 10.0 Delay level
Parameter Display Range Description
Delay TIME 0.0 to 2730.0 ms Delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Delay L DT.L 0.0 to 1350.0 ms Left channel delay time
Delay R DT.R 0.0 to 1350.0 ms Right channel delay time
FB. Gain L FB.L –99 to +99% Left channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
FB. Gain R FB.R –99 to +99% Right channel feedback (plus values for normal-phase feedback, minus
values for reverse-phase feedback)
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level

11
Mod. Delay
Basic repeat delay with modulation.
Delay LCR
3-tap delay (left, center, right).
Echo
Stereo delay with crossed feedback loop.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Delay TIME 0.0 to 2725.0 ms Delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
Depth DPT 0 to 100% Modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Delay L DT.L 0.0 to 2730.0 ms Left channel delay time
Delay C DT.C 0.0 to 2730.0 ms Center channel delay time
Delay R DT.R 0.0 to 2730.0 ms Right channel delay time
Delay FB. DTFB 0.0 to 2730.0 ms Feedback delay time
Level L LV.L –100 to +100% Left channel delay level
Level C LV.C –100 to +100% Center channel delay level
Level R LV.R –100 to +100% Right channel delay level
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Delay L DT.L 0.0 to 1350.0 ms Left channel delay time
Delay R DT.R 0.0 to 1350.0 ms Right channel delay time
FB. Delay L DTFL 0.0 to 1350.0 ms Left channel feedback delay time
FB. Delay R DTFR 0.0 to 1350.0 ms Right channel feedback delay time
FB. Gain L FB.L –99 to +99% Left channel feedback gain (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
FB. Gain R FB.R –99 to +99% Right channel feedback gain (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
L->R FB. Gain L->R –99 to +99% Left to right channel feedback gain (plus values for normal-phase feed-
back, minus values for reverse-phase feedback)
R->L FB. Gain R->L –99 to +99% Right to left channel feedback gain (plus values for normal-phase feed-
back, minus values for reverse-phase feedback)
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level

12
8 Band Parallel Delay
8-band modulation delay connected in parallel.
*n = delay band no.
8 Band Series Delay
8-band modulation delay connected in series.
*n = delay band no.
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window page no. corresponds to delay band no.
Time DTn 0.1 to 696.0 ms Delay time
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies
Feedback FBn 0.0 to 10.0 Delay’s feedback level
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window page no. corresponds to delay band no.
Time DTn 0.1 to 696.0 ms Delay time
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies
Feedback FBn 0.0 to 10.0 Delay’s feedback level
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)

13
4 Band 2 Tap Mod. Delay
4-band delay connected in parallel w/2 multi-tap modulation delays.
*n = delay band no.
2 Band 4 Tap Mod. Delay
2-band delay connected in parallel w/4 multi-tap modulation delay.
*n = delay band no.
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window no. corresponds to delay band no. and tap no.
Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band2 Tap1, Page4:Band2 Tap2,
Page5:Band3 Tap1, Page6:Band3 Tap2, Page7:Band4 Tap1, Page8:Band4 Tap2
Time DTn 0.1 to 1430.0 ms Delay time (Page1, Page3, Page5, Page7)
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page3, Page5, Page7)
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page3, Page5, Page7)
Feedback FBn 0.0 to 10.0 Delay’s feedback level (Page1, Page3, Page5, Page7)
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window no. corresponds to delay band no. and tap no.
Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band1 Tap3, Page4:Band1 Tap4,
Page5:Band2 Tap1, Page6:Band2 Tap2, Page7:Band2 Tap3, Page8:Band2 Tap4
Time DTn 0.2 to 2920.0 ms Delay time (Page1, Page5 only)
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page5 only)
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page5 only)
Feedback FBn 0.0 to 10.0 Delay’s feedback level (Page1, Page5 only)
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)

