Casio MZ-X300 User manual

MZ-X300/MZ-X500
MIDI Implementation
CASIO COMPUTER CO., LTD.
Contents
I Overview 5
1 Product Configuration as a MIDI Device 5
1.1 SystemSection.......................................... 5
1.2 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1.3 SoundGeneratorSection .................................... 5
2 Timbre Type Specific Operation 6
3 Controlling Send/Receive of MIDI Messages in Each Instrument Part 6
4 Conditions that Disable Message Send and Receive 6
II Channel Message 7
5 Note Off 7
6 Note On 8
7 Control Change 8
7.1 BankSelect(00H,20H) ..................................... 8
7.2 Modulation(01H) ........................................ 9
7.3 PortamentoTime(05H) ..................................... 9
7.4 DataEntry(06H,26H)...................................... 9
7.5 Volume(07H) .......................................... 9
7.6 Pan(0AH) ............................................ 10
7.7 Expression(0BH) ........................................ 10
7.8 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H) . . . . . . . . 10
7.9 Hold1(40H) ........................................... 11
7.10 PortamentoOn/Off(41H) .................................... 12
7.11 Sostenuto(42H) ......................................... 12
7.12 Soft(43H) ............................................ 12
7.13 FilterResonance(47H)...................................... 13
7.14 ReleaseTime(48H) ....................................... 13
7.15 AttackTime(49H)........................................ 13
7.16 FilterCutoff(4AH) ....................................... 13
7.17 VibratoRate(4CH) ....................................... 14
7.18 VibratoDepth(4DH) ...................................... 14
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7.19 VibratoDelay(4EH) ...................................... 14
7.20 PortamentoControl(54H).................................... 14
7.21 High Resolution Velocity Prefix (58H) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
7.22 ReverbSend(5BH) ....................................... 15
7.23 ChorusSend(5DH) ....................................... 15
7.24 DelaySend(5EH) ........................................ 15
7.25 NRPN(62H,63H) ........................................ 16
7.26 RPN(64H,65H) ......................................... 17
7.27 AllSoundOff(78H)....................................... 18
7.28 ResetAllControllers(79H)................................... 19
7.29 AllNotesOff(7BH)....................................... 19
7.30 OmniOff(7CH) ......................................... 19
7.31 OmniOn(7DH) ......................................... 19
7.32 Mono(7EH) ........................................... 19
7.33 Poly(7FH)............................................ 19
8 Program Change 20
9 Channel After Touch 21
10 Pitch Bend 21
III System Message 22
11 Active Sensing 22
12 System Exclusive Message 22
12.1 Universal Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 22
12.2 Universal Non Real Time System Exclusive Message . . . . . . . . . . . . . . . . . . . . . 24
12.3 Instrument-Specific System Exclusive Message . . . . . . . . . . . . . . . . . . . . . . . . 25
IV Instrument-Specific System Exclusive Messages 26
13 Format 26
13.1 MessageClassifications ..................................... 26
13.2 BasicMessageStructure..................................... 26
13.3 FormatofEachField ...................................... 26
14 Individual Parameter Operations 30
15 Casio General System Exclusive 31
15.1 Format .............................................. 31
15.2 Declared Variable Length of Category ID, Sub Category ID and Parameter ID . . . . . . 31
V Parameter List 32
16 Using the Parameter List 32
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17 Tone Parameter 32
17.1 DSPParameter.......................................... 32
17.2 LFOParameter ......................................... 33
17.3 PanParameter.......................................... 33
17.4 PortamentoParameter ..................................... 33
17.5 ToneBlockParameter ...................................... 34
17.6 ToneProductionParameter................................... 34
18 Melody Parameter 34
18.1 Velocity/Key Split Parameter (x8split) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
19 Drum Parameter 34
19.1 Instrument Parameter (x128instrument) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
20 Hex Layer Parameter 36
20.1 HexLayerParameter ...................................... 36
20.2 HexLayerLFOParameter ................................... 36
20.3 Hex Layer Tone Edit Parameter (x6layer) . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
21 Split Parameter 38
21.1 Wave Split Parameter (x16split) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
22 Inst Parameter 38
22.1 BasicParameter ......................................... 38
23 Waveparam Parameter 38
23.1 BasicParameter ......................................... 38
23.2 WaveFormatParameter..................................... 38
VI DSP Parameter List 39
24 DSP Type List 39
25 DSP Parameter Set Type 39
25.1 Equalizer ............................................. 39
25.2 Compressor............................................ 40
25.3 Limiter .............................................. 40
