Laney Black Country Customs LA-STUDIO User manual
Page 1
CONTENTS
INTRODUCTION ................................................................................................................................................ 2
CONTROLS......................................................................................................................................................... 3
LA-STUDIO FRONT PANEL .......................................................................................................................... 3
LA-STUDIO REAR PANEL ............................................................................................................................. 5
CONNECTIONS ................................................................................................................................................. 7
TWO NOTES TORPEDO.................................................................................................................................... 9
PRESETS .......................................................................................................................................................10
MIDI...............................................................................................................................................................14
TABLE OF MIDI CC NUMBERS .............................................................................................................14
SPECIFICATIONS .............................................................................................................................................16
DIMENSIONS...............................................................................................................................................16
SAFETY AND WARNINGS...............................................................................................................................17
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INTRODUCTION
1969. The year Heavy Metal was born. Integral to that explosion of power and attitude
was a humble guitar amp in the hands of the one-and-only Mr Tony Iommi. The amp?
The Laney Supergroup.
The LA100BL Supergroup was unleashed on the world in 1967; while everyone else
was celebrating the summer of love, Laney had visions of the future –a future birthed
from the tonal prowess of Tony. Several reissues and special editions later, we fast forward to 2022
and that very same amp is back; better-than-ever and retrofitted with everything the modern player
demands.
Introducing the LA-STUDIO, a 3W fully featured, tube driven tone machine. Based on the now
legendary LA30BL head, it’s driven by 3 ECC83 preamp tubes and a single 12BH7 power tube. Of
course, there’s a fully reactive load box built-in to guarantee totally silent operation at home too.
Not only that we’ve partnered up with Two notes, world leaders in cabinet emulation, to include their
Torpedo technology to make this a tool at home in any studio, home and even live on stage.
The LA-STUDIO, all the classic looks, tone and feel of a truly vintage style and sounding head but
filled with cutting edge technology. The LA-STUDIO offers you real hot tubes, real hot tone, real feel,
and real dynamics.
Why the LA-STUDIO.
The LA-STUDIO is a vintage designed low wattage, great sounding tube amp, something we are very
proud of. The LA-STUDIO’s design comes from a heritage of amp design where everything about
building an amp was done in the pursuit of tone.
Vintage amps have a particular sound and feature set to them which we have stayed faithful to. The
LA-STUDIO is a very straight forward amp –a single channel, no reverb, no FX loop and just the right
amount of gain to be driven to the edge of breakup then pushed over the edge into glorious tube
distortion by your favourite drive pedals, sat where they should be on the floor in front of your amp.
So why no FX loop? To build an FX loop into a guitar amp you must break the signal path at a
convenient point to insert the FX loop. The unique and pleasing tonal character of a vintage amp
comes from the interaction between a preamp and the power amp and having nothing in-between to
break that interaction produces the best tone –full stop.
The LA-STUDIO is primarily designed for use in a recording studio and in particular a home recording
set-up. In most modern recording situations, effects are added within a DAW. So, the fact that the unit
does away with an FX loop in the pursuit of the ultimate tone is not an issue when it comes to using
FX.
Tone is everything.
The LA-STUDIO is THE REAL PLUGIN.
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CONTROLS
LA-STUDIO FRONT PANEL
•POWER SWITCH
oUsually, you must make sure your amp is connected to a load before
turning on. However, the LA-STUDIO has an internal reactive load making
it possible to run without anything connected to it.
•BRAKE SWITCH
oWhen engaged the Brake reduces the output of the LA-STUDIO from 3W
RMS to 0.1W RMS. This is perfect for driving the LA-STUDIO hard without
producing excessive sound levels.
•POWER INDICATOR
oIndicates that the amplifier is powered up.
•PRESENCE
oBoosts the upper mids and highs within the output section. Should be adjusted to your
personal tastes, set to ‘0’ is a good starting point.
•BASS
oAdjusts the low-end response of the signal. Turning it clockwise increases the amount of
bottom-end, giving you a fuller tone. As the amplifier is driven harder and louder you may
find the need to dial out a little bass to stop it getting muddy. In most cases, depending on
the guitar you are using ‘5’ is a good starting point.
