Mackie ProFX v3 Series User manual

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ProFX6v3 • ProFX10v3 • ProFX12v3 • ProFX16v3 • ProFX22v3 • ProFX30v3
PROFESSIONAL EFFECTS MIXERS WITH USB
OUICK START GUIDE
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Important Safety Instructions - II)
I. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Minimum distance (5 cm) around
the apparatus for sufficient ventilation.
B. Do not install near any heat sources such as radiators, heat registers, stoves,
or other apparatus (including amplifiers) that produce heat.
9. No naked flame sources, such as lighted candles, should be placed on the apparatus.
10. Do not defeat the safety purpose of the polarized or grounding-type plug.
A polarized plug has two blades with one wider than the other. A grounding-type
plug has two blades and a third grounding prong. The wide blade or the third
prong are provided for your safety. If the provided plug does not fit into your
outlet, consult an electrician for replacement of the obsolete outlet.
11. Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
12. Dnly use attachments/accessories specified by the manufacturer.
13. Use only with a cart, stand, tripod, bracket, or table specified by
the manufacturer, or sold with the apparatus . When a cart is used,
use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
14. Unplug this apparatus during lightning storms or when unused
for long periods of time.
15. Refer all servicing to qualified service personnel. Servicing is
required when the apparatus has been damaged in any way, such
as power-supply cord or plug is damaged, liquid has been spilled
or objects have fallen into the apparatus, the apparatus has been exposed to rain
or moisture, does not operate normally, or has been dropped.
16. This apparatus shall not be exposed to dripping or splashing, and no object
filled with liquids, such as vases or beer glasses, shall be placed on the apparatus .
17. Do not overload wall outlets and extension cords as this can result in a risk
of fire or electric shock.
CAUTION
RISK OF ELECTRIC SHOCK! 00 NOT OPEN!
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK 00 NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED PERSONNEL.
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the prescence of uninsulated
"dangerous voltage• within the product's enclosure, that may be of
significant magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended
to alert the user of the prescence of important operating and
maintaining (servicing) instructions in the literature accompanying
the appliance.
1B. This apparatus has been designed with Class-I construction and must be connected
to a mains socket outlet with a protective earthing connection (the third grounding
prong).
19. This apparatus has been equipped with a rocker-style AC mains power switch. This
switch is located on the rear panel and should remain readily accessible to the user.
WARNING - To reduce the risk of fire or electric shock, do not
expose this apparatus to rain or moisture.
CAUTION - To prevent electric shock hazard, do not connect
to mains power supply while grille is removed.
Laite on liitettiivii suojakoskettimilla varustettuun pistorasiaan.
Apparatet ma tilkoples jordet stikkontakt.
Aooaraten skall anslutas till iordat uttag.
20. The MAINS plug or an appliance coupler is used as the disconnect device,
so the disconnect device shall remain readily operable.
21. The use of apparatus is in tropical and/or moderate climates.
22. Nffl: This equipment has been tested and found to comply with the limits for a Class
B digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation . This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications . However, there is no guarantee that
interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and the receiver.
Connect the equipment into an outlet on a circuit different from that to which
the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modifications to this device not expressly approved by LDUD
Audio, LLC. could void the user's authority to operate the equipment under FCC rules .
23. This device complies with FCC radiation exposure limits set forth for an uncontrolled
environment. This device should be installed and operated with minimum distance
20cm between the radiator & your body.
24. This apparatus does not exceed the Class A/Class B (whichever is applicable) limits
for radio noise emissions from digital apparatus as set out in the radio interference
regulations of the Canadian Department of Communications.
lmNTION - Le present appareil numerique n'timet pas de bruits radioe/ectriques
depassant las limites applicables aux appareils numeriques de class A/de class B
(se/on le cas) prescrites dans le reg/ement sur le brouil/age radioelectrique edicte
par Jes ministere des communications du Canada.
25. This device complies with Industry Canada's licence-exempt RSSs.
Operation is subject to the following two conditions:
(1) this device may not cause interference, and
(2) this device must accept any interference, including interference that may cause
undesired operation of the device.
Le present appareil est conforme aux CNR d'lndustrie Canada applicables aux
appareils radio exempts de licence. J.:exploitation est autorisee aux deux conditions
suivantes :
(1) l'appareil ne doit pas produire de brouillage, et
(2) l'utilisateur de l'appareil doit accepter tout brouillage radioelectrique subi,
meme si le brouillage est susceptible d'en compromettre le fonctionnement.
