Kawai SR2 User manual

KAWAI
Digital Electronic Organs
Owner's Manual

WARNING:
This
equipment
generates,
uses,
and
can
radiate
radio
frequency
energy.
If
not
installed
and
used
in
accordance
with
the
instruction
manual,
it
can
cause
interference
to
radio
communications.
The
rules
with
which
it
must
comply
afford
reasonable
protection
against
interference
when
used
in
most
locations.
However,
there
can
be
no
guarantee
that
such
interference
will
not
occur
in
a
particular
installation.
If
this
equipment
does
cause
interference
to
radio
or
the
related
equipment
off
and
on,
the
user
is
encouraged
to
try
correct
the
interference
by
one
or
more
of
the
following
measures:
—
reorient
the
receiving
antenna.
—
move
the
receiver
away
from
the
instrument.
—
plug
the
instrument
into
a
different
outlet
so that
it
and
receiver
are
on
different
branch
circuits.
—
Consult
the
dealer
or
a
qualified
service
personnel.

IMPORTANT SAFETY INSTRUCTIONS
WARNING — When using electric products, basic
precautions should always be followed, including
the following:
1.
2.
Read all the instructions before using the
product.
Do not use this product near water - for
example, near a bathtub, washbowl, kitchen
sink, in a wet basement, or near a swimming
pool, or the like.
This product, either alone or in combination
with an amplifier and headphones or speakers,
may be capable of producing sound levels that
could cause permanent hearing loss. Do not
operate for a long period óf time at a high
volume level or at a level that is uncomfortable.
If you experience any hearing loss or ringing in
the ears, you should consult an audiologist.
The product should be located so that its
location or position does not interfere with its
proper ventilation.
. The product should be located away from heat
sources such as radiators, heat registers, or
other products that produce heat.
Keep the instrument away from electrical
motors, neon signs, fluorescent light fixtures,
and other sources.
. The product should be connected to a power
supply only of the type described in the operat-
ing instructions or as marked on the product.
This product may be equipped with a polarized
line plug (one blade wider than the other). This
is a safety feature. If you are unable to insert
the plug into the outlet, contact an electrician
to replace your obsolete outlet. Do not defeat
the safety purpose of the plug.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
9.
10.
11.
12.
13.
Always turn the power off when the instru-
ment is not in use. The power-supply cord of
the product should be unplugged from the
outlet when left unused for a long period of
time.
During an electrical storm, turn off the power
and unplug.
Care should be taken so that objects do not fall
and liquids are not spilled into the enclosure
through openings.
The product should be serviced by qualified
service personnel when:
A. The power-supply cord or the plug has
been damaged; or
B. Objects have fallen, or liquid has been
spilled into the product; or
C. The product has been exposed to rain; or
D. The product does not appear to operate
normally or exhibits a marked change in
performance; or
E. The product has been dropped, or the
enclosure damaged.
Do not attempt to service the product beyond
that described in the user-maintenance instruc-
tions. All other servicing should be referred to
qualified service personnel.
WARNING
TO REDUCE THE RISK OF
FIRE OR ELECTRIC SHOCK.
DO NOT EXPOSE THIS
PRODUCT TO RAIN OR
MOISTURE.
AVIS: RISQUE DE CHOC ELECTRIQUE -NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
"dangerous voltage" within the product's en-
closure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and mainte-
nance (servicing) instructions in the literature
accompanying ше product

