Lexicon 300L - User manual

300L Quick Reference Guide
The 300L is factory set to run Analog In at 48kHz. To change
theAnalogSamplingrate,toslave-lockthe300Ltoanexternal
digitaldevice,ortoexternalsystemwordclock,pressCTRLto
enter Control mode. Press PAGE until the following set of
controls appear on the LARC slider display.
Selecting Analog and/or Digital Input
This page allows you to view the current status of the box,
(STA), define sample clock speed (CLK), specify a digital
Inputconnector(DIN),andselect Inputtype(INP),outputtype
(OUT) and digital output format (OFMT). Use the sliders
beneath each label to make selections.
STA CLK DIN INP OUT OFMT Select AES or S/PDIF digital
output format.
In Split modes, the OUT slider
allows selection of unused ana-
log or digital outputs as patch
points. (Selecting a patch point
with this slider requires a return
input in order for the unit to con-
tinue passing audio.)
The INP slider selects Input type:
Single ANALOG, DIGITAL,
ANA + DIG.
Dual Mono ANALOG, DIGITAL,
ANA-A DIG-B,
ANA-B DIG-A
Cascade ANALOG, DIGITAL.
Before setting the 300L to receive
Digital Word Clock, use the DIN
slider to designate one digital in-
put connector (XLR, RCA or Op-
tical)asthemasterforthesystem.
Viewthe currentstatus ofsystem
parameters.
Press the button under the CLK
slider to show the current analog
clock sample rate. Use the slider
to select a new rate.
The Setup Presets are or-
ganized as follows:
P1-100 = Single Setups
P101-125 = Dual Mono Setups
P126-150 = Cascade Setups
All of the Setups are listed
on the reverse side of this
card.
The300LisorganizedintoSetupPresetsandUserRegisters.
Setups contain input routing, analog and digital levels and
balances, LFO rates and shapes, DSP effect configuration,
andpointerstooneormoreeffects.TheSETUPkeyaccesses
this top level of the user interface.
Setups
To simplify the choice
among the many possible
effect and system routings,
the300Lisshippedwith150
Setup Presets.
Single Setups
Single Setups (P1-100)
unify both Machine A and
MachineB intoasingleDSP
engine.
All Single Setup Presets are
factory loaded with a pro-
gram of the same name.
Split Setups
Dual Mono Setups (P101-
125)loadoneeffectintoMa-
chineA(leftout)andoneinto
Machine B (right out).
When only one input is se-
lected (analog or digital), the
format is referred to as
"fixed". When both analog
and digital are specified to
operate as main inputs, the
format is referred to as
"mixed".
Fixed
Mixed
Cascade Setups also load
twoeffects:oneisloadedinto
Machine A, then the audio
from Machine A is passed to
Machine B.
L
RAnalog
Level MACH
AOverall
Mix
Dry
Σ
Analog
Digital
Analog and
Digital Out
L
R
L
R
Digital
Level
Analog
Balance
Digital
Balance
Σ
Dry
L
R
Input
Level Input Balance
Feedback
A
Mix
MACH
AMACH BB
Mix Overall Mix
Feedback
Dry
Dry
L
Out
R
Out
Σ
Σ
Analog or
Digital
Patch Points
Patch Points
L
R
MA
Level MACH
AL
Out
R
Out
Analog or
Digital
MB
Level
MA
Balance
MB
Balance
Dry
MACH
B
A
Mix
B
Mix
Dry
Patch Points
Patch Points
L
R
MA
Level MACH
AL
Out
R
Out
Analog
MB
Level
MA
Balance
MB
Balance
Dry
MACH
B
A
Mix
B
Mix
Dry
R
Digital
L

300L Quick Reference Guide
Copyright © 1995 Lexicon Inc. All rights reserved. Printed in U.S.A.
Lexicon Part No. 070-10674
Setup Selection and SoftSlider Editing a Program or Register
Press BANK, PROG or
REG to access a page of
Effect parameters.
Press PAGE to view addi-
tionalparameterpages. Use
the LARC sliders to control
the parameters shown on
each page.
