BOSSCO BE-5B User manual

oB0ss
BASS MULTIPLE EFFECTS
5 SPECIAL SELECTED EFFECTS FOR BASSISTS
|
BE 5B Owner’s Manual
a)
1BOSS BE-5B BASS MUU cea

Thank
you,
and
congratulations
on
your
choice
of
the
BOSS
BE-5B
Bass
Multiple
Effects
unit.
;
:
The
BE-5B
is
a
multi-purpose
effects
unit
equipped
with
all
five
of
the
effects
most
often
needed
with
bass
guitars.
In
order
to
make
good
use
of
all
the
features
available
to
you,
and
be
able
to
continue
using
the
unit
for
many
years
with
confidence,
please
completely
read
this
Owner's
Manual
before
you
start
using
it.
@ IMPORTANT NOTES
e When you make any.connections with other devices, always turn off
the power to all equipment first. This will help in preventing malfunc-
tion, and darnage to speakers.
® Do not force the unit to share the same power outlet as one used for
distortion producing devices (such as motors, variable lighting devices).
Be sure to use a separate power outlet.
® Before using the AC adaptor, always make certain the voltage of the
available power supply conforms to its rating.
e Do not place heavy objects onto, step on, or otherwise risk causing
damage to the power cord.
@ Whenever you disconnect the AC adaptor from the outlet, always
grasp it by the plug, to prevent internal damage to the cord and the
hazard of possible short circuits.
® If the unit not to be used for a long period of time, unplug the cord
from the socket.
e Avoid using or the unit in the following places, as damage could
result.
© Place subject to extremes in temperature. (Such as under direct
sunlight, near heating units, above equipment generating heat, etc.)
© Places near water and moisture. (Baths, washrooms, wet floors,
etc.) Places otherwise subject to high humidity.
© Dusty environments.
© Places where high levels of vibration are produced.
Copyright © 1989 by ROLAND CORPORATION
Alt rights reserved. No part of this publication may be reproduced in .
any form without the permission of ROLAND CORPORATION.
m BLOCK DIAGRAM
QUTPUTA .
PHONES OUTPUTB = (MONO} . RETURN SEND
10 BAND
GRAPHIC
EQUALIZER
EQUALIZER
LEVEL
HEADPHONES AMPLIFIER
m FEATURES.
The BE-58 is a multiple unit combining five different effects for use
with basses. Settings can be made with ease since there is no need -
for bothering with connections between a number of units.
Offers a great selection of high-quality effects, ranging from a limiter,
essential for bass guitars, to a digital delay equipped with modulation
control.
The averdrive, specialized for use with bass, is provided with a
speaker simulation circuit, so you can obtain a fat, rich bass sound
even when recording straight from the line outputs.
Includes Send/Return jacks so you can easily add on even other
effects or a volume pedal.
A Tuner Output jack provides for connection of a tuner, which you
can use even without changing the connection.
Provided with headphones jack, convenient when practicing alone.
Placing the unit near power amplifier or other equipment containing
large transformers may induce hum.
Should the unit be operated nearby television or radio receivers, TV
pictures may show signs of interference, and static might be heard
on radios. In such cases, move the unit out of proximity with such
devices.
For everyday cleaning, wipe the unit with a soft dry cloth, or one that
is dampened slightly. To remove dirt that is more stubborn, wipe
using a mild, neutral detergent. Afterwards, make sure to wipe
thoroughly with a soft cloth.
Never apply benzene, thinners, alcohol or any like agents, to avoid
the risk of discoloration and deformation.
Protect the unit from strong impact.
Avoid getting any foreign objects (coins, wire, etc.), or liquids (water,
drinks, etc.) into the unit.
Before using the unit in a foreign country, check first with your local
Roland Service Station.
At any time that you notice a malfunciton, or otherwise suspect
there is damage, immediately refrain from using the unit. Then contact
the store where bought, or the nearest Roland Service Station.
