Fmuser Fm stl10 series User manual

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FM STL10 SERIES

USER MANUAL

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STL10

FM STL TRANSMITTER / RECEIVER

INTRODUCTION

The STL10-xxT is a solid-state wideband FM Transmitter providing a continuously

variable RF output form 0 to 25 watts into a 50 Ohm load at many frequency within the

UHF/ VHF band in 10 kHz increments.

The STL10-xxR receiver uses the same synthesized oscillator as the transmitter. A

comb line band pass filter ensures image-frequency rejection exceeding 60dB. The

achieved sensitivity in mono is around 10mV per 60dB of SNR. low noise and distortion,

and high interference rejection.

With full range universal power input and built-in active PFC function. Those STLs can

operate on either 90 ~ 264VAC / 47~63Hz or 127 ~ 370VDC as mean power to suitable

most of Countries in the world.

Digital & Microwave System (D&M) has designed and manufactured broadcast

equipment since its incorporation in 2000. Our product line has consistently applied the

best in current technology to the specific needs of broadcasters.

FEATURES

zEasy and direct programming of the frequency by LCD, Step 10 KHz.

zSoft-start from RF mute status.

zAdjustable power output from 0 to 25 W with automatic power control, maintaining the

output at any fixed level.

zAvailable with External AUX/MPX input connectors.

zMeets or exceeds all FCC and CCIR requirements.

zHigh reliability provided by conservatively rated components.

zModular layout with Plug-in, easy replaceable circuits and parts.

zBuilt-in stereo coder.

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SAFETY FIRST!

IMPORTANT: In order to avoid risks to personnel in the installation, utilization and

maintenance of units, the following safety procedures and guidelines will be followed.

Improper use or installation of this apparatus could cause serious damage to objects

and people alike. Therefore it is essential to rely on an installer who has been previously

authorized or approved by D&M or by our local representative and that both the user and

the installer read the whole manual before carrying out any operation.

Failure to apply these guidelines can lead to situations in which legally applicable safety

standards are not met. In these cases, D&M shall be exempt from any responsibility.

All units will be properly grounded, through the network wire or through a special

ground wire for this purpose. The ground should meet guidelines applicable to low voltage

systems.

Do not use units in areas containing an explosive atmosphere, or where inflammable

gases or smoke may be present.

Fuses blown as a result of short-circuit must be replaced with new one of the same

value and characteristics. Repaired fuses must never be used. Fuse sockets should be

checked to ensure that they have not been damaged.

Do not make any modifications to units. Any modification can lead to additional

dangers that cannot be controlled.

Do not use inflammable products, which can lead to a risk of fire. Do not use solvents

that may damage the paint surface, markings or lettering.

Maintenance personnel must not remove unit covers without taking required protective

measures. Any manipulation must always be carried out by qualified or maintenance

personnel. Appropriate precautions must be taken even when the unit has been

disconnected: the inside of the unit may still have a dangerous voltage level.

!!! MAINS VOLTAGE MAY KILL !!!

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TECHNICAL SPECIFICATIONS

TECHNICAL CHARACTERISTICS for TRANSMITTER

Frequency range…………………... 200.00 to 220 MHz /240 to 260 MHz / 300 to 320 MHz / 320 to 340 MHz /

400 to 420 MHz / 460 to 470 MHz / or other frequency on demand.

Output Power……………………….. 25W MAX /250W MAX

Output Connector………………….. 50 ohm, Type N female

Frequency Stability……………….. ± 0.0002%, 0°C to + 50°C

Spurious Signal Emission……………. 60 dB below maximum carrier power

Base band Frequency Response……. ± 0.1 dB or better, 50 Hz to 53 kHz. ± 0.3 dB or better,

30 Hz to 100 kHz, the 3 dB roll off is approximately 220 kHz.

Stereo Separation……………………. > 55 dB at 1 kHz modulating frequency

Total Harmonic Distortion……………. 0.02%, 75 μsec de-emphasis

Signal-to-Noise Ratio………………… 80 dB below ±75 kHz deviation, 75 μsec de-emphasis

Nonlinear Crosstalk…………………... 50 dB or better

Sub channel-to-Main…………………. 60 dB or better

Modulation Capability………………… Stereo channel and MUX input for RBDS, SCA, or MUX

Modulation Input Levels……………… Composite: 3 Vp-p into 2k ohms for ± 50 kHz deviation.

