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  9. Barco D-Cine Premiere DP100 User manual

Barco D-Cine Premiere DP100 User manual

The Barco Digital Cinema evolution continues with the Barco D-Cine Premiere range
opening up a new world of theatrical, advertising and business opportunities.
From digital mastering to premier quality feature film screenings, from alternative presentations in the auditorium to advertising
and information displays, Barco, pioneer in Digital Cinema solutions, utilizes state-of-the-art technology including:
• Superior image quality guaranteed over time with: Sealed Engine
• Extended lifetime of the equipment with: Enhanced DMD cooling
• Easier, less costly and faster serviceability through: Modular design of projector
• Improved reliability of the system thanks to: Redundant power supplies
• Best ever remote management through: SNMP (v3) agent and Communicator software
• Future proof investment with: DCI compliant design
The Barco D-Cine Premiere range, the world’s most advanced digital cinema projectors, combine the highest resolution 2k DLP
Cinema™ technology from Texas Instruments with a host of unique installation and operation benefits. Barco is one of three
licensees of the Texas Instruments DLP Cinema™ technology.
www.barco.com
D-Cine Premiere range
2k Digital Cinema projectors
BR D-Cine Premiere dec06 11-12-2006 17:15 Pagina 2
D-Cine Premiere DP100
for large screens up to 25m (82.0ft)*
Recognized as the industry standard for Digital Cinema, Barco’s D-Cine
Premiere DP100 projector is based on Texas Instruments’ DLP Cinema™
technology, which enables it to deliver the benefits of 2048x1080 display
resolution, 22.000 Cinema lumens light output, a contrast ratio of 2000:1 as
well as DLP Cinema™, CineBlack™, CinePalette™ and CineLink™ image control.
The DP100 is easy to maintain, among other things because of its hermetically
sealed DMD™ engine and optical assembly, for increased longevity via dust-
free operations. The DP100 includes a triple lamp power system: if one power
supply should fail, operation is secured thanks to the redundant remaining
modules (each 2,75kW).
The D-Cine Premiere DP100 meets or exceeds SMPTE screen brightness
standards on screens up to 25m (82.0ft) wide*, and ensures optimum
performance and reliability through its integrated light path and digital
processing.
Being fully compatible with Barco’s D-Cine Communicator, the industries’
most advanced projector control and diagnostics software, the DP100 simply
is the perfect tool to answer the demanding needs of the digital cinema
industry.
Barco’s D-Cine Premiere DP100
(two-piece construction with projector head on top of
server rack containing the server and the power supply)
SNMP agent
Thanks to the SNMP agent feature - optional for both the DP100 and DP90 - total and constant monitoring of the internal projection
system is guaranteed. The SNMP agent software allows for flexible integration in existing networks, and monitors every action
that takes place within the D-Cine Premiere projector. The SNMP agent allows for proactive intervention and maintenance if
necessary, by activating standard network management software packages, such as WhatsUp Professional / Gold from Ipswitch,
SNMPc from Castle Rock, HP Open View from HP, ... .
Kinepolis, Brussels, Belgium Hongxing Cinema, Nanning, China
* at 14 footlambert, screen gain of 1.8 and anamorphic lens
BR D-Cine Premiere dec06 11-12-2006 17:15 Pagina 3
D-Cine Premiere DP90
for screens up to 17m (55.8ft)*
The DP90 is a compact 2k digital cinema projector, based on
the DLP Cinema™ technology of Texas Instruments. It meets or
exceeds the SMPTE screen brightness standards - the modular
power supply makes it perfectly possible to match the highest
brightness requirements for every screen up to 17m (55.8ft)*.
The ‘lamp power redundancy’ system enables the DP90 to
offer an extremely reliable projection solution. The DP90
includes a dual lamp power system: if one power supply
should fail, operation is secured thanks to the redundant second
module (2,75kW).
Next to the swappable lamp house, high-end monitoring and
diagnostics proprietary logic, this key feature enables the
ultimate goal: whatever happens, ‘The show must go on’.
Furthermore: the ability of the DP90 to flexibly slide the power
to economy modes, allows the extention of the lamp lifetime
up to 200%. This - together with its sealed engine and a cost-
efficient design - results in a lower total cost of ownership,
and a higher return on investment, turning the DP90 into an
excellent choice for exhibitors and post-production studios with
smaller screens.
The D-Cine Premiere DP90 can easily be integrated in the
design of any theatre or post production studio. It consists of a
projector and stand-alone lamp power supply, for convenient
installation and operation.
Easy access is guaranteed by quick removable side panels, and