14
8 Multi Tap Mod. Delay
8 Multi tap modulation delay.
*n = delay band no.
2 Band Long + 4 Short Mod. Delay
2 band parallel 2 multi tap + 4 band short modulation delay.
*n = delay band no.
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window page no. corresponds to tap no.
Page1:Tap1, Page2:Tap2, Page3:Tap3, Page4:Tap4, Page5:Tap5, Page6:Tap6, Page7:Tap7, Page8:Tap8
Time DTn 0.5 to 5890.0 ms Delay time (Page1 only)
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1 only)
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1 only)
Feedback FBn 0.0 to 10.0 Delay’s feedback level (Page1 only)
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window no. corresponds to delay band no. and tap no.
Page1:Band1 Tap1, Page2:Band1 Tap2, Page3:Band2 Tap1, Page4:Band2 Tap2,
Page5:Band3, Page6:Band4, Page7:Band5, Page8:Band6
Time DTn
Band1, Band2: 0.1 to 1430.0
ms, Band3, Band4, Band5,
Band6: 0.1 to 696.0 ms
Delay time (Page1, Page3, Page5 to Page8)
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page3, Page5 to Page8)
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page3, Page5 to Page8)
Feedback FBn 0.0 to 10.0 Delay’s feedback level (Page1, Page3, Page5 to Page8)
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)

15
Short + Medium + Long Mod. Delay
3 band multi tap delay w/3 delay times.
*n = delay band no.
Reverb
Hall, room, stage, and plate reverb simulations, all with gates.
Parameter Display Range Description
Wave Form W.F. Triangle, Saw Up, Saw Down Selects the modulation waveform used for “other” in the Wave Parame-
ter below.
Effect Level ELVL 0.0 to 10.0 Effect level
Direct Level DLVL 0.0 to 10.0 Level of direct sound
Direct Pan DPAN L10.0 to R10.0 Pan for direct sound
* Edit window no. corresponds to delay band no. and tap no.
Page1:Band1 Tap1, Page2:Band2 Tap1, Page3:Band2 Tap2, Page4:Band2 Tap3,
Page5:Band3 Tap1, Page6:Band3 Tap2, Page7:Band3 Tap3, Page8:Band3 Tap4
Time DTn
Band1:0.1 to 696.0 ms,
Band2:0.2 to 2180.0 ms,
Band3:0.2 to 2920.0 ms
Delay time (Page1, Page2, Page5 only)
Low Cut Filter LCFn Off to 10.0 Filter cuts low frequencies (Page1, Page2, Page5 only)
High Cut Filter HCFn Off to 10.0 Filter cuts high frequencies (Page1, Page2, Page5 only)
Feedback FBn 0.0 to 10.0 Delay’s feedback level (Page1, Page2, Page5 only)
Wave WAVn Sine, Other Modulation waveform. Sine wave or other (“other” is the wave selected
in the Wave Form Parameter above).
Phase PHSn Normal, Reverse Phase of the delay
Tap TAPn 0 to 100 % The output time of the delay sound in regard to the time of the delay
loop (see page 3)
Speed SPDn 0.0 to 10.0 Modulation speed (modulation phase if the band is synchronized with
another band)
Depth DPTn 0.0 to 10.0 Modulation depth
Pan PANn L10.0 to R10.0 Position in the stereo field of the delay sound.
Level LVLn 0.0 to 10.0 Delay level
Sync SYNn 1 to 8
Setting to synchronize the modulation of different bands (set to any
number other than the band number of the current band, it will syn-
chronize with that band. If set to the same number as the current band,
it will not synchronize.)
Parameter Display Range Description
Reverb Type TYPE Hall, Room, Stage, Plate Reverb type
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
ER/Rev Delay ERDL 0.0 to 100.0 ms Delay between early reflections and reverb
Reverb Time TIME 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Low Ratio LRAT 0.1 to 2.4 Low-frequency reverb time ratio
Diffusion DIFF 0 to 10 Reverb diffusion (left–right reverb spread)
Density DNST 0 to 100% Reverb density
ER/Rev Balance ERBL 0 to 100% Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Gate Level GATE Off, –60 to 0 dB Level at which gate kicks in
Attack ATCK 0 to 120 ms Gate opening speed
Hold HOLD 0.02 to 2040 ms Gate open time
Decay DCAY 6 to 44500 ms Gate closing speed
Mix MIX 0 to 100% Mix level