26. Exposure to extremely high noise levels may cause permanent hearing loss.
Individuals vary considerably in susceptibility to noise-induced hearing loss,
but nearly everyone will lose some hearing if exposed to sufficiently intense
noise for a period of time. The U.S. Government's Occupational Safety and Health
Administration (OSHA) has specified the permissible noise level exposures shown
in the following chart.
According to OSHA, any exposure in excess of these permissible limits could result
in some hearing loss. To ensure against potentially dangerous exposure to high sound
pressure levels, it is recommended that all persons exposed to equipment capable
of producing high sound pressure levels use hearing protectors while the equipment
is in operation. Ear plugs or protectors in the ear canals or over the ears must
be worn when operating the equipment in order to prevent permanent hearing
loss if exposure is in excess of the limits set forth here:
Duration, per Sound Level dBA,
Typical Example
day in hours Slow Response
B 90
Duo in small club
6 92
4
95 Subwav Train
3
97
2
100
Verv loud classical music
1.5 102
1
105
Matt screaminl! at Troy about deadlines
0.5 110
0.25 or less 115 Loudest oarts at a rock concert
Correct disposal of this praduct: This symbol indicates that this product should not be disposed of with your household waste, according to the WEEE directive
(2012/19/EU) and your national law. This product should be handed over to an authorized collection site for recycling waste electrical and electronic equipment (EEE).
Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that
-
are generally associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to the effective usage of natural resources.
For more information about where you can drop off your waste equipment for recycling, please contact your local city office, waste authority, or your household waste
disposal service.
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Hookup Diagrams • Diagramas de conexion
Schemas de cablage • Anschlussdiagrammes
Typical Live Sound System
Sistema tf pico para sonido en di recto
Systeme de sonorisation pour concert
Typisches Live-Sound-System
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Typical Recording System
Sistema tipico para grabaciones
Systeme d'enregistrement
Typisches Aufnahmesystem
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Quick Start Guide 7

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Front & Rear Panel Descriptions -U
1. Power Connector & Switch Connect the supplied AC
power cord to this jack. The power switch turns the mixer
on and off. The Power LED will illuminate when powered.
2. 48V Phantom Power Switch Provides 48V for mies, affecting
all XLR jacks simultaneously. The +48V LED illuminates
when phantom power is engaged.
3. Combo Inputs Connect a balanced or unbalanced mic,
instrument or line-level signal using an XLR or 1/4" connector.
4. XLR Inputs Connect a balanced mic or line-level signal
using an XLR connector.
5. Line Inputs Connect a balanced or unbalanced
line-level signal using a 1/4" connector.
6. 1/8" Input Connect an 1/8" line-level signal from
a smartphone, MP3 player, or other signal source.
7. Line/Hi-Z Switch Engage the switch to play a guitar
through channels 1-2 without using a DI Box.
8. Insert Connect a serial effects processor, such
as a compressor or gate, using a 1/4" Y cable.
9. Low Cut Switch Cuts bass frequencies below 100 Hz
at a slope of 18 dB per octave.
10. Gain Gain ajusts the mic/line input sensitivity.
11. Level Set LED Illuminates green to indicate signal.
12. Compressor Reduces the dynamic range of input signals.
13. Equalization Boost or cut the level at certain frequencies
to enhance the sound.
14. FX Switch and Knob Engaging this switch assigns
the channel to the FX send. The FX to Main Knob
adjusts the FX level of the selected channel from
the internal FX processor to the main mix.
15. Pan Assign Switch Engage the switch to fully pan channel 1
to the left and channel 2 to the right.
16. Aux Mon, Mon Send & Master Feed stage monitors via
the mon send jacks. Each channel has its own level control
and the master adjusts the overall output level.
17. Pre/Post EQ Switches Determines if equalization
is pre or post from each channel.
18. Aux FX, FX Send & Master Feeds the internal FX or an external
processor via the FX send jack. Each channel has its own
level control and the FX master adjusts the overall level
sent out to the internal FX and FX outputs.
19. Pan Adjusts how much of the signal is sent to the left
and right outputs.
20. Mute Mutes the channel signal. The button illuminates
if the mute switch is engaged.