Press ENTER to load the
selected Setup. Use the
SoftSlider to quickly modify
the sound of the Effect.
3 Oak Park • Bedford, MA 01730 USA • Tel [phone] • Fax [phone]
# Name SoftSlider
P51 LIVEDRUMROOM IMPACT
P52 ON STAGE LIVENESS
P53 GUITAR CAVE DECAY
P54 DRUM CAVE DECAY
P55 BALLROOM SIZE / SHAPE
P56 SCORE STAGE LIVENESS
P57 DRUM GATE DURATION
P58 LE GATE! HIGH CUT
P59 THIN LIZZY SIZZLE
P60 BAND IN ROOM LIVENESS
P61 SPACE & EKOZ BLEND
P62 VOCAL STAGE DECAY
P63 WAVE O WALLS DECAY
P64 BRAND “X” DECAY
P65 HANGAR HIGH CUT
P66 EARLY REFLEX SPACING
P67 STAGE SLAP PREDELAY
P68 HUGE SPACE DECAY LEVEL
P69 VOCAL SHEEN SPACE
P70 ALMOST VERB PREDELAY
P71 RICH PLATE DECAY
P72 GLOSSY PLATE DECAY
P73 WARM PLATE DECAY
P74 PERC PLATE SIZE
P75 CONTEM-PLATE DECAY
P76 EKO PLATE EKO DELAY
P77 5K HALL DECAY
P78 ROUND PLATE DECAY
P79 SALAD PLATE DECAY
P80 VOX PLATE DECAY
P81 STEREOADJUST LEVEL
P82 STEREO DELAY DELAY
P83 3 FRAME DLY FINE DELAY
P84 4 FRAME DLY FINE DELAY
P85 PHASE INVERT PHASE
P86 MS DECODE MATRIX M/S
P87 TELEPHONE LEVEL
P88 MULTI CANYON DEPTH
P89 LFO PANNER LFO SPEED
P90 THIN EKOZ FEEDBACK
P91 STEREO SHIFT SHIFT DN/UP
P92 OCTAVE DOWN FINE PITCH
P93 VOX CHORUS SPLIT SHIFT
P94 POLE FLANGE FEEDBACK
P95 BULKIE ROLL DELAY
P96 MR. BIG FINE PITCH
P97 ZORCH! FEEDBACK
P98 GOING, GOING FEEDBACK
P99 GTR CHORUS FINE PITCH
P100 FADE DOWN FINE PITCH
# Name SoftSlider
P1 LARGE HALL DECAY
P2 MEDIUM HALL DECAY
P3 SMALL HALL DECAY
P4 SYNTH HALL LIVENESSL
P5 DANCE HALL LIVENESS
P6 SOLO HALL DECAY
P7 CHURCH DEPTH
P8 GOTHIC HALL DEPTH
P9 GATED HALL SIZE
P10 DEEP END HOW DEEP?
P11 ROOMS SIZES
P12 REHURSAL ROOM PADDING
P13 STUDIO A LIVENESS
P14 STUDIO B LIVENESS
P15 STUDIO C LIVENESS
P16 LARGE ROOM LIVENESS
P17 SMALL ROOM LIVENESS
P18 BEDROOM REFLEXIONS
P19 W.C. DECAY
P20 INVERSE ROOM DURATION
P21 CHAMBER DECAY
P22 BRICK WALL DIFFUSION
P23 OIL DRUM TUNING
P24 WIDE CHAMBER DECAY
P25 FAT CHAMBER DECAY
P26 CHUNKY CHUNK
P27 HOMEROOM DECAY
P28 OPEN WIDE DECAY
P29 WET SUIT DECAY
P30 BASEMENT LIVENESS
P31 AMBIENCE SIZES
P32 MARBLE FOYER SLAP LEVEL
P33 LARGE AMB. HIGH CUT
P34 MEDIUM AMB. HIGH CUT
P35 SMALL AMB. HIGH CUT
P36 V SMALL AMB. HIGH CUT
P37 HEAVY AMB. REVERB LVL
P38 BRIGHT AMB. REVERB LVL
P39 SMOOTH AMB. HOW SMOOTH?