•MIDDLE
oAdjusts the mid frequency response of the signal. Adjusts the midrange. Turning it
clockwise increases the amount of mids. Turning it anti clockwise will reduce the mids and
produce a more mid-scooped sound. In most cases, depending on the guitar you are
using ‘5’ is a good starting point.
•TREBLE
oAdjusts the high frequency content of the signal. Turning it clockwise increases the
amount of top-end, giving your tone clarity and brightness. Turning it anti clockwise will
produce a warmer sound, ideal for dialling in smooth warmer tones. In most cases,
depending on the guitar you are using ‘5’ is a good starting point.
•GAIN
oAdjusts the level of Gain/Distortion present in the signal. Also contributes to the overall
listening level of the amplifier.
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•BASS INPUT HI
oHas a neutral frequency and is great for pedals and boards.
•BASS INPUT LO
oHas the same tonal characteristics as Bass Input 1 but with a lower gain setting.
•TREBLE INPUT HI
oHas an accentuated high-end response.
•TREBLE INPUT LO
oHas the same tonal characteristics as Treble Input 1 but with a lower gain setting.
Channel jumping
It is possible for a player to mix the tonal and gain characteristics of each input on the LA-STUDIO by
what is known as channel jumping. To do this simply choose the initial channel you want to use. Let’s
say the Bass Input 1, connect your guitar as normal. Now using a regular patch cable connect Bass
Input 2 to an input on the treble channel. Choose input 1 or 2 depending on how much gain you
want. The result, you have more treble in your signal without losing the bass response generated by
the Bass Input. Channel jumping can produce some great sounds so do not hesitate to experiment.
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LA-STUDIO REAR PANEL
•GROUND LINK
oThe ground link switch will isolate the ground on the LA-STUDIO should you encounter
any ground noise/Ground Loops from any other equipment you have connected via the
XLR out.
•XLR BALANCED OUTPUT
oThe balanced output XLR jack is a direct output from Two notes Torpedo Embedded. By
connecting this output to front of house or an audio interface you can
capture LA-STUDIO’s tone with no need for a cabinet or microphone.
oTo run the output of the LA-STUDIO to an external device, connect to
your audio interface or PA with a good quality XLR cable. Set the
amplifier up the way you intend to play, (EQ, volume) and then adjust
the output of the balanced out using the LEVEL control.
oSet the parameters of the audio interface/PA to get your desired sound.
•HEADPHONE SOCKET
oThe headphone jack on the LA-STUDIO comes directly from the Two notes output! This
allows you to use the amplifier with any of the selected virtual cabinet settings through
your headphones. By utilizing the built-in reactive load, you can play the amp with no
speaker using only the headphone jack as the output for quiet playing and silent
recording.
•VIRTUAL CABINET SELECTOR
oThis 6-position selector switch lets you to select which of the first 6 Two notes presets is
active on the XLR out. See TWO NOTES TORPEDO
•LEVEL
oSets the level of signal sent to an external device connected to the XLR balanced output
and to the headphone output.
•PEAK INDICATOR
oShows when the output from the Two notes Torpedo Embedded is clipping. If the PEAK
indicator lights up it is recommended that you back off the LEVEL control until the PEAK
indicator is no longer illuminating.
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•USB CONNECTOR
oThe USB connector allows you to connect your computer to the LA-STUDIO and access
the Two notes Torpedo Embedded software. Using a good quality USB cable, you can
connect to the Two notes Torpedo Embedded software which will enable you to edit the
presets loaded in the Virtual Cabinet section of the LA-STUDIO, modify the presets, create
new ones from scratch, or load your own third-party Impulse Responses! See TWO
NOTES TORPEDO
•MIDI IN
oConnect the MIDI out of a MIDI equipped device to allow cabinet pre-set switching via
MIDI Program changes (MIDI PC) and specific parameter control via MIDI Control changes
(MIDI CC). See MIDI
•Midi OUT/THRU
oShould be used to connect additional midi equipped devices downstream of the
LA-STUDIO.
•SPEAKER SOCKETS (16 Ohm & 8 Ohm)
o2 x ¼” mono jack sockets are provided for connecting either an 8 Ohm cabinet or a 16
Ohm cabinet. Since the LA-STUDIO is designed to be used silently in the Home/Studio
environment it features a high-quality reactive load attenuator, so it is not necessary to
connect a speaker cabinet to the unit when using just the D.I out or headphones.
