Casio CTK-2100 Technical document

07L3APPENDWL1A
1No. yNo. yNº yNr. yNo. yNr. yNum. yNr. yNº yyy
2音色名 yTone name yNombre de sonido yKlangfarben-Name yNom des sonorités yToonnaam yNome del tono yTonnamn yNome do som yyy
3プログラムチェンジ yProgram Change yCambio de programa yKlangprogramm-Wechsel yChangement de programme yProgramma-verandering yCambiamento programma yProgram-ändring y
Mudança de programa yyy
4バンクセレクト MSB yBank Select MSB yMSB de selección de banco yBankwahl MSB yMSB de sélection de banque yBankkeuze MSB yMSB di selezione banco yBankval MSB yMSB de seleção de banco y
yy
5最大同時発音数 yMaximum Polyphony yPolifonía máxima yMax. Polyphonie yPolyphonie maximale yMaximale polyfonie yPolifonia massima yMaximal polyfoni yPolifonia máxima yyy
6音域タイプ yRange Type yTipo de gama yBereichstyp yType de registre yBereiktype yTipo di gamma yOmfångstyp yTipo de gama yyy
Appendix yApéndice yAnhang yAppendice yAppendix yAppendice y
Bilaga yApêndice yyy
音色リスト yTone List yLista de sonidos yKlangfarben-Liste yListe des sonorités yToonlijst yElenco dei timbri yTonlista y
Lista de sons yyy
1 2 3456
PIANO
001 STEREO GRAND PIANO 0 2 24 A
002 GRAND PIANO 0 1 48 A
003 BRIGHT PIANO 1 2 48 A
004 MELLOW PIANO 0 3 48 A
005 MODERN PIANO 1 3 24 A
006 DANCE PIANO 1 1 48 A
007 STRINGS PIANO 0 8 24 A
008 HONKY-TONK 3 2 24 A
009 OCTAVE PIANO 3 9 24 A
010 ELEC.GRAND PIANO 2 2 48 A
011 MODERN E.G.PIANO 2 3 24 A
012 HARPSICHORD 6 2 48 A
013 COUPLED HARPSICHORD 6 8 24 A
014 HARPSICHORD & STRINGS 6 1 24 A
ELECTRIC PIANO
015 ELEC.PIANO 4 2 48 A
016 FM ELEC.PIANO 5 5 48 A
017 60’S ELEC.PIANO 4 5 48 A
018 CHORUS EP 1 4 9 24 A
019 CHORUS EP 2 4 6 24 A
020 MODERN E.PIANO 5 2 24 A
021 SOFT E.PIANO 4 8 48 A
022 SYNTH-STR. E.PIANO 4 3 24 A
023 CLEAN E.PIANO 4 4 24 A
024 CLAVI 1 7 2 48 A
025 SOFT CLAVI 7 1 48 A
026 CLAVI 2 7 3 48 A
027 DETUNE CLAVI 7 8 24 A
028 SEQUENCE CLAVI 7 9 48 A
CHROMATIC PERC.
029 CELESTA 1 8 2 48 A
030 GLOCKENSPIEL 9 2 48 B
031 MUSIC BOX 1 10 224 A
032 VIBRAPHONE 1 11 2 48 A
033 MARIMBA 12 248 A
034 XYLOPHONE 13 2 48 A
035 CELESTA 2 8 1 24 A
036 MUSIC BOX 2 10 1 24 A
037 VIBRAPHONE 2 11 148 A
038 SOFT VIBRAPHONE 1 11 3 24 A
039 SOFT VIBRAPHONE 2 11 424 A
040 SOFT MARIMBA 12 1 24 A
041 TUBULAR BELL 14 248 A
042DULCIMER 15224A
ORGAN
043 DRAWBAR ORGAN 1 16 2 24 A
044 DRAWBAR ORGAN 2 16 148 A
045 CHURCH ORGAN 1 19 2 24 A
046 PERC.ORGAN 1 17 224 A
047 PERC.ORGAN 2 17 3 24 A
048 CLICK ORGAN 18 724 A
049 ELEC.ORGAN 1 16 8 24 A
050 ELEC.ORGAN 2 16 424 A
051 JAZZ ORGAN 1 17 4 24 A
052 ROCK ORGAN 1 18 224 A
053 CHAPEL ORGAN 19 8 24 A
054 REED ORGAN 20 248 A
055 ACCORDION 1 21 2 24 A
056 BANDONEON 1 23 224 A
057 BANDONEON 2 23 1 24 A
058 HARMONICA 1 22 248 A
059 HARMONICA 2 22 8 48 A
060 THEATER ORGAN 19 624 A
061 JAZZ ORGAN 2 17 6 24 A
062 ROCK ORGAN 2 18 124 A
063 8’ORGAN 17 5 24 A
064 FULL DRAWBAR 16 924 A
065 CHURCH ORGAN 2 19 3 24 A
066 ACCORDION 2 21 324 A
GUITAR
067 NYLON STR.GUITAR 24 248 C
068 STEEL STR.GUITAR 25 2 48 C
069 12 STR.GUITAR 25 824 C
070 JAZZ GUITAR 26 2 48 C
071 OCT JAZZ GUITAR 26 824 C
072 CLEAN GUITAR 1 27 2 48 C
073 CLEAN GUITAR 2 27 124 C
074 MUTE GUITAR 28 2 48 C
075 OVERDRIVE GT 29 248 C
076 DISTORTION GT 30 2 24 C
077 POWER DIST. GT 30 524 C
078 FEEDBACK GT 31 8 24 C
079 CHORUS STEEL GT 25 924 C
080 DIST.GT & BASS 30 6 24 C
BASS
081 ACOUSTIC BASS 32 2 48 C
082 RIDE BASS 32 32 24 C
083 FINGERED BASS 33 2 48 C
084 PICKED BASS 34 248 C
085 FRETLESS BASS 35 2 48 C
086 SLAP BASS 37 248 C
087 SAW SYNTH-BASS 38 2 24 C
088 SQUARE SYNTH-BASS 39 248 C
089 DIGI ROCK BASS 39 1 24 C
090 TRANCE BASS 38 448 C
091 BASS & KICK 39 3 24 C
092 SINE BASS 39 648 C
STR/ORCHESTRA
093 VIOLIN 40 248 A
094 SLOW VIOLIN 40 8 48 A
095 VIOLA 41 224 A
096 CELLO 42 2 24 C
097 CONTRABASS 43 248 C
098 PIZZICATO STRINGS 45 2 48 A
099 HARP 1 46 248 A
100 SLOW CELLO 42 1 24 C
101 VIOLIN & CELLO 40 324 A
102 CELLO SECTION 42 4 24 C
103 CHORUS HARP 46 824 A
104HARP2 46148A
ENSEMBLE
105 STRINGS 48 2 48 A
106 SLOW STRINGS 49 248 A