Table of Contents
How to care for your Kawai Organ
1.
9.
Before
Playing
........................................................
1
1.1
Control
Panel
Location
Guide
........................................
1
1.2
Getting
Ready
to
Play
...............................................
3
Tones
and
Effects
....................................................
4
A
Doce
SANA
ie
uq
aytuy
luu
d
4
22
ORCHESTRA
a
o
na
5
2.3
PRESET
INSTRUMENT
..............................................
6
24
SYNTHESIZER
©
да
ааа
оро
ар
ии
6
Rhythm
Accompaniment
.............................................
7
3,1
Procedúra
оние
гаража
ш
e
EI
bell.
Y
Padi
7
3.2
Additional
Functions
................................................
7
3.3
Hand
Percussion
...................................................
9
Auto
Accompaniment
System
........................................
10
4.1
AUTO
PLAY
ORCHESTRA
...........................................
10
4.2
AUTO
MELODY
CHORD
............................................
10
4.3
ONE
FINGER,
MEMORY
and
CONSTANT
Functions
....................
11
44
ONE
TMO
PLEAY
з
u
Q
a
ka
K
SD
CSI
IUDA
I
DH
ARE
Du
11
Registration
Memory
.................................................
12
Program
Sequencer
..................................................
13
MM
cui
ut
heat
Bi
Го
Lu
13
5:2:
Editing
tester
ќе
РИС
knees,
wih
UU
um
cen
ean
ences
Gt
ae
16
dE
noc
MR
HIM
17
cr
Pa
17
МИЕТЕ
A
es
oil
tes
КИ
ЛК
КЕЛК
ЛУ
ОКУЛ
ТОЛКУ
18
Т
o
A
IN
18
12
Operation
A
ав
ааа
аЬ
ао
Sato
d
19
Other
Functions
......................................................
20
8.1
TUNE
Function
.....................................................
20
82
TRANSPOSE
Function
..............................................
20
Front
and
Rear
Panel
Connectors
.....................................
21

How to care for your Kawai Organ
Here are some general rules to follow.
1) Always plug your KAWAI into a standard voltage AC line for
your area. Plugging into a DC outlet will cause damage.
2) To remove any greasiness from the cabinetry, keys, or pedals,
use a damp cloth and a little mild soap. Be sure to wipe dry with
a soft cloth.
3) Do not expose your KAWAI to direct sunlight, cold drafts or
radiator heat.
4) The battery protecting the sequencer/registration memory con-
tents should last for five years. When it is exhausted, the WRITE
switch will flash three time. Battery must be replaced only by a
qualified service personnel.
This organ is not designed for commercial use but for household
use only.

UPPER
KEYBOARD
(MELODY)
и ЦЕНИ
=> ШШ | |

1 Before Playing
.1 Control Panel Location Guide
1) Panel Speaker (6) Tone, Effect, and Volume Control Block for
2) Tibia/Orchestra (upper keyboard) Tone Control Pedal
ock (7) Effect Control Block
) Preset Instruments (upper keyboard) Tone and Power switch
Volume Control Block (9) Pilot Lamp
4) Synthesizer (uppper keyboard) Tone and Vol- Total Volume Control
ne Control Block
„ Tibia/Orchestra (lower keyboard) Tone and
Volume Control Block
OOO O (9 O Q^

(D Program Sequencer
(2
Registration
Memory
section
(3
Tempo
Display
($ Arrow Switches
(3 Intro/Ending Switch
( Fill In Switch
4) Rhythm Switch
ИШИП
Transpose Switch
A.M.C.
(Auto
Melody
Chord)
Switch
One
Two
Play
Switch
One Finger, Memory, Constant
Auto Play Orchestra Block
Rhythm Selection Switches
Touch Bars
зсзезее
(D

1.2 Getting Ready to Play
(1) Turn power on.
(2) Set the Total Volume control at mid range
volume.
Note:
Volume is fixed at the level of button depressed at
random. If any two neighboring buttons are depressed
simultaneously, the volume will be fixed at the middle
of the two levels. This applies to other volume controls
as well.
P
TOTAL VOLUME
(3) Step on the expression pedal half way.
This pedal too controls the total output volume
of the organ. Use this pedal during playing to
give softer or louder expression to your music
performance.