P40 WAVE AMB. HOW LONG?
P41 IN A ROOM HOW BIG?
P42 STAIRWELL # OF FLOORS
P43 CAR INTERIOR WINDOW DN/UP
P44 MEETING ROOM LIVENESS
P45 LIVING ROOM LIVENESS
P46 POWDER ROOM DECAY
P47 FULL CLOSET HOW FULL?
P48 PODIUM DISTANCE
P49 STUDIO D HIGH CUT
P50 OFFICE LIVENESS
Single Setup Presets Dual Mono Setup Presets
# Name SoftSlider
P101 DM: REV/REV INPUT PAN
P102 DM: REV/DLY INPUT PAN
P103 DM: REV/PCH INPUT PAN
P104 DM: REV/COMP INPUT PAN
P105 DM: DLY/DLY LFO RATE
P106 DM: DLY/PCH DELAY MACH A
P107 DM: DLY/COMP SPACE MACH A
P108 DM: PCH/PCH INPUT PAN
P109 DM: PCH/COMP INPUT PAN
P110 DM: COMP/COMP INPUT PAN
P111 DM: SLOW SPIN LFO RATE
P112 DM: WIDEFLANG LFO RATE
P113 DM: X-TRAFFIC DELAY MACH B
P114 DM: GEAR UP INPUT PAN
P115 DM: TWO ROOMS INPUT PAN
P116 DM: TWO HALLS INPUT PAN
P117 DM: DELAYS DELAY SPACE
P118 DM: REVPAN DECAY TIME
P119 DM: UP&DOWN DELAY
P120 DM: MYGUITAR INPUT PAN
P121 DM: ENVSPOOGE INPUT PAN
P122 DM: FLNG&DLYS DELAY MACH B
P123 DM: DLY DAZE DELAY
P124 DM: CLUSTERS DELAY MACH B
P125 DM: 2 FLANGES INPUT PAN
Press SETUP to displaythe
currentlyrunningSetup.Use
the PRE slider or numeric
keypadentry toselectanew
Setup.
Press STORE again.
Note: If the 300L Copy function is disabled, no STORE functions can
beperformed.Thisfunction isenabledinCTRLmode(page 3,Slider 1).
Selection of CTRL does not interrupt audio operation of the 300L.
Storing your changes into Setups
Press STORE . Use the
REG slider to select an
"available" register (or one
youdon'tmindoverwriting).
If you modify the SoftSlider setting, or any parameter, press
SETUP to return to the top level of the user interface.
Cascade Setup Presets
# Name SoftSlider
P126 CC: REV->DLY DELAY SPACE
P127 CC: DLY->REV SLAP & SIZE
P128 CC: REV->PCH DECAY MACH A
P129 CC: PCH->REV BMIX
P130 CC: REV->COMP THRESHOLD
P131 CC: COMP->REV NONE
P132 CC: DLY->PCH LFO RATE
P133 CC: PCH->DLY DELAY SPACE
P134 CC: DLY->COMP DELAY SPACE
P135 CC: SLAPS SPACE
P136 CC: PCH->COMP LFO RATE
P137 CC: SURRVERB SPATIAL EQ
P138 CC: V3COMP NONE
P139 CC: EQ/DITHER NONE
P140 CC: FILT DLYS DLY/BANDPASS
P141 CC: JETVERB LFO RATE
P142 CC: BIGBRICKS DIFFUSION
P143 CC: REV->EKOZ RVB LEVEL
P144 CC: REV->KORUS RVB LEVEL
P145 CC: OVER!TOP LFO RATE
P146 CC: GUITAR XP LFO RATE
P147 CC: EKO->FAZE AMIX
P148 CC: VERB->DOWN B MIX
P149 CC: THE SKY DELAYS
P150 CC: SPINOLA LFO RATE
The 300L has many features which are not described here
—forcompleteinformation,seethe300LOwner'sManual.