TUNER OUT INPUT
—
OVERDRIVE
LIMITER

@ SAMPLE SETTINGS
MROCK
A sound that fits nght in with the current
rock scene. The trick Is in using just the
right touch of overdrive
MMETAL
With the overdrive providing a little dis-
tortion, the equalizer boosts the lower
range to make a fat sound that is just
right for heavy metal.
@FLANGING METAL
The overdrive puts out a good measure
of distortion along with a lot of wailing
fram the flanger to add up to a really
strong flanged sound.
M@ METAL SOLO
A long delay provides a sound good for
melodious phrasing.
MCHOPPER
With the limiter smoothing all the peaks.
the enhancer and equalizer create a
sound with an impressive attack
BJAZZ
Equalizer used to raise the lower range
and bring out the feel of a wood bass.
SLOW BALLAD
With chorus applied, and the equalizer
used to raise the lower range, a sound
filled with fantasy is created. In addition,
clarity is preserved by raising the upper
range with the enhancer and equalizer.
Great for solos.
MSAMBA
The equalizer is used to emphasize the
middle range, and the enhancer cleans
up the profile. Suttable for rhythmical
songs.
FEEDBACK
*
E LEvEet RATE OEPTH
Sa
FEEOBACK RANGE nS 83) 1S 250 500 &
\ f r
TORTS Heli
oo
& LEVEL RATE DEPTH
thi wh
FEEDBACK
6 OG
© LEVEL RaTe DEPTH
RSRSAEUUUULUIEUS
FEEORACK FINE 5S 61 #126 250
( ‘a
) Ce
E GEVEL aie QEPTH
aD
Trim
a a)
BALANCE
qepeebeeeed ed
FEEOBACK
a
RATE
DEPTH €. LEVEL
THT PL
ars Fae
€ LEVEL RATE
FEEDBACK NS 63 128 250 S00
PI PP
€ LEVEL RATE BALANCE
FEEDRACK ENHANCER
€ LeveL RATE
BAL ANCE
©) DeLAvrchonus /FLANGER | = 10 BAND GRAPHIC EQUALIZER Is ® ENHANCER / OVERDRIVE aay

@ OPERATION
m@ CONNECTION
Po vic {>
Amplifier
Amplifier
OUTPUT A OUTPUT B
weut TUNER Out SEND RETURN A CUTPUT 8 PHONES wpe pert
© OUBOSS OO OO OF
OE. AY (MONO) DHRECT J
TUNER OUT SEND RETURN PHONES
Tuner (TU-12/TU-125 etc.: optional) INPUT OUTPUT
External Effect Device
AC Adaptor
(FV-5OL etc.: optional)
(PSA-120, 220 or 240: supplied)
Headphones (RH-12 etc. : optional)
Amplifier
Amplifier
= OUTPUT = B
© aC TF
TUNER OUT
AC Adaptor
PHONES (PSA-120, 220 or 240: supplied)
Tuner (TU-12/TU-12S etc.: optional) |
{ apes _ = alereh-
Headphones (RH-12 etc.: optional)
©) power ©
Indicator lights.
1. Once the bass and amplifier have been connected as shown in the illustration,
connect the supplied AC adaptor. The unit is ready for use when Its Power
* Make sure volume is raised after connection is finished.
BASS MULTIPLE EFFECTS
|
SPLCIAL, SELECTED EFFECTS FOR Maemo
2. Each knob is set so it appears as shown in “PANEL DESCRIPTIONS”.
3. Make the settings for each of the effects.
@ Use the Pedal Switch to turn “on” the effect that is to be set. (When on, the
Effects Indicators for that effect will light.)
* All other effects need to be “off.”
1 a
@ While referring to "SAMPLE SETTINGS”, under "PANEL DESCRIPTIONS",
make settings as desired.
@ Repeat the above procedures and make settings for the other effects.

