Behringer XENYX 1002 User manual

Users Manual
Version 1.0 January 2006
ENGLISH
XENYX 502/802/1002/1202

2
XENYX 502/802/1002/1202
This symbol, wherever it appears, alerts you to the
presence of uninsulated dangerous voltage inside
the enclosurevoltage that may be sufficient to
constitute a risk of shock.
This symbol, wherever it appears, alerts you to
important operating and maintenance instructions
in the accompanying literature. Please read the
manual.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: To reduce the risk of electric shock, do not remove
the top cover (or the rear section). No user
serviceable parts inside refer servicing to qualified
personnel.
WARNING: To reduce the risk of fire or electric shock, do not
expose this appliance to rain and moisture. The
apparatus shall not be exposed to dripping or
splashing and no objects filled with liquids, such
as vases, shall be placed on the apparatus.
DETAILED SAFETY INSTRUCTIONS:
1) Read these instructi ns.
2) Keep these instructi ns.
3) Heed all warnings.
4) F ll w all instructi ns.
5) D n t use this apparatus near water.
6) Clean nly with dry cl th.
7) D n t bl ck any ventilati n penings. Install in
acc rdance with the manufacturers instructi ns.
8) D n t install near any heat s urces such as radiat rs,
heat registers, st ves, r ther apparatus (including
amplifiers) that pr duce heat.
9) D n t defeat the safety purp se f the p larized r
gr unding-type plug. A p larized plug has tw blades
with ne wider than the ther. A gr unding type plug
has tw blades and a third gr unding pr ng. The wide
blade r the third pr ng are pr vided f r y ur safety. If
the pr vided plug d es n t fit int y ur utlet, c nsult
an electrician f r replacement f the bs lete utlet.
10) Pr tect the p wer c rd fr m being walked n r
pinched particularly at plugs, c nvenience receptacles,
and the p int where they exit fr m the apparatus.
11) Only use attachments/access ries specified by the
manufacturer.
12) Use nly with the cart, stand, trip d, bracket, r table
specified by the manufacturer, r s ld with the
apparatus. When a cart is used, use cauti n when m ving
the cart/apparatus c mbinati n t av id injury fr m
tip- ver.
13) Unplug this apparatus during lightning st rms r
when unused f r l ng peri ds f time.
14) Refer all servicing t qualified service pers nnel.
Servicing is required when the apparatus has been
damaged in any way, such as p wer supply c rd r plug
is damaged, liquid has been spilled r bjects have fallen
int the apparatus, the apparatus has been exp sed t
rain r m isture, d es n t perate n rmally, r has been
dr pped.
15) CAUTION - These service instructi ns are f r use by
qualified service pers nnel nly. T reduce the risk f
electric sh ck d n t perf rm any servicing ther than
that c ntained in the perati n instructi ns unless y u
are qualified t d s .

3
XENYX 502/802/1002/1202
TABLE OF CONTENTS
1. INTRODUCTION ........................................................................................................ 4
1.1 General mixing console functions .................................................................................................................... 4
1.2 The users manual ............................................................................................................................................ 5
1.3 Before you get started ....................................................................................................................................... 5
1.3.1 Shipment .................................................................................................................................................. 5
1.3.2 nitial operation ........................................................................................................................................ 5
1.3.3 Online registration ................................................................................................................................... 5
2. CONTROL ELEMENTS AND CONNECTORS .......................................................... 5
2.1 Mono channels .................................................................................................................................................. 5
2.1.1 Microphone and line inputs ..................................................................................................................... 5
2.1.2 Equalizer .................................................................................................................................................. 6
2.1.3 FX sends, panorama and level adjustment ............................................................................................ 6
2.2 Stereo channels ................................................................................................................................................ 6
2.2.1 Stereo line inputs ..................................................................................................................................... 6
2.2.2 Equalizer stereo channels (802) ............................................................................................................. 6
2.2.3 FX sends, balance and level adjustment ................................................................................................ 6
2.3 Connector panel and main section .................................................................................................................. 7
2.3.1 Send/return effects path ........................................................................................................................... 7
2.3.2 Monitor and main mix .............................................................................................................................. 7
2.3.3 CD/Tape connectors ................................................................................................................................7
2.3.4 Signal assignment .................................................................................................................................. 8
2.3.5 Phantom power and LED displays ......................................................................................................... 8
3. INSTALLATION .......................................................................................................... 9
3.1 Mains connection .............................................................................................................................................. 9
3.2 Audio connections ............................................................................................................................................. 9
4. SPECIFICATIONS .................................................................................................... 10
5. WARRANTY ............................................................................................................. 11

4
XENYX 502/802/1002/1202
1. INTRODUCTION
Congratulations! In purchasing our XENYX 502/802/1002/1202
you have acquired a mixing console whose small size belies its
incredible versatility and audio performance.