WARNING Mismatching your speaker impedance will reduce the performance of your LA-STUDIO and in
extreme cases may damage the unit. Only use one impedance selection at a time and never below the
rated minimum load.
The LA-STUDIO - THE REAL TUBE plug in.
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CONNECTIONS
The LA-STUDIO can be connected in several different ways depending on your requirements. Below
are some common connections: -
Figure 1 LA-STUDIO guitar into head, head into cab, head into FOH mixer
Figure 2 LA-STUDIO guitar & pedals into head
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Figure 3 LA-STUDIO guitar into head, head into DAW
Figure 4 LA-STUDIO guitar into head, head into FOH, USB-MIDI interface & MIDI pedal board
Page 9
TWO NOTES TORPEDO
To bring the Supergroup feel to the modern player Laney has partnered with Two
notes to include a fully integrated Torpedo module. Letting you capture all the
glorious tone of the LA-STUDIO driven hard with all the dynamic response you
expect from a high quality, all tube amp but without the need to connect a physical
cabinet.
The LA-Studio ships with 6 curated pre-loaded presets using two Laney DynIR cabinets. They are
available via the XLR out without any need to use a PC or any apps. Though if you want further
control, we offer that!
What is DynIR you ask? The magicians are Two notes have taken the art virtual cabinet simulation to
an entire new level. With the DynIR and the Torpedo Remote software you can take total control over
the cabinet type, the virtual characteristics of the cabinet environment and the microphones used to
capture the cabinets sound. Giving you the ultimate control of your amps output whether that going
into your DAW or directly to the front of house on stage. You never need to mic a cabinet again to
get the perfect sound every time.
To get the most from the Torpedo module, make sure to download and install the latest TORPEDO
REMOTE which can be downloaded from
https://www.two-notes.com/en/downloads/
for any question relating to Torpedo Remote software please visit
https://support.two-notes.com/
Page 10
PRESETS
The LA-Studio comes with 6 curated pre-loaded cabinets, these are:
•Preset 1 - STUDIO A –The LA412 in a dry and intimate studio environment
•Preset 2 - STUDIO A –The LA212 in a dry and intimate studio environment
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•Preset 3 - HALL A –The LA412 in a bright medium sized venue.
•Preset 4 - HALL B –The LA212 in a classic concert hall, with warm reverb
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•Preset 5 - PLATE –The LA412 with a large plate reverb, vintage, and huge sounding
•Preset 6 - CATHEDRAL –The LA212 in a tiled cathedral, ethereal and angelic ambience
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Each of the 6 presets is modelled around two Laney cabinets expertly measured and converted to
DynIR’s by Two notes. These cabinets included with the LA-Studio are:
•Laney LA412
oAn authentic replica of the original 1969 cabinet. An oversized 4x12” cabinet loaded with
four Celestion G12H 75Hz.
•Laney LA212.
oThe classic 2x12” offset cabinet of the early 2000’s. A pair of matched Celestion G12M-25
Greenback gives both vintage and modern tones.
In addition to the 6 pre-loaded presets, the LA-STUDIO comes loaded with an extensive library of
additional Two notes virtual cabinet Dyn IRs, consisting of the following options which are accessible
via the USB app.
To access these addition cabinets, you first need to visit https://www.two-notes.com/en/downloads/
and download then install the latest TORPEDO REMOTE software.
With the LA-STUDIO connected via USB and turned on open the Torpedo Remote software.
The Software will recognise your LA-STUDIO and you will then be directed to log in as a “Guest” or
“Register” your unit by creating an account. If you decide to create an account, you will be rewarded
with the addition of 2 bonus DynIRs to your account –see below for details.
Your LA-STUDIO comes with 8 additional high quality DynIR’s courtesy of Two notes. These are: -
•Brit 65C (Marshall 4x12)
•GreenArtO (Marshall 4x12)
•Free Rock (VHT 4x12)
•Eggbeater (Egnater 2x12)
•Radcat 25W (Badcat 4x12)
•Voice Modrn (Vox AC30)
•Watt FanO (Hiwatt 2x12)
•Tanger 30C (Orange 2x12)
As a reward for creating a Two notes account and
registering your LA-STUDIO you will also receive 2 BONUS Dyn IR’s. These are: -
•SilverJen (Fender Twin with Jensen Speakers)
•Calif StdC (Mesa 4x12 recto).
