DOEPFER POCKET DIAL User manual

DOEPFER
MIDI Controller
POCKET DIAL
User's Guide

Page 2 Pocket Dial
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Pocket Dial User's Guide
Maintainance, Safety and Warranty Information
There are no user servicable parts inside the Pocket Dial device. If there will come an update in the
future that makes it necessary to replace the programmed microcontroller inside the housing this
modification has to be carried out only at the manufacturer or an authorized service company (e.g. one
of the authorized representations). Any modification not released by the manufacturer leads to the
extinction of the operation permission. With the introduction of a third person the warranty will be lost. In
case that the housing of Pocket Dial was opened, any warranty claim will be rejected.
Please follow the given instructions for use of the device because this will guarantee correct
device operation. Due to the fact that these instructions touch on Product Liability, it is
absolutely imperative that they be read carefully. Any claim for defect will be rejected if one or
more of the items was observed. Disregard of the instructions can endanger the warranty.
The device may only be used for the purpose described in this operating manual. Due to safety reasons,
the device must never be used for other purposes not described in this manual. If you are not sure about
the intended purpose of the device please contact an expert.
The device may only be operated with the voltage written on the power input on the rear panel. Before
opening the housing disconnect the power plug.
All possible modifications must only be carried out by a qualified person who will follow the valid safety
instructions. Every modification has to be carried out only at the manufacturer or an authorized service
company. Any modification not released by the manufacturer leads to the extinction of the operation
permission.
With the introduction of a third person the warranty will be lost. In case that the housing of the device
was opened, any warranty claim will be rejected.
The device must never be operated outdoors but only in dry, closed rooms. Never use the device in a
humid or wet environment nor near inflammables.
No liquids or conducting materials must get into the device. If this should happen the device must be
disconnected from power immediately and be examined, cleaned and eventually be repaired by a
qualified person.
Never subject the device to temperatures above +50
°
C or below -10
°
C. Before operation the device
should have a temperature of at least 10
°
C. Do not place the device into direct sun light. Do not install
the device near heat sources.
Keep the top side of the device free in order to guarantee proper ventilation, otherwise the device could
be overheated. Never place heavy objects on the device.
All cables connected with the device must be checked periodically. If there is any damage the cables
must be repaired or replaced by an authorized person.
Transport the device carefully, never let it fall or overturn. Make sure that during transport and in use the
device has a proper stand and does not fall, slip or turn over because persons could be injured.
Never use the device in the immediate proximity of interfering electronic devices (e.g. monitors,
computers) since this could create disturbances within the device and corrupt memory data.
The exchange of electronic parts (e.g. EPROMs for software update) is allowed only if the device is
disconnected from power supply.
The device should only be shipped in the original packaging. Any devices shipped to us for return,
exchange, warranty repair, update or examination must be in their original packaging! Any other
deliveries will be rejected. Therefore, you should keep the original packaging and the technical
documentation.
When using the device in Germany, the appropriate VDE standards must be followed. The following
standards are of special importance: DIN VDE 0100 (Teil 300/11.85, Teil 410/11.83, Teil 481/10.87),
DIN VDE 0532 (Teil 1/03.82), DIN VDE 0550 (Teil 1/12.69), DIN VDE 0551 (05.72), DIN VDE 0551e
(06.75), DIN VDE 0700 (Teil 1/02.81, Teil 207/10.82), DIN VDE 0711 (Teil 500/10.89), DIN VDE 0860
(05.89), DIN VDE 0869 (01.85). VDE papers can be obtained from the VDE-Verlag GmbH, Berlin.

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Contents
Maintainance, Safety and Warranty Information.......................................................................................2
Contents...................................................................................................................................................3
Introduction ..............................................................................................................................................4
Special features of Pocket Dial compared with Pocket Control / Fader....................................................4
The features of Pocket Dial at a glance....................................................................................................5
Connections.............................................................................................................................................6
Operation .................................................................................................................................................7
Power On..............................................................................................................................................7
LED Display..........................................................................................................................................7
Functions of the buttons .......................................................................................................................8
Functions of the DIP switches (rear panel) .........................................................................................10
List of presets (short form)..............................................................................................................11
Controlling Pocket Dial with incoming Midi messages.........................................................................13
Presets...................................................................................................................................................13
Preset management ...........................................................................................................................13
List of presets (detailed) .....................................................................................................................14
Basic presets (same as Pocket Control and Pocket Fader).............................................................15
Presets with the new abilities of Pocket Dial....................................................................................28
Troubleshooting .....................................................................................................................................32
Appendix................................................................................................................................................33
Rotary encoders .................................................................................................................................33
Jump-free parameter change..............................................................................................................33
Pocket Dial web site............................................................................................................................36
Pocket Dial tools or compatible software ............................................................................................36
Pocket Control / Pocket Fader / Pocket Dial - editor program .........................................................36
WWW.LINPLUG.COM....................................................................................................................37
WWW.CrusherX.COM....................................................................................................................38
Additional technical information ..........................................................................................................39
Merge capacity................................................................................................................................39
Scanning rate of the encoders.........................................................................................................39
Data feedback.................................................................................................................................39
Memory for absolute values ............................................................................................................39
No storage of absolute data in preset 128.......................................................................................39

Page 4 Pocket Dial
Pocket DialPocket Dial
Pocket Dial User's Guide
Introduction
How long have you wanted to:
•Control your (software) synthesizer without having to use virtual faders, and having to look at a
computer screen and use a mouse?
•Use the full capability of your computer’s built-in soundcard?
•Have realtime control for synths that have limited or no realtime controls
•Could the control possibilities of your master keyboard be improved?
Now it’s time to discover new uses for real time control by using one of the Doepfer Pocket Devices
•Pocket Control
•Pocket Fader
•Pocket Dial
The Pocket series are devices, that everyone could use, such as for the computer in the studio or for
live use in professional and semi-professional situations.
What can the Pocket devices do?
They can assign each of the 16 controls to individual Midi events. This Midi event controlled can be
selected from a list of preset options (giving over 16,000 different event combinations), such as
controllers, mono and poly aftertouch, pitch bend, RPN/NRPN, XG-SysEx, GS/XG controller, program
change and even note on/off events.
These events can be from any of the 16 Midi channels, or the master channel (which allows easy
selection of the controlling MIDI channel). The permutation of possibilities is therefore up to 17 (channel
options) * 16,000 (event combinations), which is over 250,000 possible combinations! The low cost of
the pocket devices allows for applications where multiple pocket unit's can be used chained together.
The difference between Pocket Control, Pocket Fader and Pocket Dial is the type of control:
•Pocket Control is equipped with 16 rotary potentiometers
•Pocket Fader is equipped with 16 slide potentiometers (faders)
•Pocket Dial is equipped with 16 endless rotary encoder (sometimes called alpha dials)
Special features of Pocket Dial compared with Pocket Control / Fader
Pocket Control and Pocket Fader transmit absolute MIDI data in the range 0...127, i.e. the visible
position of the controlling element (rotary knob, fader knob) corresponds to the MIDI data sent by the
element in question. The only difference between Pocket Control and Pocket Fader is the type of
potentiometer. Pocket Control uses rotary potentiometers, Pocket Fader slide potentiometers.
Pocket Dial is able to transmit absolute or relative MIDI data. In the first case Pocket Dial transmits
absolute MIDI data in the range 0...127. Because of the type of controlling elements (endless encoders)
there is no visible feedback concerning the transmitted data. In the second case Pocket Dial transmits
only relative increment/decrement messages and does not "know" the absolute value that is generated
in the device controlled by Pocket Dial.