The XENYX Series represents a milestone in the development
of mixing console technology. With the new Xenyx microphone
preamps including phantom power as an option, balanced line
inputs and a powerful effects section, the mixing consoles in the
XENYX Series are optimally equipped for live and studio
applications. Owing to state-of-the-art circuitry your XENYX
console produces a warm analog sound that is unrivalled. With
the addition of the latest digital technology these best-in-class
consoles combine the advantages of both analog and digital
technology.
The microphone channels feature high-end XENYX Mic
Preamps that compare well with costly outboard preamps in
terms of sound quality and dynamics and boast the following
features:
s· 130 dB dynamic range for an incredible amount of headroom
sA bandwidth ranging from below 10 Hz to over 200 kHz for
crystal-clear reproduction of even the finest nuances
s· The extremely low-noise and distortion-free circuitry
guarantees absolutely natural and transparent signal
reproduction
sThey are perfectly matched to every conceivable
microphone with up to 60 dB gain and +48 volt phantom
power supply
sThey enable you to use the greatly extended dynamic range
of your 24-bit/192-kHz HD recorder to the full, thereby
maintaining optimal audio quality
British EQ
The equalizers used for the XENYX Series are based on the
legendary circuitry of top-notch consoles made in Britain, which
are renowned throughout the world for their incredibly warm
and musical sound character. Even with extreme gain settings
these equalizers ensure outstanding audio properties.
CAUTION!
+We sh uld like t draw y ur attenti n t the fact
that extreme v lumes may damage y ur hearing
and/ r y ur headph nes r l udspeakers. Turn the
MAIN MIX c ntr l and PHONES c ntr l in the main
secti n fully c unter-cl ckwise bef re y u switch
n the unit. Always be careful t set appr priate
v lume levels.
1.1 General mixing console functions
A mixing console fulfils three main functions:
sSignal pr cessing: Preamplification, level adjustment,
mixing of effects, frequency equalization.
sSignal distributi n: Summing of signals to the aux sends
for effects processing and monitor mix, distribution to one
or several recording tracks, power amp(s), control room
and 2-track outputs.
sMix: Setting the volume level, frequency distribution and
positioning of the individual signals in the stereo field, level
control of the total mix to match the recording devices/
crossover/power amplifier(s). All other mixer functions can
be included in this main function.
The interface of BEHRINGER mixing consoles is optimized for
these tasks enabling you to easily keep track of the signal path.
FOREWORD
Dear Customer,
Im sure youre one of
those people who have
devoted themselves
body and soul to your
chosen area and no
doubt this has made you
an expert in your field.
Well, for over 30
years, my passion has
been music and
electronics. This not only
led me to establish
BEHRINGER, but also
enabled me to share my
enthusiasm with our
employees. During all the
years Ive been involved
with studio technology
and end users, I have
developed a feel for the things that really count, such as sound
quality, reliability and ease of use. What is more, I have always
had the desire to test the boundaries of what is technically
feasible.
It was precisely this motivation that prompted me to start work
on a new series of mixing consoles. Since our EURORACKs had
already set new standards world-wide, I knew the development
objectives behind the next generation of mixing consoles had to
be especially ambitious.
Thus, the concept and design of the new XENYX mixing
consoles bear my signature. The design work, the entire circuit
diagram and PCB development, and even the mechanical concepts
are my own work. I carefully selected each individual component
 with the aim of pushing the mixing consoles combining analog
and digital technologies to their limits.
