FujiFilm GFX100 User manual

New Features Guide
Version 3.00
Features added or changed as a result of rmware updates may no
longer match the descriptions in the documentation supplied with
this product. Visit our website for information on the updates avail-
able for dierent products:
https://fujifilm-x.com/support/download/firmware/
BL00005119-200 EN

Contents
GFX 100 rmware version 3.00 adds or updates the fea-
tures listed below. For the latest manuals, visit the follow-
ing website.
http://fujifilm-dsc.com/en/manual/
No. Description GFX 100
P
See
PVer.
1
1 The camera now offers a“PIXEL SHIFT MULTI SHOT”option. –1,
11 3.00
2
2
A COMPRESSED option has been added to H IMAGE
QUALITY SETTING > RAW RECORDING >
RECORDING TYPE in the shooting menu.
106 3 2.00
3
3
gCLASSIC Neg. and NETERNA BLEACH BYPASS
options have been added to HIMAGE QUALITY
SETTING > FILM SIMULATION in the shooting menu.
107 4 2.00
4
4
Separate ROUGHNESS and SIZE options are now
available for HIMAGE QUALITY SETTING > GRAIN
EFFECT in the shooting menu.
108 5 2.00
5
5A COLOR CHROME FX BLUE item has been added to
HIMAGE QUALITY SETTING in the shooting menu. 109 6 2.00
6
6
The ASHOOTING SETTING > FOCUS BKT item in
the shooting menu now offers a choice of MANUAL
and AUTO focus bracketing options.
139 7 2.00
7
7
The BMOVIE SETTING > F-Log/HLG RECORDING
item in the shooting menu has been renamed
F-Log/HLG/RAW RECORDING and now supports
RAW output.
158 9 2.00
8
8
The procedure for rating pictures has changed. As a re-
sult, the content of the playback information displays
has changed and a RATING item has been added to the
playback menu.
172,
173,
187
11,
12,
13
2.00
9
9
Movie recording can now be controlled via a wider variety of ex-
ternal devices. As a result, the D CONNECTION SETTING >
PC CONNECTION MODE item in the setup menu has been
renamed CONNECTION MODE.
244 14 2.00

1
GFX 100 Owner’s Manual: P– Ver. 3.00
PIXEL SHIFT MULTI SHOT
The camera takes a series of 16 shots, using in-body image sta-
bilization to move the image sensor by half a pixel with each
shot and recording each frame in RAW format. Using specialized
computer software, the frames can then be combined to create a
high-resolution RAW picture.
1 Rotate the DRIVE mode dial to MULTI.
2 Press the DRIVE button to view drive mode options.
3 Select PIXEL SHIFT MULTI SHOT and choose a value for
INTERVAL.
• We recommend setting INTERVAL to SHORTEST.
• If you intend to use the ash with every shot, choose a val-
ue for INTERVAL long enough to allow the ash to charge
between shots.
4 Press the shutter button to start shooting.
• The shots are recorded to the memory card in RAW format.
•
To minimize vibration, use the self-timer or a remote release.
5 Combine the shots on a computer.
•
The shots can be combined using FUJIFILM Pixel Shift Combiner.
• To save high-resolution RAW pictures in other formats, use
Capture One Express Fujilm, Capture One Pro Fujilm, or
Capture One Pro, available from Capture One A/S. FUJIFILM
X RAW STUDIO and RAW FILE CONVERTER EX powered by
SILKYPIX cannot be used for this purpose.
Changes and Additions
Changes and additions are as follows.

2
N
• Visit the websites below to learn more about or download the follow-
ing computer software:
-FUJIFILM Pixel Shift Combiner:
https://fujifilm-x.com/products/software/pixel-shift-combiner/
-Capture One Express Fujilm:
https://www.captureone.com/products-plans/capture-one-express/fujifilm
-Capture One Pro Fujilm:
https://www.captureone.com/explore-features/fujifilm
-Capture One Pro:
https://www.captureone.com/explore-features
• Pixel-shift multi-shot photography can be performed via tethered
shooting. For this purpose, use FUJIFILM Pixel Shift Combiner.
• The ash will synchronize with the shutter at shutter speeds of ⁄s or
slower (14-bit RAW) or ½s or slower (16-bit RAW).
• The following limitations apply to the use of the pixel-shift multi-shot
option:
-Pixel-shift multi-shot photography can only be performed using the elec-
tronic shutter.
-Sensitivity is restricted to a maximum of ISO 1600. Choosing higher values
or a setting of AUTO results in a sensitivity of ISO 1600, while lower values
remain unchanged.
-The only option available for RAW RECORDING >RECORDING TYPE is
LOSSLESS.
-Pictures taken with C(AF-C) selected for focus mode will be shot in focus
mode S(AF-S). Pictures taken with A(AF-S) or M(manual) selected are shot
in the chosen focus mode.
-If the subject or camera moves during shooting, the desired results may
not be achieved when the shots are combined.
-A
SHOOTING SETTING > FLICKER REDUCTION is automatically set to OFF.
-
The value selected for exposure compensation applies to all 16 shots.
Playback
Pictures taken using the pixel-shift multi-shot
option are indicated by a pixel-shift multi-shot
icon in full-frame playback (P11).