IO PROFXV3 PROFESSIONAL EFFECTS MIXERS WITH use
21. Channel Fader Adjusts the level to the main mix.
22. Assign Switches Determines the destination bus(es) of the signal.
23. PFL Solo Switch Allows you to listen to individual channels singly
or in combination with other soloed signals. The rude solo LED
flashes when solo switches are engaged.
24. Main Out L/R Connect to the inputs of amplifiers, powered
speakers, or a serial effects processor.
25. CR Out UR Feed the inputs of a control room amplifier,
studio monitors or a headphone distribution amplifier.
26. Sub Outs Feed the inputs of a multitrack deck or secondary
power amplifiers in a complex installation.
27. FX Footswitch Connect a footswitch to mute or un-mute
the internal effects .
28. Phones Connect stereo headphones here.
29. Preset Selector and Display, Int FX Mute Switch and LED
Turn the preset selector to choose an effect. The display
shows the number of the currently selected effects preset.
Engage the int FX mute to mute the internal effects processor
and illuminate the adjacent mute LED.
30. Main Meters Used to gauge the soloed input or output levels
to ensure that the signals are not clipping.
31. CR/Phones Controls the control room and headphones levels.
32. Break Switch and LED Mutes all channel inputs, but allows
the USB inputs to pass out of the main outs.
33. Internal FX Routing and FX Assign Switches Route the effects
output to the monitors, sub outs and mains independently.
Assigns the FX to the selected sub outs.
34. FX Return Fader Adjusts the level of the stereo output
from the internal FX processor being added to the main mix.
35. Blend Knob Provides a balance of the channel inputs (left)
and USB 3-4 return (right).
36. To Phones/ Control Room Switch Routes a mix of the inputs
and USB 3-4 to CR/phones outs. Mutes main mix in CR/phones
outs when engaged.
37. Sub Out Faders Control the levels of the signals sent
to the sub outs.
38. Sub Assign Switches Assign each subgroup to the main out L/R.
39. Main Mix Adjusts the level of the signal sent to the main outputs.
40. USB 1/0 A 2x4 interface allowing you to stream audio
to and from the mixer via computer.
41. USB 3/4 Switch Engaging this switch mutes the 1/8" input,
allowing the USB return to flow through the channel instead.

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Getting Started - OD
1. Read and understand the Important Safety Instructions on page 2.
2. Turn down all knobs except the channel EQ and pan knobs,
and set all the faders fully down.
3. Set all channel EQ knobs and pan knobs at their center detent.
4. Disengage all switches.
5. Connect cords from the main outs to powered speakers
(or to an amplifier connected to passive speakers).
6. Push the line cord securely into the mixer's connector and plug
the other end into a grounded AC outlet. The mixer may accept
the appropriate voltage as indicated near the connector.
7. Turn the mixer on.
8. Turn the powered speakers (or amplifiers) on.
9. Plug signal sources into the mixer, such as:
• Microphones plugged into the mic inputs.
(Engage phantom power if needed.)
• Line-level sources such as keyboards, drum machines,
or CD players plugged into the line-level inputs.
10. Be sure that the volume of the input is the same as it would
be during normal use.
11. Engage the channel's L-R assign switch (ProFX12v3 /
ProFX16v3 / ProFX22v3 / ProFX30v3) and turn up
that channel's fader to the "U" (unity gain) position.
12. Slowly bring up the main fader to a comfortable listening level.
13. Repeat steps 9 to 11 for the other channels.
14 PROFXV3 PROFESSIONAL EFFECTS MIXERS WITH use
Puesta en marcha -1B
1. Lea y tenga en cuenta las lnstrucciones importantes de seguridad
de la pagina 3.
2. Coloque al minimo todos los mandos excepto los de EQ y
panorama de canal, y coloque todos los faders abajo del todo.
3. Coloque los mandos de EQ y panorama de canal en su muesca
central.
4. Coloque todos los interruptores en la posici6n de "apagado".
5. Conecte cables desde las salidas principales a los altavoces
autoamplificados (o a un amplificador conectado a unos altavoces
pasivos).
6. Conecte el cable de alimentaci6n a la toma de la mesa ya una
salida de corriente alterna con toma de tierra. Esta unidad puede
aceptar los voltajes que aparecen indicados al lado de la toma .
7. Encienda esta mesa de mezclas.
8. Encienda los altavoces autoamplificados (o los amplificadores).
9. Conecte fuentes de sefial al mezclador, tal como:
• Micr6fonos conectados en las entradas de micro.