25.4 Enhancer ............................................. 40
25.5 EarlyReflection ......................................... 40
25.6 Phaser............................................... 40
25.7 Chorus .............................................. 41
25.8 Flanger .............................................. 41
25.9 Tremolo.............................................. 41
25.10 AutoPan............................................. 42
25.11 Rotary .............................................. 42
25.12 DriveRotary........................................... 42
25.13 LFOWah............................................. 43
25.14 AutoWah............................................. 43
25.15 Distortion............................................. 43
25.16 PitchShifter ........................................... 44
25.17 MultiChorus........................................... 44
25.18 RingModulator ......................................... 44
25.19 Delay ............................................... 44
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25.20 PianoEffect ........................................... 45
VII Setting Values and Send/ Receive Values 46
26 Setting Value Tables 46
26.1 0-127SettingValueTable................................... 46
26.2 Off/OnSettingValueTable................................... 46
26.3 Sustain Pedal Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
26.4 –64 - 0 - +63 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
26.5 PanSettingValueTable..................................... 46
26.6 Fine Tuning Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
26.7 Reverb Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
26.8 Chorus Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
26.9 DistortionWahType Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
26.10 EQ Frequency Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
26.11 EQ Gain Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
26.12 LFO Wave Form1 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
26.13 LFO Wave Form2 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
26.14 LFO Wave Form3 Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
26.15 Polarity Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
26.16 Slow/Fast Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
26.17 Rotate/Stop Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
26.18 Vibrato/Chorus Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
26.19 RoutingSettingValueTable .................................. 51
26.20 AmpSettingValueTable .................................... 51
26.21 PitchSettingValueTable.................................... 52
26.22 Pitch Shifter Fine Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
26.23 Feedback Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
26.24 Delay Tempo Sync Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
26.25 Lid Type Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
26.26 Hex Layer Detune Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
26.27 Octave Shift Setting Value Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
VIII MIDI Implementation Notation 55
27 Value Notation 55
27.1 HexadecimalNotation...................................... 55
27.2 BinaryNotation ......................................... 55
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Part I
Overview
1 Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the System Section, Sound Generator Section, and Per-
formance Controller Section described below. Each of these sections can send and receive specific MIDI
Messages in accordance with its function.
1.1 System Section
The System Section manages the Instrument status and user data.
1.2 Performance Controller Section
The Performance Controller Section performs keyboard play and controller operations, and generates
performance messages in accordance with phrase play, etc. Basically, generated performance messages
are sent to external destinations while also being transmitted to the Sound Generator Section. The
channel number of the sent channel message is in accordance with the Instrument’s MIDI setting. For
details about the MIDI setting, see the Instrument’s User’s Guide.
1.3 Sound Generator Section
The Sound Generator Section mainly performs receive of performance information and sound source
setting information. It consists of a common part that does not depend on the channel and a musical
instrument part that is independent of each channel.
1.3.1 Sound Generator Common Block
The common block consists of system effects, master control, etc. These can be controlled by mixer func-
tion, effect function, general universal system exclusive messages, or the Instrument’s system exclusive
messages or all.
1.3.2 Instrument Part Block
The instrument part section consists of a total of 16 instrument parts. The settings of each part can
be changed using the mixer function, channel messages or Instrument’s system exclusive messages or
all. Part numbers 01 through 04 in particular are called zones, and zone settings can be used to modify
operations. See the Instrument’s User’s Guide for details about zones.
The functions assigned to each part are shown below. The MIDI send channel and MIDI receive
channel can be changed using the Instrument’s MIDI settings.