You can change the virtual cabinets and edit all their options and save them to your Two notes account
for future use. Whilst your LA-STUDIO is connected to your Torpedo Remote software you can change
any of the cabinets in the 6 pre-load slots on the LA-STUDIO by simply moving the cabinet of your
choice into the relevant slot on the LA-STUDIO.
NOTE: If you’re using MIDI you can access up to 128 cabinets presets live!
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MIDI
Each pre-set on the LA-STUDIO has a single program number. Preset 001 is recalled with MIDI PC 1,
and you can recall the 128 virtual cab pre-sets with MIDI PC 1 through MIDI PC 128 in this
manner. This allows real time switching of pre-sets, for example when the player switches from a clean
tone to a lead tone, he can switch from a 2 x12 cabinet to a 4 x 12 cabinet at the same time.
MIDI CC - Control Change - For more advanced applications the use Control Change signals may be
appropriate.
In most normal applications MIDI PC signals (virtual cabinet pre-set recall) for the LA-STUDIO will be
suitable. But in more specific and advanced situations direct control of the parameters listed below
can be achieved by MIDI CC commands.
Consult the table at the end of this manual that indicates the Control Change (CC) numbers for every
parameter, as well as their range and behaviour.
TABLE OF MIDI CC NUMBERS
Param
CC
Range
Behaviour
Power Amp
On/Off
0
0-1
0 = Off; 1 = On
Model
1
0-7
0 = Model #0; 1 = Model #1...
Volume
2
0-30
0 = 0dB; 30 = 30dB
Presence
3
0-127
0 = 0%; 63 = 50%; 127 = 100%
Depth
4
0-127
0 = 0%; 63 = 50%; 127 = 100%
Character
5
0-1
0 = Triode; 1 = Pentode
Cab/Mic
On/Off
6
0-1
0 = Off; 1 = On
Unused
7
N.A.
N.A.
Cab
8
0-num files
0 = Cab #0; 1 = Cab #1...
File A
9
0-num files
0 = File #0; 1 = File #1...
File B
10
0-num files
0 = File #0; 1 = File #1...
Folder A
11
0-3
0= User 0; 1= User1; 2 = User 2; 3 = User 3
Folder B
12
0-3
0= User 0; 1= User1; 2 = User 2; 3 = User 3
Mic A
13
0-7
0 = Mic #0; 1 = Mic #1...
Distance A
14
0-127
0 = 0%; 63 = 50%; 127 = 100%
Center A
15
0-127
0 = 0%; 63 = 50%; 127 = 100%
Position A
16
0-1
0 = Back; 1 = Front
Level A
35
0-107
0 = -95dB; 95 = 0dB; 107 = 12dB
Phase A
36
0-1
0 = Normal; 1 = Invert
Mute A
37
0-1
0 = Off; 1 = On (Mute)
Mic B
38
0-7
0 = Mic #0; 1 = Mic #1...
Distance B
39
0-127
0 = 0%; 63 = 50%; 127 = 100%
Center B
40
0-127
0 = 0%; 63 = 50%; 127 = 100%
Position B
41
0-1
0 = Back; 1 = Front
Level B
42
0-107
0 = -95dB; 95 = 0dB; 107 = 12dB
Phase B
43
0-1
0 = Normal; 1 = Invert
Mute B
44
0-1
0 = Off; 1 = On (Mute)
Bypass A
51
0-1
0 = Off (Mic ON); 1 = On (Mic Bypass)
Bypass B
52
0-1
0 = Off (Mic ON); 1 = On (Mic Bypass)
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EQ
On/Off
17
0-1
0 = Off; 1 = On
Mode
18
0-2
0 = Guitar; 1 = Bass; 2 = Custom
Gain : Low
19
0-40
0 = -20dB; 20 = 0dB; 40 = 20dB
Gain : Low Mid
20
0-40
0 = -20dB; 20 = 0dB; 40 = 20dB
Gain : Mid
21
0-40
0 = -20dB; 20 = 0dB; 40 = 20dB
Gain : High Mid
22
0-40
0 = -20dB; 20 = 0dB; 40 = 20dB
Gain : High
23
0-40
0 = -20dB; 20 = 0dB; 40 = 20dB
Freq : Low Cut
45
0-127
Specific mapping to Hz
Freq : Low
46
0-127
Specific mapping to Hz
Freq : Low Mid
47
0-127
Specific mapping to Hz
Freq : Mid
48
0-127
Specific mapping to Hz
Freq : High Mid
49
0-127
Specific mapping to Hz
Freq : High
50
0-127
Specific mapping to Hz
Level
Preset Level
24
0-95
0 = -95dB; 95 = 0dB
Reverb
On/Off
25
0-1
0:Off 1:On
Preset
26
0-7
0 = Room #0; 1 = Room #1...