Input Connectors……………………… BNC and XLR

Mains power supply requirements…. 90~264VAC; 127~370VDC, Full range universal input

Operating temperature range…… -10 to 45 ℃

Dimensions……………………….. 483 x 89 x 400 mm, rack std. 19” 2U (STL10-25W)

483 x 132.5 x 400 mm, rack std. 19” 3U (STL10-250W)

Weight………………………………………… 6.5 Kg (STL10-25W), 16.5 Kg (STL10-250W)

TECHNICAL CHARACTERISTICS for RECEIVER

Frequency range…………………... The same with transmitter above

RF Input Connector ................... Type N Female, 50 ohm

Sensitivity……………………… 30 mV for 60 dB SNR, 400 mV for 80 dB

Stereo Separation...................... 50 dB at 1 kHz, 40 dB or better at other frequencies

Total Harmonic Distortion……… 0.05% with 75 μsec de-emphasis

Crosstalk (Mux-to-Main) ............ 50 dB or better

Signal-to-Noise Ratio………….. 75 dB with 75μsec de-emphasis at maximum deviation.

AC power……………………………… 85~264VAC; 120~370VDC, Full range universal input

Operating temperature range…. -10 to 45 ℃

Dimensions…………………………….. 483 x 89 x 320 mm , rack std. 19” 2U

Weight…………………………………….. 5 Kg

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FRONT PANEL

All FMT-Series digital front panels are pretty similar; they all carry the LCD display and

function keys for operation control.

The power-on switch with internal mains signaling lamp is on the right.

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REAR PANEL CONNECTORS

OUTPUT

50 OHM

EARTH

90~264V AC

50/60 Hz 80VA

FUSE 3A/250V

AUDIO INPUT

RIGHT

LEFT

EXTERNAL

AUX

10-100000 Hz

20-100 KHz

ANT.

EARTH

90~264V AC

50/60 Hz 80VA

FUSE 3A/250V

PHONE STEREO

MONITOR

20-100 KHz

MPX

LEFT

RIGHT

AUDIO OUTPUT

All STL input and out put are allocated on the rear panel. They are:

zThe audio channels sockets on balanced female XLR-type connectors.

zThe wide-band external processed / stereo composite signal input/output on a

grounded, unbalanced BNC connector.

zThe low-frequency limited (20k~100kHz) auxiliary channel input on a

grounded, unbalanced BNC connector for transmitter.

zThe RF antenna connector, N-type.

zThe hot center-pin on the “EXTERNAL” BNC input in physically in parallel

with the signal + input (pin3) on the mono/right channel XLR socket. For

this reason both connectors cannot be used at the same time.

zThis panle also carries the IEC-type mains socket with fuse and an earth

screw for system earthing, besides the ground ping on mains socket.

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INSTALLATION AND USE

STL TRANSMITTERS

FOREWORD TO INSTALLATION

Install the transmitter in a dry, vented, dust-free environment, with a mean

temperature of +10~+35 °C. Do not install on surfaces or racks subjected to vibrations,

external vibrations can impair S/N ratio.

Connect your audio source using suitable cables and connectors.

The STL10 Series audio circuitry is similar to hi-fi equipment and should be installed

and wired with the same attention; avoid earth loops as much as possible. When these

conditions are met, the transmitter will deliver excellent audio characteristics.

The STL10 Series are fully RF shielded and can be installed close to the production

studio, this type of installation allows constant monitoring of audio levels, deviation and

power parameters. The transmitter can also be installed in other locations away from the

studio and connected with several meters of LF co-axial cables with no adverse effect on

modulation quality. Remote installation usually requires STL (Studio to Transmission Link

equipment).

Final modulation performance is based upon the system installation, give careful

consideration to where you will locate the transmitter. Additional advices are given in

the appropriate paragraphs in this manual to assist you to achieve an optimum

environment.

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RF CONNECTION

Connect the N type output connector, marked "RF OUT" to the antenna system with

top-grade 50-ohm shielded cable.

Note: Although most 50-ohm specified cable has enough power management

capability, its power attenuation can be too high and may excessively lower the power

available to the antenna. For this reason use only low-attenuation type cable; we suggest

RG213 cable or in certain applications, where the power is over dimensioned or the cable

length is small, RG58 cable can be used. Times Microwave, Cell Flex, Andrews all

manufacture high quality low loss coax.