My vision was to enable you, the user, to give free rein to your
true potential and creativity. The result is mixing consoles that
combine incredible performance with intuitive operability. They
cannot fail to impress with their extremely flexible routing
possibilities plus a fantastic wealth of functions. Innovative
technologies, such as the completely new XENYX Mic Preamps
and the British EQs, guarantee optimum sound quality. And
extraordinarily high-quality components provide unrivalled
reliability, even under extreme loads.
Thanks to the quality and ease of use of your new XENYX
mixing console youll soon come to appreciate that I, both
personally and in my capacity as musician and sound engineer,
put you, the end user, first and that these products were only
possible because of the passion and the attention to detail that
went into them.
Thank you for the confidence you have placed in us by
purchasing the XENYX mixing console. I should also like to thank
all those who, with their personal commitment and passion, have
helped me create this impressive series of mixing consoles.
Kindest regards,
Uli Behringer
1. INTRODUCTION

5
XENYX 502/802/1002/1202
1.2 The users manual
The users manual is designed to give you both an overview of
the controls, as well as detailed information on how to use them.
In order to help you understand the links between the controls,
we have arranged them in groups according to their function.
The illustrations at the beginning of each chapter show the
controls described in each respective chapter.
+The bl ck diagram supplied with the mixing c ns le
gives y u an verview f the c nnecti ns between
the inputs and utputs, as well as the ass ciated
switches and c ntr ls.
For the moment, just try and trace the signal path from the
microphone input to the FX send connector. Dont be put off by
the huge range of possibilities its easier than you think! If you
look at the overview of the controls at the same time, youll be
able to quickly familiarize yourself with your mixing console and
youll soon be making the most of all its many possibilities.
If you need to know more about specific issues, please visit
our website at http://www.behringer.com, where youll find
explanations of (for example) effects and dynamics applications.
1.3 Before you get started
1.3.1 Shipment
Your mixing console was carefully packed in the factory to
guarantee safe transport. Nevertheless, we recommend that
you carefully examine the packaging and its contents for any
signs of physical damage, which may have occurred during
transit.
+If the unit is damaged, please d NOT return it t us,
but n tify y ur dealer and the shipping c mpany
immediately, therwise claims f r damage r
replacement may n t be granted.
1.3.2 Initial operation
Be sure that there is enough space around the unit for cooling
purposes and to avoid over-heating please do not place your
mixing console on high-temperature devices such as radiators
or power amps. The console is connected to the mains via the
supplied cable. The console meets the required safety standards.
Blown fuses must only be replaced by fuses of the same type
and rating.
+Never c nnect the XENYX t the p wer supply unit
when the latter is c nnected t the mains! First
c nnect the p wer supply unit t the c ns le, then
c nnect the p wer supply unit t the mains.
+Please n te that all units must be pr perly
gr unded. F r y ur wn safety, y u sh uld never
rem ve any gr und c nnect rs fr m electrical
devices r p wer cables, r render them in-
perative.
+Please ensure that nly qualified pe ple install and
perate the mixing c ns le. During installati n and
perati n, the user must have sufficient electrical
c ntact t earth, therwise electr static discharges
might affect the perati n f the unit.
1.3.3 Online registration
Please do remember to register your new BEHRINGER
equipment right after your purchase by visiting
www.behringer.com (alternatively www.behringer.de) and
kindly read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to
have it repaired as quickly as possible. To arrange for warranty
service, please contact the retailer from whom the equipment
was purchased. Should your BEHRINGER dealer not be located
in your vicinity, you may directly contact one of our subsidiaries.
Corresponding contact information is included in the original
equipment packaging (Global Contact Information/European
Contact Information). Should your country not be listed, please
contact the distributor nearest you. A list of distributors can be
found in the support area of our website (www.behringer.com).
Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.
Thank you for your cooperation!
2. CONTROL ELEMENTS AND
CONNECTORS
This chapter describes the various control elements of your
mixing console. All controls, switches and connectors will be
discussed in detail.
2.1 Mono channels
2.1.1 Microphone and line inputs
Fig. 2.1: Connectors and controls of mic/line inputs
MIC
Each mono input channel offers a balanced microphone input
via the XLR connector and also features switchable +48 V
phantom power supply for condenser microphones. The XENYX
preamps provide undistorted and noise-free gain as is typically
known only from costly outboard preamps.