§
PANEL
DESCRIPTIONS
DELAY/CHORUS/FLANGER
The
digital
delay
is
equipped
with
controls
for
modulation.
Can
be
used
to
fatten
a
sound
by
adding
slightly
delayed
elements,
or
provide
the
effects
of
long
delays.
Since
the
BE-5B
employs
a
digital
delay,
there
is
no
deterioration
in
the
quality
of
the
source
sound.
Settings
for
delay
time
are
accepted
consecutively
from
2
to
500
msec.
In
addition,
thanks
to
the
modulation
function,
chorus
and
flanging
effects
can
be
obtained.
(See
EXAMPLES
FOR
SETTING
_
DELAY/CHORUS/FLANGER.)
@ RANGE: Delay Time Range knob
Adjusts,
in
combination
with
the
FINE
knob,
the
delay
time
(amount
of
delay
with
respect
to
the
source
sound).
The
RANGE
knob
accepts
8
levels
of
possible
settings
for
the
delay
time.
iC:
Range
providing
longer
delay
times.
Used
to
set
for
a
delay
providing
a
recognizable
delayed
sound.
[|
Range
providing
shorter
delay
times.
Used
to
get
a
short
delay,
which
can
be
used
to
fatten
up
sound.
@ DEPTH: Modulation Depth knob
Adjusts
the
depth
of
the
modulation
when
the
digital
delay
is
used
to
obtain
chorus
or
flanging
effects.
[C+]: Modulation is deepened.
[7]:
Modulation
is
lessened.
At
the
minimum,
no
modulation
is
obtained.
@ FINE: Delay Time Fine knob
Provides
for
fine
adjustment
of
the
delay
time
set
with
the
RANGE
knob.
The
available
range
provides
for
a
multiplier
of from 0.5 to 1.0 times the value set with the RANGE knob.
IC:
Delay
time
is
lengthened.
[¥]:
Delay
time
is
shortened.
@ RATE: Moduration Rate knob
Adjusts
the
rate
of
the
modulation
when
the
digital
delay
is
used
to
obtain
chorus
or
flanging
effects.
IQ:
The
modulation
rate
is
made
faster.
[4]:
The
modulation
rate
is
made
slower.
*
With
the
Modulation
Depth
knob
set
too
low,
no
effect
results.
@ FEEDBACK: Feedback knob
Adjust
the
amount
of
the
delayed.
sound
that
is
repeated
(amount
of
feedback).
IQ: increases amount of feedback.
{#>|:
Decreases
amount
of
feedback.
When
set
at
the
minimum,
one
repetition
takes
place
(there
is
a
single
delay).
*
Take
caution,
since
oscillation
can
occur
if
the
amount
of
the
FEEDBACK
knob
sets
too
high.
@ EFFECT LEVEL: Effect Level knob
Adjust the level of the delayed sound.
{C:
The
delayed
sound
is
increased.
When
at
the
maximum,
the
delayed
sound
and
the
direct
sound
are
identical.
[I]:
The
delayed
sound
is
decreased.
When
at
the
minimum,
only
the
direct
sound
is
output;
no
output
of
the
delayed sound takes place.
@ Power indicator
Lights
up
when
the
supplied
AC
adaptor
is
saneeeiad
indicating
that
the
unit
is
ready
for use. ;
@ Effects indicators
Light
up
for
an
effect
that
is
on
(When
its
effects
can
be
‘Obteinge)
Allow
you
to
confirm the on/off status of each effect.
©. Pedal Switch
Switch each effect on or off.
@® Input Jack
Accepts connection of a bass guitar.
@ Tuner Out Jack
From the Tuner Out jack, tuner-use bass guitar signals are output at all times. Tuning
can be carried out at any time simply by connecting a tuner.
@ Send Jack
@ Return Jack
The Send/Return jacks provide for the connection of an external device, such as
an external effects device. An effects unit is connected between the graphic equalizer
and the delay.
