Kawai Digital Electronic Organs SR50 User manual

KAWAI
Digital Electronic Organs
-SII70
Owner^s Manual

WARNING: This equipment generates, uses, and can radiate radio frequen¬
cy energy. If not installed and used in accordance with the instruction rnanual,
it can cause interface to radio communications. The rules with which it must
comply afford reasonable protection against interface when used in most loca¬
tions. However, there can be no guarantee that, such interface will not occur in
a particular installation. If this equipment does cause interference to radio or
the equipment off and on, the user is encouraged to try correct the interference
by one or more of the following measures:
- reorient the receiving antenna.
- move the receiver away from the organ.
- plug the instrument into a different outlet so that it and receiver are on dif¬
ferent branch circuits.
- consult the dealer or experienced radio television technician.
This instrument has been certified to comply with the limits for a class B digital
apparatus, pursuant to the Radio Interference Regulations, C.R.C., c. 1374.
This electronic organ should be not commercial use but household use.
Ce orgue diectronique ne doit etre pas pour emploi commercial mais pour
emploi familial.

IMPORTANT SAFETY INSTRUCTIONS
WARNING — When using electric products, basic
precautions should always be followed, including
the following:
1. Read all the instructions before using the
product.
2. Do not use this product near water - for ex¬
ample, near a bathtub, washbowl, kitchen sink,
in a wet basement, or near a swimming pool, or
the like.
3. This product should be used only with a cart
or stand that is recommended by the
manufacturer.
4. This product, either alone or in combination
with an amplifier and headphones or speakers,
may be capable of producing sound levels that
could cause permanent hearing loss. Do not oper¬
ate for a long period of time at a high volume level
or at a level that is uncomfortable. If you ex¬
perience any hearing loss or ringing in the ears,
you should consult an audiologist.
5. The product should be located so that its lo¬
cation or position does not interfere with its
proper ventilation.
6. The product should be located away from heat
sources such as radiators, heat registers, or other
products that produce heat.
7. The product should be connected to a power
supply only of the type described in the operat¬
ing instructions or as marked on the product.
8. This product may be equipped with a polarized
line plug (one blade wider than the other). This
is a safety feature. If you are unable to insert the
plug into the outlet, contact an electrician to
replace your obsolete outlet. Do not defeat the
safety purpose of the plug.
9. The power-supply cord of the product should
be unplugged from the outlet when left unused
for a long period of time.
10. Care should be taken so that objects do not
fall and liquids are not spilled into the enclosure
through openings.
11. The product should be serviced by qualified
service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled
into the product; or
C. The product has been exposed to rain; or
D. The product does not appear to operate nor¬
mally or exhibits a marked change in perfor¬
mance; or
E. The product has been dropped, or the en¬
closure damaged.
12. Do not attempt to service the product be¬
yond that described in the user-maintenance in¬
structions. All other servicing should be referred
to qualified service personnel.
k
CAUTION
i
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
TO REDUCE THE RISK
OF FIRE OR ELECTRIC
SHOCK.
DO NOT EXPOSE
THIS PRODUCT TO
RAIN OR MOISTURE.
AVIS: RISQUE DE CHOC ELECTRIQUE -NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
A The lighting flash with arrowhead symbol, within
an equilateral triangle, is intended to alert the
user to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sufficient magnitude to constitute a risk of
electric shock to persons.
A The exclamation point within an equilateral trian¬
gle is intended to alert the user to the presence of
important operating and maintenance (servicing)
instructions in the literature accompanying the
product.

KAWAI SR SERIES OF ELECTRONIC ORGANS
Thank you for purchasing a member of the Kawai
SR series of electronic organs. The latest
advances in electronics and computer technology
help make them the best Kawai organs yet!
We're proud that you recognize the distinctive
quality and fine craftsmanship that makes Kawai
the choice of beginners and professionals alike.
Your Kawai SR Series organ has so many exciting
easy to use features that will help everyone in
your family sound more like a professional play¬
er.
Standard features include Kawai's Additive Digital
Dynamic (ADD) system, a third keyboard especial¬
ly for solos (SR70), full touch response, and exter¬
nal mass storage in the form of floppy disks.
These combine to provide you, the musician, with
realistic sound, complete flexibility and a full
range of artistic expression. Read and learn
about these exclusive Kawai features, and many
others. Then play one of your favorite songs uti¬
lizing some of these features. You'll be amazed at
how good you sound!
To get the most out of your new organ, we rec¬
ommend that you read the manual while seated
at the organ. Always keep this manual handy for
future reference.