+Please mute y ur playback system bef re y u
activate the phant m p wer supply t prevent
switch- n thumps being directed t y ur
l udspeakers. Please als n te the instructi ns
in chapter 2.3.5 Phant m p wer and LED displays.
LINE IN
Each mono input also features a balanced line input on a 1/4"
connector. Unbalanced devices (mono jacks) can also be
connected to these inputs.
+Please remember that y u can nly use either the
micr ph ne r the line input f a channel at any
ne time. Y u can never use b th simultane usly!
TRIM
Use the TRIM control to adjust the input gain. This control
should always be turned fully counterclockwise whenever you
connect or disconnect a signal source to one of the inputs.
2. CONTROL ELEMENT AND CONNECTOR

6
XENYX 502/802/1002/1202
2.1.2 Equalizer
All mono input channels include a 3-band equalizer, except for
the 502, which is equipped with a 2-band EQ. All bands provide
boost or cut of up to 15 dB. In the central position, the equalizer
is inactive.
The circuitry of the British EQs is based on the technology
used in the best-known top-of-the-line consoles and providing a
warm sound without any unwanted side effects. The result are
extremely musical equalizers which, unlike simple equalizers,
cause no side effects such as phase shifting or bandwidth
limitation, even with extreme gain settings of ±15 dB.
Fig. 2.2: The equalizer of the mono input channels
EQ
The upper (HI) and the lower band (LO) are shelving filters
that increase or decrease all frequencies above or below their
cut-off frequency. The cut-off frequencies of the upper and
lower band are 12 kHz and 80Hz respectively. The mid band
(802/1002/1202) is configured as a peak filter with a center
frequency of 2.5 kHz.
LOW CUT
In addition, the mono channels (1002 and 1202) are equipped
with a steep OW CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz)
designed to eliminate unwanted low-frequency signal
components.
2.1.3 FX sends, panorama and le el adjustment
Fig. 2.3: The FX send/panorama/level controls
FX (802/1002/1202 nly)
FX sends (or AUX sends) enable you to feed signals via a
variable control from one or more channels and sum these signals
to a bus. The bus appears at the consoles FX send output and
can be fed from there to an external effects device. The return
from the effects unit is then brought back into the console on the
aux return connectors (802) or normal channel inputs. Each FX
send is mono and features up to +15 dB gain.
As the name suggests, the FX sends of the XENYX mixing
consoles are intended to drive effects devices (reverb, delay,
etc) and are therefore configured post-fader. This means that
the mix between dry signal and effect remains at the level
determined by the channels aux send, irrespective of the channel
fader setting. If this were not the case, the effects signal of the
channel would remain audible even when the fader is lowered
to zero.
PA N
The PAN control determines the position of the channel signal
within the stereo image. This control features a constant-power
characteristic, which means the signal is always maintained at a
constant level, irrespective of position in the stereo panorama.
LEVEL
The EVE control determines the level of the channel signal
in the main mix.
CLIP
The C IP LEDs of the mono channels illuminate when the
input signal is driven too high, which could cause distortion. If
this happens, use the TRIM control to reduce the preamp level
until the LED does not light anymore.
2.2 Stereo channels
2.2.1 Stereo line inputs
Fig. 2.4: Stereo line inputs
LINE IN
Each stereo channel has two balanced line level inputs on 1/4"
jacks for left and right channels. If only the jack marked L (left)
is used, the channel operates in mono. The stereo channels are
designed to handle typical line level signals.
Both inputs will also accept unbalanced jacks.
2.2.2 Equalizer stereo channels (802)
The XENYX 802 features a stereo 3-band EQ in each stereo
channel. The filter characteristics and cut-off frequencies are
the same as those in the mono channels.
Fig. 2.5: The equalizer of the stereo input channels
A stereo EQ is highly preferable to two mono equalizers. when
working on a stereo signal, as two separate EQs will usually produce
an unwanted discrepancy between the left and right channels.
