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BareFaced Super Series User manual

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User Manual V.3.1
© Copyright 2015 Barefaced Limited
Congratulations on becoming a Barefaced Gen 3 12XN owner!
These cabs are the pinnacle of bass guitar amplication, representing the most efcient
way to turn the power and tone coming from your bass and amp into sound with the
frequency balance, dynamics, immediacy and dispersion to ll the room in the best
possible way. Great tone, at the right time, everywhere! Hyperbole? Maybe, but justied...
Before you use your cab, please take the time to digest the following information:
You may think plenty of bassists know about Barefaced but we can assure you that only
a tiny fraction of them have even heard our name, let alone realise that we are producing
arguably the best bass cabs ever made, regardless of your musical situation.
If you’ve plugged your cab in and cranked it up loud then you’ve almost certainly
concluded that it’s awesome. So please, spread the word about how great it is – you are
the Barefaced Gen 3 Army, and Barefaced needs you!
1. Don’t throw the box and protective packaging away until you’re sure you like the cab. If
your cab has suffered any damage in transit please contact us immedately!
2. The Super Twin and Big Twin 2 are shipped without their front feet attached. Remove
the two bolts in the base of the cab, unwrap the pair of feet from their packaging, and t
carefully. Don’t push too hard with the bolt or you may push the t-nut out from the inside
of the cab - let the threads on the bolt engage in the t-nut and then the bolt pull itself into
position. Once the foot is snugly in place, tighten the bolt right up so it never comes loose.
2. Use a standard speakon lead or 1/4” lead - we can supply these (£12 / €15 / $18).
3. Daisy-chain if you like - you won’t need many cabs, ours go loud!
4. The Super Midget/Big Baby II/Big Twin 2 have an ‘HF Control’ knob on the back of
the cab. Open it up like a tap (anti-clockwise) for increased treble and upper midrange.
Experiment and listen to how it changes the tone. Set it however you like.
5. Your cab has a high power 12” driver (or two) which takes time to loosen up. It will get
deeper, fatter, smoother and cleaner sounding after some loud use.
6. Set your EQ at on your bass and amp. Start fresh! If you have two pickups, use the
pan or dual volumes for tweaking before you go to the EQ. Try not to stand right next to
your cab. Turn it up loud! Turn it down a bit if your band complains...
7. When you’ve decided you’re keeping the cab, tell the world (and us) how much you like
it. Tell us where you nd out about bass gear so we can preach to the unconverted. If it
isn’t nailing your tone(s), email us for help! (If any residue is left behind after removing the
QC label, this can be safely removed with white spirit).
Introduction and important stuff
1. General unpacking / shipping information.
- 1.a CE, ROHS and WEEE compliance
- 1.b Contact information
2. Super Series
- 2.a Super Compact and Super Twin
- 2.b Super Compact and Super Twin amplier power recommendations
- 2.c Super Midget
- 2.d Super Midget amplier power recommendations
3. Big Series
- 3.a Big Baby II and Big Twin II
- 3.b “Try these settings”
- 3.c Big Baby II and Big Twin II amplier power recommendations
4. Getting the most out of your cab with bass guitar
5. Troubleshooting
6. Technical appendix
- With notes on woofer “breaking in”
7. Alternate Barefaced options
- and modular suggestions
Table of contents
Your cab is packed in a custom shipping carton, with protective expanded
polythene edges plus additional reused cardboard packaging to protect against
shipping damage. On receipt please check if there is any external damage
to the box and if so if it has penetrated through to the cab inside. Fortunately
although external damage to the shipping carton is common it tends to be
minor and supercial and when it’s more serious the additional packaging
usually saves the day.
If your cab is marked or damaged in any way tell the courier (usually FedEx, or
Parcel Force) about the damage, do not sign that the package has arrived in
good condition and email us immediately so we can follow up before the (very
short) window for claims has passed. Keep the box and blue edges if you have
the space, courier-resistant packaging is not cheap or easy to come by - and
there may come a day when you want to ship your Barefaced cab to a lucky
secondhand buyer.
All Barefaced Gen 3 models are compliant with CE, ROHS, and WEEE. As part
of the latter compliance you must not dispose of a Barefaced cab in general
waste (why anyone would want to do this we cannot conceive!) We are legally
duty bound to request than once a Barefaced cab has reached the end of its
life you must contact us to arrange its collection and its disposal (at a fair and
reasonable price) or you must use a compliant facility which can deal with the
various materials used in the cab’s construction - please contact us if you need
more information on this.
1. Unpacking
1a. CE, ROHS and WEEE compliance
Barefaced Contacts:
For contact about shipping:
Email - [email protected]
For other enquiries:
Email - [email protected]
The Barefaced factory phone: +44 (0)1273 945959
As shown on the rear panel, the Super
Compact is 8 ohm nominal impedance,
whilst the Super Twin is 4 ohm nominal
impedance.
The two dark green speakon sockets are
actually combi sockets which also take a
1/4” lead. Regardless of how your amplier
is wired, the speaker cab end of your lead
should be a 2-pole or 4-pole speakon
(wired 1+ and 1-) or a 1/4” jack (wired tip
+).
Both sockets are wired in parallel so you
can daisy-chain further cabs in parallel.
You can daisy-chain as many as you like
as long as you don’t run below your amp’s
minimum nominal impedance.
Running two leads from your amp out to
two separate cabs is electrically identical to
running one lead from the amp to the rst
cab and a second lead from the rst cab to
the second cab (daisy-chaining). The Super Compact and Super Twin back panel
2.a
Models
Total
impedance
(nominal)
Minimum for
clean tone
when gigging
with a drummer
Maximum
loudness
Extra headroom
(for better tone
when at max
loudness)
Max continuous
SPL @ 1m
in half-space
(including
power
compression)
Super
Compact (SC)
8 ohms 150W 450W 600W 120.5dB
Super Twin
(ST)
4 ohms 100W 900W 1200W 126.5dB
SC + SC 4 ohms 100W 900W 1200W 126.5dB
SC + ST 2.7 ohms 75W 1350W 1800W 129.5dB
SC + SC + SC 2.7 ohms 75W 1350W 1800W 129.5dB
ST + ST 2 ohms 50W 1800W 2400W 132.5dB
SC + SC + ST 2 ohms 50W 1800W 2400W 132.5dB
SC + SC + SC
+ SC
2 ohms 50W 1800W 2400W 132.5dB
2.b - Super Compact and Super Twin
amplier power recommendations