Dry Wet
27
0-127
0 = 0%; 63 = 50%; 127 = 100%
Size
53
0-127
0 = 0%; 63 = 50%; 127 = 100%
Echo
54
0-127
0 = 0%; 63 = 50%; 127 = 100%
Color
55
0-127
0 = 0%; 63 = 50%; 127 = 100%
Type
56
0-1
0:Room 1:Ambience
Noise Gate
On/Off
57
0-1
0:Off 1:On
Mode
58
0-1
0:Soft 1:Hard
Threshold
59
0-80
0 = -80dB; 80 = 0dB
Enhancer
On/Off
60
0-1
0:Off 1:On
Instrument
61
0-2
0 = Guitar; 1 = Bass
Body
62
0-127
0 = 0%; 63 = 50%; 127 = 100%
Thickness
63
0-127
0 = 0%; 63 = 50%; 127 = 100%
Brilliance
64
0-127
0 = 0%; 63 = 50%; 127 = 100%
Dry Wet
65
0-127
0 = 0%; 63 = 50%; 127 = 100%
General –Preset
Mode
34
0-2
0 = Simulation; 1 = Arcade; 2 = IR Loader
General
Out Level
66
0-107
0 = -95dB; 95 = 0dB; 107 = 12dB
Mute
67
0-1
0 = Off; 1 = On (Mute)
Bypass
68
0-1
0 = Bypass; 1 = On
Preset
69
0-127
0 = Preset #1; 1 = Preset #2...
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SPECIFICATIONS
Model
LA-STUDIO
Nominal Supply Voltage
100V~, 120V~, 220-240V~ Factory set
Mains Fuse
100-120V~ = T500mA L 250V, 220-240V~ = T250mA L 250V
Output Power
3W / 0.1W in Brake Mode
Power Consumption
40W
Preamp Tubes
3x ECC83 Large Plate Preamp Tubes
Output Tube
1x 12BH7 Power Tube
Inputs
CH1, Bass & Treble Input Sockets (Input Impedance 1Mohm, Sensitivity 15mV)
CH2, Bass & Treble Input Sockets (Input Impedance 140Kohm, Sensitivity 30mV)
Midi In 5 pin DIN
USB Type A, to control Two Notes
Outputs
1x8 & 1x16 ohm speaker outputs
Midi Out/Thru 5 pin DIN
Phones Out Stereo 3.5mm
Balanced DI Out, Male XLR (With Two Notes emulation) and Ground Lift switch
Controls
Bass, Middle, Treble, Presence, Gain, Power Switch, Brake Switch
Virtual cabinet 6W selector switch
Other
Peak led, for Two Notes
Rugged plywood construction covered in hardwearing black vinyl
Full internal reactive load for silent operation without a cabinet
Unit dimensions (HWD)
229 x 520 x 200 mm (9" x 20.5" x 7.9")
Net Weight
7.8Kg, 17.2 lbs
Carton dimensions (HWD)
325 x 685 x 290 mm (12.8" x 27" x 11.4"
Gross Weight
9.8Kg, 21.6 lbs
EAN
5060109457704
DIMENSIONS
Page 17
SAFETY AND WARNINGS
In order to take full advantage of your new product and enjoy long and trouble-free performance, please read this owner's manual carefully,
and keep it in a safe place for future reference.