107 WIDE STRINGS 48 16 24 A
108 OCTAVE STRINGS 48 32 24 A
109 CHAMBER 48 3 24 A
110 STRINGS SFZ 48 848 A
111 SYNTH-STRINGS 1 50 2 24 A
112 SYNTH-STRINGS 2 51 224 A
113 SYNTH-STRINGS 3 51 3 24 A
114 CHOIR AAHS 52 248 A
115 VOICE DOO 53 2 48 A
116 SYNTH-VOICE 54 248 A
117 SYNTH-VOICE PAD 54 8 48 A
118 ORCHESTRA HIT 1 55 224 A
119 TREMOLO STRINGS 49 1 48 A
120 FLUTE & STRINGS 49 324 A
121 CHOIR STRINGS 52 3 24 A
122 CHORUS SYNTH-VOICE 54 924 A
123 ORCHESTRA HIT 2 55 1 24 A
124 FAST SYNTH STRINGS 50 324 A
BRASS
125 TRUMPET 56 248 A
126TROMBONE 57248C
127 TUBA 58 248 C
128 MUTE TRUMPET 59 2 48 A
129 FRENCH HORN 60 248 C
130BRASS 61248A
131 BRASS SECTION 1 61 324 A
132 BRASS SECTION 2 61 6 24 A
133 BRASS SECTION 3 61 724 A
134 BRASS SFZ 61 8 48 A
135 BRASS & STRINGS 61 424 A
136 HARD BRASS 61 5 48 A
137 ANALOG SYNTH-BRASS 1 62 848 A
138 SYNTH-BRASS 1 62 2 24 A
139 SYNTH-BRASS 2 63 224 A
140 MELLOW TRUMPET 56 8 48 A
141 TRUMPET SFZ 56 148 A
142 FRENCH HORN SECTION 60 1 24 C
143 MELLOW BRASS 61 148 A
144 ANALOG SYNTH-BRASS 2 62 9 24 A
REED/PIPE
145 SOPRANO SAX 1 64 2 48 A
146 SOPRANO SAX 2 64 148 A
147 ALTO SAX 1 65 1 48 C
148 ALTO SAX 2 65 248 C
149 BREATHY A.SAX 65 8 24 C
150 HARD A.SAX 65 348 C
151 TENOR SAX 66 1 48 C
152 BREATHY T.SAX 66 824 C
153 BARITONE SAX 1 67 2 48 C
154 BARITONE SAX 2 67 148 C
155OBOE 68248A
156 BASSOON 70 548 C
157 CLARINET 71 2 48 A
158 SAX SECTION 65 924 C
159 SOFT T.SAX 66 5 24 C
160 PICCOLO 72 248 B
161FLUTE1 73248A
162 FLUTE 2 73 124 A
163PUREFLUTE 73848A
164 RECORDER 74 248 A
165PANFLUTE 75224A
166 BOTTLE BLOW 1 76 224 A
167 SHAKUHACHI 77 2 24 A
168 WHISTLE 78 248 A
169 OCARINA 79 2 48 A
170 BOTTLE BLOW 2 76 124 A
171 FLUTE & OBOE 73 3 24 A
172 SOLO OBOE 68 448 A
SYNTH-LEAD
173 SQUARE LEAD 1 80 224 A
174 SQUARE PULSE LEAD 80 5 24 A
175 SEQUENCE LEAD 1 83 524 A
176 SAW LEAD 1 81 2 24 A
177 MELLOW SAW LEAD 81 848 A
178 SEQUENCE SAW 81 32 24 A
179 SINE LEAD 80 848 A
180 SS LEAD 81 3 24 A
181 CALLIOPE 82 224 A
182 VENT LEAD 82 5 24 A
183 CHIFF LEAD 83 224 A
184 CHARANG 84 2 24 A
185 VOICE LEAD 85 224 A
186 FIFTH LEAD 86 4 24 A
187 BASS+LEAD 87 224 A
188 SQUARE LEAD 2 80 3 24 A
189 SEQUENCE SQUARE 80 748 A
190 SEQUENCE PULSE 80 16 24 A
191 SQUARE LEAD 3 80 148 A
192 SAW LEAD 2 81 1 48 A
193 SAW LEAD 3 81 524 A
194 SLOW SAW LEAD 81 4 48 A
195 FIFTH SEQUENCE 86 124 A
196 SEQUENCE SINE 80 9 48 A
197 VENT SYNTH 82 124 A
198 PURE LEAD 82 4 24 A
199 DISTORTION LEAD 84 824 A
200 CHURCH LEAD 85 4 24 A
201 SYNTH-VOICE LEAD 85 724 A
202 FIFTH SAW LEAD 86 2 24 A
203 FIFTH SQUARE LEAD 86 324 A
204 SEQUENCE LEAD 2 83 3 24 A
SYNTH-PAD
205 FANTASY 1 88 2 24 A
206 FANTASY 2 88 324 A
207 WARM PAD 89 2 24 A
208 WARM VOX 89 824 A
1 2 3456
209 SINE PAD 89 3 24 A
210 POLYSYNTH 1 90 224 A
211POLYSAW 90824A
212 SPACE STRINGS PAD 91 324 A
213 SPACE CHOIR 91 1 24 A
214 BOWED PAD 92 224 A
215 GLASS PAD 92 3 24 A
216 ETHNIC PAD 93 224 A
217 HALO PAD 94 2 24 A
218 RAIN DROP 96 224 A
219 SOUND TRACK 1 97 2 24 A
220 SOUND TRACK 2 97 324 A
221 RAVE 97 8 24 A
222 CRYSTAL 98 224 A
223 ATMOSPHERE 99 2 24 A
224 BRIGHTNESS 100 224 A
225 GOBLIN 101 2 24 A
226 ECHO PAD 102 224 A
227 STAR THEME 103 2 24 A
228 SPACE PAD 103 824 A
229 NEW AGE PAD 88 1 24 A
230 SOFT PAD 89 424 A
231 HORN PAD 89 5 24 A
232 POLYSYNTH 2 90 124 A
233 OLD TAPE PAD 89 6 24 A
234 HEAVEN 91 224 A
235 SQUARE PAD 92 1 24 A
236 HARD METAL PAD 93 424 A
237 CHORUS PAD 94 1 24 A
238 SWEEP PAD 95 224 A
239 SPACE VOICE 97 1 24 A
240 CHORAL BELL 98 16 24 A
241 CELESTA PAD 99 1 24 A
242 BRIGHT BELL PAD 100 124 A
243 ECHO DROP 102 3 24 A
244 POLY DROP 102 424 A
ETHNIC
245 SITAR 1 104 248 A
246 BANJO 105 2 48 A
247 SHAMISEN 106 248 A
248 TSUGARU 106 1 24 A
249 KOTO 107 248 A
250 THUMB PIANO 108 2 48 A
251 SHANAI 111 248 A
252 STEEL DRUMS 114 2 24 A
253 ER HU 1 110 848 A
254 YANG QIN 1 15 8 24 A
255 YANG QIN 2 15 924 A
256 DI ZI 72 16 24 A
257 ER HU 2 110 948 A
258 ZHENG 107 1 24 A
259 SUO NA 111 32 24 A
260 PI PA 105 32 24 A