* Refer to the diagram when making connection.
{Example Setup]
A volume pedal (FV-50L) can be connected. Then, using a volume altering technique,
you can obtain a natural decay of the sound while having the delayed sound remain
(when the unit is set to the Dalay mode).
if you set the volume of the pedal to the “0” position, tuning can be performed
without getting the sound from the amplifier.

10 BAND GRAPHIC EQUALIZER
O "10 BAND GRAPHIC EQUALIZER
The 10-band graphic equalizer provides ad-
justment within the range of + 188dB for
each band.
@ LEVEL CONTROL: Level Control slider
Sets the overall level output by the equal-
izer. Should be adjusted so there is no
difference in level when the effect is turned
on/off. |
[ t ]: The overall level output by the equal-
izer increases. |
{ | ]: The overall level output by the equal-
izer decreases.
EQUALIZER CONTROL:
Equalizer Control slider
Provides for boosting or cutting the sound
for each band. .
[ t |: Boosts the sound only for the band
for which the control slider is moved.
[ | |: Cuts the sound only for the band for
which the control slider is moved.
Peep aC
mate:
DEPTH
E, CEVEL
lO) 10 BAND GRAPHIC EQUALIZER Cy} ennancen -overonve | C)) LIMITER
) OELAY/ CHORUS /FLANGER —
Dae
I |
‘PUT
TUNER OUT
© ©® a @® o ® ®@& ®

ENHANCER/OVERDRIVE
This
effect
combines
both
an
enhancer,
that
provides
greater
definition
for
the
sound;
and
overdrive
to
add
distortion
to
the
sound.
They
can
be
set
in
any
variety
of
ways
to
suit
most
any
type
of
music.
In
addition,
the
overdrive
con-
tains
a
speaker
simulation
circuits,
thus
allowing
direct
connection
to a
mixer
or
other
device.
@ DRIVE: Drive knob
Adjusts the amount of tube-amp distortion produced by the overdrive.
IQ: Distortion becomes greater, sound gets heavier.
[Ol Distortion decreases. When turned all the way to the left If], dis-
tortion disappears, and only speaker simulation will be in effect.
@ BALANCE: Balance knob
Adjusts the balance between the normal sound and the overdriven sound.
Settings covering any number of possible combinations can be made.
IC]: The proportion of the overdriven sound (speaker simulation) increases.
[4]; The normal sound's proportion becomes greater.
* When set a either right [Ca or left [7] extremes, the effect of the
counterpart is eliminated.
* When wishing to use the speaker simulation circuit alone, set the drive
knob to its minimum [>], and the balance knob to the maximum [Q].
@ ENHANCER: Enhancer knob
Enhances the definition of each sound, and provides more presence.
IQ): Enhancer effect becomes greater. .
|]: Enhancer effect is lessened. When at left [%}] extreme, no effect
is obtained.
© LEVEL: Level knob .
Adjusts the level of sound volume for the Enhancer/Overdrive. Should be
~ adjusted so there is no difference in level when the effect is turned on/off.
[C’l: The volume of effected sound increases.
|]: The volume of effected sound decreases. When at left >] extreme,
no sound will be heard.
@ Output A Jack (monaural)
@® Output B Jack
Jacks used to connect an amplifier.
LIMITER
By limiting excessive input (in excess of peak),
erratic volume changes are eliminated, and
the sound is more balanced, and freer from
unwanted distortion. When used with styles
like slapping with a bass guitar, the peak
sound is controlled better and sound balance
improves.
@ THRESHOLD: Threshold Knob
Sets the level at which it starts limiting
the input signal. Whenever a signal that
surpasses the level set here. has been
input, the output is limited to the level set.
Signals lower than. this level (Threshold
Level) will continue to be output.
{Q]: Threshold level is raised.
[1]: Threshold level is lowered; effect
of limiter is increased.
