LTO S-8 User manual

User's Manual
LTO
R
www.altoproaudio.com
Version 2.0 Dec. 2002
English
8-CHANNEL MIXING CONSOLE
S-8

1
SAFETY RELATED SYMBOLS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
Protective Grounding
Make sure to connect the protective grounding to prevent any
electric shock before turning ON the apparatus.
Never cut off the internal or external protective grounding wire
or disconnect the wiring of protective grounding terminal.
The symbol is used to indicate that some hazard-
ous live terminals are involved within this apparatus,
even under the normal operating conditions.
The symbol is used in the service documentation
to indicate that a specific component shall be only
replaced by the component specified in that docu-
mentation for safety reasons.
Protective grounding terminal.
Alternating current /voltage.
Hazardous live terminal.
ON: Denotes the apparatus is turned on.
OFF: Denotes the apparatus is turned off, because it uses
the single pole switch, be sure to unplug the AC power to
prevent any electric shock before you proceed with your
service.
WARNING: Describes precautions that should be
observed to prevent the danger of injury or death to
the user.
CAUTION: Describes precautions that should be
observed to prevent danger of the apparatus.
WARNING
Power Supply
Ensures the source voltage matches the voltage of the
power supply before turning ON the apparatus.
Unplug this apparatus during lightning storms or when
unused for long periods of time.
External Connection
The external wiring connected to the output hazardous live
terminals requires installation by an instructed person, or the
use of ready-made leads or cords.
Do not Remove any Cover
There are maybe some areas with high voltages inside,
to reduce the risk of electric shock, do not remove any
cover if the power supply is connected.
The cover should be removed by qualified personnel
only.
No user serviceable parts inside.
Fuse
To prevent a fire, make sure to use fuses with specified stan-
dard (current, voltage, type). Do not use a different fuse or
short circuit the fuse holder.
Before replacing the fuse, turn OFF the and dis-apparatus
connect the power source.
Operating Conditions
This apparatus shall not be exposed to dripping or spl-
ashing and that no objects filled with liquids, such as
vases, shall be placed on this apparatus.
To reduce the risk of fire or electric shock, do not expose
this apparatus to rain or moisture.
Do not use this apparatus near water.
Install in accordance with the manufacturer's instructions.
Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including amp-
lifiers) that produce heat.
Do not block any ventilation openings.
No naked flame sources, such as lighted candles, should
be placed on the apparatus.
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions.
Heed all warnings.
Follow all instructions.
Keep these instructions.
Only use attachments/accessories specified by the manu-
facturer.
Power Cord and Plug
Do not defeat the safety purpose of the polarized or
grounding type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety.
If the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or pinched
particularly at the plug, convenience receptacles, and
the point where they exit from the apparatus.
Cleaning
When the apparatus needs a cleaning, you can blow off
dust from the apparatus with a blower or clean with a rag
etc. Don't use solvents such as benzol, alcohol, or other
fluids with very strong volatility and flammability for cleaning
the apparatus body.
Clean only with a dry cloth.
Servicing
Refer all servicing to qualified personnel. To reduce the
risk of electric shock, do not perform any servicing other
than that contained in the operating instructions unless
you are qualified to do so.
Servicing is required when the apparatus has been dam-
aged in any way, such as the power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has been
dropped.