1) Unpacking: On unpacking your product please check carefully for any signs of damage that may have occurred whilst in transit from the
Laney factory to your dealer. In the unlikely event that there has been damage, please re-pack your unit in its original carton and consult
your dealer. We strongly advise you to keep your original transit carton, since in the unlikely event that your unit should develop a fault,
you will be able to return it to you dealer for rectification securely packed.
2) Amplifier Connection: In order to avoid damage, Generally it is advisable to establish and follow a pattern for turning on and off your
system. With all system parts connected, turn on source equipment, mixers, effects processors etc, BEFORE turning on your amplifier.
Many products have large transient surges at turn on and off which can cause damage to your speakers. By turning on your amplifier
LAST and making sure its level control is set to a minimum, any transients from other equipment should not reach your loud speakers.
Wait till all system parts have stabilised, usually a couple of seconds. Similarly when turning off your system always turn down the level
controls on your amplifier and then turn off its power before turning off other equipment.
3) Cables: Never use shielded or microphone cable for any speaker connections as this will not be substantial enough to handle the
amplifier load and could cause damage to your complete system. Use good quality shielded cables everywhere else.
4) Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel.
5) Heed all warnings.
6) Follow all instructions.
7) Do not use this apparatus near water.
8) Clean only with a dry cloth.
9) Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions.
10) Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.
11) An apparatus with Class I construction shall be connected to a mains socket outlet with a protective connection. Do not defeat the safety
purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
12) Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from
the apparatus.
13) Only use attachments/accessories provided by the manufacturer.
14) Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use
caution when moving the cart/apparatus combination to avoid injury from tip-over.
15) The mains plug or appliance coupler is used as the disconnect device and shall remain readily operable. The user should allow easy
access to any mains plug, mains coupler and mains switch used in conjunction with this unit thus making it readily operable. Unplug this
apparatus during lightning storms or when unused for long periods of time.
16) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when
power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been
exposed to rain or moisture, does not operate normally, or has been dropped.
17) Never break off the ground pin. Connect only to a power supply of the type marked on the unit adjacent to the power supply cord.
18) If this product is to be mounted in an equipment rack, rear support should be provided.
19) Note for UK only: If the colours of the wires in the mains lead of this unit do not correspond with the terminals in your plug‚ proceed as
follows:
oThe wire that is coloured green and yellow must be connected to the terminal that is marked by the letter E‚ the earth symbol‚
coloured green or coloured green and yellow.
oThe wire that is coloured blue must be connected to the terminal that is marked with the letter N or the colour black.
oThe wire that is coloured brown must be connected to the terminal that is marked with the letter L or the colour red.
20) This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects containing
liquids, such as vases, upon the apparatus.
21) Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in
susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to
sufficiently intense noise for a sufficient time. The U.S. Government’s Occupational Safety and Health
Administration (OSHA) has specified the following permissible noise level exposures: According to OSHA, any
exposure in excess of the above permissible limits could result in some hearing loss. Earplugs or protectors to
the ear canals or over the ears must be worn when operating this amplification system in order to prevent a
permanent hearing loss, if exposure is in excess of the limits as set forth above. To ensure against potentially
dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment
capable of producing high sound pressure levels such as this amplification system be protected by hearing
protectors while this unit is in operation.
22) If your appliance features a tilting mechanism or a kickback style cabinet, please use this design feature with caution. Due to the ease
with which the amplifier can be moved between straight and tilted back positions, only use the amplifier on a level, stable surface. DO
NOT operate the amplifier on a desk, table, shelf or otherwise unsuitable non-stable platform.
23) Symbols & nomenclature used on the product and in the product manuals, intended to alert the operator to areas where extra caution
may be necessary, are as follows:
Intended to alert the user to the presence of uninsulated ‘Dangerous Voltage’ within the products enclosure
that may be sufficient to constitute a risk of electrical shock to persons.
Ce symbole est utililise pur indiquer a l’utilisateur de ce produit de tension non-isolee dangereuse pouvant
etre d’intensite suffisante pour constituer un risque de choc electrique.
Este simbolo tiene el proposito de alertar al usuario de la presencia de ‘(voltaje) peligroso’ que no tiene
aislamiento dentro de la caja del producto que puede tener una magnitud suficiente como para constituir
riesgo de corrientazo.