POWER UP

1) Connect transmitter to mains, check the ground, switch on.

Menu will display the model and firmware version. “Our ODM Series will display the

customer’s information”

If this is the first boot or you need to change the systems configuration select “No” by

pressing the ►button. If no changes are made the unit press the “set” button unit will

perform a 10 second internal self test, once complete the LCD will look like this:

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Initially, the PLL requires sometime to lock onto your frequency. During this phase

the LCD will display “UNLOCK” and “**INH** PLL UNLOCK” alarm.

Once locked onto your frequency the display will show “LOCKED” and “NORMAL

STATE”. At this point the transmitter will begin delivering power to your antenna.

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SETTING FREQUENCY AND TRANSMIT POWER

From the main menu, press “SET” for 3 seconds, the LCD will display the setup

mode. You should see FREQ with the [ ***.**MHz ] in blocks.

Use “▲” “▼” keys to change frequency, press and hold for fast forward, for fine

tune press and release. You can select any frequency in 10 kHz steps.

Once you have set the frequency use the “◄” “►” keys to change to the next

parameter. This will display the output power “PS” with the PS in [ 0 ] blocks use the

“▲＂ “▼＂ keys to set the power from zero to maximum. Power output is displayed

as “FWD:” reflected power is displayed as “REF”.

Correct operation will be within a range where the reflected power should be less

than 10% of the forward power. In the event your reflected power exceeds 10% you

should immediately inspect all connections, coax cable/feed line, antenna connection

or antenna match/tune.

Check the transmitter's maximum output power does not harm the downstream

amplifier stage (if any). If needed, set output power to the minimum.

Once you have finished setting the frequency and power press “SET” for 3 seconds

again; this will save your new settings to the unit’s memory. All parameters will be

saved even during a power outage or reboot.

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Use the “▲＂ “▼＂ keys to move to the next display parameter.

Next, we will repeat the setup mode in the audio display, press “SET” for 3

seconds or until you see the [ ] blocks.

The [ ] blocks will be in “MODE” area. Use the “▲＂ “▼＂ keys to change from

Stereo to Mono, when you have selected stereo/mono press the “►” key, this will

advance the selection to “PR” change the pre-emphasis by pressing either “▲＂

“▼＂ keys, now press the “►” key the blocks will advance to “LIM” the units on-board

limiter, to make changes press the “▲＂ “▼＂ keys, press the “►” key once more

and it will highlight the L/R: Audio input level, use the “▲＂ “▼＂ keys to select the

audio level, now press the “►” key once more the blocks advance to the “A＂

section, “Auxiliary Channel＂again use the “▲＂ “▼＂ keys, to make your

selection. Once finished remember to press “SET＂for 3 seconds for the new

parameters to be saved to the units memory. The digital menu display system is very

easy to understand and you will become familiar with its functions very quickly.

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LF CONNECTION

Pre-emphasis setting “PR:”

Low frequency and stereo channel signals have to be adequately "pre-emphasized". For

this purpose, select the setting “PR” and choose 0, 25, 50, and 75μs. Factory preset is

50μs. (Europe/Pacific/South America). USA requires 75μs. When using an external

processor that employs pre-emphasis you must set the “PR” to 0.

If you need to alter the setting, select and adjust the “PR” to the required parameter.

LF wiring and impedance selection

The STL10 Series supports

balanced/unbalanced signals with selectable

input impedance.

The audio inputs can be set to 600/10K

ohm resistive impedance; factory preset is

10k ohm. They can be connected to the

balanced output of a professional mixer or to

the unbalanced output of a low cost unit

without appreciable degradation.

Selection of the input impedance is done

by jumpers JP1 and JP2 on the input board

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shown to the right; Impedance selection is silkscreened on the component mask of the

board.

LF audio mono or stereo input employ " XLR" female connectors, use balanced coaxial

cable connected to pin 3(+) and pin 2(-). Connect the ground of the driving equipment to

pin 1.

In case of unbalanced drive, input pin 2 shall be

short-circuited with ground and shield on pin 1, while the

signal shall be available on pin 3.

High impedance selection. 5K ohm instead of 10K ohm.

With a balanced audio signal, the audio cables can be

run for 100 meters.

MPX or an externally processed signal, usually an

unbalanced signal, can be supplied to the female BNC

connector, marked "EXTERNAL", which is internally parallel

wired with the mono /right channel connector: for this reason

it is not possible to connect signals to these two connectors

at the same time. Higher impedance position is 5K ohm in

this case.