2
PREFACE
Dear Customer:
Thanks for choosing LTO S-8 8-Channel Mixing Console and thanks for choosing one of the results of LTO AUDIO
TEAM's work and researches.
For our LTO AUDIO TEAM, music and sound more than a job...are first of all passion and let us say...our obsession!
We have been designing professional audio products for a long time in cooperation with some of the major brands in
the world in the audio field.
The LTO line presents unparalleled analogue and digital products made by Musicians for Musicians in our R&D centers
in Italy, Netherlands, United Kingdom and a large range of state of the art algorithms which have been developed by
our Software Team for the last 7 years.
Because we are convinced you are the most important member of LTO AUDIO TEAM and the one confirming the
quality of our job, we like to share with you our work and our dreams paying attention to your suggestions and your
comments.
Following this idea we create our products and we will create the new ones! From our side, we guarantee you and we
will guarantee you also in future the best quality, the best fruits of our continuous researches and the best prices.
Our LTO S-8 8-Channel Mixing Console has 5 Mono (these are provided with Ultra Low Noise microphone pre-
amplifiers and Phantom Power at +48 Volt) and 2 stereo input channels, and each of them is provided with a 3 bands
graphic equaliser for bass, middle and treble controls, as well as 2 Auxiliary Bus. There is even a stereo input available
to be assigned directly to the main MIX or to the other outputs: Control Room and Headphone. So, in total you have
14 inputs on you S-8.
Nothing else to add, but we would like to thank all the people that made the LTO S-8 8-Channel Mixing Console a
reality available to our customers, and thank our designers and all the LTO staff, people who make possible the
realization of products containing our idea of music and sound and are ready to support you, our customers, in the
best way, conscious that you are our most important member.
Thank you very much
LTO AUDIO TEAM

3
TABLE OF CONTENTS
1.INTRODUCTION.........................................................................................................................................................4
2.FEATURES.................................................................................................................................................................5
3.READY TO START?....................................................................................................................................................6
4.CONTROL ELEMENTS.............................................................................................................................................7
4.1 The mono MIC/LINE channels.......................................................................................................................8
4.2 INPUT LEVEL setting...................................................................................................................................8
4.3 LOW CUT FILTER.........................................................................................................................................8
4.4 STEREO INPUT ............................................................................................................................................9
4.5 The 3 BAND EQUALISER.............................................................................................................................9
4.6 AUX SENDS.................................................................................................................................................10
4.7 PAN...............................................................................................................................................................10
4.8 PEAK............................................................................................................................................................10
4.9 LEVEL...........................................................................................................................................................10
4.10 INSERT.........................................................................................................................................................10
4.11 MASTER SECTION ....................................................................................................................................11
-MAIN MIX LEVEL
-LED METER
-2 TRACK signal path
-AUX RETURN
-PHONES/CONTROL ROOM
-PHANTOM
-POWER
-2-TRACK IN/OUT
-STEREO AUX RETURN
4.12 REAR PANEL ..............................................................................................................................................13
-POWER
-PHANTOM
-AC INLET WITH FUSE HOLDER
-MAIN MIX OUTPUT
5.INSTALLATION AND CONNECTION..........................................................................................................................14
6.FOR THE EXPERTS WHO WANT TO KNOW MORE................................................................................................17
7.SYSTEM BLOCK DIAGRAMS..................................................................................................................................18
8.TECHNICAL SPECIFICATION...................................................................................................................................19
9.WARRANTY................................................................................................................................................................20
-CONTROL ROOM OUTPUT
-AUX SEND 1 AND 2
-PHONES

4
Your S-8 is a 8-channel mixer and it is one of the most popular compact mixing consoles in the world. In fact it has
been sold already in tents of thousands of units worldwide. Despite its compact dimensions, great performances and
sound quality are insured thanks to the specification of the components used and the building quality.
Your S-8 is packed with features that can not be found in other consoles of its size: 5 Mono (these are provided with
Ultra Low Noise microphone preamplifiers and Phantom Power at +48 Volt) and 2 stereo input channels are provid-
ed, and each of them is provided with a 3 bands graphic equaliser for bass, middle and treble controls, as well as 2
Auxiliary Bus. There is even a stereo input available to be assigned directly to the main MIX or to the other outputs:
Control Room and Headphone. So, in total you have 14 inputs on you S-8.
Your S-8 is very easy to operate but we advise you to go through each Section of this Manual carefully. In this way
you will get the best out of your S-8.
1. INTRODUCTION