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Part number MIDI Receive Ch MIDI Transmit Ch Assigned Function(Note)
01 1 01 - 16 Song Sequencer/Zone 1/SMF play/MIDI IN
02 2 01 - 16 Song Sequencer/Zone 2/SMF play/MIDI IN
03 3 01 - 16 Song Sequencer/Zone 3/SMF play/MIDI IN
04 4 01 - 16 Song Sequencer/Zone 4/SMF play/MIDI IN
05 5 5 Song Sequencer/SMF play/MIDI IN
06 6 6 Song Sequencer/SMF play/MIDI IN
07 7 7 Song Sequencer/SMF play/MIDI IN
08 8 8 Song Sequencer/SMF play/MIDI IN
09 9 9 Song Sequencer/SMF play/MIDI IN
10 10 10 Song Sequencer/SMF play/MIDI IN
11 11 11 Song Sequencer/SMF play/MIDI IN
12 12 12 Song Sequencer/SMF play/MIDI IN
13 13 13 Song Sequencer/SMF play/MIDI IN
14 14 14 Song Sequencer/SMF play/MIDI IN
15 15 15 Song Sequencer/SMF play/MIDI IN
16 16 16 Song Sequencer/SMF play/MIDI IN
Note: Song sequencer playback can be assigned to up to eight parts. See the Instrument’s User’s Guide for details.
2 Timbre Type Specific Operation
The sound source operation performed for a sound generator instrument receive message may depend
on the value of the Timbre Type (see “About the Timbre Type” in “8 Program Change”) of each part’s
operation mode. For details, see the explanation for each message.
3 Controlling Send/Receive of MIDI Messages in Each Instru-
ment Part
Send and receive of MIDI messages for each instrument part can be controlled by mixer function and
global Instrument MIDI settings, Performance MIDI settings, NRPN messages, and Instrument-specific
system exclusive messages. See the Instrument’s User’s Guide for details.
4 Conditions that Disable Message Send and Receive
No MIDI messages at all can be sent or received while “Please Wait ...” is on the display.
6

Part II
Channel Message
MIDI Message Send by Controller These MIDI messages can be sent by assigning any control
change from CC:00H to CC:65H, after touch, etc. to a controller (knob, slider, pedal, modulation, etc.)
See the Instruments User’s Guide for details.
Instrument Velocity Resolution The upper seven bits of the 14-bit resolution correspond to the
Note On/Off message, while the lower seven bits correspond to the High Resolution Velocity Prefix
message.
Note On/Off High Resolution Velocity Prefix
Upper 7 bits Lower 7 bits
14bits
The initial default value for the lower 7 bits is 00H. Receipt of a High Resolution Prefix message
causes the lower seven bits to be set, but note on/off is not performed.
Receipt of a Note On/Off message causes the upper seven bits to be set with note on/off performed
with 14-bit resolution Velocity.
The High Resolution Velocity Prefix message corresponds the message immediately following the Note
On/Off message, and the lower seven bits are cleared to 00H immediately following note on/off by the
Note On/Off message. 7-bit resolution note on/off using only the Note On/Off message also continues
to be supported.
For details about each message, see ” 5 Note Off”, ”6 Note On”, and ”7.21 High Resolution Velocity
Prefix”.
5 Note Off
Format
Message Format: 8nH kkH vvH
9nH kkH 00H(receive only)
n: MIDI Channel Number
kk: Key Number
vv: velocity
Transmit Sent when something is played on the keyboard or when play is performed using an arpeggio,
etc. The key number changes in accordance with on the Transpose function and Octave Shift function.
Receive Receipt stops a note being sounded by a note on message.
When a High Resolution Velocity Prefix message is received immediately prior to the Note Off message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note off of the note being
sounded is performed.
For information about the relationship between the Note On/Off message and High Resolution Ve-
locity Prefix message, see ”Instrument Velocity Resolution” at the beginning of part II.
Note off by making the Note On Velocity 00H is identical to note off by the combination of High
Resolution Velocity prefix message 40H and Note Off Message 40H.
