Akai S1100EX User manual

Шаа
|
=x
I6VOICE
POLPHONY
EXPANSION
UNT.
WARNING
To
prevent
fire
or
shock
hi
expose
this
appliance
to
rai
Operator's
Manual
-
REX
Gs
o
c
M
do
nol
moisture.

То
show
ол
support
Ки
те
protecton
of
ffe
earth's
emmonment.
‘thes
manual
has
been
prnted
entreiy
on
recycled
paper

CONNECTING
THE
S1100EX.
CONNECTING
AUDIO
..
POWERING
UP
THE
SYSTEM
4,
SETTING
UP
THE
SYSTEM.
‘SELECTING
MODES
....
SELECTING
MODE
1
SELECTING
MODE
‘SELECTING
NORMAL
..
ч
SETTING
SCSI
ID
NUMBERS
AND
TERMINATION...
SETTING
THE
511005
SCSI
ID...
USING
VERSION
1.30
SYSTEM
SOFTWARE
5.
USING
THE
SYSTEM
............................
USING
MODE
1
USING
MODE
2
USING
THE
18-0108
SMPTE
READER/GENERATOR
7.
ADVANCED
АРРИСАТІОМ6........................2.41.2.м..2.....25
SAMPLING
BETWEEN
UNITS
SPINNING
IN
RECORDINGS.
MASTERING
AND
EDITING
USING
THE
SYSTEM
USING
THE
SYSTEM
AS
A
SOPHISTICATED
CARTRIDGE
MACHINE
..30
USING
SEVERAL
S1100EX
UNITS
WITHIN
ONE
SYSTEM
31
USING
OTHER
SCSI
DEVICES...
UU

in
operation,
making
the
51100ЕХ
as
quick
and
convenient
to
use
as
using
the
81100
опу.
SCSI
allows
you
to
connect
up
to
eight
units
total
so
the
ultimate
system
you
could
build
may
be
зы
of
one
51100
(master)
and
up
to
six
S1100EX's
(slave),
and
one
external
hard
disk
or
disk.
Typically,
however,
a
large
system
would
probably
be
serviced
by
some
form
of
hard
disk
such
as
The
removable
cartridge
types,
fixed
hard
disks,
or
Sony
Magneto
Optical
disk
(MO
disk)
with
which
the
S1100
is
compatible.
Furthermore,
а
СО
ROM
player
may
also
be
used.
Each
of
these
would
take
a
SCSI
ID,
however,
and
so
restrict
the
number
of
S1100EX's
you
could
have
on
line
at
any
опе
time.
“It
бе
51100
has
an
intemal
ard
disk,
is
ak
facit
wil
ано
be
counted
as
оло
SCS!
dovon.
Even
adding
one
S1100EX
offers
а
great
deal
of
potential,
however,
as
we
shall
see
during
the
course
of
this
manual
and
in
the
ADVANCED
APPLICATIONS
section.
Overall,
the
S1100EX
is
а
highly
cost
effective
method
of
increasing
your
sampling
power
and
your
creative
options.
Operation
of
the
S1100EX
is
extremely
simple.
И
mostly
functions
exactly
like
a
standard
51100
and
so,
for
most
of
the
time,
you
are
advised
to
refer
to
the
511005
manual
for
specific
informa-
tion
on
operation.
51100ЕХ
FEATURES
*
16
voice
Polyphony Expansion
Unit
for
51100
by
Remote
operation
*
Same
high
quality
sampling
functions
and
features
as
51100.
*
32
voice
overflow
polyphony
between
units
*
DSP
and
DAC's
for
high
dynamic
range
and
S/N(signal
to
noise}figures
*
Expansion
and
multi-timbral
modes
for
different
applications
*
В
assignable
individual
outputs
and
R/L
outputs
*
Inputs
for
mixing
external
instruments
*
Real-time
AES/EBU
digital
audio
outputs
*
50
built
in
digital
multi-effects
*
Вий
in
Virtual
mixer
with
level,
pan,
FX
send,
etc.
control
*
Standard
2
Mbyte
Internal
memory
expandable
to
up
to
32
Mbytes
*
Optional
18108
SMPTE
reader/generator
Version
1.0

И
instruments
and
thei
|
AKAI
Servece
Center,
and
5
either
repair
ог
replace
te
repair (parts
and
labor)
is
he
Suitability
of
the
produc!
|
‘whatsoever
in
connetion
1c