261 SHENG 109 824 A
262 SITAR 2 104 1 24 A
263 SITAR PAD 104 424 A
264 RABAB 105 8 24 A
265 XIAO 77 32 24 A
266 SANTUR 15 16 24 A
GM TONES
267 GM PIANO 1 0 0 48 A
268 GM PIANO 2 1 0 48 A
269 GM PIANO 3 2 0 48 A
270 GM HONKY-TONK 3 0 24 A
271 GM E.PIANO 1 4 0 48 A
272 GM E.PIANO 2 5 0 48 A
273 GM HARPSICHORD 6 0 48 A
274 GM CLAVI 7 0 48 A
275 GM CELESTA 8 0 48 A
276 GM GLOCKENSPIEL 9 0 48 A
277 GM MUSIC BOX 10 0 24 A
278 GM VIBRAPHONE 11 048 A
279 GM MARIMBA 12 0 48 A
280 GM XYLOPHONE 13 048 A
281 GM TUBULAR BELL 14 0 48 A
282 GM DULCIMER 15 024 A
283 GM ORGAN 1 16 0 24 A
284 GM ORGAN 2 17 048 A
285 GM ORGAN 3 18 0 24 A
286 GM PIPE ORGAN 19 024 A
287 GM REED ORGAN 20 0 48 A
288 GM ACCORDION 21 024 A
289 GM HARMONICA 22 0 48 A
290 GM BANDONEON 23 024 A
291 GM NYLON STR.GUITAR 24 0 48 A
292 GM STEEL STR.GUITAR 25 048 A
293 GM JAZZ GUITAR 26 0 48 A
294 GM CLEAN GUITAR 27 048 A
295 GM MUTE GUITAR 28 0 48 A
296 GM OVERDRIVE GT 29 048 A
297 GM DISTORTION GT 30 0 24 A
298 GM GT HARMONICS 31 048 A
299 GM ACOUSTIC BASS 32 0 48 A
300 GM FINGERED BASS 33 048 A
301 GM PICKED BASS 34 0 48 A
302 GM FRETLESS BASS 35 048 A
303 GM SLAP BASS 1 36 0 48 A
304 GM SLAP BASS 2 37 048 A
305 GM SYNTH-BASS 1 38 0 24 A
306 GM SYNTH-BASS 2 39 024 A
307GMVIOLIN 40048A
308 GM VIOLA 41 024 A
309GMCELLO 42024A
310 GM CONTRABASS 43 048 A
311 GM TREMOLO STRINGS 44 0 48 A
312 GM PIZZICATO 45 048 A
313 GM HARP 46 0 48 A
314 GM TIMPANI 47 048 A
315 GM STRINGS 1 48 0 48 A
316 GM STRINGS 2 49 048 A
1 2 3456
317 GM SYNTH-STRINGS 1 50 0 24 A
318 GM SYNTH-STRINGS 2 51 024 A
319 GM CHOIR AAHS 52 0 48 A
320 GM VOICE DOO 53 048 A
321 GM SYNTH-VOICE 54 0 48 A
322 GM ORCHESTRA HIT 55 024 A
323 GM TRUMPET 56 0 48 A
324 GM TROMBONE 57 048 A
325 GM TUBA 58 0 48 A
326 GM MUTE TRUMPET 59 048 A
327 GM FRENCH HORN 60 0 48 A
328 GM BRASS 61 048 A
329 GM SYNTH-BRASS 1 62 0 24 A
330 GM SYNTH-BRASS 2 63 024 A
331 GM SOPRANO SAX 64 0 48 A
332 GM ALTO SAX 65 048 A
333 GM TENOR SAX 66 0 48 A
334 GM BARITONE SAX 67 048 A
335 GM OBOE 68 0 48 A
336 GM ENGLISH HORN 69 048 A
337 GM BASSOON 70 0 48 A
338 GM CLARINET 71 048 A
339 GM PICCOLO 72 0 48 A
340 GM FLUTE 73 048 A
341 GM RECORDER 74 0 48 A
342 GM PAN FLUTE 75 024 A
343 GM BOTTLE BLOW 76 0 24 A
344 GM SHAKUHACHI 77 024 A
345 GM WHISTLE 78 0 48 A
346 GM OCARINA 79 048 A
347 GM SQUARE LEAD 80 0 24 A
348 GM SAW LEAD 81 024 A
349 GM CALLIOPE 82 0 24 A
350 GM CHIFF LEAD 83 024 A
351 GM CHARANG 84 0 24 A
352 GM VOICE LEAD 85 024 A
353 GM FIFTH LEAD 86 0 24 A
354 GM BASS+LEAD 87 024 A
355 GM FANTASY 88 0 24 A
356 GM WARM PAD 89 024 A
357 GM POLYSYNTH 90 0 24 A
358 GM SPACE CHOIR 91 024 A
359 GM BOWED GLASS 92 0 24 A
360 GM METAL PAD 93 024 A
361 GM HALO PAD 94 0 24 A
362 GM SWEEP PAD 95 024 A
363 GM RAIN DROP 96 0 24 A
364 GM SOUND TRACK 97 024 A
365 GM CRYSTAL 98 0 24 A
366 GM ATMOSPHERE 99 024 A
367 GM BRIGHTNESS 100 0 24 A
368 GM GOBLINS 101 024 A
369 GM ECHOES 102 0 24 A
370 GM SF 103 024 A
371 GM SITAR 104 0 48 A
372 GM BANJO 105 048 A
373 GM SHAMISEN 106 0 48 A
374 GM KOTO 107 048 A
375 GM THUMB PIANO 108 0 48 A
376 GM BAGPIPE 109 024 A
377 GM FIDDLE 110 0 48 A
378 GM SHANAI 111 048 A
379 GM TINKLE BELL 112 0 48 A
380 GM AGOGO 113 048 A
381 GM STEEL DRUMS 114 0 24 A
382 GM WOOD BLOCK 115 048 D
383 GM TAIKO 116 0 48 D
384 GM MELODIC TOM 117 048 D
385 GM SYNTH-DRUM 118 0 48 D
386 GM REVERSE CYMBAL 119 048 D
387 GM GT FRET NOISE 120 0 48 A
388 GM BREATH NOISE 121 048 A
389 GM SEASHORE 122 0 24 D
390 GM BIRD 123 024 D
391 GM TELEPHONE 124 0 48 D
392 GM HELICOPTER 125 048 D
393 GM APPLAUSE 126 0 24 D
394 GM GUNSHOT 127 048 D
DRUM SET
395 STANDARD SET 0120 D
396 ROOM SET 8 120 D
397 POWER SET 16 120 D
398 SYNTH SET 25 120 D
399 BRUSH SET 40 120 D
400 ORCHESTRA SET 48 120 D
SAMPLED TONES
401 ORIGINAL 0 63 48 A
402 VOICE PAD 1 163 48 A
403 VOICE PAD 2 2 63 48 A
404 VOICE PAD 3 363 48 A
405 LOOP 1 4 63 48 A
406 LOOP 2 563 48 A
407 LOOP 3 6 63 48 A
408 PITCH 1 763 48 A
409 PITCH 2 8 63 48 A