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Note: This Instrument has a function that assumes connection of an external device that sends Note Off Velocity as a fixed
value. Note Off Velocity 00H is replaced with 40H until a Note Off message with a Velocity value other than 00H is received. This
function is enabled when the Instrument is turned on, and disabled by receipt of a Note Off message with a Velocity value other
than 00H.
6 Note On
Message Format: 9nH kkH vvH
n: MIDI Channel Number
kk: Key Number
vv: Velocity
Transmit Sent when something is played on the keyboard or when play is performed using an arpeggio,
etc. The key number changes in accordance with on the Transpose function and Octave Shift function.
Receive Receipt sounds a note of the corresponding instrument part.
When a High Resolution Velocity Prefix message is received immediately prior to the Note On message
and the lower seven bits of the 14-bit Velocity are set, the 14-bit resolution note on is performed.
For information about the relationship between the Note On/Off message and High Resolution Ve-
locity Prefix message, see ”Instrument Velocity Resolution” at the beginning of part II.
7 Control Change
Message Format: BnH ccH vvH
n: MIDI Channel Number
cc: Control Number
vv: Value
For details about messages, see each section of this manual that covers them.
7.1 Bank Select (00H,20H)
Message Format: BnH 00H mmH (MSB)
BnH 20H llH (LSB)
n: MIDI Channel Number
mm: MSB Value(Note1)
ll: LSB Value(Transmit:00H, Receive:Ignored)
Note1: For details about the relationship between the MSB value and the tone, see the Tone List that comes with the
Instrument.
Transmit Sent when a tone or stage setup number is selected.
8

Receive Receipt causes a change in the tone bank number stored in Instrument memory, but the
tone is not actually changed until a Program Change message is received. For details, see “8 Program
Change”.
The stage setup number can also be changed by the bank program. For details, see ”8 Stage Setup
Number Switching by Bank Select Message and Program Change Message”. For details about stage
setups, see the Instrument’s User’s Guide.
7.2 Modulation (01H)
Message Format: BnH 01H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the modulation wheel is operated.
Receive Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In
the case of a tone that already has modulation applied, receipt of this message increases the modulation
depth. The modulation effect differs according to the tone being used.
7.3 Portamento Time(05H)
Message Format: BnH 05H vvH
n: MIDI Channel Number
vv: Value
Receive Receipt changes the portamento application time.
7.4 Data Entry (06H,26H)
Message Format: BnH 06H mmH (MSB)
BnH 26H llH (LSB)
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value
Transmit Sent when there is a change to the parameter assigned to RPN, NRPN.
Receive Receipt changes the parameter assigned to RPN, NRPN.
7.5 Volume (07H)
Message Format: BnH 07H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the mixer part volume is changed.
9

Receive Receipt changes the mixer part volume.
7.6 Pan (0AH)
Message Format: BnH 0AH vvH
n: MIDI Channel Number
vv: Value(Note1)
Note1: For information about the relationship between setting values and send/receive values, see “26.5 Pan Setting Value
Table” in “VII Setting Values and Send/Receive Values”.
Transmit Sent when the pan of any part is changed.
Receive Receipt changes the pan of the corresponding part.
7.7 Expression (0BH)
Message Format: BnH 0BH vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when Auto Acompanishment is used and during recorded song playback.
Receive Receipt changes the Expression value.
7.8 General Use Controllers 1 through 8 (10H through 13H, 50H through
53H)
On this Instrument, these messages are used to control DSP operation.
Message Format: BnH 10H vvH DSP Parameter[1]
BnH 11H vvH DSP Parameter[2]
BnH 12H vvH DSP Parameter[3]
BnH 13H vvH DSP Parameter[4]
BnH 50H vvH DSP Parameter[5]
BnH 51H vvH DSP Parameter[6]
BnH 52H vvH DSP Parameter[7]
BnH 53H vvH DSP Parameter[8]
n: MIDI Channel Number
vv: Value
Receive Receipt changes the value of DSP Parameter [1 to 8] (7-bit parameter) assigned to the part
specified by the MIDI Channel Number. Any message received that corresponds to the parameter of a
number not being used by the currently selected DSP is ignored. Use NRPN to change DSP parameters
from DSP Parameter [9] with a MIDI message. For details,see ”7.25 NRPN”. For details about each
DSP parameter, see ”VI DSP Parameter List”.