5
5 Input for Microphone and line provided with balanced 1/4" jack and XLR. Channel 5 features stereo Line input
1 additional input for Line level signal provided with balanced TRS 1/4" jacks
The Microphone preamplifiers are Ultra Low Noise and are provided with +48 Volt Phantom Power
1 pre-fader and 1 post-fader Auxiliary bus
Main Output is balanced to provided optimum sound quality. Control Room and headphone output are unbalanced
type
Precise 3 bands graphic equaliser (Bass, Middle and treble) on each input channel
Single Led indicating signal Peaks on each input channel and Low-cut filter on all mono MIC channels
2-track input featuring RCA sockets assignable alternatively to each output group
12 Segments Led Meter for optimum reading of the output signal
Balanced Outputs both XLR and TRS 1/4" jack
2. FEATURES
Your S-8 is provided with 4 mono Line/Mic input, 1 stereo Line/Mic input and an additional stereo Line input to be used
with keyboards, Midi Instruments, etc. We have even included a 2-track input/output for recording and playback. Ultra
low noise microphone preamplifiers, 3 bands eq on all input channels, pre and post Auxiliary bus and phantom power
complete the picture.

6
3. READY TO START?
3.1 Please check the AC Voltage available in your Country before connecting your S-8 to the AC socket.
3.2 Be sure that the main power switch is turned off before connecting the Mixer to the AC socket. Also, you should
make sure that all Input and Output Controls are turned down. This will avoid damages to your speakers and avoid
excessive noise.
3.3 Before turning on the S-8 you shall connect it to a power amplifier and turn-on the mixer BEFORE the power amp-
lifier. Once you have finished your working session you shall turn the mixer off AFTER the power amplifier.
3.4 Before disconnecting the S-8 always turn-off the Power switch.
3.5 Do not use coke, beer or solvents to clean your S-8. A dry and clean cloth will be OK.

7
4. CONTROL ELEMENTS
12
3
12
3
12
3
12
3
12
3
MIC 1 MIC 2 MIC 3 MIC 4
LINE IN 1
TRIM
LINE IN 2
TRIM
LINE IN 3
TRIM
LINE IN 4
TRIM
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
BAL OR
UNBAL
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
1
2
LEFT(MONO)LEFT(MONO) LEFT (MONO)
RIGHT RIGHT
+10dB -40dB LINE
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
AUX
RETURN
1
-+15
8
-+15
8
MAIN MIX
LEVEL
23
4
4 5/6 7/8
PAN
RIGHTLEFT
-
8
MAX
PHONES /PHONES /
CONTROL
ROOM
CONTROL
ROOM
1
PEAK
LEVEL
-+15
8
STEREO AUX RETURN AUX SEND 2-TRACK IN/OUT
TAPE IN TAPE OUT
LINE IN 5/6 LINE IN 7/8
LEFT
RIGHT
MIC (MONO)
L
R
-4
-10
-30
-20
-7
0
-2
2
4
7
10
OUTPUT LEVEL
CLIPCLIP
PHANTOM
POWER 2TK TO
CONTROL ROOM
2TK TO
CONTROL ROOM
EFX TO AUX1
2TK TO MIX
PHONES
0dB 60dB MIC
TRIM
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
PAN
RIGHTLEFT
LEVEL
-+15
8
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
BAL
RIGHTLEFT
LEVEL
-+15
8
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
PAN
RIGHTLEFT
LEVEL
-+15
8
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
BAL
RIGHTLEFT
LEVEL
-+15
8
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
PAN
RIGHTLEFT
LEVEL
-+15
8
2
-+15
8
PEAK PEAK PEAK PEAK PEAK
1
2
L R
8-CHANNEL MIXING CONSOLE
S-8
LTO
R
LEFT(MONO) RIGHT
0dB 60dB MIC
+10dB -40dB LINE
0dB 60dB MIC
+10dB -40dB LINE
0dB 60dB MIC
+10dB -40dB LINE
0dB 60dB MIC