410 PITCH 3 963 48 A
411 TREMOLO 10 63 48 A
412 FUNNY 1 11 63 48 A
413 FUNNY 2 12 63 48 A
414 FUNNY 3 13 63 48 A
1 2 3456
•音域のタイプ（A～D）は下記の表を参照してください。 • Il significato di ciascun tipo di gamma è descritto di seguito.
• The meaning of each range type is described below. • Innebörden av varje omfångstyp förklaras nedan.
• El significado de cada tipo de gama se describe debajo. • O significado de cada tipo de gama e descrito abaixo.
• Die Bedeutung jedes Bereichstyps ist nachfolgend beschrieben. •
• La signification de chaque type de registre est indiquée ci-dessous. •
• De betekenis van elk bereiktype wordt hier boven beschreven.
1音域タイプ yRange Type yTipo de gama yBereichstyp yType de registre yBereiktype yTipo di gamma yOmfångstyp y
Tipos de gama yyy
–鍵盤演奏時の音域
– Keyboard range
– Gama del teclado
– Keyboard-Bereich
– Registre du clavier
– Toetsenbordbereik
–Gammatastiera
– Tangentbordsomfång
– Gama do teclado
–
–
–発音可能音域（トランスポーズ、メッセージの受信時）
– Available range (using transpose or message receive)
– Gama disponible (usando la transposición o recepción de mensajes)
– Verfügbarer Bereich (unter Verwendung von Transponierung oder
Meldungsempfang)
– Registre disponible (en utilisant la transposition ou la réception de messages)
– Verkrijgbaar bereik (met gebruik van transponeren of ontvangst van
boodschappen)
– Gamma disponibile (usando il trasporto chiave o ricevimento messaggi)
– Tillgängligt omfång (med hjälp av transponering eller meddelandemottagning)
– Gama disponível (usando transposição ou recepção de uma mensagem)
–
–
–bの範囲の一番近い同名の音に置き換わる音域
（トランスポーズ、メッセージの受信時）
– Notes in these ranges are produced by playing the notes in range b that are in the
nearest octave as the result of transpose and message receive operations.
– Las notas en estas gamas se producen ejecutando las notas en la gama b que se
encuentre en la octava más cercana como resultado de las operaciones de
transposición y recepción de mensajes.
– Noten in diesem Bereich werden erzeugt, indem die Noten in Bereich b gespielt
werden,die in der nächsten Oktave als Ergebnis der Transponierungs- und
Meldungsempfangsoperation enthalten sind.
– Dans ces registres les notes sout jouées à l’octave la plus proche du même
registre lors de la transposition et de la réception de messages
– Noten in deze bereiken worden geproduceerd door noten in bereik b te spelen die
zich in de dichtstbijzijnde octaaf bevinden en die het resultaat zijn van
transponeren of ontvangst van boodschappen.
– Le note in queste gamme sono prodotte suonando le note nella gamma b che
sono nell’ottava più vicina come risultato delle operazioni di trasporto chiave e
ricevimento messaggi.
– Noter i dessa omfång framställs genom att spela noter i omfång b som ligger i den
närmaste oktaven till följd av transponering eller meddelandemottagning.
– As notas nessas gamas são produzidas pela execução das notas na gama b que
estão na oitava mais próxima, como um resultado das operações de transposição
e de recepção de uma mensagem.
–
–
Cp1 C9C8C7 G7C6C5C4C3C2C1C0 G9
Aᴺ440Hz
C
B
A
1
Ͳڒഒب
Low pitch instruments
Instrumentos de altura tonal baja
Instrumente mit niedriger Tonhöhe
Instruments à registre bas
Lage toonhoogte instrumenten
Strumenti con altezza bassa
Instrument med låg tonhöjd
Instrumentos de tom baixo
ᯚڒഒب
High pitch instruments
Instrumentos de altura tonal alta
Instrumente mit hoher Tonhöhe
Instruments à son aigu
Instrumenten met een hoge toonhoogte
Strumenti con intonazione alta
Instrument med hög tonhöjd
Instrumentos de tom alto
ൈໄʉɮʡ
Standard type
Tipo estándar
Standard-Typ
Standard
Normaal type
Tipo normale
Standardtyp
Tipo padrão
D
ɿɰʽʓɲʟɱɹʒ
Sound Effect
Efecto de sonido
Klangeffekt
Effet sonore
Geluidseffect
Effetto sonoro
Ljudeffekt
Efeito sonoro
ᬩ᪡ɁȽȗᬩᓨ
No scale for tones.
Sin escala para los sonidos.
Keine Tonleiter fur Klangfarben.
Sonorites sans gamme.
Geen schaal voor tonen.
Nessuna scala per i toni.
Ingen skala for toner.
Sem escala para sons.
a
b
c