2.
Tones
and
Effects
\
2.1 TIBIA
The
UPPER
and
LOWER
keyboards
have
a
TIBIA
control
block.
Ш UPPER TIBIA
(1) Select a tone.
@aca
aaa
These
switches
are
toggles:
Pressing
the
switch
turns
on
the
effect;
pressing
it
a
second
time
turns
it
off.
(2)
Adjust
the
volume
as
necessary.
Note:
The
organ
does
not
provide
a
separate
volume
control
for
UPPER
TIBIA.
You
can
control
the
volume
with
the
TOTAL
VOLUME.
Adjust
other
tones
by
individual
volume
controls
on
the
basis
of
tibia
group
volume.
(3)
Use
the
EFFECT
switches
to
add
or
subtract
effects.
e Effect Switches
ja]
HA AA EFFECT —— U
UPP.SUS
—
This
adds
a
lingering
SUSTAIN
ef-
fect
to
the
UPPER
keyboard
tibia.
It
also
affects
UPPER
ORCHESTRA
and
PRESET
INSTRUMENT.
CHORUS
—
This
adds
a
slow
swelling
to
the
UPPER
and
LOWER
keyboard
tibia.
TREMOLO
—
This
switches
the
UPPER
and
LOWER
keyboard
CHORUS
effects,
if
present,
to
TREMOLO.
The
sound
swells
much
more
quickly
than
CHORUS.
E LOWER TIBIA
(1) Select a tone.
LOWER MANUAL
(2)
Adjust
the
volume
as
necessary.
Note:
You
can
control
the
volume
with
the
LOWER
TIBIA/
ORCHESTRA VOLUME.
(3)
Add
effect
as
necessary.
==
— ЕКС ——ə—ə < >—
LOW.SUS
—
This
adds
a
lingering
SUSTAIN
effect
to
the
LOWER
keyboard
tibia.
It
also
affects
LOWER
ORCHESTRA.
CHORUS
—
This
adds
a
slow
swelling
to
the
LOWER
keyboard
tibia.
It
also
affects
UPPER
keyboard
tibia.
TREMOLO
—
This
switches
the
UPPER
and
LOWER
keyboard
CHORUS
effects,
if
present,
to
TREMOLO.
It
also
affects
UPPER
keyboard
tibia.

¡A/
ММ
2.2
ORCHESTRA
The
UPPER,
LOWER
and
PEDAL.
keyboards
have
а
ORCHESTRA
section.
m UPPER ORCHESTRA
(1) Select a tone from the ORCHESTRA section of
the UPPER MANUAL control block. Only the
last one pressed takes effect.
Note:
When the SELECT switch is activated, you can select
the alternate tone indicated outside of the selector
switches.
Example: With the SELECT switch on, BRASS 1
becomes BRASS II. .
(2) Adjust the volume with the TOTAL VOLUME
as necessary.
(3) Add effects as necessary.
==
EFFECT
UPP.SUS — This adds extra resonance (pro-
longs sound) to the UPPER ORCHESTRA,
TIBIA and PRESET INSTRUMENT.
il LOWER ORCHESTRA
(1) Select a tone from the switches in the OR-
CHESTRA section of the LOWER MANUAL
control block. Only the last one pressed takes
effect.
LOWER MANUAL
Note:
When the SELECT switch is activated, you can select
the alternate tone indicated outside of the selector
switches.
Example: With the SELECT switch on, REEDS
becomes VOCAL.
(2) (OPTIONAL) Add effects from the OR-
CHESTRA effect control block.
тен EFEC —— ——
LOW.SUS — This adds extra resonance (pro-
longs sound) to the LOWER ORCHESTRA and
TIBIA.
(3) Adjust the volume as necessary.
—À ER MANUAL
Ш PEDAL ORCHESTRA
(1) Select a tone. Only the last one pressed takes
effects.
— PEOAL
Note:
The only effect available for the PEDAL keyboard
output is the SUSTAIN in the PEDAL control block.