8
1
2
3
4. CONTROL ELEMENTS
4.1 The mono MIC/LINE channels
4
4.2 INPUT LEVEL setting
This Control is provided with 2 different indication rings: One is
for the Microphone and the other for the Line levels. When you
use a microphone you shall read the OUTSIDE ring (0-60 dB),
When you use a Line level instrument you shall read the INSIDE
ring (+15~-45 dB). For optimum operation you shall set this control
in a way that the peak LED will blink also occasionally in order to
avoid distortion on the input channel.
4.3 LOW-CUT FILTER
By pressing this button you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave. You can use
this function to reduce hum and stage rumble when using microphones.
4
POWER
ON
OFF
PHANTOM
MIC 1
BAL OR
UNBAL
BAL OR
UNBAL
LOW CUT
75Hz
18dB/Oct
LOW CUT
75Hz
18dB/Oct
+15dB -45dB LINE
0dB 60dB MIC
LINE IN 1
TRIM
LINE IN 1
TRIM
1
2
3
12
3
These are Channel 1 through Channel 4. You can connect balanced, low im-
pedance microphones to the XLR socket. On the 1/4" phone jack you can
connect either a microphone or a line level instrument. You shall never connect
an unbalanced microphone to the XLR socket if you do not want to damage
both the Microphone and the Mixer.
48 Volt phantom power
It is available only to the XLR Mic sockets. Never plug in a microphone when
phantom power is already on. Before turning phantom power on, make sure
that all faders are all the way down. In this way you will protect your Stage
Monitors and Main Loudspeakers.

9
5
4.4 STEREO INPUTS
These are Channel 5 through 8. They are organised
in stereo pair (5&6 pair also features XLR Mic Input)
and they are provided with 1/4" TRS phone sockets.
If you connect only the left jack, the input will operate
in mono mode.
4.5 The 3 BANDS EQUALISER
A 3-band equaliser is provided for all input channels with a wide
range of frequency adjustment.
6
4.5.1 HI
This is the Treble control. You can use it to get rid of high frequency
noises or to boost the sound of cymbals or the high harmonics of
the human voice. The gain range goes from -15dB to +15dB with
a center frequency of 12 kHz.
7
4.5.2 MID
This is the Midrange control. It can affect most fundamental fre-
quencies of all musical instruments and human voice. An attentive
use of this control will give you and very wide panorama of sound
effects. The gain range goes from -12dB to +12dB and the center
frequency is 2.5 kHz.
8
4.5.3 LOW
This is the Bass control. Boost male voice or kickdrum and bass
guitar. Your system will sound much bigger than what it is. The gain
range goes from -15dB to +15dB and the center frequency is 80 Hz.
LEFT(MONO)LEFT(MONO) LEFT (MONO)
RIGHT RIGHT
LINE IN 5/6 LINE IN 7/8
MIC (MONO)MIC (MONO)
0dB 60dB MIC
TRIM
5
12
3
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
PAN
RIGHTLEFT
PEAK
LEVEL
-+15
8
6
7
8