Connect this input with a 50-ohm (RG58) cable up to 3

meters’ distance; if the distance exceeds several tens of

meters, use 75-ohm (RG59) or 92-ohm (RG62) cables.

The auxiliary-channel connector, also of the BNC female type, is ground as usual. Use

50-ohm (RG58) or 75-ohm (RG59) cables to connect to the driver.

LF input level range, setting and requirements

In the following paragraph we will refer to 0 dBm as the audio signal which produce

1mW on 600 ohm, i.e. a 775mVrms / 2200 mVpp sine. Irrespective of the impedance we

will continue to assume 0dBm as a LF signal whose peak is + (or-) 1100 mV.

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In the same way, when discussing the modulation, we will assume a 0dB signal

produces 100% maximum modulation, i.e. 75 kHz deviation.

There is no absolute world-wide standard regarding LF peak level as a modulation

signal for a transmitter, nor for the mean deviation. Many Broadcasters use 0 or +6 dBm as

LF peak level for 100% modulation, USA often uses +10 dBm.

Many European countries specify +6dBm for 40 kHz deviation (which is assumed to be

a "mean" modulation). This allows for 5.5dB headroom to max 75 kHz deviation, i.e. +11.5

dBm.

Higher level audio inputs and ambient noise:

High levels will stress the input circuitry of the transmitter, reducing the dynamic

distortion-free range over the nominal level (headroom). It will also reduce the quality of

audio. For this reason we recommend, whenever possible, to adopt a +6 ~ +10 dBm as

nominal peak level for audio modulation purposes.

The STl10 Series transmitters allows an input level range on the main channel of-9 ~

+6 dBm to be set for 100% modulation, with almost no difference in modulation

performances, if a high quality signal is provided. Even at the higher level, +6 dB minimum

headroom is allowed (i.e. up to 150 kHz deviation, with no distortion). Obviously this

deviation is not currently allowed by the broadcast standards and the limiter threshold

must be set at its maximum to permit undistorted performance.

The auxiliary channel's gain lies within -6 and -24 dB, with respect to 0 dBm and 100%

modulation; this input's maximum applicable level is 0 dBm (775 mV rms).

Typical input levels for an SCA-type signal (10% max. admissible deviation) may lie in

the --9 to 0 dBm range (245 - 775 mV rms / 696~2200 mV pp), when the gain is set

between -9 dB. Typical-input levels for an RDS-type signal (max. admissible peak deviation

2 kHz) may lie in the -21.5 to -11.5 dBm (185 ~ 585 mV pp) ranges, when the gain is set

between -9 dB as above.

The nominal input level to 0 dB modulation may be set with good precision on audio /

stereo composite channels, by change the gain to reach the wanted level.

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The auxiliary channel level is much more difficult to be precisely set, due to the wider

range of the continuously variable control, 18 dB vs. 4 dB. Nevertheless dB control is easy

to be set when applying the nominal signal from an external generator, whose level is

known, and regulating it to display the wanted modulation on the modulation meter.

The transmitter’s internal limiter is of the peak-clipping type; this means that as soon

at it cuts in, modulation distortion increases sharply. For this reason, the modulation signal

should be kept under control to prevent intervention of the limiter.

The cut-in limiter threshold is factory preset to +2.5 dB (100 kHz peak value). It may

be set from 0 dB (75 kHz) and more than +6 dB (150 kHz). This threshold value is mostly

specified in the various national standards, and tolerance to short over-modulating peaks

varies from country to country.

In any case, the modulation peak value that is internationally admitted for FM is 75

kHz for peaks that are not extremely short. For this reason, the limiter's cut-in threshold

should never be too high. It is highly recommended to use an external multi-band limiter to

optimize modulation, with higher tolerance for any audio-signal peaks. Such devices

momentarily reduce the amplifier circuits' gain if the threshold is exceeded and prevent

severe, significant distortion.

Any external compressor, limiter or audio meter must be frequency compensated with

the same time constant of the pre-emphasis to modulate or monitor deviation properly.

Therefore, the audio level shall be constantly and correctly monitored and adjusted, to

prevent as much as possible, the internal limiter from cutting in. On the other hand, the

audio level should be as high as possible, to achieve the best on-air sound.