フィンガード1、2で指定できるコード種に加え、右記のコード種が判別できます。
In addition to the chords that can be fingered with FINGERED 1 and FINGERED 2, the following chords also are recognized.
Además de los acordes que se pueden digitar con FINGERED 1 y FINGERED 2, también se pueden reconocer los siguientes acordes.
Zusätzlich zu den Fingersätzen von FINGERED 1 und FINGERED 2 werden auch die folgenden Akkorde erkannt.
Outre les accords pouvant être plaqués avec FINGERED 1 et FINGERED 2, les accords suivants sont aussi reconnus.
Naast akkoorden waarvan de vingerzetting met FINGERED 1 en FINGERED 2 kan worden bewerkstelligd, worden de volgende akkoorden niet
herkend.
In aggiunta agli accordi che possono essere diteggiati con FINGERED 1 e FINGERED 2, vengono riconosciuti anche i seguenti accordi.
Utöver ackorden som kan fingersättas med FINGERED 1 och FINGERED 2 erkänns även följande ackord.
Além dos acordes que podem ser dedilhados com FINGERED 1 e FINGERED 2, os seguintes acordes também são reconhecidos.
指定できるコード種一覧 yFingering Guide yGuía de digitación yFingersatz-Übersicht yGuide du doigté yVingerzettinggids y
Guida alla diteggiatura yFingersättningsguide yGuia de dedilhado yyy
フィンガード1、2で指定できるコード種 yFINGERED 1, FINGERED 2 Chords yAcordes FINGERED 1, FINGERED 2 yFINGERED 1, FINGERED 2 Akkorde y
Accords FINGERED 1, FINGERED 2 yFINGERED 1, FINGERED 2 akkoorden yAccordi FINGERED 1, FINGERED 2 yAckord FINGERED 1, FINGERED 2 y
Acordes de FINGERED 1, FINGERED 2 yyy
*1 フィンガード2では、Am7として判別されます。
*2 フィンガード2では、Am7b5として判別されます。
*3 転回形では使えない場合があります。
*1 Avec FINGERED 2, interprété comme Am7.
*2 Avec FINGERED 2, interprété comme Am7b5.
*3 Forme inversée non prise en charge dans certains cas.
*1 Com FINGERED 2, interpretado como Am7.
*2 Com FINGERED 2, interpretado como Am7b5.
*3 A forma inversa não é suportada em alguns casos.
*1 With FINGERED 2, interpreted as Am7.
*2 With FINGERED 2, interpreted as Am7b5.
*3 Inverted form not supported in some cases.
*1 Bij FINGERED 2 wordt dit geïnterpreteerd als Am7.
*2 Bij FINGERED 2 wordt dit geïnterpreteerd als Am7b5.
*3
Geïnverteerde vormen worden in bepaalde gevallen niet geaccepteerd.
*1 Con FINGERED 2, se interpreta como Am7.
*2 Con FINGERED 2, se interpreta como Am7b5.
*3 En algunos casos no se puede usar de forma invertida.
*1 Con FINGERED 2, interpretato come Am7.
*2 Con FINGERED 2, interpretato come Am7b5.
*3 La forma invertita in alcuni casi non viene supportata.
*1 Bei FINGERED 2 als Am7 interpretiert.
*2 Bei FINGERED 2 als Am7b5 interpretiert.
*3 Umkehrungen in manchen Fällen nicht unterstützt.
*1 Tolkas som Am7 med FINGERED 2.
*2 Tolkas som Am7b5 med FINGERED 2.
*3 Omvänd form stöds inte i vissa fall.
フィンガード3／フルレンジコードで指定できるコード種 yFINGERED 3, FULL RANGE CHORD Chords yAcordes FINGERED 3, FULL RANGE CHORD y
FINGERED 3, FULL RANGE CHORD Akkorde yAccords FINGERED 3, FULL RANGE CHORD yFINGERED 3, FULL RANGE CHORD akkoorden y
Accordi FINGERED 3, FULL RANGE CHORD yAckord FINGERED 3, FULL RANGE CHORD yAcordes de FINGERED 3, FULL RANGE CHORD y
yy
•フィンガード3においては、最低音がベース音として判別され、転回形
は使えません。
•フルレンジコードにおいては、最低音とその次の音がある程度離れてい
る場合に、分数コードとして判別されます。
•フルレンジコードにおいては、フィンガード1／2／3と異なり、鍵盤を
3つ以上押したときに限り、コードが指定されます。
• Avec FINGERED 3, la note inférieure de l’accord plaqué est
interprétée comme basse. Les inversions d’accord ne sont pas prises
en charge.
• Avec FULL RANGE CHORD, lorsque la note inférieure de l’accord
plaqué est à une certaine distance de la note voisine, l’accord est