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If absolute MIDI data transmission is used (e.g. MIDI controllers) the device or software controlled by
Pocket Dial should be able to transmit the new controller data to Pocket Dial after a preset change (if
e.g. the sound was changed). The new data is used by Pocket Dial as starting value for the parameter in
question. This enables a jump-free adjustment of parameters.
The absolute values generated by Pocket Dial can be stored in the non-volatile preset memory of
Pocket Dial and are used if a preset is called-up later.
If relative MIDI data transmission is used only increment / decrement information is sent by Pocket Dial.
Different types of inc/dec messages are available as there is no MIDI standard for inc/dec of certain
controllers available so far.
Attention: Only devices that features the data feedback or inc/dec control should be
controlled by POCKET DIAL. For other applications we recommend Pocket Control or Pocket
Fader.
If you need a Midi controller that is able to generate free programmable Midi system exclusive
messages (SysEx) the devices of the Pocket series are not suitable. In this case we recommend
DREHBANK (64 rotary potentiometers) or REGELWERK (24 faders). These devices allow the
transmission of free user definable Midi strings including SysEx messages.
The main application of Pocket Dial is be the control of different Midi equipment, especially software
synthesizers. In this case Pocket Dial is placed in front of the computer screen so that the absolute
parameter data and their changes can be seen immediately at the screen.
The features of Pocket Dial at a glance
•16 high quality endless rotary encoders (alpha dials), manufacturer: ALPS
•4 banks that can be selected very fast via 4 buttons and LEDs (thus 64 "virtual" controllers are
available)
•32 presets (with 4 banks each, i.e. 128 presets altogether), selected via DIP switch at the rear panel
•Program change button (as long as this buttons is pressed the encoder below no 8 transmits
program change messages for fast preset changes of the unit controlled by Pocket Dial
•Master channel button (for fast adjustment of the MIDI master channel)
•24 detents/pulses per rotation, i.e. the data change is +/-24 per turn (if the encoder is turned slow)
•Acceleration function, i.e. the data change increases if the encoders are turned faster
•Editor program (PC version) for free download from our web site. With this program you can define
the function of each of the 16 controllers in your own 128 presets and you no longer depend on the
factory presets.
•Alternatively you may order the OEM version of Emagic's Sounddiver (PC and Mac version on CD
ROM) together with Pocket Dial (please look at the current price list for the valid price), available
only in connection with Pocket Dial, not a full version of Sounddiver, runs only with Doepfer devices
•Black knobs, about 18 mm diameter, having a good grip
•Distance between the knobs about 30 mm (from center to center)
•Measures about 25 x 9.5 x 4.5 cm
•Solid blue metal case with black and yellow printing

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Pocket Dial User's Guide
Connections
Pocket Dial - Rear View
Power Supply
The Pocket Dial does not have a built-in power supply. Instead it uses a plug-in type external power
supply (DC adapter). The connector is labelled 9V DC 100mA. The primary reason for this feature is the
fact that line voltages and plug types vary considerably from country to country. Using a plug-in external
supply the Pocket Dial can be used anywhere with a locally purchased power supply, thus keeping the
cost down.The Pocket Dial is switched ON by plugging the supplied AC adapter into a wall outlet and
connecting it to the appropriate jack on the back of the case. There is no separate ON/OFF switch. The
Pocket Dial includes an AC adapter for 230V mains supply with a European type mains plug. We
recommend to use only the power supply that is supplied together with the Pocket
Dial.
In countries with different mains plug types or voltages a suitable power supply
has to be purchased locally by the user. The power supply must be able to deliver
a voltage of 7V to 12V (not stabilized), as well as a minimum current of 100mA.
The connection polarity is positive inner (see the sketch near the power supply
socket). Although the Pocket Dial has a built in protection diode for protection
against incorrect polarity, the Pocket Dial can still be damaged by using an
incorrect adaptor, so only use an approved adaptor and avoid using multi-polarity
type adaptors with voltage level and polarity switching, as inadvertant settings can
cause problems.
MIDI Connect the MIDI OUT of the Pocket Dial to the MIDI IN of the device
controlled by Pocket Dial (e.g. software synthesizer, sound generator,
sequencer). At this output appear the MIDI data generated by Pocket
Dial. If the MIDI input is wired too the Pocket Dial merges the
incoming data with it’s own data, so the MIDI OUT is a data merge of
MIDI IN and data generated by the Pocket Dial. There is no use for a
separate MIDI thru with this type of device. If incoming MIDI data do
not appear at the MIDI probably the MIDI Thru is switched off (only
possible by the editor software). In this case the Pocket Dial has to be
reprogrammed using the editor program with MIDI Thru switched On !
The connection of the MIDI IN socket is required only in these cases:
•For data feedback to set the new starting values after a preset
change of the device controlled by Pocket Dial if absolute MIDI
control data are used (e.g. MIDI controllers)
•To merge any MIDI data (e.g. from a keyboard) with the data
generated by Pocket Dial
•To change the selected preset of Pocket Dial with incoming MIDI
Program Change messages from another MIDI device
•To program the presets of Pocket Dial with an editor program
(e.g. the free editor for PC or the Sounddiver)
•To change some basic parameters of the Pocket Dial with an
editor program (e.g. the MIDI Thru on/off option)
If none of these items applies the MIDI IN socket remains unconnected.