Dieses Symbol soll den Anwender vor unsolierten gefahrlichen Spannungen innerhalb des Gehauses warnen,
die von Ausrichender Starke sind, um einen elektrischen Schlag verursachen zu konnen.
Intended to alert the user of the presence of important operating and maintenance (Servicing) instructions in
the literature accompanying the product.
Dieses Symbol soll den Anwender vor unsolierten gefahrlichen Spannungen innerhalb des Gehauses warnen,
die von Ausrichender Starke sind, um einen elektrischen Schlag verursachen zu konnen.
Page 18
Este simbolo tiene el proposito de la alertar al usario de la presencis de instrucccones importantes sobre la
operacion y mantenimiento en la literatura que viene conel producto.
Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam machen,
die Handhabung und Wartung des Produkts betreffen.
CAUTION: Risk of electrical shock - DO NOT OPEN. To reduce the risk of electrical shock, do not remove the cover. No
user serviceable parts inside. Refer servicing to qualified personnel.
ATTENTION: Risques de choc electrique - NE PAS OUVIRIR. Afin de reduire le risque de choc electrique, ne pas enlever le
couvercle. II ne se trouve a l’interieur aucune piece pouvant etre reparee par l’utilisateur. Confier l’entretien a
un personnel qualifie.
PRECAUCION: Riesgo de corrientazo - no abra. Para disminuir el risego de carrientazo, no abra la cubierta. No hay piezas
adentro que el pueda reparar. Deje todo mantenimiento a los tecnicos calificadod.
VORSICHT: Risiko - Elektrischer Schlag! Nicht offen! Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die
Abdeckung enfernen. Es befinden sich keine Teile darin, die vow Anwender repariert werden Konnten.
Reparaturen nur von qualifiziertem Fachpersonal durchfuhren lassen.
WARNING: To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this
appliance please read the operating instructions for further warnings.
ADVERTISSEMENT: Afin de prevenir les risques de decharge electrique ou de feu, n’exposez pas cet appareil a la pluie ou a
l’humidite. Avant d’utiliser cet appareil, lisez les advertissments supplentaires situes dans le guide.
ADVERTENCIA: Para evitar corrientazos o peligro de incendio, no deja expuesto a la lluvia o humedad este aparato Antes de
usar este aparato, lea mas advertcias en la guia de operacion.
ACHTUNG: Um einen elektrischen Schalg oder Feuergefahr zu vermeiden, sollte dieses Gerat nicht dem Regen oder
Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.
This device complies with Part 15 of the FCC rules Operation is subject to the following two conditions:
1) This device may not cause harmful interference
2) This device must accept any interference received, that may cause undesired operation.
Warning: Changes or modification to the equipment not approved by Laney can void the user's authority to
use the equipment.
Note: This equipment has been tested and found to comply with the limits for Class B digital device, pursuant
to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency
energy and if not installed and used in accordance with the instructions, may cause harmful interference to
radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try and correct the interference
by one or more of the following measures. Reorient or relocate the receiving antenna. Increase the separation
between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to
which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help.
This product conforms to the requirements of the following European Regulations, Directives & Rules: CE
Mark (93/68/EEC), Low Voltage (2014/35/EU), EMC (2014/30/EU), RoHS (2011/65/EU), ErP (2009/125/EU)
SIMPLIFIED EU DECLARATION OF CONFORMITY
Hereby, Laney Electronics Ltd. declares that the radio equipment is in compliance with Directives
2014/53/EU, 2011/65/EU, 2009/125/EU. Full text of the EU declaration of conformity is available at the
following internet address:
http://support.laney.co.uk/approvals
The object of the declaration described above is in conformity with the relevant statutory requirement
Electrical Equipment (Safety) Regulations 2016, Electromagnetic Compatibility Regulations 2016, The
Restriction of the use of Certain Hazardous Substances in Electrical and Electronic Equipment Regulations
2012, The Ecodesign for Energy-Related Products and Energy Information, (Amendment) (EU Exit)
Regulations 2012
In order to reduce environmental damage, at the end of its useful life, this product must not be disposed of
along with normal household waste to landfill sites. It must be taken to an approved recycling centre
according to the recommendations of the WEEE (Waste Electrical and Electronic Equipment) directive
applicable in your country.
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