2.3 PRESET INSTRUMENT
The SR2 organ provides separate preset INSTRU-
MENT control sections for the UPPER keyboards.
Ш UPPER PRESET INSTRUMENT
* Procedure
(1) Select a tone (instrument) from the ones
offered in the UPPER MANUAL section.
Pressing a switch automatically cancels the
preceding instrument.
Note:
When the SELECT switch is activated, you can
select the alternate tone indicated outside of the
selector switches.
Example: With the SELECT switch on, VIBRA-
PHONE becomes MARIMBA.
(2) (OPTIONAL) Add effects.
OE)
UPP.SUS — This adds extra resonance
(prolongs sound) to the PRESET INSTRU-
MENT output.
(3) Adjust the volume as necessary.
2.4 SYNTHESIZER
The SYNTHESIZER is for the UPPER keyboard.
(1)
Select
a
tone
from
the
SYNTHESIZER
control
block.
Pressing
a
tone
switch
automatically
cancels
the
current
one.
SYNTHESUER
тум! сок.
Notes:
e
When
the
SELECT
switch
is
activated,
you
can
select
the
alternate
tone
indicated
outside
of
the
selector
switches.
e
SYNTHESIZER
produces
only
one
note
a
time.
If
you
simultaneously
play
several
notes,
only
the
last
one
played
will
sound.
Example:
With
the
SELECT
switch
on,
TROM-
BONE
becomes
TRUMPET.
(2)
Adjust
the
volume
as
necessary.

rol
¿bo
іп
Тһе rhythm section of your SR Series organ
provides authentic rhythm accompaniment with a
choice of 16 prerecorded rhythm patterns. Features
include tempo control, special variations (intros,
endings, and fill ins), hand percussion, and a
display that gives the current tempo.
3.1 Procedure
(1) Select a rhythm pattern. Pressing one of the
selector switches automatically cancels the
current one.
CI
Note:
When the SELECT switch is activated, you can select
the rhythm indicated outside of the selector switches.
The LEDs in the selected switches light to remind you
that the rhythm section is stnding by.
(2) Activate the RHYTHM switch and play a note
on the LOWER or PEDAL keyboards to start
the rhythm accompaniment.
[STI Saves Ама" 4 VOL UME
(4) To stop the rhythm accompaniment, press
either the RHYTHM switch or the left foot
switch.
3. Rhythm Accompaniment
3.2 Additional Functions
@ Display
The display's most important function is to give
the current tempo for the rhythm section, but
serves other purposes as well:
e Tempo Indication
The display gives the tempo of the RHYTHM
section.
e Tempo Lamp
Tempo lamp functions to blink red lamp on the
first beat and green lamp on the rest of beats in
each bar during the rhythm performance. When
not in the rhythm performance, red lamp blinks
on each beat, indicating the tempo of music.
Ш Tempo Control
The two arrow switches are for raising and
lowering the tempo, respectively. (Left arrow -
slower, Right arrow - faster)
Note:
The organ's range is 50 - 300 beats per minutes
(1) Tapping an arrow switch lightly changes the
tempo by 1.
(2) A heavy tap changes it by 5.
(3) Continuous pressure changes it in steps of
10.