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Note that if extremely large Sys-Ex dumps are passed through the Pocket Dial then it is advisable not to
move any Pocket Dial knobs whilst this transmission is taking place, as the merge abilities of the Pocket
Dial were not intended to work whilst this kind of intense transmission is taking place.
If multiple Pocket devices (Pocket Dial/Control/Fader) are being used then the MIDI connections can be
chained together so that all the Pocket devices produce one composite data from the last MIDI out in the
chain.
Operation
Power On
The Pocket Dial is switched ON by plugging the AC adapter into a wall outlet and connecting the DC
output cable of the adapter to the appropriate jack on the rear panel of Pocket Dial. There is no separate
ON/OFF switch.
After power on the four LED's at the upper left side light up one
after another ("running light"). Then the first LED turns on indicating
that bank #1 is selected. If this does not take place the power
supply used is defective, unsuitable or has the wrong polarity.
After power on the 4 presets defined by the DIP switch setting are
transferred into the four bank memories, the MIDI master channel
and the Thru mode options are called up from the non-volatile
memory.
LED Display
Under normal operation the LEDs indicates MIDI in activity, and also MIDI out activity when moving
the knobs on the Pocket Dial. Thus the LEDs can be used to check the basic functions of Pocket Dial,
i.e. to test if actually MIDI data are received or transmitted.
The LED's are also used to display certain conditions:
•Which of the four banks is selected and consequently - .
•Which of the four buttons can be used to call-up a snapshot (i.e. transmit the 16 absolute values
corresponding to the 16 controls, works only if absolute MIDI data are transmitted)
•Master channel mode for adjusting the MIDI master channel of Pocket Dial
•Program change mode for transmitting program change messages with control #8
•Storage mode for storing the present absolute values of the 16 controls non-volatile in the memory
•MIDI In error
Details about these subjects follow in the next chapter "Functions of the buttons".

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Pocket Dial User's Guide
Functions of the buttons
The setting of the different operation modes takes place with the four buttons with assigned LEDs
labeled Bank 1 to 4 at the left upper side and the two buttons labeled CHN and PRG (no LEDs) at the
right upper side.
These buttons are used to
(1) select one of four Banks.
(2) trigger a Snapshot.
(3) store the 16 absolute values of the currently
selected bank in the non-volatile memory
These buttons are used to
(4) select the Master Channel Mode for adjusting
the MIDI master channel of Pocket Dial.
(5) select the Program Change Mode to transmit
MIDI program change messages with control
knob #8.
(6) clear the Error State if necessary (e.g.
triggered by a MIDI overflow at the MIDI input)
(1) Selecting a new bank
Operate briefly the button of the new bank to be selected. All four LEDs light up briefly while the new
bank is selected. As soon as only the LED of the new selected bank turns on the 16 new MIDI
messages of the new bank are assigned to the 16 controls. The LED will light up permanently until
another bank is chosen.
(2) Triggering a snapshot
Operate briefly the button of the bank that is already selected. This triggers a snapshot, i.e. the present
16 values corresponding to the 16 controls are transmitted to the MIDI output.
(3) Storing the present absolute values
Hold the button of the bank that is already selected down for at least one second and keep it held down
until the 4 LEDs light up inverted, i.e. the LED of the currently selected bank turns off and the remaining
three LEDs turn on until the button is released. The present values of the 16 controls are stored into the
non-volatile memory as soon as the button is released.

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(4) Adjusting the MIDI master channel
To set the MIDI master channel, hold the button labeled CHN at the right side and keep it held down.
The LEDs of bank 1 and 2 will light up (do not let go of the button until the required value has been
selected). In this mode the control knobs become channel selectors, and do not transmit the normal
control data. To select a channel, simply move one of the control knobs that relates to the channel
required (to set channel 5, move control knob 5). As soon as one of the knobs is moved all LEDs turn off
to indicate that the new master channel is adjusted. If you accidentally move the wrong knob, just move
the correct one, as it is the last knob moved that determines the actual MIDI master channel set. The
new master channel is stored into the non-volatile memory as soon as the CHN button is released. After
the next power on this channel will be used as MIDI master channel.
The master channel is used to select which channel the Pocket Dial will transmit on when using relevant
presets. In some presets (such as the MIDI volume - preset 0) each knob is assigned to a different
channel, whilst other presets have all knobs on the same channel, it is on these presets that the master
channel is used. The master channel is also the channel which the Pocket Dial will receive and transmit
MIDI program change data on.
(5) Transmitting MIDI program change messages
To transmit MIDI program change messages, hold the button labeled PRG at the right side and keep it
held down. The LEDs of bank 3 and 4 will light up (do not let go of the button until the desired program
change messages has been sent). In this mode the control knobs #8 is used to transmit program
change messages on the MIDI master channel, and does not transmit the normal control data. The
knobs 1 ~ 7 and 9 ~ 16 have no function while the PRG button is held down.
(6) Clearing an error
As soon as the Pocket Dial recognizes an MIDI overflow (too much data in one go) all four LEDs turn
on (i.e. error display). To clear an error, press one of the 6 buttons.
The error display indicates that the merge capacity of Pocket Dial was exceeded or that SysEx
messages destined for Pocket Dial could not be processed because they were sent too fast.
In both cases probably wrong or incomplete MIDI data have been received by Pocket Dial and/or
transmitted to the MIDI output of Pocket Dial. To avoid errors the transfer of the MIDI data should be
repeated at a lower transmission rate.

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Pocket Dial User's Guide
Functions of the DIP switches (rear panel)
The eight rear panel DIP switches determine the start-up preset, i.e. the number
of the preset that is called-up after power on. This preset and the three
subsequent presets are assigned to the 4 banks of Pocket Dial.
The settings can be looked upon as a binary number where each switch can be
either on or off, this allows up to 256 numbers to be selected from the eight DIP
switches. The switch is referred to ON or 1, when set towards the top panel, and
referred to OFF or 0 when set towards the bottom panel:
•On = 1, when set towards the top panel
•Off = 0, when set towards the bottom panel
Only seven of the switches are used to select one of the 128 presets. The eighth switch is not used at
present (as of fall 2001) and has no functions so far, but it is good practice to leave it in the OFF
position, as a future update may make use of this switch position.
The switches are numbered one to eight on the switch block itself, when relating the switch positions to
a binary number, then the least significant bit is towards the middle of the Pocket Dial (or to the field for
the serial number) and numbered 1 on the switch. It is switch number 8 that is not used.
The factory shipped default setting is Preset number 0, which is all switches off (towards bottom) which
is defined as MIDI Volume across all MIDI channels.
The listing on the next page lists all the presets that are shipped in the Pocket Dial, note that the switch
settings are shown with the least significant bit to the right (as would normally be shown with a binary
number), so note the switch numbering which is eight to the left and one to the right, this relates to the
switch position when looking at the rear panel of the Pocket Dial. If holding the Pocket Dial, you tip the
unit up at the back to look into the DIP switches that way, you will be looking at the DIP switches the
other way with one to the left and eight to the right, when doing this remember that the switch order will
be the reverse. The list of presets shows the switch position split into two groups of four, as this should
help reading the switch code.
At first sight the adjustment of the DIP switches may look a little bit complicated. But normally you will
not have to change this setting very often. Rather the DIP switch setting is used to load the favorite 4
presets into the bank memories after power on.
In operation you may change the preset even with incoming MIDI program change messages provided
that these are sent on the MIDI master channel of Pocket Dial. But this adjustment is volatile, i.e. after
the next power on the preset defined by the DIP switch setting is loaded.
Of course one may change the preset with the DIP switch too, e.g. as no suitable MIDI device for
transmission of program change messages is available.
Changing the preset with the DIP switch is indicated by a short lighting up of all four LEDs. During this
moment no incoming MIDI program change messages are recognized.