10
9
4.6 AUX SENDS
These two controls will send the audio signal out to Auxiliary busses.
AUX 1 is configured as PRE-FADER. It means that the signal is sent
out before reaching the main Fader. This will be used for stage monitors.
AUX 2 is configured as POST-FADER; therefore, the audio signal will
be affected by the Main Channel Fader. This will be used for effects
and sound processors. However, Aux 2 can also be configure as Pre-
Fader through any internal modification. (Please see "MODIFICATIONS"
later on in this Manual.)
10
4.7 PAN
This is the PANORAMA control, or balance control. You can adjust
the stereo image of the signal via this Control. Keep this control in
center position and your signal will be positioned in the middle of
stage. Turn this control fully counterclockwise and the signal will be
present only on the left speaker and vice-versa. Of course a wide
number of intermediate positions is available.
11
4.8 PEAK
Inside your S-8 the audio signal is monitored in several different stages
and then sent to the PEAK Led. When this Led blinks, it warns you
that you are reaching signal saturation and possible distortion. The
PEAK Led will blink with a level that is 6dB before actual clipping.
12
4.9 LEVEL
This Control will adjust the overall level of this channel and set the
amount of signal sent to the Main output.
13
4.10 INSERT
Insert points are provided for the Mono Mic Channels. When you
insert a jack in the insert socket, the signal will be taken out after the
Input Gain Control (Trim), sent to an external processor such a com-
pressor-limiter, and returned into the channel strip immediately before
the EQ section. Of course, the jacks used must be stereo (Tip Send/
Ring Return).
9
10
11
12
CHANNEL INSERT
(P -FADER/PRE-EQ TIP SEND/RING RETURN)RE
CH4 CH3 CH2 CH1
13
EQ
HI
12kHz
HI
12kHz
-15 +15
MID
2.5kHz
MID
2.5kHz
-12 +12
LOW
80Hz
LOW
80Hz
-15 +15
AUX
PRE
1
-+15
8
2
POST
(PRE)
POST
(PRE)
-+15
8
PAN
RIGHTLEFT
PEAK
LEVEL
-+15
8

11
4.11 MASTER SECTION
14
- MAIN MIX LEVEL
This Control set the amount of signal sent either to the Main Out socket or to the Tape Output.
15
- LED METER
This stereo 12 segments Led Meter will indicate the level of the overall output signal.
16
- 2 TRACK signal path
If you push down the 2TK TO CONTROL ROOM
button, the 2 TRACK IN signal will be routed
into the Control Room output and the level will
be adjusted by the Control Room knob nearby
the Main MIX LEVEL knob.
If you push the 2TR TO MIX button the 2 TRACK
IN signal will be routed into the MAIN output
and will be adjusted by the MAIN MIX LEVEL
knob.
17
- AUX RETURN
The Auxiliary Returns and 2 are in fact 2 add-
itional stereo Line inputs.
AUX RETURN 1 is configured to be assigned
permanently to the Main Mix. (It operates in Mono
Mode if you connect only the left jack).
16
18
17
15
14
AUX
RETURN
1
-+15
8
-+15
8
MAIN MIX
LEVEL
-4
-10
-30
-20
-7
0
-2
2
4
7
10
OUTPUT LEVELOUTPUT LEVEL
CLIP
PHANTOM
POWER 2TK TO
CONTROL ROOM
2TK TO
CONTROL ROOM
EFX TO AUX1
2TK TO MIX
2
-+15
8
L R
-
8
MAX
PHONES /PHONES /
CONTROL
ROOM
CONTROL
ROOM
18
- PHONES/CONTROL ROOM
This Control set the amount of signal sent to the Control Room and headphone.
19
- PHANTOM
This LED indicates when the Phantom Power is switched on.
20
- POWER
This LED indicates when the Power is on in your S-8.
20
19
The EFX TO AUX1 button is used to swtich the signal
from AUX RETURN 2 between MAIN MIX and AUX
SEND 1.
If a signal is routed to AUX RETURN 1 and no
signal is connected to AUX RETURN 2, the signal
will be switched to AUX SEND 1 via depressing
the EFX TO AUX1, then the signal will be controlled
in level by AUX RETURN 2.
Without doubt, this feature will be very useful for
you.

21
23
22
1
2
STEREO AUX RETURN AUX SEND 2-TRACK IN/OUT
TAPE IN TAPE OUT
LEFT
RIGHT
L
R
1
2
LEFT(MONO) RIGHT
21
- 2-TRACK IN/OUT
Use the Tape input if you wish to listen to your Mix from a Taper Recorder or DAT, You can assign the signal coming
form the Taper Recorder either to a pair of studio monitor using the Control Room assignment on the front panel or
you can also send the signal directly to the Main Mix.
Input
Output
These 1/4" TRS sockets will route the main mix into a tape recorder.
12
This socket will send out the signal mix to a pair of headphones.
24
-PHONES
PHONES
24
Use these stereo 1/4" phone socket to return the sound of an effect unit or sound processor to the Main Mix.
Alternatively you can use them as an extra auxiliary input.
- STEREO AUX RETURN 22
This 1/4" phone socket is used to send out the signal from the AUX Bus to external devices such as effects and
sound processors.
- AUX SEND 1 AND 2 23