@ LEVEL: Level knob
Sets the overall level output by the limiter.
Should be set so there is no difference in
level when the effect is turned on/off.
[Q: The overall.jevel output by the limiter
increases.
{I: The overall level output by the limiter
decreases.
* When used with one amp, connect to Output A (monaural).
* When used with two amps, and with the DELAY/CHORUS/FLANGER at “off”.
the same sound will be output from both amps. With DELAY/CHORUS/FLANGER
at “on”, the delay sound will be output from Output A, and the direct sound, will
be output from Output B.
@) Headphones Jack
Accepts connection of headphones. Volume is adjusted using the connected instrument.
*
Take
caution,
since
asillation
can
occur
if
the
amount
of
the
gain
sets
too
high
@ Cord Clip
Prevents the AC adaptor plug from being pulled cut accidentally. The cord should be
fixed to the unit as shown in the illustration.
@ AC Adaptor Jack
Accepts connection of supplied AC Adaptor (PSA-120, 220 or 240)

m EXAMPLES FOR SETTING DELAY/CHORUS/FLANGER
‘Through knob settings for DELAY/CHORUS/FLANGER three types of effects can be applied. Here, some of the most representative examples will be covered.
® Digital Delay
© Short Delay Oo Long Delay
FEEDBACK
FEEDBACK
E. LEVEL RATE OEPTH
E. LEVEL RATE DEPTH
©) _DELAY/CHORUS/ FLANGER C) _DELAY/CHORUS/FLANGER
Modulation function will not work by setting the DEPTH knob too low. This setting will produce the Delay effect only.
e Digital Chorus
FEEDBACK FINE
x05
€. LEVEL RATE _ DEPTH
©) DELAY/ CHORUS / FLANGER |
The chorus effect will be obtained by rotating the DEPTH knob clockwise. The FEEDBACK knob should be set at the minimum.
* Ordinarily, the delay time is made short.
e Digital Flanger
FEEDBACK
E. LEVEL RATE DEPTH
(©) DELAY/CHORUS/FLANGER
The DEPTH knob is set at the maximum. Then when the FEEDBACK knob is rotated clockwise, the flanging effect is obtained.
* Ordinarily, the delay time is made short.

@ SPECIFICATIONS
Controls
«1» Limiter
Threshold, Level
«2» Enhancer/Overdrive
Drive, Balance, Enhancer, Level
«3» 10-Band Graphic Equalizer
Level Control, 10 Equalizer Controls
«<4)) Delay/Chorus/Flanger
Range, Fine, Modulation Rate, Modulation
Depth, Feedback, Effect Level.
Switches
Pedals: 4
Indicators
Effect: 4 Power: 1
Jacks
Input, Tuner Out, Send, Return, Output A
(monaural), Output B, Phones, AC adaptor.
Electrical Characteristics |
© Input
Rated Input Level: ~20dBm
Input Impedance: 1MQD
© Tuner Out
Rated Output Level: -20dBm
Output Impedance: 2kN
Output Load Impedance: more than 20k
© Effect Send
Rated Output Level: -20dBm
Output Impedance: 1kQ
Output Load Impedance: more than 10kN
© Effect Return
Rated Input Level: -20dBm
Input Impedance: 47k2
© Digital Delay
Process: Analog Logarithmic Compression,
Plus 12-bit Quantization
Delay Time: 2msec. to 500msec.
Frequency Response: Delay: 20Hz to 15kHz
+3dB)
Residual Noise: Less Than ~90dBm (IHF-A)
with Fine x 0.5
Note: Any settings that place all knobs at their maximum can
result in a range of problems, such as noise and howling.
(Gerat. Typ. Bezeichnung)
funk-entstért ist.