10

Received values and parameter setting values The range of the value of each DSP Parameter 7
array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter
using a System Exclusive Message, a value received by this control change message is always in the range
of 0 to 127, but the range is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range. Conversion to the
parameter setting value from the value received with the message can be represented in general terms
by the expression shown below.
Parameter Setting Value =Parameter Minimum Value + (Parameter Maximum Value −Parameter Minimum Value)∗(Received Value
127 )
7.9 Hold1 (40H)
Message Format: BnH 40H vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when a pedal that has a sustain (damper) function is operated.
Receive Receipt performs an operation equivalent to a sustain pedal operation.
Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see
“About the Timbre Type” in “8 Program Change”) setting.
•Timbre Type: Melody,Hex Layer
Sustain off/on control is performed in accordance with the value of the received message. For
information about
the relationship between setting values and send/receive values, see the 、26.2 Off/On Setting
Value Table、in
、VII Setting Values and Send/Receive Values、.
•Timbre Type: Piano
Continuous control of the following is performed in accordance with the value of the received
message.
–Piano note decay rate
For information about the relationship between setting values and
send/receive values,
see 、26.3 Sustain Pedal Setting Value Table、in 、VII Setting
Values and Send/Receive Values.、
•Timbre Type: LM (Linear Morphing) Piano
Continuous control of the following is performed in accordance with
the value of the received message.
–Piano note decay rate
–Resonance characteristics and decay rate of Damper Resonance effect resonance note
11

see 、26.3 Sustain Pedal Setting Value Table、in 、VII Setting
Values and Send/Receive Values.、
•Timbre Type: Drum
The received message does not affect sound source operation.
7.10 Portamento On/Off(41H)
Message Format: BnH 41H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.2 Off/On Setting
Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Transmit Sent when the portament on/off is changed.
Receive Receipt changes the portamento on/off setting.
7.11 Sostenuto (42H)
Message Format: BnH 42H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.2 Off/On Setting
Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Transmit Sent when a pedal that has a sostenuto function is operated.
Receive Receipt performs an operation equivalent to a sostenuto pedal operation.
7.12 Soft (43H)
Message Format: BnH 43H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.2 Off/On Setting
Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Transmit Sent when a pedal that has a soft function is operated.
Receive Receipt performs an operation equivalent to a soft pedal operation.
12

7.13 Filter Resonance(47H)
Message Format: BnH 47H vvH
n: MIDI Channel Number
vv: Value
Receive Receipt changes the resonance intensity.
7.14 Release Time (48H)
Message Format: BnH 48H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt makes a relative change in the time it takes for a note to decay to zero after a key is
released.
7.15 Attack Time (49H)
Message Format: BnH 49H vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt makes a relative change in the time it takes for a note to rise to its maximum level.
7.16 Filter Cutoff (4AH)
Message Format: BnH 4AH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes how the cut-off filter is applied.
13

7.17 Vibrato Rate (4CH)
Message Format: BnH 4CH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the note vibrato rate.
7.18 Vibrato Depth (4DH)
Message Format: BnH 4DH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the degree of pitch modulation.
7.19 Vibrato Delay (4EH)
Message Format: BnH 4EH vvH
n: MIDI Channel Number
vv: Value (Note1)
Note1: For information about the relationship between setting values and send/receive values, see the “26.4 –64 - 0 - +63
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Receive Receipt changes the time it takes until note vibrato starts.
7.20 Portamento Control(54H)
Message Format: BnH 54H vvH
n: MIDI Channel Number
vv: Source Key Number
Receive Receipt of this message first stores the Source Note Number for the next note. When the next
Note On is received, the portamento effect is applied to the note using this Source Note Number as the
pitch start point and the Note On event key number as the end point. If there already is a note being
sounded by Source Note Number at this time, the new note on is not performed and the portamento
effect is applied to the pitch of the note being sounded. That is to say that legato play is performed.