CONTENTS
1. Product Features and Controls .. 3
1.1 Control Panel Location Guide . 5
2. Getting Ready to Play..
2.1 Volume Adjustment....... 8
2.2 KEYBOARD CONDUCTOR... 9
3. Tones and Effects . ii
3.1 TIBIA. 11
3.2 ORCHESTRA .... 13
3.3 PRESET INSTRUMENT... 18
3.4 SYNTHESIZER. 21
4. Rhythm Accompaniment. 2 4
4.1 Procedure .. 24
4.2 Additional Functions... 25
4.3 Hand Percussion... 27
4.4 Program Rhythms .. 29
5. Auto Accompaniment System. 3 6
5.1 AUTO PLAY ORCHESTRA... 36
5.2 AUTO MELODY CHORD. 37
5.3 ONE FINGER, MEMORY, and CONSTANT Functioous . 38
5.4 ONE TWO PLAY. 38
6 . Registration Memory. 3 9
7. Disk Player System . 41
7.1 Function of the Disk Player System.i... 41
7.2 Disk Sequencer ••— .....;... 43
7.3 Saving and Loading Program Rhythms ...—.. 50
7.4 Saving and Loading Program Registrations .......... 53
7.5 Function Mode... 57
8 . MIDI. 65
8.1 Introduction. 65
8.2 Operation. 67
9. Other Functions....
9.1 TUNE Function. 70
9.2 TRANSPOSE Function. 70
9.3 TOUCH SENS Control. .i. 71
9.4 DIGITAL REVERB Switch .. ' 71
9.5 MULTIPHONIC Switch. 71
9.6 LIGHT Switch.71
10. Front and Rear Panel Connectors. 7 2
10.1 Front Panel Connectors. 72
10.2 Rear Panel Connectors. 72
11. Specifications...73
1

1. Product Features and Controls
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How to Care for Your Kawai Organ
Here are some general rules to follow.
1) Always plug your KAWAI into a standard voltage AC line for
your area. Plugging into a DC outlet will cause damage.
2) To remove any greasiness from the cabinetry, keys, or pedals,
use a damp cloth and a little mild soap. Be sure to wipe dry with
a soft cloth.
3) Do not expose your KAWAI to direct sunlight, cold drafts or
radiator heat.
4) The battery protecting the sequener/registration memory con¬
tents should last for five years. When it is exhausted, the WRITE
button will flash three time. Replacement is not a job for an
amateur. Have an authorized repairman replace the battery.
2