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List of presets (short form)
1234 5678 PresetName 1234 5678 PresetName
0000 0000 Preset 1: Volume Channel 1 - 16 0000 0100 Preset 33: XG Level Chn 1 - 16
1000 0000 Preset 2: Panorama Channel 1-16 1000 0100 Preset 34: XG Pan Chn 1 - 16
0100 0000 Preset 3: Cutoff Channel 1-16 0100 0100 Preset 35: XG Reverb Chn 1 - 16
1100 0000 Preset 4: Resonance Chan. 1-16 1100 0100 Preset 36: XG Chorus Chn 1 - 16
0010 0000 Preset 5: Volume/Pan Ch.1 - 8 0010 0100 Preset 37: XG Dry Chn 1 - 16
1010 0000 Preset 6: Volume/Pan Ch.9 - 16 1010 0100 Preset 38: XG Var Chn 1 - 16
0110 0000 Preset 7: Cutoff/Reson. Ch.1-8 0110 0100 Preset 39: XG Low EQ Gain Chn 1 - 16
1110 0000 Preset 8: Cutoff/Reson. Ch.9-16 1110 0100 Preset 40: XG Low EQ Chn 1 - 16
0001 0000 Preset 9: Ctrl 0-15 Masterchn 0001 0100 Preset 41: XG High EQ Gain Chn 1 - 16
1001 0000 Preset 10: Ctrl 16-31 Masterchn 1001 0100 Preset 42: XG High EQ Chn 1 - 16
0101 0000 Preset 11: Ctrl 32-47 Masterchn 0101 0100 Preset 43: XG Mpart-Effect Masterchn
1101 0000 Preset 12: Ctrl 48-63 Masterchn 1101 0100 Preset 44: XG Level AD1/2,W1-12
0011 0000 Preset 13: Ctrl 64-79 Masterchn 0011 0100 Preset 45: XG Pan AD1/2,W1-12
1011 0000 Preset 14: Ctrl 80-95 Masterchn 1011 0100 Preset 46: XG Reverb AD1/2,W1-12
0111 0000 Preset 15: Ctrl 96-111 Masterchn 0111 0100 Preset 47: XG Chorus AD1/2,W1-12
1111 0000 Preset 16: Ctrl 112-127 Masterchn 1111 0100 Preset 48: XG Var AD1/2,W1-12
0000 1000 Preset 17: GS/XG Masterchn 0000 1100 Preset 49: XG Dry AD1/2,W1-12
1000 1000 Preset 18: AWE/SB 1 Masterchn 1000 1100 Preset 50: XG EQ
0100 1000 Preset 19: AWE/SB 2 Masterchn 0100 1100 Preset 51: XG Reverb
1100 1000 Preset 20: AWE/SB 3 Masterchn 1100 1100 Preset 52: XG Chorus
0010 1000 Preset 21: AWE/SB 4 Masterchn 0010 1100 Preset 53: XG Variation
1010 1000 Preset 22: AWE/SB 5 Masterchn 1010 1100 Preset 54: XG Insertion 1
0110 1000 Preset 23: GS/XG Drum Pitch 0110 1100 Preset 55: XG Insertion 2
1110 1000 Preset 24: GS/XG Drum Level 1110 1100 Preset 56: GS Reverb/Chorus
0001 1000 Preset 25: GS/XG Drum Pan 0001 1100 Preset 57: Strings
1001 1000 Preset 26: GS/XG Drum Reverb 1001 1100 Preset 58: Rebirth Mchn
0101 1000 Preset 27: GS/XG Drum Chorus 0101 1100 Preset 59: CS1x Masterchn
1101 1000 Preset 28: GS/XG Drum Delay/Var 1101 1100 Preset 60: Waldorf Pulse Mchn
0011 1000 Preset 29: XG Drum Cutoff 0011 1100 Preset 61: ASR-X Masterchn
1011 1000 Preset 30: XG Drum Reson. 1011 1100 Preset 62: Doepfer MAQ 1 Mchn
0111 1000 Preset 31: XG Drum Attack 0111 1100 Preset 63: Doepfer MAQ 2 Mchn
1111 1000 Preset 32: XG Drum Decay 1111 1100 Preset 64: K5000 MCB10 Mchn

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0000 0010 Preset 65: Yamaha Promix Mchn 0000 0110 Preset 97: Crusher-X Cloud
1000 0010 Preset 66: ProFive Osz/LFO 1000 0110 Preset 98: Crusher-X Mixer
0100 0010 Preset 67: ProFive Mix/Filt./ADSR 0100 0110 Preset 99: Crusher-X DCO's Mchn
1100 0010 Preset 68: Cubase VST Vol 1-16 1100 0110 Preset 100: Crusher-X Sampler Mchn
0010 0010 Preset 69: Cubase VST Pan 1-16 0010 0110 Preset 101: Crusher-X 3D Mixer Mchn
1010 0010 Preset 70: Cubase VST Vol/Pan 1-8 1010 0110 Preset 102:
0110 0010 Preset 71: B4 Console/TubeAmp/Pedal 0110 0110 Preset 103:
1110 0010 Preset 72: B4 Rotator 1110 0110 Preset 104:
0001 0010 Preset 73: B4 Upper Manual 1 0001 0110 Preset 105: AWE/SB 1&2 IncDec
1001 0010 Preset 74: B4 Upper/Lower 1 1001 0110 Preset 106: GS/XG IncDec Drum Level
0101 0010 Preset 75: Sherman Filterbank Chn16 0101 0110 Preset 107: Rel. Ctrl (signed bit)64-79
1101 0010 Preset 76: Sherman Filterbank Mchn 1101 0110 Preset 108: Rel. Ctrl (signed bit)80-95
0011 0010 Preset 77: 0011 0110 Preset 109: Rel. Ctrl (signed bit)96-111
1011 0010 Preset 78: 1011 0110 Preset110: Rel.Ctrl (signed bit)112-127
0111 0010 Preset 79: 0111 0110 Preset 111: Rel. Ctrl (two compl.)64-79
1111 0010 Preset 80: 1111 0110 Preset 112: Rel. Ctrl (two compl.)80-95
0000 1010 Preset 81: MSB/LSB Ctrl 0-7 Mchn 0000 1110 Preset113: Rel. Ctrl (two compl)96-111
1000 1010 Preset 82: MSB/LSB Ctrl 8-15 Mchn 1000 1110 Preset114: Rel.Ctrl (two cpl.)112-127
0100 1010 Preset 83: MSB/LSB Ctrl 16-23 Mchn 0100 1110 Preset 115:
1100 1010 Preset 84: MSB/LSB Ctrl 24-31 Mchn 1100 1110 Preset 116:
0010 1010 Preset 85: Reaktor 0-15 Mchn 0010 1110 Preset 117:
1010 1010 Preset 86: Reaktor 16-31 Mchn 1010 1110 Preset 118:
0110 1010 Preset 87: Reaktor 32-47 Mchn 0110 1110 Preset 119:
1110 1010 Preset 88: Reaktor 48-63 Mchn 1110 1110 Preset 120:
0001 1010 Preset 89: IncDec Ctrl 0-15 Mchn 0001 1110 Preset 121:
1001 1010 Preset 90: IncDec Ctrl 16-31 Mchn 1001 1110 Preset 122:
0101 1010 Preset 91: IncDec Ctrl 32-47 Mchn 0101 1110 Preset 123:
1101 1010 Preset 92: IncDec Ctrl 48-63 Mchn 1101 1110 Preset 124:
0011 1010 Preset 93: IncDec Ctrl 64-79 Mchn 0011 1110 Preset 125:
1011 1010 Preset 94: IncDec Ctrl 80-95 Mchn 1011 1110 Preset 126:
0111 1010 Preset 95: IncDec Ctrl 96-111 Mchn 0111 1110 Preset 127:
1111 1010 Preset 96: IncDec Ctrl 112-127 Mchn 1111 1110 Preset 128: attention – see remarks
Presets printed bold are new or modified presets compared with Pocket Control or Pocket Fader.
They mainly contain functions that are available only for Pocket Dial (e.g. Inc/Dec messages). Presets
without commentary are left blank while this manual was written but they already may be used in the
Pocket Dial you received. Please look at our web site www.doepfer.com for the current state of the
factory presets. New presets will be developed, and these will become available free on our web site
too.