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The tendency to over process the audio signal is common with local broadcasting

stations: some sort of processing is advisable and we recommend using a top grade

multiband compressor but not as to compress the signal to a point that impairs the original

dynamics.

The audio response of the STL10 Series is very flat, without perceivable loss on low

and high audio frequency: for these reasons large frequency alterations of the audio

signal supplied by using a so-called "frequency equalizer," are not advisable. An

increase of the low and high frequency contents of the audio signal by more than a

few dB can cause general degradation of modulation dynamics and improper

functioning of the limiter.

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OPERATION

Stereo Broadcasting with 2 Input Audio Channels:

1) Wire the XLR-type modulation input connectors, marked "Left" (channel) and "Right"

(channel), to the output of the two channels

from the mixer or stereo source.

2) Change "MODE" to "Stereo".

Mono Broadcasting, from a monophonic audio

source:

1) Wire the "right" (or mono) input connector to the corresponding audio source as above.

Please note that in this case too, the signal runs through the channel(s) processors and is

15-kHz filtered and pre-emphasized.

The FMT-Series with internal stereo-encoder is usually factory preset to process the right

channel input signal in the mono mode: it is however possible to use the left channel signal

in a similar way by moving jumper "BD1" on

the stereo encoder board from position "R" to

"L". It is also possible to mix automatically the

left and right channels for mono by inserting 2

jumpers in "L" and "R" on the encoder: the

transmitter is thereby already preset for stereo

operation if needed.

2) Move "MODE:" to "Mono" and set "L/R: " to "0dB".

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Mono or Stereo Broadcasting from Radio-Link Receiver or an External Encoder:

1) In this case, the signal is already

multiplexed and pre-emphasized. Use the

"External" or "Stereo" audio input.

The signal skips the coding and filtering

stage and therefore is not pre-emphasized.

2) Move "MODE" switch to "External".

Operation with a RDS or SCA Encoder

1) Wire the BNC-type "Aux" connector to the output of the RDS or SCA Encoder,

momentarily disconnecting any other signal, if present. Wire the pilot-tone synchronization

output to the corresponding input of RDS encoder, if present.

2) Momentarily move "MODE:" switch to "Mono".

3) Adjust RDS or SCA encoder output level and /or transmitter aux level front trimmer,

marked "aux gain", to achieve the right modulation level.

Modulation Adjustment with broadcast signal:

Check the modulation level for adequacy, as follow:

1) Send a sufficiently constant musical signal to modulator input, check that the meter

needle hovers around 0 dBm and moves into the red range during signal peak only and by

no more than 1 or2dB. For any other reading, adjust the mixer's "MASTER" volume until the

above conditions are obtained.

The "Limiter" alarm should never or very rarely shows up as this would indicate distortion.

If the limiter is set just above 75 kHz, the ”LIM” will shows up above 0dB and the

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meter will never show a much greater value. Factory preset is 100kHz (+2.5dB).

"MODE" Switch on "Mono " and “0dB”

In this position, the audio circuit gain of the transmitter is slightly below unity (90%)

and corresponds to the sensitivity obtainable in the stereo position, with pilot tone which

allows for the remaining 10%.

Use this setting exclusively to test briefly stereo-mono switch, when no volume

variation is desired in the modulation. In this case, for two-channel mono operation, it is

preferable to place two jumpers in "L" and "R" at the BDI position on the stereo encoder

board, to use both channel mixed in transmission.

For protracted mono broadcasting, use the position "Mono” “0dB", which permits

correct 100% modulation with 0dB level, as indicated by the internal meter.

Low power level transmission

The FMT-Series transmitters are not specified at power level less than 2 Watt, as with

some power and frequency combinations (usually at less than 0.5 Watt, some

sub-harmonic and/or spurious signals may be generated.

Were low power level transmission was imperative, verify with a spectrum analyzer

that the transmitter is correctly functioning at and just below the operation power: lowering

the exciter to final amplifier power, via the exciter board power regulator, may help and

even completely fix the problem.

The installation of the transmitters is thereby completed. D&M wishes you success in

your work and remind you that they are always available for further information or to tackle

any specific problem.

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STL RECIEVER

FOREWORD TO INSTALLATION

Install the RECIEVER in a dry, vented, dust-free environment, with a mean temperature

of +10~+35 °C. Do not install on surfaces or racks subjected to vibrations, external

vibrations can impair S/N ratio.