1.1 Control Panel Location Guide
0 Panel Speakers
0Tune Switch
This enables you to change the tuning on your organ
(example: To match the pitch of an out of tune piano).
To change the tuning, press the tune switch and at the
same time press the arrow switches in the rhythim
section.
Tuning the organ page 70
Tuning the synthesizer page 22, 23
(D Touch Sensitive Switch page 71
This controls the sensitivity of the keyboard to your
touch. The lighter touch you have on the keyboard, the
softer the sound. If you strike the keyboard harder, it
will sound louder.
0 Digital Reverb page 71
The use of this control will give you instant concert hall
type of sound. It adds varying degrees of reverberation
(echo) to the organ sound. This is used to overcome a
room with poor accoustics. Since the reverb is digitally
generated, you will not experience the unpleasant
howling that arises when vibrations hit a spring reverb
unit during a performance.
0 TRACK/MIDI switch page 65
This switch is used to choose between the track
where the sound is recorded and piayed back by the
sequencer and the MiDI through which a sound sig¬
nal is sent to, and received from, the keyboard.
0 Drawbars page 11
The use of drawbars enabies you to creates millions of
sound variations. Each individual drawbar is a volume
control. Pulling the drawbar toward you increases the
volume. When used in combination, the tone &
volume are controlled by moving the drawbars in or
out.
0 Keyboard conductor page 9
This section contains the various tone groups (Tibia
— Orchestra — Preset Instrument — Synthesizer) for
the upper, lower pedal and solo keyboards (SR70).
Having all of the tone groups in one handy location
enabies you to change the sound quickiy and easily.
(§) Pedal Orchestra Control Block page 13
These switches control the tone, volume and effect
combinations.
® Percus./Tibia Effect Control Block page 12
These switches control the effect settings for the
tibia/percus section of the upper keyboard and the
tibia section of the lower keyboard.
® Upper Orchestra Control Block page 14
These switches control the tone, volume and effects
setting combinations for the upper keyboard orchestra
section.
(Q) Multifunction Display page 25
This normally displays the speed of the rhythm unit but
changes to other functions during programming and
adjustment.
© Upper/Solo Preset Instrument Control Block
page 18
The switches control the tone, volume and effect
settings for the upper or solo keyboard preset instru¬
ment section.
© Pedal/Upper/Solo Synthesizer Control Block
page 21
These switches control the synthesizer tone, volume
and effect settings for the pedal, upper and solo
keyboards.
© Lower Orchestra Control Block page 15
These switches determine the tone, volume and effect
setting combinations for the lower keyboard orchestra
section.
© Lower Preset instrument Control Block page
20
These switches control the tone, volume and effect
setting for the lower keyboard preset instrument
section.
© Total Volume Control page 8
This controls the total organ volume.
© Multiphonic Switch page 71
© Light Switch page 71
© Solo Keyboard
© Upper Keyboard
@ Lower Keyboard
@ DISK System page 41
© Power Switch
© ONE FINGER/ Memory/Constant Switches
page 38
© Auto Melody Chord Section page 37
These switches enable player to play 1 -finger chords
on the upper keyboard.
© DISK Sequencer page 43
These switches provide separate storage facilities for
registration and chord data. These may be combined
for automated playing.
© Registration Memory Section page 39
The switches control the storage and retrieval of tone,
rhythm, volume and other settings.
© Touch Bars page 28, 38
These bars will produce the chords, minor chords and
minor 7th chord when you are in 1 -finger chord play.
When you are not in 1 -finger chord play, the bars will
produce a drum roll and crash cymbal effect. They will
also produce other hand percussion sounds if you
program them to do so.
5

2. Getting Ready to Play
2.1 Volume Adjustment
■ Adjust the total volume control
• Procedure
Set the total volume switch at mid range volume (half
way between highest and lowest volume or the
middle switch of the control)
When one botton is When two bottons are
pressed. pressed at the same
time.
lote:
All volume controls on your SR Series electronic
organ feature a convenient set of tiny instantaneous¬
ly acting electronic switches, placed vertically on
each volume control. The switch at the bottom of
the control will produce the softest volume. As you
press the switches higher up on the control the vol¬
ume will increase. When two adjacent buttons are
pressed at the same time, the volume is set to the
midpoint between the levels by the two buttons.
This also applies to other buttons.
■ Depress the expression pedal halfway
This pedal controls the volume of the electronic
organ's overall volume. During a performance, using
the pedal gives music strong and weak expressions.
■ Adjust the TIBIA tone and Volume
• P )cedure
(1) P ress the TIBIA switch in the KEYBOARD CON¬
DUCTOR PEDAL section
SR70 SR50
(2) Press a pedal
(3) Adjust the tone and volume with the PEDAL TIBIA
drawbars
Note;
Pulling the drawbar towards you increased the
volume.
■ Repeat step 2 for the lower and upper sections
of the KEYBOARD CONDUCTOR.
■ Readjust the TOTAL VOLUME and
the expression pedal
Notes:
• This step changes the TIBIA volumes, but not the
tone.
• The TIBIA drawbars provide adjustment of both the
tone and the volume. Each drawbar controls the
volume for a particular pitch. Together, they provide
a limitless range of possible combinations. Although
it is possible to control output volume with just the
drawbars, the standard procedure is to adjust their
balance and then use the TOTAL VOLUME switches.
■ Repeat Steps 2-4 for the other voices available
in the KEYBOARD CONDUCTOR section.
8