3
GFX 100 Owner’s Manual: P106 Ver. 2.00
RAW RECORDING
Choose whether to compress RAW images.
RECORDING TYPE
RECORDING TYPE
Option
Option
Description
Description
UNCOMPRESSED RAW images are not compressed.
LOSSLESS
RAW images are compressed using a reversible algorithm
that reduces file size with no loss of image data. The im-
ages can be viewed in Capture One Express Fujifilm, RAW
FILE CONVERTER EX powered by SILKYPIX, FUJIFILM X RAW
STUDIO, or other software that supports “lossless” RAW
compression. Quality is the same as UNCOMPRESSED,
but the resulting files are anywhere from about 30 to 90
percent (14-bit RAW) or 45 to 100 percent (16-bit RAW) of
their uncompressed size.
COMPRESSED
RAW images are compressed using a “lossy”, non-reversible
algorithm. Quality is about the same as UNCOMPRESSED,
but the resulting files are anywhere from about 25 to 35 per-
cent (14-bit RAW) or 30 to 40 percent (16-bit RAW) of their
uncompressed size.
OUTPUT DEPTH(bit)
OUTPUT DEPTH(bit)
Option
Option
Description
Description
16bit RAW pictures are recorded at a bit depth of 16 bits.
14bit RAW pictures are recorded at a bit depth of 14 bits.
O
When selected, 16bit only takes eect in single-frame drive mode.

4
GFX 100 Owner’s Manual: P107 Ver. 2.00
FILM SIMULATION
Simulate the eects of dierent kinds of lm, including black-
and-white (with or without color lters). Choose a palette ac-
cording to your subject and creative intent.
Option
Option
Description
Description
cPROVIA/STANDARD Standard color reproduction. Suited to a wide range of
subjects, from portraits to landscapes.
dVelvia/VIVID A high-contrast palette of saturated colors, suited to na-
ture photos.
eASTIA/SOFT
Enhances the range of hues available for skin tones in por-
traits while preserving the bright blues of daylight skies.
Recommended for outdoor portrait photography.
iCLASSIC CHROME Soft color and enhanced shadow contrast for a calm look.
gPRO Neg. Hi Offers slightly more contrast than hPRO Neg. Std.
Recommended for outdoor portrait photography.
hPRO Neg. Std
A soft-toned palette. The range of hues available for skin
tones is enhanced, making this a good choice for studio
portrait photography.
gCLASSIC Neg. Enhanced color with hard tonality to increase image
depth.
XETERNA/CINEMA Film movies using a palette that features subdued colors
and deep shadows.
NETERNA BLEACH
BYPASS
Unique color with low saturation and high contrast. Suit-
able for still and movie.
aACROS* Take black-and-white photos with rich gradation and out-
standing sharpness.
bMONOCHROME* Take pictures in standard black and white.
fSEPIA Take pictures in sepia.
* Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of
gray corresponding to hues complementary to the selected color. The yellow (Ye)
filter deepens purples and blues and the red (R) filter blues and greens. The green
(G) filter deepens reds and browns, including skin tones, making it a good choice
for portraits.

5
GFX 100 Owner’s Manual: P108 Ver. 2.00
GRAIN EFFECT
Add a lm grain eect.
ROUGHNESS
Option
Option
Description
Description
STRONG Choose for rougher grains.
WEAK Choose for smoother grains.
OFF Turn the effect off.
SIZE
Option
Option
Description
Description
LARGE Choose for coarser grains.
SMALL Choose for finer grains.

6
GFX 100 Owner’s Manual: P109 Ver. 2.00
COLOR CHROME FX BLUE
Increase the range of tones available for rendering blues.
Option
Option
Description
Description
STRONG Choose for a strong effect.
WEAK Choose for a weak effect.
OFF Turn the effect off.
N
COLOR CHROME FX BLUE options have also been added to.
• HIMAGE QUALITY SETTING>EDIT/SAVE CUSTOM SETTING
(GFX 100 Owner’s Manual P118)
• CPLAY BACK MENU>RAW CONVERSION
(GFX 100 Owner’s Manual P179)
• DSCREEN SET-UP>REAR SUB MONITOR SETTING
(GFX 100 Owner’s Manual P218)
• DBUTTON/DIAL SETTING>EDIT/SAVE QUICK MENU
(GFX 100 Owner’s Manual P222, 255)
• DBUTTON/DIAL SETTING>FUNCTION (Fn) SETTING
(GFX 100 Owner’s Manual P223, 259)

7
GFX 100 Owner’s Manual: P139 Ver. 2.00
FOCUS BKT
Choose from AUTO and MANUAL focus bracketing modes.
• MANUAL: In MANUAL mode, you choose the following.
Option
Option
Description
Description
FRAMES Choose the number of shots.
STEP Choose the amount focus changes with each shot.
INTERVAL Choose the interval between shots.
Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and
STEP is shown in the illustration.
12345
:
Starting focus position
• Focus proceeds from the starting position toward infinity.
• Small STEP values translate to small changes in focus, larger values to larger
changes.
• Regardless of the option chosen for FRAMES, shooting ends when focus
reaches infinity.
Frames
Step

8
• AUTO: In AUTO mode, the camera calculates FRAMES and STEP
automatically.
1 Select ASHOOTING SETTING in the shooting menu, high-
light FOCUS BKT, and press MENU/OK.
2 Select AUTO and choose an INTERVAL.
The view through the lens will be displayed.
3 Focus on the nearest end of the
subject and press MENU/OK.
The selected focus distance ap-
pears as Aon the focus distance
indicator.
SETSET POINT B
SET POINT A
CONTROL THE FOCUS RING
FOCUS BKT SETTING
N
The same focus range can be chosen by focusing on the farthest
end of the subject rst.
4 Focus on the farthest end of the
subject and press DISP/BACK.
The selected focus distance (B) and
focus range (Ato B) appear on the
focus distance indicator.
SETSET POINT A
CONTROL THE FOCUS RING
SET POINT B
FOCUS BKT SETTING
N
Instead of pressing the DISP/BACK button, you can press MENU/OK
and select Aagain.
5 Take photographs.
The camera will calculate values for
FRAMES and STEP automatically.
The number of frames will appear
in the display.
NO