`
(4)
Applying
greater
pressure
increases
the
rate
at
which
the
display
changes.
(5)
Simultaneously
pressing
both
keys
doubles
the
current
tempo.
Pressing
them
a
second
time
restores
the
original
tempo.
afr
`
Note:
If
the
tempo
is
above
150,
the
tempo
after
this
doubling
operation
will
be
3OO,
the
fastest
available.
B
FILL
IN,
INTRO/ENDING
The
switches
in
this
section
offer
the
musician
prerecorded
variations
on
the
current
rhythm
pattern
—
a
pattern
which
normally
just.
repeats.
INTRO/ENDING
provide
an
introduction
and
wrap-up
ending,
respectively.
FILL
IN
produce
fill-
in
for
use
during
the
performance.
e Procedure (FILL IN)
(1)
Make
sure
that
the
rhythm
accompaniment
is
on
standby
—
that
is,
that
the
LED
in
the
RHYTHM
switch
is
on.
If
the
LED
is
off,
fill-in
is
not
available.
Activate
the
rhythm
accompaniment
and
play.
When
you
need
a
fill-in,
press
the
FILL
IN
switch.
The
rhythm
pattern
first
switches
to
the
fill-in
pattern
and
then
back
to
the
regular
pattern
when
the
fill-in
is
over.
[s]
„ст
(2
—
(3)
Alternatively,
if
the
rhythm
accompaniment
is
on
standby,
press
the
FILL
IN
switch
to
play
the
fill-in
followed
by
the
regular
pattern.
e Procedure (INTRO)
(1)
Make
sure
that
the
rhythm
accompaniment
is
on
standby
—
that
is,
that
the
LED
in
the
RHYTHM
switch
is
on.
If
the
LED
is
off,
intros
are
not
available.
а
(2)
Press
the
INTRO/ENDING
switch.
INTRO/
ENDING
Note:
After
a
one-bar
introduction,
the
rhythm
accompani-
ment
starts.
The
LED
in
the
INTRO/ENDING
switch
flashes
during
the
introduction
and
then
goes
out.
e Procedure (ENDING)
(1)
Start
the
rhythm
accompaniment
by
striking
a
key
of
the
LOWER
keyboard.
The
organ
cannot
supply
an
ending
to
a
pattern
that
is
not
active.
(2)
When
you
near
the
point
where
you
want
the
ending,
press
the
INTRO/ENDING
switch.
а
After
the
ending,
the
rhythm
accompaniment
stops.
The
LED
in
the
INTRO/ENDING
switch
flashes
during
the
ending
and
then
goes
out.
' — ts cta

3.3 Hand Percussion
The
SR
Series
provides
not
only
prerecorded
rhythm
patterns,
but
also
solo
percussion
instru-
ments.
These
are
accessible
through
two
touch
bars
located
just
below
the
keyboard.
И Touch bars
The touch bars located just below the LOWER
keyboard provide instant access to a snare drum
roll and cymbal crash, usually the two most
popular percussion effects. The roll continues as
long as the touch bar is pressed; the cymbal crash
sounds only for the initial stroke.
Note:
This type of hand percussion cannot be used at the
same time as the ONE-FINGER chord function. (See
р. 11.)

4.
Auto
Accompaniment
System
1
4.1
AUTO
PLAY
ORCHESTRA
This
section
offers
automatic
bass
accompaniment
as
well
as
automatic
accompaniment
by
piano,
jazz
guitar,
harp
and
blass.
e Tone Block
These switches control the tone and volume.
e Pattern Selection Switches
77, y (2 (3
(“| а
р РАМЕН
==?)
BASS
—
This
switch
adds
an
automatic
bass
accompaniment
based
on the
tone
settings
for
the
PEDAL
block.
ARPEGGIO
—
This
switch
adds
arpeggios.
ACCOMPANIMENT
—
This
switch
adds
chord
accompaniments
that
match
the
chosen
rhythm.
e Procedure
(1) Select the rhythm.
(2)
Select
the
tones
for
the
ORCHESTRA
sec-
tions
and
adjust
the
volumes.
Notes:
e
Although
each
section
normally
uses
only
a
single
tone
—
selecting
a
new
one
automatically
cancels
the
old.
е
The
ORCHESTRA
BRASS
tone
is
not
one
tone,
but
the
organ
automatically
selects
the
one
best
matching
the
rhythm
pattern.
(3)
Select
patterns
to
place
them
on
standby.
(The
LEDs
light
to
indicate
this
status.)
77, `;
Е ACCOM
Gl @ er
J}
(4)
Play
a
chord
on
the
LOWER
keyboard
to
play
the
automatic
accompaniment.
E
(5)
To
turn
off
the
automatic
accompaniment,
press
either
the
pattern
switch
or
the
left
foot
switch.
4.2
AUTO
MELODY
CHORD
This
function
adds
harmony
to
the
UPPER
keyboard
melody
line
in
the
form
of
a
notes
from
the
LOWER
keyboard
chord.
This
function
adds
the
complete
chord
to
the
octave
immediately
below
the
lowest
note
on
the
UPPER
keyboard.
Note: i
The
black
circles
indicate
the
notes
actually
played;
the
white
notes
added.
by
the
AUTO
MELODY
CHORD function
Me -