@) Rhythm Switch page 24
Automatic rhythm accompaniment on and off.
@ Rhythm Volume/Tone Section page 24
These switches control the rhythm sections output
volume and tone.
Note:
Using a higher tone setting produces a more metalic
tone.
( 0 ) Tap Tempo Switch page 26
Alternate method of setting the tempo of the rhythm
accompaniment. Just tap the switch at the speed you
would like and the tempo is automatically set.
@ Auto Play Orchestra Section page 36
These switches control the tone, volume and features
of the organs auto accompaniment.
( 0 ) Fill In Select Switches page 26
This feature offers 3 different rhythm fill-in patterns.
0) Intro-Ending Switch page 26
This feature offers a selection of rhythm patterns to
use for an introduction or as an end to a song.
0 One Two Play Switch page 38
This feature automatically puts the organ in 1 -finger
chord play. It automatically sets up the appropriate
registrations and orchestral accompaniment for the
rhythm pattern selected. Each of the 64 rhythms has a
different registration and accompaniment.
0 Hand Percussion Switch page 27
Pressing this turns the lower keyboard into a per¬
cussion section. Each key then controls the instrument
appearing on the keyboard template.
0 Transpose Switch page 70
This allows you to transpose into another key. The
transpose feature has a range of 1 octave.
0 Arrow Switches page 25
Pressing these increases and decreases the numbers
appearing on the multifunction display. Usually the
display is showing the rhythm tempo, so pressing
the right arrow will increase the tempo, left arrow
will decrease the tempo. The arrow function also
plays a key role in such functions as tuning, trans¬
posing.
0 Variation Switches page 24
Pressing these introduces a variation into the rhythm
pattern that is playing.
0 Rhythm Selection Switches page 24
Since each rhythm pattern has 3 additional variations,
these 16 switches provide instant access to 64 pre¬
recorded rhythm patterns.
0) Expression Pedal page 8
0 Foot Switches (Rhythm stop) page 24
0 Foot Switches (Fill-in, Ending, Timpani, Grade)
page 26
0 MIDI Terminals page 65
These provide standardized connections to other MIDI
instrument.
0 Front Panel Jacks page 72
These allow you to connect headphones, a micro¬
phone, home stereo and other audio equipment to
organ.
0) Rear Panel Jacks page 72
These provide connections to optional equipment and
system enhancements.
6

2.2 KEYBOARD CONDUCTOR
SR70
PEDAL LOWER UPPER SOLO
-KEYBOARD CONDUCTOR-—
SR50
PEDAL UPPER LOWER
KEYBOARD CONDUCTOR
Sometimes a particular piece requires several changes
of tone and volume during the course of a perfor¬
mance. Frequently, these changes come in groups of
three or more. The KEYBOARD CONDUCTOR section
provides, in one handy location, the controls necessary
to make these changes with the minimum of fuss. The
SR70, for example, offer a choice of three registrations
for the SOLO keyboard (This keyboard is not available
on the SR50).
Similarly, there is a choice of five for the UPPER key¬
board on the SR70 (four on the SR50), four for the
LOWER keyboard on both models, and four for the
PEDAL keyboards (two on the SR50). In all cases,
pressing a single switch is ail that is required to change
the registration for a keyboard.
9

• Procedure
(1) Press the appropriate switch in the KEYBOARD
CONDUCTOR section.
UPPER
To change from ORCHESTRA I to PRESET
INSTRUMENT, for example, simply press the
PRESET INSTRUMENT switch. The organ then
automatically changes to the registration (tone,
volume, and effects) specified in the PRESET
INSTRUMENT (UPPER/SOLO) control block at
the top of the keyboard.
Notes:
• The synthesizer control blocks can be only used
for one keyboard at a time. On the SR70 SYNTHE¬
SIZER H offers a choice of SOLO or PEDAL; SYN¬
THESIZER L, SOLO, UPPER, or PEDAL. On the
SR50, there is only one synthesizer and a choice
between the UPPER or LOWER keyboards.
•The SR Series stores registration and other set¬
tings in non-volatile memory. This has its own
battery power supply that keeps them from disap¬
pearing when you turn off the organ. The same
RHYTHM, KEYBOARD CONDUCTOR, individual
tone, and other settings are therefore always avail¬
able when you next turn on the organ. However,
the organ tuning automatically returns to 0 (see
page 70), and the clock to internal.
It is also possible to mix two registrations by
holding down the switch for the current one and
pressing a second switch. The only exceptions are
the SYNTHESIZER registrations. (See Note below.)
10