Version
10
›
accident
or
negligence.
AKAI
wil not
cover
under
warranty
damaged
or
destroyed
as
а
result
of
the
owners
mishanding.
Damage
caused
Y
any
атро,
atoraton
or
modtecation
of
he
produc:
operating
‘sofware,
mechanical
or
electronic
components.
3.
Damage
caused
by
failuro
to
maintain
and
operate
the
product
їп
strict
accordance
with
‘the
writen
instructions
for
proper
maintenance
and
use
as
specified
in
this
Operators
Manual.
4,
Damage
caused
by
repairs
or
attempted
repairs
by
unauthorized
persons.
5.
Damage
caused
by
fire,
smoke,
faling
objects,
water
or
other
liquids,
or
natural
events
‘such
as
rain,
floods,
earthquakes,
lightning,
tornadoes,
storms,
etc.
6.
Damage
caused
by
operation
on
improper
voltages.
IMPORTANT
NOTE:
This
warranty
becomes
void
if
the
product
or
its
software
is
electroni-
caly
modified,
altered
or
tampered
with
any
way.
АКА!
shall
not
be
lable
for
costs
involved
in
packing
or
preparing
the
product
for
shipping,
with
regard
to
time,
labor
or
materials,
shipping
or
freight
costs,
or
time
and
expenses
involved
in
transporting
the
product
to
and
from
an
AKAI
Authorized
Service
Center
or
Authorized
Doalor.
AKAI
wil
not
cover
under
warranty
an
apparent
malfunction
that
is
determined
tobe
user
error,
or
tho
owners
inability
to
use
the
product.
THE
DURATION
OF
ANY
OTHER
WARRANTIES,
WHETHER
IMPLIED
OR
EXPRESS,
INCLUDING
BUT
NOT
LIMITED
TO
THE
IMPLIED
CONDITION
OF
MERCHANTABILITY,
IS
LIMITED
TO
THE
DURATION
OF
THE
EXPRESS
WARRANTY
HEREIN.
АКА!
hereby
excludes
incidental
ог
consequential
damages,
including
but
not
limited
to:
1.
Loss
of
time
2.
Inconvenience
3.
Delay
in
performance
of
the
Warranty
4.
The
loss
of
use
of
the
product
5.
Commercial
loss
6.
Breach
of
any
express
or
implied
warranty, including
the
Implied
Warranty
of
Merchantabil-
ity,
applicable
to
this
product

lf in
doubt,
consult
а
au

Mako
sr
at
he
S1100EX
в
aye
we
spp
when
in
usa
(ir
designed
equipment
rack,
or
a
firm
level
surface).
When
instaling
tho
51100ЕХ
in
a
19°
rack
system,
always
allow
1U
of
ventilated
froe.
space
dear
airflow.
UK
customers
Important
safety notice
-
The
flex
supplied
with
this
machine
has
three
wires,
as
shown
in
the
illustration.
WARNING:
THIS
APPLIANCE
MUST
BE
EARTHED.
IMPORTANT
The
wires
in
this
mains
lead
are
coloured
in
accordance
with
the
following
code:
Аз
the
colours
of
the
wires
in
the
flex
may
not
correspond
to
the
colour
mardings
in
your
plug,
make
sure
that
wires
are
connect
in
the
following
way.
The
green-and
yellow
wire
‘should
be
connected
to
the
terminal
marked
"E"
or
marked
with
the
safety
earth
symbol
(7);
the
blue
wire
is
connected
to
the
terminal
marked
"N",
or
coloured
black.
The
brown
wire
‘should
be
connected
to
the
terminal
marked
717,
or
coloured
red.
Make
sure
all
terminal
screws
aro
tightened
and
there
are
no
loose
strands
of
wire.
Green/Yoliow