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Pocket Dial User's Guide Page 13
Controlling Pocket Dial with incoming Midi messages
Some functions of Pocket Dial may be controlled with incoming MIDI messages. The MIDI output of the
device generating these messages (e.g. a computer) has to be connected to the MIDI input of the
Pocket Dial. The LEDs of Pocket Dial may be used to check if MIDI events appear at the MIDI input of
Pocket Dial.
The following functions can be controlled with incoming MIDI messages:
a) Changing the preset takes place with an incoming MIDI program change message provided that
the MIDI channel matches with the MIDI master channel of Pocket Dial. The number of the new
preset corresponds to the program change number received. For example prg # 35 selects preset #
35. Pay attention that there are two different modes of counting: 0 ~ 127 or 1~128. In this manual
the counting mode 1 ~ 128 is used. If the device that transmits the program change messages uses
the counting mode 0 ~ 127 one has to add 1 to obtain the corresponding preset number of Pocket
Dial.
b) The 128 non-volatile presets of Pocket Dial cannot be edited with the Pocket Dial itself. Rather a
external editor has to be used to generate the SysEx messages required to program the presets of
Pocket Dial. Two types of editor programs are available: The Pocket Dial editor for PC that can be
downloaded for free from our web site www.doepfer.com. (PC with MS Windows 95/98/2000
required). The OEM version of Emagic's universal editor Sounddiver can be purchased at a small
extra charge together with the Pocket Dial (CD with both version for PC and Mac, including all
adaptions for Doepfer devices). OEM means that this version of Sounddivers works only in
combination with Doepfer devices and is not a full version of the program. For details please refer to
the appendix. The presets are available as MIDI standard files that can be processed by MIDI
standard applications (e.g. record and play back with MIDI file players or sequencers).
Presets
As mentioned several times Pocket Dial features 128 presets that can be selected with the DIP switch at
the rear panel or with incoming MIDI program change messages on the MIDI master channel of Pocket
Dial.
You will find a detailed specification of all presets on our web site www.doepfer.com in case that the
information in this manual is not sufficient for your application.
Preset management
Pocket Dial has available 128 presets. Preset means in this connection the data set in the memory
that contains the information about the assignment of the 16 controls to MIDI messages including the
stored 16 absolute values for these controls.
Four of these presets can be selected quickly with the bank buttons at the top of the case. The DIP
switch at the rear panel resp. the incoming MIDI program change message is used to define the preset
number that is assigned to bank button 1. The 3 succeeding presets are assigned to the bank buttons 2
~ 4.
Example: The DIP switch is set to preset number 42. With the four bank buttons the presets 42 (bank
button 1), 43 (bank button 2) , 44 (bank button 3) and 45 (bank button 4) can be selected.
The memory management of Pocket Dial is very similar to Pocket Control and Pocket Fader. The main
difference are the four bank buttons that enable a fast selection of four succeeding presets.

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Consequently 64 virtual controls are available with Pocket Dial. This additional feature makes sense only
with the Pocket Dial as the encoders allow a jump-free data control. The new data can be calculated
relative to the last value of the encoder in question. For Pocket Control or Pocket Fader this would not
be possible as the potentiometers transmit absolute values leading to parameter jumps when a new
preset with different assignments of the controls to MIDI messages is selected.
List of presets (detailed)
In the following you will find a more detailed list with explanations of all the presets that are shipped in
the Pocket Dial. Presets not mentioned in this manual already may be used in the Pocket Dial you
received. Please look at our web site www.doepfer.com for the current state of the factory presets.
New presets will be developed, and these will become available free on our web site too.
The name of a presets tells the coarse function of the preset. You also will find the information is the
controls are assigned to fixed MIDI channels or to the MIDI master channel of Pocket Dial.
Especially for those devices that do not recognize one of the inc/dec messages in the latest column the
term feedback is specified if the parameters of the preset (e.g. MIDI controllers) can be updated with
suitable incoming MIDI data. In this case the device controlled by Pocket Dial has to transmit the new
data after any change (e.g. if the sound of the device was changed). Please look into the manual of your
device or software controlled by Pocket Dial if this applies. If your device does not support this feature
the feedback/update will not work! If you are not sure, please contact the manufacturer of the device.
We (Doepfer) cannot give information if the device X by the manufacturer Y has this feature available.
For more details please refer to the appendix.
Example: If a knob is assigned to MIDI controller #17 on MIDI channel 5 any incoming MIDI controller
#17 data on channel 5 will be used as new starting value for this knob. The incoming controller message
updates the value for this knob.
The presets 1 ~ 64 are very similar to those of Pocket Control and Pocket Fader. Normally only the
feedback/update feature was added.