3. Tones and Effects
3.1 TIBIA
The UPPER keyboard has a TIBIA/PERCUS control block; the LOWER and PEDAL keyboards, separate TIBIA control
blocks. Together, they provide a wide range of possible combinations.
SR70 SR50
TIBIA EFFECT TIBIA EFFECT
11

■ UPPER TIBIA/PERCUS and LOWER TIBIA ■ Effect Switches
(1) Changing registrations is as easy as pressing the
appropriate TIBIA switch in the KEYBOARD CON¬
DUCTOR section.
Note;
At this point, you may wish to double-check by
sounding a note on the corresponding keyboard. If not,
this entire step becomes optional.
SR70
SR50
( 2 )
Use the UPPER and LOWER drawbars to adjust the
balance between the output from the two sets of
tibia.
(3) Use the TIBIA EFFFECT and PERCUS/TIBIA
EFFECT switches (TIBIA EFFECT and PERCUS on
the SR50) in the UPPER MANUAL control block to
add or subtract effects. (See accompanying
chart.)
Note:
These effect switches are toggles: Pressing the switch
turns on the effect; pressing it a second time turns it
off.
SR70 SR50
TIBIA EFFECT
LOWER
CHORUS
UPPER
CHORUS
PERCUS (TIBIA EFFECT
m m
m a
m
TIBIA EFFECT
UPP. SUS — This adds a lingering SUSTAIN effect to
the UPPER keyboard tibia. It does not affect percussion
output.
LOWER CHORUS — This adds a slow swelling to the
LOWER keyboard tibia.
UPPER CHORUS — This adds a slow swelling to the
UPPER keyboard tibia, percussion and click.
TREMOLO — This switches the UPPER and LOWER
keyboard CHORUS effects, if present, to TREMOLO. This
effect applies to percussion as well. The sound swells
much more quickly than CHORUS.
Note;
It is impossible to use CHORUS and TAREMOLO simul¬
taneously. (See chart.)
UPPER
CHORUS
LOWER
CHORUS
TREMOLO UPPER
keyboard effect
LOWER
keyboard effect
ON
OFF
OFF
CHORUS
—
ON OFF
ON
TREMOLO
—
OFF ON OFF —
CHORUS
OFF ON
ON
—
TREMOLO
ON ON
OFF
CHORUS
CHORUS
ON ON ON
TREMOLO
TREMOLO
OFF OFF
OFF
— —
CLICK (SR70 only) — This adds clicks to the UPPER
keyboard TIBIA output. It does not affect the LOWER
TIBIA. When the click is added to the TIBIA sound, it
creates a nice jazz effect.
FORTE — This accentuates the UPPER keyboard per¬
cussion effect. It does not affect the LOWER TIBIA.
DECAY — This increase the time that it takes the
UPPER keyboard percussion effect to die out. It does
not affect the UPPER and LOWER TIBIA or CLICK
effect.
SUBTONE (SR70 only) — This adds note one octave
below the highest note on the UPPER keyboard.
12

■ PEDAL TIBIA
16
8
—
1 (
> -V
- PEDAL TIBIA-
(1) Changing registrations is as easy as pressing the
appropriate TIBIA switch in the PEDAL KEYBOARD
CONDUCTOR section.
( 2 )
SR50
Use the PEDAL drawbars to adjust the tibia output.
Note:
The only effect available for the PEDAL keyboard tibia
is the SUSTAIN in the PEDAL ORCHESTRA control
block.
3.2 ORCHESTRA
The SR70 offers a choice of two sections, ORCHESTRA I
and ORCHESTRA II, for the UPPER and LOWER key¬
boards; the SR50 has only one (ORCHESTRA) each.
Both models have a PEDAL ORCHESTRA section.
SR70
-ORCHESTRA I- -ORCHESTRA D-
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^ SUSI
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1_1
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VOLUME VOLUME
OftCHESTftA 1
1 STRINGS
1 '
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1 STRINGS
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1 BRASS
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I COSMIC
SR50
ORCHESTRA
^ SUS.I I^VARI
= 0
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VOLUME
ORCHESTRA 0
13