2.2.3 FX sends, balance and le el adjustment
Fig. 2.6: The FX send/balance/level controls
2. CONTROL ELEMENT AND CONNECTOR

7
XENYX 502/802/1002/1202
FX
The FX sends of the stereo channels function similar to those
of the mono channels. However, since the FX send buses are
both mono, a mono sum is first taken from the stereo input before
it is sent to the FX bus. The 502 is not equipped with FXsends.
BAL
The BA (ANCE) control determines the levels of left and right
input signals relative to each other before both signals are then
routed to the main stereo mix bus. If a channel is operated in
mono via the left line input, this control has the same function as
the PAN control used in the mono channels.
LEVEL
The LEVEL control determines the volume of the channel being
sent to the main mix.
+4/-10
The stereo inputs of the XENYX 1002 and 1202 have an input
sensitivity switch which selects between +4 dBu and -10 dBV.
At -10dBV (home-recording level), the input is more sensitive
(requires less level to drive it) than at +4 dBu (studio level).
2.3 Connector panel and main section
2.3.1 Send/return effects path
Fig. 2.7: FX send/return connectors
Fig. 2.8: FX send/return controls
STEREO AUX RETURN
802 only: the STEREO AUX RETURN connectors are used to
bring the output of the external effects device (whose input is
derived from the aux sends) back into the console. You can
instead use these connectors as additional inputs, but any effects
device will then have to be brought back into the console via a
normal stereo channel. This does, however, give you the ability
to use the channel EQ on the effects return signal if you wish.
+When using a stere channel as effects return path,
the FX c ntr l f the relevant channel sh uld
generally be turned fully d wn t av id undesirable
feedback.
If only the left connector is used, the AUX RETURN automatically
operates in mono. Use the AUX RETURN control to determine
how much of the effects signal is sent to the main mix.
FX SEND
The FX SEND output (does not apply for 502) should be
connected to the input of an external effects unit. The post-
fader FX signal you created using the input channel FX controls
is sent to the effects unit via the FX SEND ouput. Use the FX
SEND control of the main section to adjust the overall send level
(1002 and 1202 only).
2.3.2 Monitor and main mix
Fig. 2.9: Monitor/main mix connectors
Fig. 2.10: Monitor control and main mix fader
PHONES/CONTROL ROOM
The stereo PHONES jack (at the top of the connector panel) is
where you connect headphones. The unbalanced CTR ROOM
OUT jacks carry the summed effects and main mix signals, as
well as soloed channel signals. The PHONES/CONTROL ROOM
control adjusts the level of both headphones and main monitor
outputs. The 502 is not equipped with control room outputs.
MAIN MIX
The MAIN OUT connectors are unbalanced mono jacks. The
main mix signal appears here at a level of 0 dBu. The MAIN MIX
fader adjusts the volume of these outputs. The XENYX 802 and 502
mixing consoles feature a rotary control for this purpose.
2.3.3 CD/Tape connectors
CD/TAPE INPUT
The CD/TAPE INPUTs are used to bring an external signal
source (e.g. CD player, tape deck, etc.) into the console. They
can also be used as a standard stereo line input, so the output of
a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be
connected.
Fig. 2.11: CD/Tape input/output
Alternatively the line or tape output of a hi-fi amplifier with
source selection switch could also be hooked up here, allowing
you to easily listen to additional sources.
2. CONTROL ELEMENT AND CONNECTOR

8
XENYX 502/802/1002/1202
CD/TAPE OUTPUT
These connectors are wired in parallel with the MAIN OUT and
carry the main mix signal (unbalanced). Connect the CD/TAPE
OUTPUT to the inputs of your recording device. The output level
is adjusted via the high-precision MAIN MIX fader or rotary
control (802).
2.3.4 Signal assignment
Fig. 2.12: Assignment switches of the main section
CD/TAPE TO MIX
When the TAPE TO MIX switch is depressed, the 2-track
input is assigned to the main mix providing an additional input for
tape machines, MIDI instruments or other signal sources that do
not require any processing.
CD/TAPE TO CTRL ROOM (502: CD/TAPE TO PHONES)
Press the CD/TAPE TO CTR ROOM/PHONES switch if you
want to monitor the 2-track input via the CTRL ROOM OUT. This
provides an easy way to monitor signals coming back from tape
to ensure that they are recording correctly.