14

7.21 High Resolution Velocity Prefix (58H)
Message Format: BnH 58H vvH
n: MIDI Channel Number
vv: Value
Transmit Sends the lower seven bits of 14-bit Velocity when a key is pressed or released.
Receive Receipt is handled, in combination with the following Note On/Off message, as the lower
seven bits of 14-bit Velocity. (Note1)
For information about the relationship between the Note On/Off message and High Resolution Ve-
locity Prefix message, see ”Instrument Velocity Resolution” at the beginning of part II.
7.22 Reverb Send (5BH)
Message Format: BnH 5BH vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the reverb send of any part is changed.
Receive Receipt changes the reverb send of the corresponding part.
7.23 Chorus Send (5DH)
Message Format: BnH 5DH vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the chorus send of any part is changed.
Receive Receipt changes the chorus send of the corresponding part.
7.24 Delay Send (5EH)
Message Format: BnH 5EH vvH
n: MIDI Channel Number
vv: Value
Transmit Sent when the delay send of any part is changed.
Receive Receipt changes the delay send of the corresponding part.
15

7.25 NRPN (62H,63H)
Message Format: BnH 62H llH (LSB)
BnH 63H mmH (MSB)
n: MIDI Channel Number
ll: LSB Value
mm: MSB Value
7.25.1 Part Enable
Message Format: BnH 62H 00H
BnH 63H 22H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: Value (Note1)
ll: (Transmit:00H, Receive:Ignored)
Note1: For information about the relationship between setting values and send/receive values, see the “26.2 Off/On Setting
Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Transmit Sent when a mixer part on/off setting is changed.
Receive Receipt changes the mixer part on/off setting.
7.25.2 DSP Parameter
DSP parameters can be changed by NRPN. The relationship between each parameter and NRPN numbers
is shown below.
Parameter MSB LSB Notes
DSP Parameter[1] 23H 00H
DSP Parameter[2] 23H 01H
: : :
DSP Parameter[16] 23H 0FH
For details about each DSP parameter, see ”VI DSP Parameter List”.
7.25.3 Tone
Tone parameters can be changed by NRPN. The relationship between each parameter and NRPN num-
bers is shown below.
Hex Layer Edit
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Parameter MSB LSB Notes
Layer On/Off 5XH 00H Note1
Octave Shift 5XH 01H Note2
Pitch LFO Depth 5XH 02H
Filter LFO Depth 5XH 03H
Amp Volume 5XH 04H
Amp Pan 5XH 05H Note3
Amp LFO Depth 5XH 06H
DSP On/Off 5XH 07H Note1
Note: X 0 through 5 correspond respectively to Layers 1 through 6.
Note1: For information about the relationship between setting values and send/receive values, see “26.2 Off/On Setting Value
Table” in “VII Setting Values and Send/Receive Values” of this document.
Note2: For information about the relationship between setting values and send/receive values, see “26.27 Octave Shift Setting
Value Table” in “VII Setting Values and Send/Receive Values” of this document.
Note3: For information about the relationship between setting values and send/receive values, see “26.5 Pan Setting Value
Table” in “VII Setting Values and Send/Receive Values” of this document.
Hex Layer Detune
Parameter MSB LSB Notes
Detune 56H 00H Note1
Note1: For information about the relationship between setting values and send/receive values, see “26.26 Hex Layer Detune
Setting Value Table” in “VII Setting Values and Send/Receive Values” of this document.
7.26 RPN (64H,65H)
Message Format: BnH 64H llH (LSB)
BnH 65H mmH (MSB)
n: MIDI Channel Number
ll: LSB Value
mm: MSB Value
7.26.1 Pitch Bend Sensitivity
Message Format: BnH 64H 00H
BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value(00H - 18H)
ll: LSB Value(Transmit:00H, Receive:Ignored)
Transmit Sent when Bend Range of any part is changed.
Receive Receipt changes Bend Range of the corresponding part.
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7.26.2 Fine Tune
Message Format: BnH 64H 01H
BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value
ll: LSB Value
Transmit Sent when the fine tune of any part is changed.