interprété comme accord partiel.
• À la différence de FINGERED 1, 2 et 3, il faut appuyer sur au moins
trois touches pour former un accord avec FULL RANGE CHORD.
• Com FINGERED 3, o dedilhado da nota mais baixa é interpretado
como a nota base. As formas inversas não são suportadas.
• Com FULL RANGE CHORD, quando o dedilhado mais baixo está a
uma certa distância da nota vizinha, o acorde é interpretado como
um acorde fracionário.
• Ao contrário de FINGERED 1, 2 e 3, FULL RANGE CHORD requer a
pressão de pelo menos três teclas para formar um acorde.
• With FINGERED 3, the lowest note fingered is interpreted as the
base note. Inverted forms are not supported.
• With FULL RANGE CHORD, when the lowest fingered is a certain
distance from the neighboring note, the chord is interpreted as a
fraction chord.
• Unlike FINGERED 1, 2, and 3, FULL RANGE CHORD requires
pressing of at least three keys to form a chord.
• Bij FINGERED 3 wordt de laagste noot geïnterpreteerd als de
basnoot. Geïnverteerde vormen worden niet geaccepteerd.
• Bij FULL RANGE CHORD wanneer de laagste vingerzetting zich op
een bepaalde afstand van de naburige noot bevindt, wordt het
akkoord geïnterpreteerd al seen gedeeltelijk akoord.
• In tegenstelling tot FINGERED 1, 2, en 3 is het bij FULL RANGE
CHORD nodig om minstens drie klaviertoetsen van aan te slaan om
een akkoord te maken.
• Con FINGERED 3, la nota más baja se interpreta como nota base.
No se pueden usar formas invertidas.
• Con FULL RANGE CHORD, cuando la nota digitada más baja se
encuentre a cierta distancia de la nota adyacente, el acorde se
interpreta como un acorde bitonal.
• A diferencia de FINGERED 1, 2, y 3, FULL RANGE CHORD require
la pulsación de tres teclas como mínimo para formar un acorde.
• Con FINGERED 3, la nota più bassa diteggiata viene interpretata
come la nota di base. Le forme invertite non sono supportate.
• Con FULL RANGE CHORD, quando la nota più bassa diteggiata è ad
una certa distanza dalla nota contigua, l’accordo viene interpretato
come un accordo frazionario.
• Differentemente da FINGERED 1, 2, e 3, FULL RANGE CHORD
richiede la pressione di almeno tre tasti per formare un accordo.
• Bei FINGERED 3 wird die unterste angeschlagene Note als die
Bassnote interpretiert. Umkehrungen werden nicht unterstützt.
• Bei FULL RANGE CHORD wird ein Akkord als „Fraction“-Akkord
(bitonaler Akkord ohne Zusammenhang von Akkord- und
Bassgrundton) interpretiert, wenn die unterste angeschlagene Note
einen bestimmen Abstand zur benachbarten Note aufweist.
• Um Unterschied zu FINGERED 1, 2 und 3 sind bei FULL RANGE
CHORD zur Bildung eines Akkords mindestens drei Tasten
anzuschlagen.
• Med FINGERED 3 tolkas den lägsta fingersatta noten som basnot.
Omvänd form stöds ej.
• När den lägsta fingersatta noten nefinner sig ett visst avstånd från
noten intill med FULL RANGE CHORD, tolkas detta ackord som ett
fraktionsackord.
• Till skillnad från FINGERED 1, 2 och 3 kräver FULL RANGE CHORD
tryck på minst tre tangenter för att bilda ett ackord.
Cᴥʫʂʭ˂ᴦ
Cmᴥʨɮʔ˂ᴦ
Cdimᴥʑɭʩʕʍʁʯᴦ
Caugᴥɴ˂ɸʯʫʽʒᴦ*3
Csus4ᴥɿʃʟɳ˂ᴦ*3
Csus2ᴥɿʃʎ˂ᴦ*3
C7ᴥʅʠʽʃᴦ
Cmadd9
CmM7
Cdim7
C69
C6ᴥʁʍɹʃᴦ*1*3
Cm6
ᴥʨɮʔ˂
ɬʓʔɮʽʃᴦ
ᴥʨɮʔ˂ʫʂʭ˂
ʅʠʽʃᴦ
ᴥʑɭʩʕʍʁʯ
ʅʠʽʃᴦ*3
ᴥʁʍɹʃ
ʔɮʽʃᴦ*3
ᴥʨɮʔ˂
ʁʍɹʃᴦ*2*3
Cm7
CM7ᴥʫʂʭ˂ʅʠʽʃᴦ
Cm7b5
ᴥʨɮʔ˂
ʅʠʽʃʟʳʍʒ
ʟɭʟʃᴦ*3
ᴥʨɮʔ˂
ʅʠʽʃᴦ*3
ᴥʅʠʽʃʟʳʍʒ
ʟɭʟʃᴦ*3
C7sus4
Cadd9ᴥɬʓʔɮʽʃᴦ
ᴥʅʠʽʃ
ɿʃʟɳ˂ᴦ
C7b5
C
#
C
D
C
E
C
F
C
G
C
A
b
C
B
b
C
B
C
C
#
m
C
Dm
C
Gm
C
Am
C
B
b
m
C
Ddim
C
A
b
7
C
F7
C
Fm7
C
Gm7
C
A
b
add9
C
Fm
C
    