As shown on the rear panel, the Super
Midget is 8 ohm nominal impedance. The
two dark green speakon sockets are actually
combi sockets which also take a 1/4” lead.
Regardless of how your amplier is wired,
the speaker cab end of your lead should be
a 2-pole or 4-pole speakon (wired 1+ and 1-)
or a 1/4” jack (wired tip +).
Both sockets are wired in parallel so you
can daisy-chain further cabs in parallel. You
can daisy-chain as many as you like as long
as you don’t run below your amp’s minimum
nominal impedance. Running two leads
from your amp out to two separate cabs is
electrically identical to running one lead from
the amp to the rst cab and a second lead
from the rst cab to the second cab (daisy-
chaining).
With the HF control at max you hear
everything upwards of ~3kHz coming from
the tweeter. Turn the HF control down
and the crossover point gradually shifts
upwards so more of your tone comes from
the 12” driver, giving a wide variety of
sonic options.
The Super Midget is designed primarily as
a standalone cab when great tone, high
output and minimum size are absolutely
critical. It can be stacked with any of the
other G3 models or paired up with the
older Barefaced Compact, Midget, Super
Twelve and Super Fifteen when greater
output is required. It can also be tted with
optional pole-mounts for use as a high
quality small PA system.
Moving the “HF CONTROL” knob adjusts the
level of the tweeter, making the cab sound more
or less bright.
2.c
Optional ‘Top Hat’
Speakermount
Models
Total
impedance
(nominal)
Minimum for
clean tone
when gigging
with a drummer
Maximum
loudness
Extra headroom
(for better tone
when at max
loudness)
Max continuous
SPL @ 1m
in half-space
(including
power
compression)
Super Midget
(SM)
8 ohms 150W 450W 600W 120dB
SM + SM 4 ohms 100W 900W 1200W 126dB
SM + Super
Compact
4 ohms 100W 900W 1200W 126dB
SM +
Compact
4 ohms 100W 900W 1200W 126dB
SM + Super
Twin
2.7 ohms 75W 1350W 1800W 129dB
SM + Super
Twelve
2.7 ohms 75W 1350W 1800W 129dB
SM + Big
Baby 2
4 ohms 100W 900W 1200W 126dB
SM + Big Twin
2
2.7 ohms 75W 1350W 1800W 132dB
SM + Super
Fifteen
2.7 ohms 75W 1350W 1800W 132dB
2.d - Super Midget amplier power
recommendations

Moving the “HF CONTROL” knob adjusts the
level of the tweeter, making the cab sound more
or less bright.
As shown on the rear panel, the Big Baby II is 8 ohm nominal impedance, whilst the Big Twin II is
4 ohm nominal impedance. The two dark green speakon sockets are actually combi sockets which
also take a 1/4” lead. Regardless of how your amplier is wired, the speaker cab end of your lead
should be a 2-pole or 4-pole speakon (wired 1+ and 1-) or a 1/4” jack (wired tip +).
Both sockets are wired in parallel so you can daisy-chain further cabs in parallel. You can daisy-
chain as many as you like as long as you don’t run below your amp’s minimum nominal imped-
ance. Running two leads from your amp out to two separate cabs is electrically identical to run-
ning one lead from the amp to the rst cab and a second lead from the rst cab to the second cab
(daisy-chaining).
With the HF control at max you hear everything
upwards of ~2kHz coming from the HF driver,
which makes the sound extremely clean, true
and accurate - basically like a really good PA
loudspeaker.
Turn the HF control down and the crossover
point gradually shifts from 2kHz to 10kHz, so
more and more of your tone comes from the 12”
driver.
The more treble you hear from the 12XN, the
less ‘hi-’ the cab will sound and the more it will
sound like an old school bass cab. Yes it will get
less bright sounding but you have EQ so you can
add brightness back with that.
3.a
1. ‘80s Anthony Jackson ultra clean ngerstyle
HF control at max and a really clean amp - closest thing you’ll get to a £10k Meyer Sound rig
that you can carry yourself
2. ‘80s Mark King roundwound slap
HF control about halfway and treble boosted on a fairly clean but aggressive amp - gives you
that more typical 4x10” plus loud tweeter vibe
3. ‘90s grunge roar
HF control about 1/4 up, overdriven valve amp, going at it with a pick - grinding thunder but
just enough added clarity to separate the notes and percussively drive the groove
4. ‘70s Larry Graham tapewound slap
HF control almost off, amp pretty clean, thumpin’ and pluckin’ - proper old school slap vibe,
the kind that even slap haters like, just enough air and edge from the HF driver to help the
bass ll the room
5. Family Man’s reggae bottom (!?)
HF control off (just turn it up a bit if the venue has particularly bad acoustics and you’re
getting lost)
Made in the UK
1600w / 4Ω
S/N : B001
CONTROL
HF
BIG TWIN II
www.barefacedbass.com
GENERATION 3
2
1
5
4
3
3.b - Try these settings