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Pocket Dial User's Guide Page 15
Basic presets (same as Pocket Control and Pocket Fader)
Preset 1 Volume Controller 7 channels 1- 16 feedback
Preset 2 Panorama Controller 10 channels 1- 16 feedback
Preset 3 Cutoff Channel Controller 74 channels 1- 16 feedback
Preset 4 Resonance Controller 71 channels 1- 16 feedback
Presets 1 ~ 4 use a single controller type, with each knob relating to it’s corresponding MIDI channel,
this allows full control of 16 parts within a multitimbral sound generator, or realtime mixing in sequencer
automation.
Preset 5 Volume/Pan Controller 7/10 channels 1- 8 feedback
Preset 6 Volume/Pan Controller 7/10 channels 9- 16 feedback
Preset 7 Cutoff /Resonance Controller 74/71 channels 1- 8 feedback
Preset 8 Cutoff/Resonance Controller 74/71 channels 9- 16 feedback
Presets 5 ~ 8 use two controllers, one across the top row of knobs and the other across the bottom row.
With Preset 5, the top row is MIDI controller 7 (Volume) with the MIDI channel corresponding to the
knob number, whilst the lower row is MIDI controller 10 (Pan) on the same channel as the knob above it,
hence knob 9 is channel 1, knob 10 is channel 2 etc. Preset 6 follows the same idea except the MIDI
channel is channels 9 to 16, so the actual MIDI channel relates to the lower knob numbers. Preset 7,
again follows the same idea as Preset 5 except the top row is MIDI controller 74 (Filter Cut off ) and the
lower row is controller 71 (Filter Resonance), and finally Preset 8 is the same as Preset 7 except the
channels are 9-16.
Preset 9 general controllers Controllers 0 - 15 master channel feedback
Preset 10 general controllers Controllers 16 - 31 master channel feedback
Preset 11 general controllers Controllers 32 - 47 master channel feedback
Preset 12 general controllers Controllers 48 - 63 master channel feedback
Preset 13 general controllers Controllers 64 - 79 master channel feedback
Preset 14 general controllers Controllers 80 - 95 master channel feedback
Preset 15 general controllers Controllers 96 - 111 master channel feedback
Preset 16 general controllers Controllers 112 - 127 master channel feedback
Presets 9 ~ 16 are general controller sets, which transmit on the Master Channel. Where the receiving
MIDI device can be programmed to any controller it can receive, these presets maybe the only presets
needed, although preset 9 is perhaps best avoided for general use as it includes controller 0 (could
trigger MIDI program bank changes) and controller 1 which is the modulation wheel, although of course
there may be instances when MIDI controller 1 is required, such as adding a modulation wheel function
to a keyboard (such as a digital piano). Preset 13 also needs to be used with caution, as controller 64 is
defined as the sustain/damper pedal function, and most devices will always receive this controller as
Damper or Hold.

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Preset 17 GS/XG general controls NRPN/controllers Channel Remark
Control 1 Filter Cutoff NRPN master channel (no feedback)
Control 2 Filter Resonance NRPN master channel (no feedback)
Control 3 Vibrato Rate NRPN master channel (no feedback)
Control 4 Vibrato Depth NRPN master channel (no feedback)
Control 5 Vibrato Delay NRPN master channel (no feedback)
Control 6 EG- Attack NRPN master channel (no feedback)
Control 7 EG Decay NRPN master channel (no feedback)
Control 8 EG Release NRPN master channel (no feedback)
Control 9 Pitch Bend PitchBend master channel (no feedback)
Control 10 Modulation Controller 1 master channel feedback
Control 11 Portam.Time Controller 5 master channel feedback
Control 12 Reverb Send Controller 9 master channel feedback
Control 13 Chorus Send Controller 93 master channel feedback
Control 14 Delay/Var Send Controller 94 master channel feedback
Control 15 Pan Controller 10 master channel feedback
Control 16 Volume Controller 7 master channel feedback
Preset 17 is an GS / XG general control preset [NRPN / controllers]. It has the top row of knobs
transmitting relevant NRPN controller data for GS/XG instruments, and the lower row is used for general
controllers.
Preset 18 AWE/SB 1 Masterchn NRPN/controllers Channel Remark
Control 1 Filter Cutoff Coarse NRPN master channel (no feedback)
Control 2 Filter Resonance Coarse NRPN master channel (no feedback)
Control 3 Vibrato Rate Coarse NRPN master channel (no feedback)
Control 4 Vibrato Depth Coarse NRPN master channel (no feedback)
Control 5 Vibrato Delay Coarse NRPN master channel (no feedback)
Control 6 EG- Attack Coarse NRPN master channel (no feedback)
Control 7 EG Decay Coarse NRPN master channel (no feedback)
Control 8 EG Release Coarse NRPN master channel (no feedback)
Control 9 Filter Cutoff Fine NRPN master channel (no feedback)
Control 10 Filter Resonance Fine NRPN master channel (no feedback)
Control 11 Vibrato Rate Fine NRPN master channel (no feedback)
Control 12 Vibrato Depth Fine NRPN master channel (no feedback)
Control 13 Vibrato Delay Fine NRPN master channel (no feedback)
Control 14 EG- Attack Fine NRPN master channel (no feedback)
Control 15 EG Decay Fine NRPN master channel (no feedback)
Control 16 EG Release Fine NRPN master channel (no feedback)
Preset 19 AWE/SB 2 NRPN/controllers Channel Remark
Control 1 LFO 1 Delay Coarse NRPN master channel (no feedback)
Control 2 LFO 1 Freq Coarse NRPN master channel (no feedback)
Control 3 Env1 Delay Coarse NRPN master channel (no feedback)
Control 4 Env1 Attack Coarse NRPN master channel (no feedback)
Control 5 Env1 Hold Coarse NRPN master channel (no feedback)
Control 6 Env1 Decay Coarse NRPN master channel (no feedback)
Control 7 Env1 Sustain Coarse NRPN master channel (no feedback)
Control 8 Env1 Release Coarse NRPN master channel (no feedback)
Control 9 LFO 1 Delay Fine NRPN master channel (no feedback)
Control 10 LFO 1 Freq Fine NRPN master channel (no feedback)
Control 11 Env1 Delay Fine NRPN master channel (no feedback)
Control 12 Env1 Attack Fine NRPN master channel (no feedback)
Control 13 Env1 Hold Fine NRPN master channel (no feedback)
Control 14 Env1 Decay Fine NRPN master channel (no feedback)
Control 15 Env1 Sustain Fine NRPN master channel (no feedback)
Control 16 Env1 Release Fine NRPN master channel (no feedback)