dieses
Gerätes
angezeigt
лб
de
g
der
Bestimmungen
eingeräumt

It
can
also
be
useful
on
programs
which
make
extensive
use
of
the
511005
powerful
layerin
capabilities
where
several
sounds
are
mixed
together
(such
as
is
found
on
the
SWM
series
of
‘sound
library
disks)
as
this
can
also
restrict
polyphony
on
a
single
$1100,
but
with
the
51100ЕХ.
‘connected,
such
restrictions
are
eliminated.
CONNECTING
THE
S1100EX
Ав
mentioned
in
the
Introduction,
the
$1100EX
is
connected
to
the
51100
using
SCSI,
so,
after
‘ensuring
that
both
units
are
switched
OFF,
take
the
SCSI
cable
supplied
with
the
unit
and
connect
the
two
units’
SCSI
connectors
together.
Now
take
a
standard
MIDI
cable
(a
short
one
is
recom-
mended)
and
connect
the
MIDI
THRU
of
the
$1100
to
the
MIDI
IN
of
the
S1100EX
as
shown
in
Fig.
1.
81100
Fg.
Connecting
SCS!
and
MIDI
botwoon
the
51100
and the
51100ЕХ
NOTE:
_Itisnecessary
to
use
Version
1.30
or
more
system
ROM
in
the
$1100
for
the
EX
lo
be
used.
Please
consult
your
dealter
or
an
Akai
Service
Representative
regarding
system
ROM.
Ifyou
have more than
one
$1100EX.
please
refer
to
the
section
ADVANCED
APPLICATIONS
for
тоге
details
on
interconnection.
Version
10

which
is
very
useful
when
using
both
devices
in
MODE
2.
Please
refer
to
the
section
ADVANCED
APPLICATIONS
for
more
details
on
interconnection.
51100
51100ЕХ
|
TO
MIXER/AMP
Fig.
2
Connecting
$1100
АЛ.
outputs
1o
S11006X
MIX
INPUTS.
(1)
The
51100
and
S1100EX
have
а
total
of
eight
individual
audio
outputs
each
but
ifthe
inler
nal
effects
are
switched
ON,
outputs
7
and
8
are
used
as
effects
outputs
and
the
ettects-only
5074!
appears
at
these
outputs.
И
you
wish
to
use
ай
eight
outputs,
it
is
necessary
to
switch
the
inter
effects
OFF
in
the
FX
page
(F7)
of
SELECT
PROG.
Please
refer
to
the
51100
owners
manual
lo
|
тоге
inlormation
on
this.
POWERING
UP
THE
SYSTEM
Step
1.
Power
up
ће
S1100EX(s)
and
any
other
SCSI
devices.
Step
2.
Power
up
the
51100
(master).
*
You
can
айо
ийге
he
SCSI
RESET
tunction.
See
page
8
fr
dei
information
10
Vorson10

Version
10
Along
the
bottom
line,
the
display
changes
to
show
which
units
are
connected
-
this
is
referred
lo
as
the
‘status’
line
in
this
manual.
These
numbers
0-7
indicate
the
assigned
SCSI
ID
numbers.
If
a
number
has
an
'e
alongside
И,
this
indicates
that
an
51100ЕХ
is
connected.
In
the
example
‘shown
above,
the
S1100EX
that
is
connected
is
on
SCSI
IDHO.
Itt
wore
on
SCSI
IDA,
the "9"
would
be
alongside
the
1,
naturally,
and
if
several
S1100EX's
aro
connected,
each
one
would
be
identified
on
this
screen
accordingly.
Other
SCSI
devices
will
be
indicated
as
follows:
М
is
indicated
alongside
ID
#
(default
ID=6)
0
is
indicated
alongside
ID
#
(default
ID=5)
81100
(Master)
.
1427
appears
alongside
D
4,
indicato
Pt
some
fom
ol
SCSI
енсе
is
connected
which
Ре
5110
can
recognise
+
The
SIHODEXS
SCSI
ID
is
set
using
те
ОР
swich
on
fhe
rear
panel
of
ho
instrument,

simutanoously
pressing
the
-/> key
will
select
MODE
2
ang
as
whe
.
When
this
selection
is
made,
po
sen
Using
the
81100
alone,
“м
na
‘show
MODE
2
in
the
bottom
fghi
handtomer.
|
le:
Any
editing
you now
perform
wil
be
carried
out
on
both
units
simultaneously
and
the
two
units
wil
‘behave
like
one big
51100.
Please
note that
it
is
not
possible
to
edit
data
in
each
machine
sepa-
‘ately
in
MODE
2
but
this
is
as
you
would
expect.
When MIDI
data
is
received,
the
green
MODE
2
LED
vil
fiar.
this
does
not
happen,
please
check
your
MIDI
connections.
IMPORTANT
NOTE:
—
When
switching
from
MODE
1
to
MODE
2,
the
whole
system
must
re-
seven
ard
al
data
ban
i
эб
э,
if
you
have
made
any
changes
to
data
in
MODE
1
that
you
wish
0
keep,
make
sure
you
have
saved
all
data
before
switching
from
MODE
1
to
MODE
2.
Version
10