13
4.12 REAR PANEL DESCRIPTION
4
Use only with a 250V fuse
POWER
ON
OFF
PHANTOM
RATED POWER CONSUMPTION: 18W
LEFT
RIGHTRIGHT
LEFT
MAIN MIX OUTPUT
(BAL/UNBAL)
CONTROL
ROOM OUTPUT
CAUTION:
REPLACE WITH THE SAME TYPE FUSE AND RATING
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: SHOCK HAZARD
AVIS: RISQUE DE CHOC ELECTRIQUE
- DO NOT OPEN
- NE PAS OUVRIR
RIGHT LEFT
Use only with a 250V fuse
Use only with a 250V fuse
12
3
12
3
AC INPUT
EUROPE
210-240V 50Hz
Fuse:T250mAL
USA / Canada
100-120V 60Hz
Fuse:T500mAL
UK / Aust
240V 50Hz
Fuse:T250mAL
25
- POWER
This switch is used to turn the Main Power ON and OFF.
4
- PHANTOM
This switch will apply +48 Volt Phantom Power only to the 5 XLR microphone inputs. Never connect microphones
when the Phantom Power is on already.
26
- AC INLET WITH FUSE HOLDER
Use it to connect your S-8 to the Main AC with the supplied AC cord. Please check the Voltage available in your
Country and how the Voltage for your S-8 is configured before attempting to connect your S-8 to the Main AC.
This stereo output is supplied both with XLR and 1/4" jack socket and it is controlled by the Main Mix Level on
the front panel. It will send the audio signal to an amplifier. The output level can be varied from - to +15dB.
- MAIN MIX OUTPUT 27
These 1/4" phone sockets will be used to send the signal to Studio Monitor speakers or to a second set of PA.
- CONTROL ROOM OUTPUT 28
25
26 27 28

Turn down all Input and Output Gain Controls.
Connect phantom powered microphones before switching on the +48Volt Phantom Power switch.
If you have a power amplifier connected to your S-8 set the Level of the amplifier at no more than 70%.
Now, set the CONTROL ROOM/PHONES level at no more than 50%. In this way you will be able to hear later
what you are doing connecting a pair of headphones or a pair of powered studio monitor speakers.
Position HI, MID and LOW eq controls on middle position.
Position panoramic (PAN) control on center position.
With a headphone or studio monitor speakers connected apply a Line Level input signal so that the PEAK Led
does not light up.
At this point increase the input gain so that the PEAK led will blink occasionally. In this way you will maintain
good headroom and ideal dynamic range.
Now connect a microphone and ask the singer to sing loud into the microphone. Turn slowly the Gain Control
clockwise and have the PEAK Led blink only occasionally.
Now repeat the same sequence for all input channels. The Main Led Meter could move up into the red section.
In this case you can adjust the overall output level through the MAIN MIX control.
14
5. INSTALLATION AND CONNECTION
Ok, you have got to this point you are now in the position to successfully operate your S-8. However, we advise you
to read carefully the following section to be the real Master of your own Mix. Not paying attention enough to the Input
signal level, to the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted
signal or no sound at all. So you should follow this procedure for every single channel:

15
Strain Clamp
Sleeve Tip
Ring
Sleeve=Ground/Screen
Ring=Return Signal
Tip=Send Signal
Use for Pre-Gain Channel Inserts
1/4" Stereo (TRS) Jack Plug
Strain Clamp
Sleeve Tip
Ring
Sleeve=Ground/Screen
Ring=Right Signal
Tip=Left Signal
Use for Headphone, Stereo Return
1/4" Stereo (TRS) Jack Plug
Strain Clamp
Sleeve Tip
Sleeve=Ground/Screen
Tip=Signal
Use for Mono Line In, Mono 1/4"Jack Plugs
1/4" Mono (TS) Jack Plug
2=Hot(+)
3=Cold(-)
1=Ground/Screen
(seen from soldering side)
Use for Balanced Mic Inputs
(For unbalanced use, connect pin 1 to 3)
3-pin XLR Male Plug
2=Hot(+)
3=Cold(-)
1=Ground/Screen
Use for Main output
(For unbalanced use, leave pin 3 unconnected)
3-pin XLR Line Socket
(seen from soldering side)
You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics.
1
2
3
1
2
3
5.1 SOME FINAL TIPS ON WIRING CONFIGURATION

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Sleeve=Ground/Screen
Tip=Signal
Sleeve=Ground/Screen
Ring=Return Signal (Connected together)
To Channel Insert
To Tape or FX Input
'Tapped' Connection Direct Output Lead
(Enables the Insert to be used as a Direct Output
while maintaining the channel signal flow)
Sleeve
Sleeve=Ground/Screen
Ring=Return Signal
Tip=Send Signal
To Channel Insert
To Processor Input
To Processor Output
Ring
Tip
-Stereo lead for insert Connection
(To be used when the processor does not employ a
single jack connection for the In/Out Connections)

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6. FOR THE EXPERTS WHO WANT TO KNOW MORE
As we have told you previously in this Manual, the Aux Send 2 Control both on Mono and on stereo channels is factory
wired as POST-FADER. If you have some skill in electronic components soldering you can modify this setting and have
all your AUX sends configured as PRE-FADE.
Modification on mono and stereo channels
Before
Disconnect
the POST route
Aux
(PRE)
POST
After
Aux
(PRE)
POST
Solder the PRE route

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7. SYSTEM BLOCK DIAGRAMS

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8. TECHNICAL SPECIFICATION
Mono input channels
Microphone input electronically balanced, discrete input configuration
Frequency response 10Hz to 55kHz, + 3dB
Distortion (THD & N) 0.005% at 4dBu, 1kHz+
Gain range 0dB to 60dB (MIC)
SNR (Signal to Noise Ratio) 115dB
Line input electronically balanced
Frequency response 10Hz to 55kHz, 3dB
+
Distortion (THD & N) 0.005% at 4dBu, 1kHz+
Sensitivity range 15dBu to 45dBu+
Stereo input channels
Line input unbalanced
Frequency response 10Hz to 55kHz, 3dB
+
Distortion (THD & N) 0.005% at +4dBu, 1kHz
Impedances
Microphone input 1.4kOhm
Channel Insert return 2.5kOhm
All other inputs 10kOhm or greater
Tape out 1kOhm
All other output 120Ohm
Equalization
Hi shelving 15dB @12kHz+
Mid bell 12dB @2.5kHz+
Low shelving 15dB @80Hz+
Low Cut filter 75Hz, 18dB/oct.
Main Mix Section
Noise (Bus noise) Fader 0 dB, channels muted: 100dBr (ref.:+4dBu)
Fader 0dB, all input channels assigned
and set to UNITY gain: 90dBr (ref.:+4dBu)
Max output 22dBu balanced XLR,+
22dBu unbalanced, 1/4" jacks+
AUX Return gain range OFF to +20dB
AUX Sends max out 22dBu+
Power supply
Main voltage USA/Canada 100 120V~, 60Hz
Europe 210 240V~, 50Hz
U.K./Australia 240V~, 50Hz
Power Consumption 18W
Fuse 100 120V~ : T500mAL
210 240V~ : T250mAL
Main connection Standard IEC receptacle
Physical
Net weight 2.4Kg (5.29lb)
Shipping weight 3.5Kg (7.72lb)
Dimension (W D H) 245mm 268mm 24/73mm (9.64" 10.54" 0.94"/2.87")