    
Printed in China
Imprimé en Chine
MA0901-A
F
»: STANDARD SET と同じ y indicates the same sound as STANDARD SET. y indica el mismo sonido que STANDARD SET. y
bezeichnet den gleichen Sound wie STANDARD SET. yindique le même son que STANDARD SET. ygeeft hetzelfde geluid aan
als STANDARD SET. yindica lo stesso suono di STANDARD SET. yanger samma ljud som STANDARD SET. y
indica o mesmo som que STANDARD SET. yyy
1音名 yKey yClave yTaste yTouche yKlaviertoets yTa sto yTangent yEscala yyy
2ノートナンバー yNote No. yNúmero de nota yNoten-Nr. yNuméro de note yNootnummer yNumero di nota yNotnummer y
Nº da nota yyy
3ドラムセット名 yDRUMS SET NAME
ドラム音色リスト yDrum Assignment List yLista de sonidos de batería y
Drum-Belegungsliste
y Liste des sons de percussions y Drumklankenlijst y
Lista di assegnazione suoni di batteria yLista över trumtilldelning y
Lista de atribuições de bateria yyy
STANDARD SET ROOM SET
C-1
D-1
E-1
F-1
G-1
A-1
B-1
C0
D0
E0
F0
G0
A0
B0
C1
D1
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5
C6
D6
E6
F6
G6
A6
B6
C7
D7
E7
F7
G7
A7
B7
C8
D8
E8
F8
G8
A8
B8
C9
D9
E9
F9
G9
C#-1
Eb-1
F#-1
Ab-1
Bb-1
C#0
Eb0
F#0
Ab0
Bb0
C#1
Eb1
F#1
Ab1
Bb1
C#2
Eb2
F#2
Ab2
Bb2
C#3
Eb3
F#3
Ab3
Bb3
C#4
Eb4
F#4
Ab4
Bb4
C#5
Eb5
F#5
Ab5
Bb5
C#6
Eb6
F#6
Ab6
Bb6
C#7
Eb7
F#7
Ab7
Bb7
C#8
Eb8
F#8
Ab8
Bb8
C#9
Eb9
F#9
SYNTH SETPOWER SET
12 3
BRUSH SET ORCHESTRA SET
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Xiao Luo
Bang Gu
Tabla Na
Applause
Metronome Click
Metronome Bell
Standard Kick 2
Standard Kick 1
Side Stick
Standard Snare 1
Standard Hand Clap
Standard Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
“One”
“Two”
“Three”
“Four”
“Five”