ч
М
»
кеъ?
_
So,
working
in
this
way,
it
wil
be
opposte
rom
MODE
1
which
rately
from
the
S1100.
When
in
tho
NORMAL
MODE,
the
Mode
When
power
в
tumad
ON,
NORMAL
Modo
wii
bo
selected.
IMPORTANT
NOTE:
{you
do
any
dig
ол
ке
S1100
in
тө
NORMAL
М
Ea
MODE:
E
бының
ates
pac
M
e
rabo
АЫ
О
СИ
‘save
all
your
work
before
switching
to
MODE
2.
SETTING
SCSI
ID
NUI
AND
TERMINATION
The
$1100EX's
SCSI
ID is
set
on
the
rear
of
the
instrument.
You
will find
a
small
series
of
DIP
‘switches
next
to
the
SCSI
connection:
IMPORTANT
NOTE:
|
tis
not
possible
for
devices
to
share
the
same
SCSI
ID.
Do
not
set
the
'$1100EX's
SCSI
to
the
same
as
the
SCSI
disk
dive
ID(s)
or to
the
same
as
any
connected
51100.
‘ete.
Each
connected
SCSI
device
must
have
its
own
unique
SCS!
ID.
Failure
to
observe
this
rule
will
cause
much
confusion,
unpredictable
results,
and
even
damage
to
equipment.
IMPORTANT
NOTE:
Опсе
the
units
have been
powered
up,
itis
not
possible
fo
change
the
‘SCSI
ID
ofthe
$1100EX.
You
could
change
it
physically
but
this
change
ий
not
show
on
the
Master
51100
screen.
To
reset
the
SCSI
ID
ofthe
51100ЕХ.
you
wil
need
to
шт
ай
connected
units
ой,
reset
the
SCSI
ID,
and
power
up
again.
Version
1.0

SCSI
ID4
you
can
choose
fom,
ard
ik
dîve.
Ако
rene
SETTING
THE
511005
SCSI
ID
Although
this
is
not
strictly
necessary
for
normal
operation
(using
опе
51100).
you may
wish
or
need
to
change
the
SCS!
ID
of
the
51100
itself.
This
would
be
necessary
if
you
have
several
511005
connected
together.
This
is
done
in
the
DISK
Mode.
‘Step
1:
Press
the
DISK
button
and
then
press
F5
(HDSK)
to
access
the
$1100's
SCSI
parame
ters.
The
following
screen
is
then
displayed:
press
PARK
to
set
heads
to
safe
position
EE
БЕБЕ
ЕРЙ
EEN
ER
БЕЙ
[Сге
s]
FARE)
ЕК)
vason
10

Vorsion
10
USING
VERSION
1.30
SYSTEM
SOFTWARE
This
software
is
required
to
[тен
„red
to
use
an
51100
with
the
S1
100EX,
with
three
additional
features
hav-
1.
INEDIT
SAMPLE:
Now,
whenever
you
make
a
sample
and
use the
ENT/PLAY
Back
zu
а
that
wich
каз
ekon.
Baloe
n
polos
nee
aa
Pa
СҮН
PLAY
key
simply
sent
out
a
MIDI
note
selected
in
the
MIDI
page
-
TRANS
(FS)
-
and
the
defaut
‘was
СЗ.
This
resulted
in
samples
playing
back
at
the
wrong
pitch
#
their
base
pitch
was
something
‘other
than
C3.
This
new
feature
allows
you
to
make
several
samples
on
different
piches
and
check
them
using
the
ENT/PLAY
key
without
the
need
for
a
MID!
keyboard
to
be
connected,
2.
IN
EDIT
PROGRAM:
In
previous versions
of
software,
whenever
you
entered
the
EDIT
PROGRAM
mode,
only
the
se-
lected
program
could
be
monitored.
Usually,
this
works
fine,
but
there
are
also
many
times
such
as
when
sequencing
mult-timbrally,
or
when
layering
several
programs
together
that
this
is
highly
inconvenient
becuase
you
need
to
edit
the
program
in
relation
to
the
other
programs
itis
being
used
with.
The
Version
1.30
software
offers
a
new
facility
to
overcome
this
problem.
Pressing
EDIT
PROG
key
will
display
the
following
new
screen:
program
оу
name:
TEST
PROGRAM
Xeygeoupa:
*existing
Prog
1
samples:
1
(for
РЕНаве
and
COpy)|
|
ОЕ
to
delete)
progs
in
mem:
1
listen
solo:
ОН
Free
men:
92%
PY)
(REN)
[DEL]
The
new
facility
LISTEN
SOLO
is
shown
in
the
bottom
left
comer
of
the
window
and
this
may
be
set
to
ON
or
OFF.
With
it
switched
to
ON,
only
the
selected
program
wil
be
heard
(ie.
the
situation
found
in
previous
software
versions),
With
it
set
to
OFF,
И
is
possible
to
hear
the
other
program
specified
with
the
SELECT
PROG
key
.
This
feature
is
extremely
useful
if
edits
have
to
be
made
relative
to
other
instruments
you
may
be
using
at
the
same
time.
3.
IN
MIDI
AND
DISK:
In
consideration
of
an
extended
system,
that
includes
many
interconnected
SCSI
devices,
we
have
added
an
‘SCSI
Reset
Function’.
Each
SCSI
device
is
mounted
(71)
at
the
time
the
$1100
(master)
is
turned
ON.
This
function
allows
you
to
change
the
ID
4.
and/or
connectigis-connect
devices
even
with
the
power
ON,
when
usually
the
power
would
need
to
be
ОРЕ.
You
can
utilize
this
function
one
of
two
ways,
alter
making
appropriate
changes
regarding
the
connected
devices,
either
press
ЕВ
(Stes)
in
the
SCS!
page
of
the
MIDI
mode,
or
press
FT
(Sres)
in
the
HOSK
Page
of
the
DISK
mode.
At
this
time
the
$1100
(master)
wil
remount
the
SCSI
de-
vices
which
are
connected,
s