= ао E
4.3
ONE
FINGER,
MEMORY,
and
CONSTANT
Functions
These
three
functions
respectively
tell
the
organ
to
fill
in
the
rest
of
a
chord
from
a
single
note
(ONE
FINGER),
continue
playing
chords
even
after
you
have
removed
your
hand
from
the
lower
keyboard
(MEMORY),
and
change
the
chord
accompaniment
to
solid
(continuous
sound
—
no
strumming
effect)
chords
(CONSTANT).
Vie |
e ONE FINGER
This
functions,
which
applies
to
the
AUTO
PLAY
ORCHESTRA
and
AUTO
MELODY
СНОВО
allows
you
to
play
a
complete
major
chord
with
only
one
finger
and
others
with
at
most
two
fingers;
one
on
the
base
note
and
the
other
on
the
touch
bars
located
under
the
LOWER
keyboard.
The
touch
bars
change
the
major
chord
into
a
minor
one;
a
seventh
chord,
or
the
combination,
minor
seventh.
M мда
MINOR C^
ROLL
AND PERCUSSION
p) m
CYMBAL
Note:
Activating the ONE FINGER function disables the
touch bars' hand percussion function.
e MEMORY — This function, which applies to
the AUTO PLAY ORCHESTRA and AUTO MELODY
CHORD functions, repeats the current chord pat-
tern even after you remove your hand from the
LOWER keyboard. It is therefore only necessary to
give the organ the chord changes.
e CONSTANT — This function changes the auto-
matic accompaniment to solid chords without
rhythm. You can select BRASS or STRINGS tone
for CONSTANT. If you select any other tone from
the AUTO PLAY ORCHESTRA block, the tone is
automatically set to STRINGS. The chords sound
continuously while the lower keys are being
depressed. The bass tone is selected by tone
selection switch for the PEDAL. (If ELECTRIC
BASS and STRING BASS tones are selected, the
sound attenuates instead of holding.)
11
4.4 ONE TWO PLAY
The ONE TWO PLAY function automatically selects
an appropriate registration for the current rhythm
pattern.
e Procedure
(1) Press the ONE TWO PLAY switch to auto-
matically change the panel settings to ones
appropriate for the current rhythm pattern.
Note:
If the ONE TWO PLAY switch is depressed while
the registration memory switch 1 — 3 is lighting,
the registration memory lamp turns off.
(2) Adjust the registration as necessary.