several reference points at the top and bottom of the projector
and the specially designed robust projection frame guarantee
stable and easy ceiling-mount installations.
D-Cine Communicator software
All D-Cine Premiere projectors are fully compatible with Barco’s
D-Cine Communicator, the industries’ most advanced projector
control & diagnostics software, designed to answer the needs
of both theatre owners and the post production community.
For more information, refer to separate brochure.
Robert L. Eicholz, Vice President Corporate Development of
EFILM states: “EFILM takes pride in providing the best and most
accurate color images in the Digital Intermediate business. We
have invested years in developing state-of-the-art software,
procedures and techniques to accomplish this goal. Only the best
2K projection can take full advantage of our investment in color
science. Our Barco D-cine Premiere projectors at EFILM fit the bill
perfectly, for the Barco projector itself is a great technical design,
featuring modular design for all key components. Barco’s D-Cine
projectors offer excellent brightness, color and contrast at 2K
resolution. They are used as part of EFILM’s Digital Intermediate
process, so Directors of Photography (DPs) and Directors and
Producers of films can view their movie projected digitally as
they collaborate with a colorist to digitally color grade films. The
DI process allows DPs to refine the color and other aspects of
their images. In contrast with traditional lab timing, they can
now see the results of their work displayed on theater-size
screens, with great color, resolution and contrast using the Barco
D-Cine projectors,” continues Eicholz. “In fact, these projectors
display about 70% more pixels on our screens, and provide
about 65% better contrast. That translates to crystal clear,
beautiful images on the screen.”
Imagica, Japan
Barco’s D-Cine Premiere DP90
(comes with separate powerbox)
BR D-Cine Premiere dec06 11-12-2006 17:15 Pagina 4
www.barco.com/digitalcinema
D-Cine Premiere specifications
Barco Digital Cinema - WW Headquarters
Noordlaan 5, 8520 Kuurne - Belgium
Tel: +32-56-36 8047 - Fax: +32-56-36 83 86
e-mail: sales.digitalcinema@barco.com
Ref.no. R599856 - December 2006
Barco Projection Systems is an ISO 9001 registered company.
The information and data given are typical for the equipment described.
However any individual item is subject to change without any notice.
The latest version of this product sheet can be found on www.barco.com.
Digital Light Processing, DLP,
Digital Micromirror Device, DMD
and DLP Cinema are trademarks
of Texas Instruments Incorporated.
ITEA
D-Cine Premiere DP100 | D-Cine Premiere DP90
Digital Micro Mirror Device™ 3 x 1.2” dark metal type
Advanced DLP Cinema™ signal processing: CineCanvas™ image management;
CinePallette™ color management, CineBlack™ contrast management and CineLink™
security management
Native resolution 2048 x 1080
Housing Hermetically sealed DMD™ and optical assembly
Mounting Standing on pedestal, including caster & wheels |Standing or ceiling mounted
Up to 15 degrees tilt on pedestal |Up to 7 degrees tilt via projection head
Lamp 1.5k to 7k Xenon arc lamp sizes |1.5k to 4.0k Xenon arc lamp sizes
Compatible with standard and high performance lamp types
Brightness (at 14ftL and gain = 1.8) Meets or exceeds SMPTE screen brightness standards
(without anamorphic) up to 25m (82.0ft) wide |up to 17m (55.8ft) wide
adjustable light output
CLO software
Light output 22,000 cinema lumens |12,000 cinema lumens
Contrast ratio 2000:1
Digital Video Inputs 2 x SMPTE 292M inputs and 2 x DVI input, both selectable as single or as dual link
Prime lenses M25 1.25 - 1.45:1 / M25 1.45 - 1.8:1 / M25 1.8 - 2.2:1 / M25 2.2 - 3.0:1 zoom
and M25 3.0 - 4.3:1
Projector diagnostics Via touch screen
Via D-Cine Communicator control software
(theater edition delivered standard on every product)
Via SNMP agent
Power requirements 3 x 400V + N or 3 x 220V version available |1 x 220V
max. 29,250 BTU/hr (with 6.5kW lamp) |max. 17,000 BTU/hr (with 4kW lamp)
Dimensions projector head: |projector:
640(H) x 730(W) x 1186(D) mm / |640(H) x 730(W) x 1186(D) mm /
24.2(H) x 28.7(W) x 46.7(D) inch |24.2(H) x 28.7(W) x 46.7(D) inch
projector head + pedestal: |powerbox:
1466(H) x 730(W) x 1252(D) mm / |295.3(H) x 329.5(W) x 473.7(D) mm /
57.7(H) x 28.7(W) x 49.3(D) inch |14.6(H) x 13.0(W) x 18.6(D) inch
Weight projector head + pedestal: |projector: approx. 125kg (275lb)
approx. 205kg (452lb) |powerbox: approx. 20kg (44lb)
Options • CLO - Constant Light Output control
• Anamorphic lens fitting for 1.25:1 scope lens
• Acsar 2 Alternative Content Input Processor
• ImagePRO HD
• SNMP agent (v3)
Order information EU: R9010111 • US: R9010118 |R9004440
BR D-Cine Premiere dec06 11-12-2006 17:15 Pagina 1

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