■ UPPER ORCHESTRA
(1) C hanging registrations is as easy as pressing the
ORCHESTRA I (ORCHESTRA on the SR50) switch in
the KEYBOARD CONDUCTOR section.
SR70
Note:
At this point, you may wish to double-check by
sounding a note on the corresponding keyboard. If not,
this entire step becomes optional.
(2) S elect a tone from the ORCHESTRA I (ORCHESTRA
on the SR50) section of the UPPER MANUAL con¬
trol block. Only the last one pressed takes effect.
SR70
(3) ( OPTIONAL) If you wish to mix in an ORCHESTRA
II tone (SR70), simultaneously press the ORCHES¬
TRA I and ORCHESTRA II switches in the KEY¬
BOARD CONDUCTOR section.
(4) (OPTIONAL) Add effects from the ORCHESTRA
effect control block.
SUSTAIN (ORCHESTRA I) — This adds extra reso¬
nance (prolongs sound) to the ORCHESTRA I output.
Pressing SUS I, SUS II, or both simultaneously (SUS III)
provides three successively longer resonances.
VARI — This adds variations to the output of both
ORCHESTRA sections.
TOUCH — This allows you to control tone, volume and
effect by varying the key force, speed, and pressure. You
cannot, however, provide separate effects for the two
S0ctions
SUSTAIN (ORCHESTRA II) — This adds extra reso¬
nance (prolongs sound) to the ORCHESTRA II output.
Pressing SUS I, SUS II, or both simultaneously (SUS III)
provides three successively longer resonances.
(5) Adjust the volume as necessary. There are separate
volume controls for ORCHESTRA I and ORCHES¬
TRA II.
14

■ LOWER ORCHESTRA
SR70
- ORCHESTRA I- -ORCHESTRA 0 -
1
J
1 STRINIjS
I REEDS
I BRASS
1 COSMIC
SR50
ORCHESTRA
^ SUSI
1—1
^ VARI.
1-1
^ SUS.I
1—1 1-1
(=ZID
C=3 Q
C=3 D
tIZ3 0
CZDO
□ 0
C=DO
VOLUME
ORCHESTRA
n
^S 9
(1) C hanging registrations is as easy as pressing the
LOWER ORCHESTRA I (ORCHESTRA on the SR50)
switch in the KEYBOARD CONDUCTOR section.
(2) S elect a tone from the switches in the ORCHESTRA
I (ORCHESTRA on the SR50) section of the LOWER
MANUAL control block. Only the last one pressed
takes effect.
SR70
ORCHESTRA I
(3) ( OPTIONAL) If you wish to mix in an ORCHESTRA
11 tone (available only on the SR70), simultaneously
press the ORCHESTRA I and ORCHESTRA II switch¬
es in the KEYBOARD CONDUCTOR section.
(4) (OPTIONAL) Add effects from the ORCHESTRA
effect control block.
SR70
- ORCHESTRA I -
- ORCHESTRA I
SR50
ORCHESTRA
^ susr
1 - 1
^ VARI.
1 - 1
^ sus.n
1 - 1
^TOUCH
1 - 1
aD
(= □ D
i=aQ
t=iQ
c=i0
i:=)Q
CZ3D
VOLUME

SUSTAIN — This adds extra resonance (prolongs
sound) to the ORCHESTRA I output. Pressing SUS I,
SUS II, or both simultaneously (SUS III) provides three
successively longer resonances.
VARI — This adds variations to the output of both
ORCHESTRA sections.
TOUCH — This allows you to control tone, volume and
effect by varying the key force, speed, and pressure you
apply to the keyboard.
SUSTAIN (ORCHESTRA II) — This adds extra reso¬
nance (prolongs sound) to the ORCHESTRA II output.
Pressing SUS I, SUS II, or both simultaneously (SUS III)
provides three successively longer resonances.
(5) Adjust the volume as necessary. There are separate
volume controls for ORCHESTRA I and ORCHES¬
TRA II.
■ PEDAL ORCHESTRA
SR70
ORCHESTRA
^TIMPANI
I
I - 1
lENSEMBLE
1 BASS
1 TUBA
7^
I FUNK
1 BASS
Ptimpani
Q
I - 1
1 STRING
1 BASS
1 ELECTRIC
1
1 COSMIC
PEDAL
SR50
PEDAL
(1) Changing registrations is as easy as pressing the
PEDAL ORCHESTRA switch in the KEYBOARD
CONDUCTOR section.
Note:
For the procedure for TIMPANI I and II, see p.17.
16