5.
Registration
Memory
\
The
registration
memory
allows
you
to
store
your
own
registration.
Par 107 007—007
poa a
PROGRAM REGISTRATION
1. Number switches
These
switches
show
the
memory
areas
for
three
types of registration.
2. WRITE
This
switch
stores
user's
own
registration.
Ш
Storing
a
Registration
(1)
Set
the
desired
registration
for
storing.
(2)
Hold
down
the
WRITE
switch
and
press
a
number
switch
(1-3).
3
СОТ
|
|
2
M
E
-
—
PROGRAM
REGISTRATION
ЈК
|
\ E
Notes:
e
The
pressed
switches
light
up
and
the
set
regis-
tration
is
stored
to
the
number
specified.
If
the
number
stores
other
data,
the
previously
stored
data
is
erased.
e
И
the
registration
memory
switch
1-3
is
depressed
while
ONE
TWO
PLAY
switch
is
lighting,
the
ONE
TWO
PLAY
lamp
turns
off.
* Reset
Hold
down
the
Е,
G,
BD,
and
C
keys
in
the
highest
octave
of
the
upper
keyboard
and
turn
the
power
on
to
reset
the
state
of
switches
(switch
lamps),
the
contents
of
transpose
and
tune.
This
function
is
effective
for
creating
the
registration
from
the
scratch.
The
contents
of
the
registration
memory
are
protected,
however.
E]
PN
Ер
12
Ш
Contents
that
can
Бе
stored
The
program
registration
can
store
the
following
contents:
e
The
state
of
left
hand
panel
other
than
ONE
TWO
PLAY,
PROGRAM
SEQUENCER,
TRANS-
POSE,
INTRO/ENDING
and
FILL
IN.
e
The
state
of
right
hand
panel
other
than
TOTAL
VOLUME.
It
is
not
possible
to
store
TUNE
and
TRANSPOSE
settings.
Ш Calling Method
(1)
Depress
the
desired
number
switch
for
call-
ing.
|
—— — PROGRAM и:
Оергеззед
switch
lights
up
and
the
registra-
tion
is
called.
The
called
registration
can
be
freely
changed.
(2)
И
the
number
switch
is
turned
off...
The
registration
returns
to
the
state
it
was
in
before
the
switch
was
turned
on.
Mn `

UN
:all-
DET Sapaq.
ue. -.
w
6.
Program
Sequencer
The program sequencer is the function that allows
you to save the contents of real-time performance
and the progress of the lower keyboard chords by
step for later playback. This function also enables
you to save the playing while listening to the
performance in memory or to edit recording by
step.
6.1 Record
The sequencers of SR2 are equipped with the three
independent tracks of UPPER, LOWER and PEDAL.
The contents recorded by the individual tracks are
as follows.
(1) UPPER track
е ON-OFF switch and volume setting in each of
the following blocks:
UPPER SYNTHESIZER, UPPER PRESET IN-
STRUMENT, UPPER ORCHESTRA, UPPER
TIBIA, EFFECT (UPP.SUS, CHORUS, TRE-
MOLO)
e Upper keyboard ON-OFF
(2) LOWER track :
e ON-OFF switch and volume setting in LOWER
TIBIA/ORCHESTRA
block
.
e EFFECT (LOW. SUS.)
e ON-OFF of RHYTHM, FILL IN, INTRO/END-
ING, AUTO MELODY CHORD, CONSTANT,
MEMORY and ONE FINGER (FILL IN, INTRO/
ENDING only in realtime recording)
e ON-OFF switch and volume setting in AUTO
PLAY ORCHESTRA block
e ON-OFF switch and volume setting in RHY-
THM block |
е ОМ-ОЕЕ of TOUCH ВАК
е кач of foot switch (realtime recording
only
e Lower keyboard ON/OFF
(3) PEDAL track
е ON-OFF switch and volume setting in PEDAL
TIBIA/ORCHESTRA
block
e
Pedal
keyboard
ON-OFF
Note:
It
is
impossible
to
store
TOTAL
VOLUME,
Expression
Pedal
setting,
TEMPO,
TRANSPOSE,
TUNE,
PRO-
GRAM
REGISTRATION
and
ONE
TWO
PLAY.
Ш Real-time Record
This function allows you to record the playing of
upper lower and pedal keyboards in real time on
the three independent tracks.
(1) Select the track for recording
(Step 2 operation may be taken ahead of this
step.)
REST ENO
Y
асаа
Turn опе ог plural number ої switches of
UPPER, LOWER, and PEDAL on.
Note:
If the lamp blinks, the track is blank. If the lamp lights
up continuously, the track is already recorded. If you
want record on this track, erase the contents prior to
the recording. (Refer to page 17.)
(2) Turn the REAL TIME switch on.
(3) Set the registration for the track for recording.
(4) Depress START/END switch.
The display indication changes as shown by
the figure. The Intro Pattern starts sounding
for two bars.
Note:
When the rhythm pattern does not sound, the metro-
nome sounds. Adjust the volume of the metronome
and tempo