!

Typically,
you
wil use
MODE
1
when
you
have
mutitimbral instruments
that
require
sequonc--
ing
although,
as
we
shall
see
later,
you
can
use
it
for
layering
and
keyboard
spliting
techniques
|
as
well.
For
the
moment,
let
us
say you
are
sequencing
some
programs
mult-imbraly
using
|
опе
51100ЕХ
and
one
$1100.
^
EDITING
MULTI-TIMBRAL
INSTRUMENTS
IN
MODE
1
*
‘The
first
thing
you
will
need
to do
is
load
some
sounds
using
the
DISK
MODE.
You
may
load
the
two
units
in
any
order
-
but,
for
now,
we
will
load
the
$1100
first,
followed
by
the
ЕХ.
Step
1:
First,
hold
down
the
MARK
key for
more than
a
second
until
you
receive
the
‘status’
line
along
the
bottom
of
the
display.
Now,
as
you
continue
holding
the
МАНКИ
key,
simultaneously
press
the
ENT/PLAY
key.
This
will
select
NORMAL
modo
(Le.
you
are
operating
the
51100
on
its
own).
Step
2:
Now
load
the
sample
program
from
your
floppy
дек
or
hard disk
(CD
ROM).
In
the
NORMAL
mode
it
is
possible
to
load
the
51100.
Step
3:
When
that
is
complete,
hold
down
the
MARK/#
key
again
until
you
receive
the
‘status!
line,
and
simultaneously
press
the
«/«
key.
This
will
take
you
to
MODE
1,
and
the.
screen
will
invert
to
indicate
that
you
are,
in
fact,
working
on
the
EX.
In
this
mode
it
is
possible
to
load
a
sample
program
to
the
S1100EX.
Having
completed
Steps
1
-
3,
no
more need
be
done
except
to
press
PLAY
on
your
se-
quencer.
Then
edit
as
follows:
Let
us
now
pretend
that
you
want
to
edit
the
release
of
the
bass
guitar
on
the
61100ЕХ.
Version
1.0