+If y u are rec rding a signal via the CD/TAPE OUTPUT
and wish t listen t this simultane usly via the
CD/TAPE INPUT, d n t use the CD/TAPE TO MIX
switch. D ing this w uld create a feedback l p,
since the signal w uld be r uted, via the main mix,
back t tape via the CD/TAPE OUTPUT. T m nit r
the CD/TAPE INPUT, use the CD/TAPE TO CTRL ROOM
switch t assign the tape signal t the m nit r(s)
r headph nes. This will av id the tape signal being
r uted t the CD/TAPE OUTPUT.
FX TO CTRL ROOM
If you want to monitor only the FX send signal in your
headphones or monitor speaker(s), press the FX TO CTRL
switch. This mutes the main mix signal while routing the FX SEND
output to the monitor(s). The XENYX 802 and 502 do not feature
this switch.
2.3.5 Phantom power and LED displays
Fig. 2.13: Phantom power and control EDs
+48 V (802/1002/1202 nly)
The red +48 V LED lights up when phantom power is on. The
PHANTOM switch activates the phantom power supply on the
XLR connectors of all mono channels.
+Please d n t c nnect micr ph nes t the mixer
( r the stageb x/wallb x) as l ng as the phant m
p wer supply is switched n. C nnect the micr -
ph nes bef re y u switch n the p wer supply. In
additi n, the m nit r/PA l udspeakers sh uld be
muted bef re y u activate the phant m p wer
supply. After switching n, wait appr x. ne minute
in rder t all w system stabilizati n.
POWER
The blue POWER LED indicates that the console is powered on.
LEVEL INDICATOR
The high-precision 4-segment display accurately displays the
relevant signal level.
LEVEL SETTING:
To correctly set the gains of the channels, first set the LEVEL
controls of the input channels to their center positions (0 dB).
Then use the TRIM controls to increase the input amplification
until signal peaks show 0 dB on the level meter.
When recording to digital recorders, the recorders peak meter
should not go into overload. While analog recorders can be
overloaded to some extent, creating only a certain amount of distortion
(which is common and often desirable), digital recorders distort
quickly when overloaded. In addition, digital distortion is not only
undesirable, but also renders your recording completely useless.
+The peak meters f y ur XENYX display the level
virtually independent f frequency. A rec rding level
f 0 dB is rec mmended f r all signal types.
2. CONTROL ELEMENT AND CONNECTOR

9
XENYX 502/802/1002/1202
3. INSTALLATION
3.1 Mains connection
AC POWER IN
Connect the power supply to the 3-pin mains connector on the
rear of the console. Use the AC adapter supplied to connect the
console to the mains. The adapter complies with all applicable
safety standards.
+Please use nly the p wer supply unit pr vided
with the c ns le.
+Never c nnect the XENYX t the p wer supply unit
while the latter is c nnected t the mains! First
c nnect the c ns le t the p wer supply unit, then
c nnect the p wer supply unit t the mains.
+Please n te that b th the p wer supply unit and
the mixing c ns le heat up c nsiderably during
perati n. This is c mpletely n rmal.
3.2 udio connections
You will need a large number of cables for different
applications. The illustrations below show how the connectors
should be wired. Be sure to use only high-grade cables.
Please use commercial RCA cables to connect the 2-track
inputs and outputs.
You can, of course, also connect unbalanced devices to the
balanced inputs/outputs. To do this, use either mono plugs or
stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the
case of XLR connectors).
+Cauti n! Never use unbalanced XLR c nnect rs
(PIN 1 and 3 c nnected) n the MIC input c nnect rs
when using the phant m p wer supply.