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Preset 20 AWE/SB 3 NRPN/controllers Channel Remark
Control 1 LFO 2 Delay Coarse NRPN master channel (no feedback)
Control 2 LFO 1 Freq Coarse NRPN master channel (no feedback)
Control 3 Env2 Delay Coarse NRPN master channel (no feedback)
Control 4 Env2 Attack Coarse NRPN master channel (no feedback)
Control 5 Env2 Hold Coarse NRPN master channel (no feedback)
Control 6 Env2 Decay Coarse NRPN master channel (no feedback)
Control 7 Env2 Sustain Coarse NRPN master channel (no feedback)
Control 8 Env2 Release Coarse NRPN master channel (no feedback)
Control 9 LFO 2 Delay Fine NRPN master channel (no feedback)
Control 10 LFO 2 Freq Fine NRPN master channel (no feedback)
Control 11 Env2 Delay Fine NRPN master channel (no feedback)
Control 12 Env2 Attack Fine NRPN master channel (no feedback)
Control 13 Env2 Hold Fine NRPN master channel (no feedback)
Control 14 Env2 Decay Fine NRPN master channel (no feedback)
Control 15 Env2 Sustain Fine NRPN master channel (no feedback)
Control 16 Env2 Release Fine NRPN master channel (no feedback)
Preset 21 AWE/SB 4 NRPN/controllers Channel Remark
Control 1 Master Tuning Coarse NRPN master channel (no feedback)
Control 2 LFO 1 to Pitch Coarse NRPN master channel (no feedback)
Control 3 LFO 2 to Pitch Coarse NRPN master channel (no feedback)
Control 4 Env1 to Pitch Coarse NRPN master channel (no feedback)
Control 5 LFO 1 to Volume Coarse NRPN master channel (no feedback)
Control 6 LFO 1 to Cutoff Coarse NRPN master channel (no feedback)
Control 7 Env 1 to Cutoff Coarse NRPN master channel (no feedback)
Control 8 undefined NRPN master channel (no feedback)
Control 9 Master Tuning Fine NRPN master channel (no feedback)
Control 10 LFO 1 to Pitch Fine NRPN master channel (no feedback)
Control 11 LFO 2 to Pitch Fine NRPN master channel (no feedback)
Control 12 Env1 to Pitch Fine NRPN master channel (no feedback)
Control 13 LFO 1 to Volume Fine NRPN master channel (no feedback)
Control 14 LFO 1 to Cutoff Fine NRPN master channel (no feedback)
Control 15 Env 1 to Cutoff Fine NRPN master channel (no feedback)
Control 16 undefined NRPN master channel (no feedback)
Preset 22 AWE/SB 5 NRPN/Controller Channel Remark
Control 1 Filter Cutoff Coarse NRPN master channel (no feedback)
Control 2 Filter Resonance Coarse NRPN master channel (no feedback)
Control 3 Modulation Controller1 master channel feedback
Control 4 Reverb Send Coarse NRPN master channel (no feedback)
Control 5 Chorus Send Coarse NRPN master channel (no feedback)
Control 6 Portamento Controller5 master channel feedback
Control 7 Balance Controller8 master channel feedback
Control 8 Expression Controller11 master channel feedback
Control 9 Filter Cutoff Coarse NRPN master channel (no feedback)
Control 10 Filter Resonance Coarse NRPN master channel (no feedback)
Control 11 Mono Aftertouch MonoAftertouch master channel feedback
Control 12 Reverb Send Fine NRPN master channel feedback
Control 13 Chorus Send Fine NRPN master channel feedback
Control 14 Portamento Off/On Controller65 master channel (no feedback)
Control 15 Pan Controller10 master channel (no feedback)
Control 16 Volume Controller7 master channel (no feedback)
Presets 16 ~ 22 are specific NRPN controllers that control the specified functions on the Sound Blaster
AWE 32/64 soundcards.
Preset 23 GS/XG Drum Pitch NRPN master channel (no feedback)

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Preset 24 GS/XG Drum Level NRPN master channel (no feedback)
Preset 25 GS/XG Drum Pan NRPN master channel (no feedback)
Preset 26 GS/XG Drum Reverb NRPN master channel (no feedback)
Preset 27 GS/XG Drum Chorus NRPN master channel (no feedback)
Preset 28 GS/XG Drum Delay/Var NRPN master channel (no feedback)
Presets 23 ~ 28 control the drum kit, which would normally require the master channel to be set to
channel 10. The knobs all relate to the same drums on these presets as shown below, with each preset
controlling Pitch, Level, Pan, Reverb Send, Chorus Send or Delay/Var. Send depending on the preset
selected.
Preset 29 XG Drum Cutoff NRPN master channel (no feedback)
Preset 30 XG Drum Reson. NRPN master channel (no feedback)
Preset 31 XG Drum Attack NRPN master channel (no feedback)
Preset 32 XG Drum Decay NRPN master channel (no feedback)
Presets 29 ~ 32 control the drum kit, which would normally require the master channel to be set to
channel 10. The knobs all relate to the same drums on these presets as shown above, with each preset
controlling Filter Cut Off, Filter Resonance, Envelope Attack or Envelope Decay depending on the preset
selected.
The presets 29 ~ 32 use the same assignment of controls to drum instruments:
Control 1 Bass Drum Pitch Control 9 Bongo Pitch
Control 2 Snare Drum Pitch Control 10 Conga Pitch
Control 3 Tom Pitch Control 11 Timbale Pitch
Control 4 Hi-Hat Pitch Control 12 Hi Q Pitch
Control 5 Hand Clap Pitch Control 13 Seq Click Pitch
Control 6 Rim Shot Pitch Control 14 Finger Snap Pitch
Control 7 Crash Pitch Control 15 Click Noise Pitch
Control 8 Ride Pitch Control 16 Tambourine Pitch
Preset 33 XG Multi-Part Volume Level SysEx channels 1 - 16 (no feedback)
Preset 34 XG Multi-Part Pan SysEx channels 1 - 16 (no feedback)
Preset 35 XG Multi-Part Reverb Send SysEx channels 1 - 16 (no feedback)
Preset 36 XG Multi-Part Chorus Send SysEx channels 1 - 16 (no feedback)
Preset 37 XG Multi-Part Dry Level SysEx channels 1 - 16 (no feedback)
Preset 38 XG Multi-Part Variation Send SysEx channels 1 - 16 (no feedback)
Preset 39 XG Multi-Part Low EQ Gain SysEx channels 1 - 16 (no feedback)
Preset 40 XG Multi-Part Low EQ Frequ. SysEx channels 1 - 16 (no feedback)
Preset 41 XG Multi-Part High EQ Gain SysEx channels 1 - 16 (no feedback)
Preset 42 XG Multi-Part High EQ Frequ. SysEx channels 1 - 16 (no feedback)
Presets 33 ~ 42 are similar to the presets 1~4 and control the XG parts with SysEx messages (nearl all
Yamaha instruments). The 16 knobs controll the parameter of the 16 MIDI channels. Each preset
controls either Part volume, pan, reverb send, chorus send, dry level, variation effect send, low eq gain,
low eq frequency, high eq gain or high eq frequency.