P
course).
“for
some
reason,
it
is
not,
simply
hold
down
the
MARKA
key
and
simultaneously
press
the
4
`
<
кау
ю
retum
to
MODE
1
(71).
зы
vs
‘After
you
finished
loading
to
те
S1100EX,
you
should
stil
bo
in
MODE
1
(Inveriog
screen).
But,
F
you
happened
о
hit
a
wrong
key,
eic.,
and
accidentally
enter
MODE
2
(511005
`
screen
is
displayed
normaly),
that
means
the
Memory
has
been
cleared,
and
you
must
re-start
baling
кот
the
beginning
again.
Also
note
that
И
the
screen
is
displayed
normally
because
you
accidentally
entered
the
NORMAL
mode,
the
Memory
has
not
been
cleared,
so
you
can
simply
retum
to
MODE
1
and
continue
your
work.
Having
done
that
satisfactory
on
the
S1100EX,
say
you
now
wish
to
edit
the
attack
of
a
string
part
on
the
51100.
Hold
down
the
MARK
key
and
simuitaneously
press
the
ENT/PLAY
key
to
‚enter
the
NORMAL
mode,
and
the
screen
will
revert
to
the
usual
51100
display.
You
may
now
о
into
EDIT
PROG
and
edit
as
usual.
in
this
way,
while
in
MODE
1,
you may
assign
individual
outputs,
adjust
levels,
pan
position
-
in
fact,
everything
you
would
normally
do
on
just
опе
51100.
Also,
because
you
are
using
two
independent
samplers,
you
may
assign
diferent
effects
to
different
instruments
allowing
you
to
have
more
than
one
effect
active
at
one
time.
If
you
wish
to
save
the
results
of
your
editing,
use the
following
steps:
‘Step
1:
Select
each
unit
/S1100EX:
Hold down
the
MARK
key,
and
simultaneously
press
the
+/<
key
to
enter
MODE
1.
k
5
51100:
Hold
down
the
МАРКИ?
key,
and
simultaneously
press
the
ENT/PLAY
key
10
enter
NORMAL
mode.
‘Step
2:
Perform
the
usual
routines,
to
save
the
editing results
to
either
floppy
or
hard
disk.
*
Dorf кори
he
new
LISTEN
SOLO
ONOFF
funcson
in
EDIT
PROG
that
when
swiched
ON,
allows
you
to
iston
Jo
tho
selected
program
oniy,
or
when
switched
OFF,
allows
other
programs
you
select
using
the
SELECT
PROG
key
lo
aiso
bo
hoard
wee
youre
ото.
LAYERING
SOUNDS
WITH
THE
51100ЕХ
IN
MODE
1
‘Although
principally
designed
for
muit-timbral
applications,
MODE
1
can
also
be
used
to
layer
‘sounds.
This
is
done
by
loading
the
sounds
of
your
choice
into
the
appropriate
instrument
(51100/51100ЕХ),
setting
them
to
the
same
program
number
and
MIDI
channel,
and
then
Playing
them
out.
You
can
create
rich
textures
in
this
way
by
layering
two
string
sounds
to-
‘gether
or
by
layering,
say,
brass
and
strings,
choir
and
strings,
piano
and
strings,
etc.,
and
the
detune
can
be
set
very
quickly
in
the
MASTER
TUNE mode
of
each
instrument.
In
this
way,
rich
ensemble
sounds
can
be
created
but
with
no
loss
of
polyphony.
It
is
also
possible
using
MODE
1,
to
assign
diferent
effects
between
the
units
so
that
different
sounds
in
the
layers
can
have
difierent
effects.
Of
course,
this
technique
can
be
expanded
whereby
you
could layer
some
sounds
together
Version
1.0

Version
10
Al
samping
must
ba
done
in
tho
51100
эла
ransterod
to
hê
911008
MODE
2
is
even
easier
to
use
because
the
two
units
behave
as
one
32
voice 51100.
All
editing
|
is
done
across
the
two
instruments
as
one
-
in
fact,
you
would
not
know that
you
have
the
S1100EX
connected
at
all
when
you
are
using
MODE
2
except
for
the
extra
polyphony
avail-
able
10
you.
To
load
a
sound
into
the
two
units,
use
the
following
procedures:
Step
1:
First,
press
and
hold
the
MARKA
key,
and
simultaneously
press
the
-/»
key
to
enter
MODE
2(this
will
reset
the
two
units
and
clear
the
memory).
Step
2:
Now
load
some
sounds
from
disk,
either
floppy,
in
the
usual
way
from
the
DISK
mode.
You
will
note
that
when
you
do
this,
the
511005
screen
inverts
to
indicate
that
i
is
first
loading
up
the
S1100EX
(the
red
MODE
1
LED
of
51100ЕХ
will
also
ficker
at
a
reduced
speed).
When
it
has
finished,
the
screen
will
revert
to
its
normal
appearance
indicating
that
the
$1100
itself
is
loading
(at
this
time
the
red
MODE
1
LED
will
go
OFF).
When
the
load
cycle
is
complete,
you
may
now
use
the
two
units
with full
32
voice
polyphony.
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