Receive Receipt changes the fine tune of the corresponding part.
7.26.3 Coarse Tune
Message Format: BnH 64H 02H
BnH 65H 00H
BnH 06H mmH
BnH 26H llH
n: MIDI Channel Number
mm: MSB Value(28H - 58H)
ll: LSB Value(Transmit:00H, Receive:Ignored)
Transmit Sent when the coarse tune of any part is changed.
Receive Receipt changes the coarse tune of the corresponding part. Does not affect sound source
operation when the Timbre Type (see “About the Timbre Type” in “8 Program Change”) is Drum.
7.26.4 Null
Message Format: BnH 64H 7FH
BnH 65H 7FH
n: MIDI Channel Number
Transmit Sent when an RPN, NRPN message send operation is performed.
Receive Receipt de-selects RPN, NRPN.
7.27 All Sound Off (78H)
Message Format: BnH 78H 00H
n: MIDI Channel Number
Receive Receipt stops all voices that are sounding.
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7.28 Reset All Controllers (79H)
Message Format: BnH 79H 00H
n: MIDI Channel Number
Transmit Sent when MIDI send related settings are changed.
Receive Receipt initializes each performance controller.
7.29 All Notes Off (7BH)
Message Format: BnH 7BH 00H
n: MIDI Channel Number
Receive Receipt releases (key release) all voices that are sounding.
7.30 Omni Off (7CH)
Message Format: BnH 7CH 00H
n: MIDI Channel Number
Receive Receipt performs the same operation as when All Notes Off is received.
7.31 Omni On (7DH)
Message Format: BnH 7DH 00H
n: MIDI Channel Number
Receive Receipt performs the same operation as when All Notes Off is received.
7.32 Mono (7EH)
Message Format: BnH 7EH 00H
n: MIDI Channel Number
Receive Receipt performs the same operation as when All Sound Off is received.
7.33 Poly (7FH)
Message Format: BnH 7FH 00H
n: MIDI Channel Number
Receive Receipt performs the same operation as when All Sound Off is received.
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8 Program Change
Message Format: CnH ppH
n: MIDI Channel Number
pp: Program Number (Note1)
Note1: For details about the relationship between the program number and the tone, see the Tone List that comes with the
Instrument.
Transmit Sent when a tone or stage setup number is selected.
Receive Receipt changes the ton of the corresponding part. The selected tone is determined by the
program value of this message and the Bank Select message value received prior to this message. Also
note that receipt of this message also may change the Timbre Type that corresponds to the selected
tone. For more information, see “About the Timbre Type” below.
The stage setup number can also be changed by the bank program. For details, see ”Stage Setup
Number Switching by Bank Select Message and Program Change Message” below.
About the Timbre Type Tones that are selected by each Instrument part have an attribute that
depends on the sound source operation type. This attribute is called the “timbre type,” which is one of
the types described below.
•Melody
This timbre type optimizes for normal melody tones. The damper pedal performs on/off operations.
•Piano
This Timbre Type is for piano tones. The decay rate of the voice being sounded is seamlessly altered
in accordance with the damper pedal position. The method for producing sound in response to the
note messages also is different from that of the melody Timbre Type, and operation is optimized
for piano.
•LMPiano
This Timbre Type is for Linear Morphing piano tones. The decay rate of the voice being sounded
and Damper Resonance effect characteristics are seamlessly altered in accordance with the damper
pedal position. The method for producing sound in response to the note messages also is different
from that of the melody Timbre Type, and operation is optimized for piano.
•Drum
This setting optimizes for drum sounds. The damper pedal does not function. The Hold1, Channel
Coarse Tune, and Master Coarse Tune messages are ignored if they are received.
•Hex Layer
This setting optimizes for hex layer tones. The damper pedal performs on/off operations.
Stage Setup Number Switching by Bank Select Message and Program Change Message
The bank select message and program change message can be used to switch the stage setup number.
The change target can be switched by the bank select MSB. The change target is specified by the program
change number. The bank select LSB is ignored.
Change Target Bank Select MSB
Stage Setup 70H
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