Room Kick 2
Room Kick 1

Room Snare 1

Room Snare 2

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Power Kick 2
Power Kick 1

Power Snare 1
Power Hand Clap
Power Snare 2
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Synth Kick 2
Synth Kick 1

Synth Snare 1
Synth Hand Clap
Synth Snare 2
Synth Low Tom 2

Synth Low Tom 1

Synth Mid Tom 2

Synth Mid Tom 1
Synth High Tom 2

Synth High Tom 1
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Brush Snare 1
Brush Slap
Brush Snare 2
Brush Low Tom 2

Brush Low Tom 1

Brush Mid Tom 2

Brush Mid Tom 1
Brush High Tom 2

Brush High Tom 1

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Closed Hi-Hat
Pedal Hi-Hat
Open Hi-Hat
Ride Cymbal 1








Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
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1No. yNo. yNº yNr. yNo. yNr. yNum. yNr. yNº yyy
2リズム名 yRhythm Name yNombre de ritmo yRhythmus-Name y
Nom des rythmes yRitmenaam yNome del ritmo yRytmnamn yNome do ritmo y
yy
リズムリスト yRhythm List yLista de ritmos y
Rhythmus-Liste
y Liste des rythmes y Ritmelijst y
Lista dei ritmi yRytmlista yLista de ritmos y
yy
12
8BEAT / 16 BEAT
001 FUNK 8 BEAT
002 STRAIGHT 8 BEAT
003 MELLOW 8 BEAT
004 MODERN 8 BEAT
005 GUITAR 8 BEAT
006 8 BEAT POP
007 8 BEAT
008 60’S 8 BEAT
009 16 BEAT 1
010 16 BEAT 2
011 16 BEAT SHUFFLE 1
012 16 BEAT SHUFFLE 2
BALLAD
013 MODERN BALLAD
014 SLOW BALLAD
015 16 BEAT BALLAD
016 SOUL BALLAD
017 POP BALLAD 1
018 POP BALLAD 2
019 6/8 BALLAD
020 ROCK BALLAD 1
021 ROCK BALLAD 2
DANCE
022 HIP-HOP
023 RAP POP
024 DANCE POP
025 DISCO POP
026 TECHNO POP
027 TRANCE
028 MODERN R&B 1
029 MODERN R&B 2
030 MODERN DANCE
031 DISCO SOUL
POPS
032 POP 1
033 POP 2
034 POP ROCK
035 GUITAR POP
036 FAST SOUL
037 SLOW SOUL
038 60’S SOUL
ROCK
039 STRAIGHT ROCK
040 SHUFFLE ROCK 1
041 SHUFFLE ROCK 2
042 BLUES
043 SOFT ROCK
044 LATIN ROCK
045 MODERN ROCK
046 SLOW ROCK
047 50’S ROCK
048 NEW ORLNS R&R
049 ROCK WALTZ
JAZZ
050 SLOW BIG BAND
051 MIDDLE BIG BAND
052 FAST BIG BAND
053 SWING 1
054 SWING 2
055 SLOW SWING
056 JAZZ WALTZ 1
057 JAZZ WALTZ 2
058 FOX TROT
059 QUICKSTEP
060 JAZZ COMBO 1
EUROPEAN
061 SCHLAGER
062 POLKA
063 POP POLKA
064 WALTZ 1
065 SLOW WALTZ
066 VIENNESE WALTZ
067 FRENCH WALTZ
068 SERENADE
069 TANGO
070 MARCH 1
071 MARCH 2
LATIN
072 BOSSA NOVA 1
073 BOSSA NOVA 2
074 BEGUINE
075 SAMBA 1
076 SAMBA 2
077 MAMBO
078 RHUMBA
079 CHA-CHA-CHA
080 MERENGUE
081 BOLERO
082 SALSA
083 REGGAE
084 POP REGGAE
085 SKA
086 REGGAETON
087 CUMBIA
088 CALYPSO
089 PASILLO
090 PUNTA
091 BACHATA
WORLD
AMERICAN
092 COUNTRY 8 BEAT
093 COUNTRY BALLAD
094 COUNTRY SHUFFLE
095 COUNTRY WALTZ
096 BLUEGRASS
097 DIXIE
098 TEX-MEX
099 FAST GOSPEL
100 SLOW GOSPEL
101 HAWAIIAN
SPANISH/EASTERN EUROPEAN
102 PASODOBLE
103 FOLKLORE
104 CAUCASIAN
105 RUSSIAN CHANSON
106 POLISH WALTZ
ARABIC/ORIENTAL
107 SIRTAKI
108 MUS
109 ADANI
110 BALADI
111 KHALIJI
112 MALFOOF
INDIAN
113 BHANGRA
114 DADRA
115 GARBA
116 KEHARWA
117 TEEN TAAL
CHINESE
118 JIANGNAN
119 DONGBEIYANGGE
120 JINGJU
121 HUANGMEIXI
122 MIAOZU
123 XINJIANG
MALAYSIAN
124 KRONCONG
125 DANGDUT
JAPANESE
126 ENKA
VARIOUS
127 CHRISTMAS SONG
128 CHRISTMAS WALTZ
129 SYMPHONY
130 STR QUARTET
PIANO RHYTHMS
131 PIANO 8 BEAT
132 PIANO BALLAD 1
133 PIANO BALLAD 2
134 EP BALLAD 1
135 EP BALLAD 2
136 BLUES BALLAD
137 JAZZ COMBO 2
138 JAZZ COMBO 3
139 RAGTIME
140 PIANO ROCK & ROLL
141 BOOGIE-WOOGIE
142 ARPEGGIO 1
143 ARPEGGIO 2
144 ARPEGGIO 3
145 6/8 MARCH
146 MARCH 3
147 STRIDE PIANO
148 WALTZ 2
149 WALTZ 3
150 WALTZ 4
12