16
Early Ref.
Early reflections.
Gate Reverb
Early reflections with gate.
Reverse Gate
Early reflections with reverse gate.
Parameter Display Range Description
Type TYPE Small Hall, Large Hall, Random,
Reverse, Plate, Spring Type of early reflection simulation
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
FB. Gain FB –99 to +99% Feedback gain
Room Size SIZE 0.1 to 20.0 Reflection spacing
Liveness LIVE 0 to 10 Early reflections decay characteristics (0 = dead, 10 = live)
Diffusion DIFF 0 to 10 Reflection diffusion (left–right reflection spread)
Density DNST 0 to 100% Reflection density
ER Number ERNO 1 to 19 Number of early reflections
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Type TYPE Type-A, Type-B Type of early reflection simulation
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
FB. Gain FB –99 to +99% Feedback gain
Room Size SIZE 0.1 to 20.0 Reflection spacing
Liveness LIVE 0 to 10 Early reflections decay characteristics (0 = dead, 10 = live)
Diffusion DIFF 0 to 10 Reflection diffusion (left–right reflection spread)
Density DNST 0 to 100% Reflection density
ER Number ERNO 1 to 19 Number of early reflections
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Type TYPE Type-A, Type-B Type of early reflection simulation
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
FB. Gain FB –99 to +99% Feedback gain
Room Size SIZE 0.1 to 20.0 Reflection spacing
Liveness LIVE 0 to 10 Early reflections decay characteristics (0 = dead, 10 = live)
Diffusion DIFF 0 to 10 Reflection diffusion (left–right reflection spread)
Density DNST 0 to 100% Reflection density
ER Number ERNO 1 to 19 Number of early reflections
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Mix MIX 0 to 100% Mix level

17
Spring Reverb
Spring reverb simulation.
HQ. Pitch
High-quality pitch shifter.
Dual Pitch
Pitch shifter.
3 Band Parametric EQ
3-band parametric equalizer.
Parameter Display Range Description
Reverb REV 0.0 to 10.0 Reverb level
Parameter Display Range Description
Mode MODE 1 to 10 Pitch shift precision
Delay DT 0.0 to 1000.0 ms Delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Pitch PIT –12 to +12 semitones Pitch shift
Fine FINE –50 to +50 cents Pitch shift fine
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Mode MODE 1 to 10 Pitch shift precision
Delay 1 DT1 0.0 to 1000.0 ms Channel #1 delay time
FB. Gain 1 FB1 –99 to +99% Channel #1 feedback gain (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
Delay 2 DT2 0.0 to 1000.0 ms Channel #2 delay time
FB. Gain 2 FB2 –99 to +99% Channel #2 feedback gain (plus values for normal-phase feedback,
minus values for reverse-phase feedback)
Pitch 1 PIT1 –24 to +24 semitones Channel #1 pitch shift
Fine 1 FIN1 –50 to +50 cents Channel #1 pitch shift fine
Level 1 LVL1 –100 to +100% Channel #1 level (plus values for normal phase, minus values for reverse
phase)
Pan 1 PAN1 L63 to R63 Channel #1 pan
Pitch 2 PIT2 –24 to +24 semitones Channel #2 pitch shift
Fine 2 FIN2 –50 to +50 cents Channel #2 pitch shift fine
Level 2 LVL2 –100 to +100% Channel #2 level (plus values for normal phase, minus values for reverse
phase)
Pan 2 PAN2 L63 to R63 Channel #2 pan
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
EQ1 Freq. EQ1F 20.0 Hz to 20.0 kHz EQ1 frequency
EQ2 Freq. EQ2F 20.0 Hz to 20.0 kHz EQ2 frequency
EQ3 Freq. EQ3F 20.0 Hz to 20.0 kHz EQ3 frequency
EQ Level LEVL 0.0 to 10.0 Overall level
EQ1 Gain EQ1G -12.0 to 12.0 dB EQ1 gain
EQ2 Gain EQ2G -12.0 to 12.0 dB EQ2 gain
EQ3 Gain EQ3G -12.0 to 12.0 dB EQ3 gain
EQ1 Q EQ1Q 0.100 to 20.0 EQ1 Q (bandwidth)
EQ2 Q EQ2Q 0.100 to 20.0 EQ2 Q (bandwidth)
EQ3 Q EQ3Q 0.100 to 20.0 EQ3 Q (bandwidth)