Fig. 3.1: X R connections
3. IN TALLATION
Fig. 3.2: 1/4" mono plug
Fig. 3.3: 1/4" stereo plug
Fig. 3.4: Stereo plug for headphones connection

10
XENYX 502/802/1002/1202
4. SPECIFICATIONS
M n inputs
Micr ph ne inputs (XENYX Mic Preamp)
Type XLR, electronically balanced,
discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@ 0 W source resistance -134 dB / 135.7 dB A-weighted
@ 50 W source resistance -131 dB / 133.3 dB A-weighted
@ 150 W source resistance -129 dB / 130.5 dB A-weighted
Frequency response <10 Hz - 150 kHz (-1 dB),
<10 Hz - 200 kHz (-3 dB)
Gain range +10 to +60 dB
Max. input level +12 dBu @ +10 dB gain
Impedance approx. 2.6 kW balanced
Signal-to-noise ratio 110 dB / 112 dB A-weighted
(0 dBu In @ +22 dB gain)
Dist rti n (THD+N) 0.005% / 0.004% A-weighted
Line input
Type 1/4" TRS connector
electronically balanced
Impedance approx. 20 kW balanced
10 kW unbalanced
Gain range -10 to +40 dB
Max. input level +22 dBu @ 0 dB Gain
Fade- ut attenuati n1
(Cr sstalk attenuati n)
Main fader closed 90 dB
Channel muted 89.5 dB
Channel fader closed 89 dB
Frequency resp nse
Microphone input to main out
<10 Hz - 90 kHz +0 dB / -1 dB
<10 Hz - 160 kHz +0 dB / -3 dB
Stere inputs
Type 1/4" TRS connector,
electronically balanced
Impedance approx. 20 kW
Max. input level +22 dBu
EQ m n channels
L ow 80 Hz / ±15 dB
Mid 2.5 kHz / ±15 dB
High 12 kHz / ±15 dB
EQ stere channels
L ow 80 Hz / ±15 dB
Mid 2.5 kHz / ±15 dB
High 12 kHz / ±15 dB
Aux sends
Type 1/4" TS connector, unbalanced
Impedance approx. 120 W
Max. output level +22 dBu
Stere aux returns
Type 1/4" TRS connector,
electronically balanced
Impedance approx. 20 kW bal. / 10 kW unbal.
Max. input level +22 dBu
Main utputs
Type 1/4" TRS connector, unbalanced
Impedance approx. 120 W unbal.
Max. output level +22 dBu
C ntr l r m utputs
Type 1/4" TS connector, unbal.
Impedance approx. 120 W
Max. output level +22 dBu
Headph nes utput
Type 1/4" TRS connector, unbalanced
Max. output level +19 dBu / 150 W (+25 dBm)
Main mix system data2
Noise
Main mix @ -oo,
Channel fader -oo -106 dB / -109 dB A-weighted
Main mix @ 0 dB,
Channel fader -oo -95 dB / -98 dB A-weighted
Main Mix @ 0 dB,
Channel fader @ 0 dB -84 dB / -87 dB A-weighted
P wer supply
Power consumption 502: 13 W
802: 17 W
1002: 18 W
1202: 23 W
Mains v ltage
USA/Canada 120 V~, 60 Hz, MXUL5 adapter
U.K./Australia 240 V~, 50 Hz, MXUK5 adapter
Europe 230 V~, 50 Hz, MXEU5 adapter
Japan 100 V~, 60 Hz, MXJP5 adapter
Dimensi ns
502
Dimensions (H x W x D) 1 5/6" / 1 1/2" (47 mm / 37 mm) x
5 1/4" (134 mm) x 7" (177 mm)
Weight (net) approx. 0.55 kg (1.21 lbs)
802
Dimensions (H x W x D) 1 5/6" / 1 1/2" (47 mm / 37mm) x
7 2/5" (189 mm) x 8 2/3" (220 mm)
Weight (net) approx. 1.00 kg (2.21 lbs)
1002
Dimensions (H x W x D) 1 5/6" / 1 1/2" (47 mm / 37 mm) x
7 2/5" (189 mm) x 8 2/3" (220 mm)
Weight (net) approx. 1.05 kg (2.31 lbs)
1202
Dimensions (H x W x D) 1 5/6" / 1 1/2" (47 mm / 37 mm) x
9 1/2" (242 mm) x 8 2/3" (220 mm)
Weight (net) approx. 1.35 kg (2.97 lbs)
Measuring conditions:
1: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.
2: 20 Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain; E flat; all
channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far
right as possible. Reference = +6 dBu.
BEHRINGER is constantly striving to manintain the highest professional standards. As a
result of these efforts, modifications may be made from time to time to existing products without
prior notice. Specifications and appearance may differ from those listed or illustrated.
4. PECIFICATION