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Preset 43 XG Mpart-Effect Controller Channel Remark
Control 1 High EQ Frequency SysEx - (no feedback)
Control 2 Low EQ Frequency SysEx - (no feedback)
Control 3 undefined
Control 4 Dry SysEx - (no feedback)
Control 5 undefined
Control 6 undefined
Control 7 undefined
Control 8 undefined
Control 9 Hi Eq Gain SysEx - (no feedback)
Control 10 Lo Eq Gain SysEx - (no feedback)
Control 11 undefined
Control 12 Reverb SysEx - (no feedback)
Control 13 Chorus SysEx - (no feedback)
Control 14 Variation SysEx - (no feedback)
Control 15 Pan SysEx - (no feedback)
Control 16 Level SysEx - (no feedback)
Preset 43 is similar to preset 16 and offers general effects control for an XG instrument.
Preset 44 XG AD & Wave Level SysEx master channel (no feedback)
Preset 45 XG AD & Wave Pan SysEx master channel (no feedback)
Preset 46 XG AD & Wave Reverb Send SysEx master channel (no feedback)
Preset 47 XG AD & Wave Chorus Send SysEx master channel (no feedback)
Preset 48 XG AD & Wave Variation Send SysEx master channel (no feedback)
Preset 49 XG AD & Wave Dry Level SysEx master channel (no feedback)
Presets 44 ~ 49 control the A/D inputs 1 and 2 as well as the 12 wave channels on relevant Yamaha
sound cards. These relevant controls are shown below. Note that knobs 15 and 16 have no defined
function for these presets.
Control 1 AD Input 1 Control 9 W7
Control 2 AD Input 2 Control 10 W8
Control 3 W1 Control 11 W9
Control 4 W2 Control 12 W10
Control 5 W3 Control 13 W11
Control 6 W4 Control 14 W12
Control 7 W5 Control 15 undefined
Control 8 W6 Control 16 undefined
Preset 50 XG Effects - EQ Controller Channel Remark
Control 1 EQ Gain 1 SysEx master channel (no feedback)
Control 2 EQ Frequency 1 SysEx master channel (no feedback)
Control 3 EQ Q1 SysEx master channel (no feedback)
Control 4 EQ Gain 2 SysEx master channel (no feedback)
Control 5 EQ Frequency 2 SysEx master channel (no feedback)
Control 6 EQ Q2 SysEx master channel (no feedback)
Control 7 EQ Gain 5 SysEx master channel (no feedback)
Control 8 EQ Frequency 5 SysEx master channel (no feedback)
Control 9 EQ Gain 3 SysEx master channel (no feedback)
Control 10 EQ Frequency 3 SysEx master channel (no feedback)
Control 11 EQ Q3 SysEx master channel (no feedback)
Control 12 EQ Gain 4 SysEx master channel (no feedback)
Control 13 EQ Frequency 4 SysEx master channel (no feedback)
Control 14 EQ Q4 SysEx master channel (no feedback)
Control 15 EQ Q5 SysEx master channel (no feedback)
Control 16 EQ Type SysEx master channel (no feedback)
Preset 51 XG Effects - Reverb Controller Channel Remark

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Control 1 Reverb Type SysEx master channel (no feedback)
Control 2 Reverb Parameter 1 SysEx master channel (no feedback)
Control 3 Reverb Parameter 2 SysEx master channel (no feedback)
Control 4 Reverb Parameter 3 SysEx master channel (no feedback)
Control 5 Reverb Parameter 4 SysEx master channel (no feedback)
Control 6 Reverb Parameter 5 SysEx master channel (no feedback)
Control 7 Reverb Parameter 6 SysEx master channel (no feedback)
Control 8 Reverb Parameter 7 SysEx master channel (no feedback)
Control 9 Reverb Parameter 8 SysEx master channel (no feedback)
Control 10 Reverb Parameter 9 SysEx master channel (no feedback)
Control 11 Reverb Parameter 10 SysEx master channel (no feedback)
Control 12 Reverb Parameter 11 SysEx master channel (no feedback)
Control 13 Reverb Parameter 13 SysEx master channel (no feedback)
Control 14 Reverb Parameter 15 SysEx master channel (no feedback)
Control 15 Reverb Return SysEx master channel (no feedback)
Control 16 Reverb Pan SysEx master channel (no feedback)
Preset 52 XG Chorus Controller Channel Remark
Control 1 Chorus Type SysEx master channel (no feedback)
Control 2 Chorus Parameter 1 SysEx master channel (no feedback)
Control 3 Chorus Parameter 2 SysEx master channel (no feedback)
Control 4 Chorus Parameter 3 SysEx master channel (no feedback)
Control 5 Chorus Parameter 4 SysEx master channel (no feedback)
Control 6 Chorus Parameter 6 SysEx master channel (no feedback)
Control 7 Chorus Parameter 7 SysEx master channel (no feedback)
Control 8 Chorus Parameter 8 SysEx master channel (no feedback)
Control 9 Chorus Parameter 9 SysEx master channel (no feedback)
Control 10 Chorus Parameter 10 SysEx master channel (no feedback)
Control 11 Chorus Parameter 11 SysEx master channel (no feedback)
Control 12 Chorus Parameter 12 SysEx master channel (no feedback)
Control 13 Chorus Parameter 13 SysEx master channel (no feedback)
Control 14 Chorus to Reverb SysEx master channel (no feedback)
Control 15 Chorus Return SysEx master channel (no feedback)
Control 16 Chorus Pan SysEx master channel (no feedback)
Preset 53 XG Variation Controller Channel Remark
Control 1 Variation Type SysEx master channel (no feedback)
Control 2 Variation Parameter 1 SysEx master channel (no feedback)
Control 3 Variation Parameter 2 SysEx master channel (no feedback)
Control 4 Variation Parameter 3 SysEx master channel (no feedback)
Control 5 Variation Parameter 4 SysEx master channel (no feedback)
Control 6 Variation Parameter 6 SysEx master channel (no feedback)
Control 7 Variation Parameter 7 SysEx master channel (no feedback)
Control 8 Variation Parameter 11 SysEx master channel (no feedback)
Control 9 Variation Parameter 12 SysEx master channel (no feedback)
Control 10 Variation Parameter 13 SysEx master channel (no feedback)
Control 11 Variation Parameter 14 SysEx master channel (no feedback)
Control 12 Variation Parameter 15 SysEx master channel (no feedback)
Control 13 Variation to Reverb SysEx master channel (no feedback)
Control 14 Variation to Chorus SysEx master channel (no feedback)
Control 15 Variation Return SysEx master channel (no feedback)
Control 16 Variation Pan SysEx master channel (no feedback)
Preset 54 XG Insertion 1 Controller Channel Remark
Control 1 Insert1 Type SysEx master channel (no feedback)
Control 2 Insert1 Parameter 1 SysEx master channel (no feedback)
Control 3 Insert1 Parameter 2 SysEx master channel (no feedback)
Control 4 Insert1 Parameter 3 SysEx master channel (no feedback)
Control 5 Insert1 Parameter 4 SysEx master channel (no feedback)
Control 6 Insert1 Parameter 5 SysEx master channel (no feedback)
Control 7 Insert1 Parameter 6 SysEx master channel (no feedback)
Control 8 Insert1 Parameter 7 SysEx master channel (no feedback)