(5) Start playing.
You
can
start
playing
either
after
the
Intro
Pattern
is
over
or
in
the
middle
of
it.
Recording
starts
simultaneously
with
the
start
of
playing.
You
can
also
start
recording
with-
out
touching
the
keyboard
by
depressing
switches
and
volume
that
can
be
recorded
on
the
track.
In
this
case,
the
track
records
rests.
The
preset
numbers
of
bar
and
beat
appear
on
the
display.
Ҥ
you
change
the
tempo
in
the
middle
of
playing,
the
display
indicates
the
new
tempo.
The
bar
and
beat
numbers
reappear
on
the
display
after
several
seconds.
If
the
bar
counting
reaches
100th,
the
bar
indication
becomes
zero,
and
restarts
from
1
for
101st
bar
onward.
Note:
The
Intro
Pattern
repeats
sounding
unless
you
start
playing
within
the
following
bar
after
the
Pattern
is
over.
(6)
If
you
made
mistake
in
playing
Turn
the
REAL
TIME
switch
off.
This
turns
START/END
switch
off
and
the
performance
up
to
that
time
will
be
not
recorded.
Turn
the
REAL
TIME
and
START/END
switches
on
and
you
are
ready
to
record
your
playing
from
the
beginning.
Depress
the
START/END
switch
when
your
performance
is
over.
The
lamp
turns
off
and
the
display
returns
to
the
original
tempo
Indication.
The
blinking
lamp
on
the
track
that
finished
recording
changes
to
continuous
lighting.
(Recording
stops
at
one
bar
before
the
one
where
the
START/END
switch
is
depressed.
Care
should
be
taken
since
the
bar
on
which
the
START/END
switch
is
depressed
is
not
recorded.)
Note:
lf
you
hear
a
beep
sound
with
the
flashing
indication
of
U
(UPPER)
L
(LOWER),
and
P
(PEDAL)
on
the
display,
it
means
that
the
unused
balance
of
memory
of
the
indicated
track
is
nearing
the
end
of
capacity.
Note
that
if
the
recording
on
the
individual
tracks
should
exceed
the
storage
capacity,
the
display
stops
indication
and
the
performance
thereafter
is
not
recorded.
(7
м
14
E Multirecord
You
сап
record
your
playing
іп
real
time
оп
а
track
while
listening
to
the
playback
of
pre-
recorded
performance
on
another
track.
(1)
Select
the
tracks
for
playback
and
recording.
(You
can
take
step
2
ahead
of
this
one.)
vt REST ENO
P ја
You
can
play
back
го
the
track
with
light
on
and
record
real-time
playing
on
the
track
with
blinking
light.
If
the
lamp
of
a
track
is
on,
the
track
is
already
recorded.
To
use
this
track
for
a
new
recording,
first
erase
the
old
data
(refer
to
page
17.)
(2)
Turn
the
REAL
TIME
switch
on.
m
ERASE
—
Ea)
E
Tn
(3)
Set
the
registration
for
the
track
for
recording.
(4)
Depress
the
START/END
switch.
vi]
REST
єм
DOS
The
display
indication
changes
as
shown
for
two-bars.
(5)
Start
playing.
You
can
start
playing
either
after
the
Intro
Pattern
is
over
or
in
the
middle
of
it.
Note
that
after
the
Intro
Pattern
is
over,
the
playback
and
recording
will
proceed
forward.
(6)
If
you
made
mistake
in
playing.
Turn
the
REAL
TIME
switch
off.
This
turns
START/END
switch
off
and
the
performance
up
to
that
time
will
be
not
recorded.
Turn
the
REAL
TIME
switch
on
and
you
are
ready
to
record
your
playing
from
the
beginning.
(7)
Depress
the
START/END
switch
when
your
performance is over.
The
lamp
turns
off
and
the
display
returns
the
original
tempo
indication.
(Recording
stops
at
one
bar
before
the
one
where
the
START/END
switch
is
depressed.)
аиле. ~