WARNING ~—
CLASS 8B
1 acest
CLASSE B
ree rs
This booklet 1s avaiable from the U.S Government Printing Office, Washington, D.C . 20402. Stock No 004-000-00345-4
Bescheinigung des Herstellers/Importeurs
Hiermit wird bescheinigt, daB der/die/das
BOSS BASS MULTIPLE EFFECTS BE-5B
Pare rer rere a ere ee
ey
(Amtsbilattvertugung)
Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerates angezeigt und die Berechtigung zur Uberpritung
der Serie auf Einhaltung der Bestimmungen eingeraumt.
Roland Corporation Osaka/Japan
Name des Herstellers/Imponeurs
RADIO AND TELEVISION INTERFERENCE
This equipment has been ventied to compiy with the iimits for a Class 8 computing device. pursuant to Subpart J. of Part 15. of FCC-rules Operaton with
non-certhed or non-venhed equipment ts thely to result in interterance to radio and TV reception
The equipment described in this manual generates and uses radio frequency energy [fit is nol stalled and used property, that ts, 19 Strict accordance with our instructions.
it may Cause interference with radio and tetewsion reception This equipment has been tested and found to‘compty with the ints tor a Class B computing device in accordance
with the speciicatians in Subpart J. of Part 15, of FCC Rules. These rulus are designed to provide reasonable protection against such a Mterference ira rasidential installation.
However. there 6 no guarantee thal the interference will not occur in a particular instatabon if tus equipment does cause interference to radio or television reception. which
can be determined by turring the equipment on and off, the user 1s encouraged to try !0 correct the interference dy the following measure
® Disconnect other dewces and ther inpuvoutpul cables one at a time If the intederence stops. itis Caused by either the other device or its vO cable
These devices usually require Roland designated shiekled VO cables. For Roland devices. you can obtain ihe proper shueided cable from your dealer For non Roland
devices, contact the manufacturer or deaier for assistance :
it your equipment does cause interference to radio or television reception, you can try to Correct the interference by using une oF more at the following measures.
® Turn tne TV of radio antenna unti the interference stops
@ Move the equipment to ane side of the other of the TV or radio
@ Move the equipment farther away trom the TV or racko :
® Plug the equipment into an outlet that is an a diferent cucu than the TV of radio {That is. make certain the equipment and (he radio or television set are on citcuits Ton
walled by different circuit breakers or fuses.?
© Consider installing a roottop television antenna wilh coawal Cable lead-in between the anienna and TV If necessary. you should consull your dealet ot an expenenced
racho-telewision technician for additional suggestions. You may tind helpful the tolloming booklet prepared by the Federal Communications Commission
“How to Identily and Resolve R-io — TV interference Problems”
NOTICE
This digital apparatus does not exceed the Class B limits for radio noise emissions set out in the Radio interference
Regulations of the Canadian Department of Communications.
AVIS
Cet appareil numérique ne dépasse pas les limites de la classe B au niveau des émissions de bruits tadioélectriques fixes |
dans je Réglement des signaux parasites par le ministere canadien des Communications.
in Ubereinstimmung mit den Bestimmungen der
ee ee
© Output A/B
Rated Output Level: -20dBm
Output Impedance: 1k
Output Load Impedance: more than 10kN
o Phones
Output Impedance: 470
Optimum Headphones Impedance: 8 to 100
* OdBm=0.775V
Power Supply: 9 VDC (PSA-120, 220 or 240 AC
Adaptor, Supplied)
Current Draw: 150mA (max.)
Dimensions: 300(W) x 40(H) x200(D) mm.
11-13/16"(W) x 1-5/8°(H) x 7-7/8"(D)
Weight: 950g/2lb, 202 (not including AC
Adaptor)
Supplied Accessories: Owner's Manual, AC
Adaptor
Options: Chromatic Tuner (TU-12, TU-12S),
Volume Pedal (FV-50L)
* The specifications for this product are subject
to change without prior notice, in the interest
of improvement.
For West Germany
For the USA
7. For Canada
Nee jotenteimtianetee a Hitler
OSs
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