18
Multi Filter
3-band multi-filter (24 dB/octave).
Reverb+Chorus
Reverb and chorus effects in parallel.
Reverb->Chorus
Reverb and chorus effects in series.
Parameter Display Range Description
Type 1 TYP1 Low Pass Filter, High Pass Filter,
Band Pass Filter Filter 1 type: high pass, low pass, band pass
Freq. 1 FRQ1 28.0 Hz to 16.0 kHz Filter 1 frequency
Level 1 LVL1 0 to 100 Filter 1 level
Resonance 1 RES1 0 to 20 Filter 1 resonance
Mix MIX 0 to 100% Mix level
Type 2 TYP2 Low Pass Filter, High Pass Filter,
Band Pass Filter Filter 2 type: high pass, low pass, band pass
Freq. 2 FRQ2 28.0 Hz to 16.0 kHz Filter 2 frequency
Level 2 LVL2 0 to 100 Filter 2 level
Resonance 2 RES2 0 to 20 Filter 2 resonance
Type 3 TYP3 Low Pass Filter, High Pass Filter,
Band Pass Filter Filter 3 type: high pass, low pass, band pass
Freq. 3 FRQ3 28.0 Hz to 16.0 kHz Filter 3 frequency
Level 3 LVL3 0 to 100 Filter 3 level
Resonance 3 RES3 0 to 20 Filter 3 resonance
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb/Chorus BAL 0 to 100% Reverb and chorus balance (0% = all reverb, 100% = all chorus)
AM Depth AMDP 0 to 100% Amplitude modulation depth
PM Depth PMDP 0 to 100% Pitch modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb Balance BAL 0 to 100% Reverb and chorused reverb balance
(0% = all chorused reverb, 100% = all reverb)
AM Depth AMDP 0 to 100% Amplitude modulation depth
PM Depth PMDP 0 to 100% Pitch modulation depth
Mix MIX 0 to 100% Mix level

19
Reverb+Flange
Reverb and flanger effects in parallel.
Reverb->Flange
Reverb and flanger effects in series.
Reverb+Symphonic
Reverb and symphonic effects in parallel.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb/Flange BAL 0 to 100% Reverb and flange balance (0% = all reverb, 100% = all flange)
Depth DPTH 0 to 100% Modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb Balance BAL 0 to 100% Reverb and flanged reverb balance
(0% = all flanged reverb, 100% = all reverb)
Depth DPTH 0 to 100% Modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb/
Symphonic BAL 0 to 100% Reverb and symphonic balance (0% = all reverb, 100% = all symphonic)
Depth DPTH 0 to 100% Modulation depth
Mix MIX 0 to 100% Mix level

20
Reverb->Symphonic
Reverb and symphonic effects in series.
Reverb->Pan
Reverb and autopan effects in series.
Delay+Early Ref.
Delay and early reflections effects in parallel.
Parameter Display Range Description
Wave WAVE Sine, Triangle Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Mod. Delay MDT 0.0 to 500.0 ms Modulation delay time
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb Balance BAL 0 to 100% Reverb and symphonic reverb balance
(0% = all symphonic reverb, 100% = all reverb)
Depth DPTH 0 to 100% Modulation depth
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Wave WAVE Sine, Triangle, Square Modulation waveform
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Freq. FREQ 0.05 to 40.00 Hz Modulation speed
Reverb Time RT 0.3 to 99.0 s Reverb time
High Ratio HRAT 0.1 to 1.0 High-frequency reverb time ratio
Diffusion DIFF 0 to 10 Left and right reverb spread
Density DNST 0 to 100% Reverb density
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Reverb Balance BAL 0 to 100% Reverb and panned reverb balance
(0% = all panned reverb, 100% = all reverb)
Depth DPTH 0 to 100% Modulation depth
Direction DIR L<–>R, L–>R, L<–R,
Turn L, Turn R Panning direction
Mix MIX 0 to 100% Mix level
Parameter Display Range Description
Delay L DT.L 0.0 to 1000.0 ms Left channel delay time
Delay R DT.R 0.0 to 1000.0 ms Right channel delay time
FB. Delay DTFB 0.0 to 1000.0 ms Feedback delay time
FB. Gain FB –99 to +99% Feedback gain (plus values for normal-phase feedback, minus values for
reverse-phase feedback)
High Ratio HRAT 0.1 to 1.0 High-frequency feedback ratio
High Pass Filter HPF Thru, 21.2 Hz to 8.00 kHz High-pass filter cutoff frequency
Low Pass Filter LPF 50.0 Hz to 16.0 kHz, Thru Low-pass filter cutoff frequency
Delay/ER BAL 0 to 100% Delay and early reflections balance
(0% = all delay, 100% = all early reflections)
Mix MIX 0 to 100% Mix level
Type TYPE Small Hall, Large Hall, Random,
Reverse, Plate, Spring Type of early reflection simulation
Initial Delay IDLY 0.0 to 500.0 ms Initial delay before reverb begins
Room Size SIZE 0.2 to 20.0 Reflection spacing
Liveness LIVE 0 to 10 Early reflections decay characteristics (0 = dead, 10 = live)
Diffusion DIFF 0 to 10 Left and right early reflections spread
Density DNST 0 to 100% Reverb density
ER Number ERNO 1 to 19 Number of early reflections