(Active la alimentaci6n fantasma si es necesario).
• Fuentes de nivel de linea como teclados, cajas de ritmos
o reproductores de CD conectados a las tomas de nivel
de linea.
10. Asegurese de que el volumen de la entrada sea el mismo
que tendra durante el uso normal.
11 . Active el interruptor de asignaci6n L-R de canal (ProFXl2v3 /
ProFXl6v3 / ProFX22v3 / ProFX30v3) y suba su fader hasta
la posici6n "U" (ganancia unitaria).
12. Suba lentamente el fader principal hasta un nivel de escucha
c6modo.
13. Repita los pasos 9a 11 con los otros canales.

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Technical Specifications / Especificaciones tecnicas
Caracteristiques techniques / Technische Oaten
Noise Characteristics
(150 Q Source Impedance
Equivalent Input Noise)
Caracteristicas de ruido
(150 Q impedancia de fuente.
Ruido de entrada equivalente)
Bruit
(Impedance de la source de 150 Q.
Bruit d'entree equivalent)
Gerauschkennwerte
(150 ~~ Ouellimpedanz,
Ersatzgerauschpegel)
(20 Hz - 20 kHz)
Frequency Response
Respuesta de frecuencia
Reponse en frequence
Frequenzgang
Distortion (THD+N)
Distorsion (THD+N)
Distorsion (DHT+Bruit)
Verzerrung (Klirrfaktor+Rauschen)
Attenuation and Crosstalk
Atenuacion y Crosstalk o cruce de seiial
Attenuation et diaphonie
Bedampfung und Obersprechen
(20 Hz - 20 kHz)
Maximum Levels
Niveles maximos
Niveaux maximums
Maximalpegel
AC Universal Supply
Fuente de alimentacion universal
Alimentation universelle
Universal-Netzteil
Size (H x W x D)
Tamaiio (A " L " P)
Dimensions (H " L " P)
Abmessungen (H " B" T)
Weight • Peso • Poids •Gewicht
ProFX6v3
ProFX10v3 ProFX12v3
Mic in to insert send out, max gain: -126 dBu
Residual Output Noise: All outputs, master levels and channel levels off: - 95 dBu
All outputs, master levels unity, 1 channel level unity: -80 dBu
Entrada de micro a salida de envio de inserci6n, ganancia maxima: -126 dBu
Ruido de salida residual: Todas las salidas, niveles mastery de canal en off: - 95 dBu
Todas las salidas, niveles master a unitario, nivel de 1 canal a unitario: -80 dBu
Entree micro vers depart Insert, gain au max: -126 dBu
Bruit de sortie residue! : Toutes les sorties, niveau principal et des entrees au minimum: - 95 dBu
Toutes les sorties, niveau principal al'unite, 1 niveau de voie al'unite : -80 dBu
Mic In auf Insert Send Out, max. Gain: -126 dBu
Rauschspannungsabstand: Alie Ausgiinge, Master-Pegel und Kanalpegel aus: 95 dBu
Alie Ausgiinge, Master-Pegel auf Unity, 1 Kanalpegel auf Unity : -80 dBu
Mic input to any output (Gain at unity): +Q, -1 dB, 20 Hz - 30 kHz
Entrada de micro a cualquier salida (Ganancia unitaria): +O, -1 dB, 20 Hz - 30 kHz
Entree micro vers n'importe quelle sortie (gain al'unite): +Q, -1 dB, 20 Hz - 30 kHz
Mic In auf beliebigen Ausgang (Gain auf Unity): +O, -1 dB, 20 Hz - 30 kHz
Mic Input to Main Output (22 Hz - 80 kHz): <0.02% @ +4 dBu output
Entrada de micro a salida principal (22 Hz - 80 kHz): <0.02%@+4 dBu salida
Entree micro vers sortie Main (22 Hz - 80 kHz): <0.02%@ +4 dBu en sortie
Mic In auf Main Out (22 Hz - 80 kHz): <0,02 %@ +4 dBu Ausgang
Adjacent Inputs@ 1 kHz: -90 dB• Inputs to Outputs@ 1 kHz: -80 dB• Fader Off@ 1 kHz: -75 dB
Entradas adyacentes@ 1 kHz: -90 dB• Entradas a salidas@ 1 kHz: -80 dB• Fader off@ 1 kHz: -75 dB
Entrees adjacentes@ 1 kHz: -90 dB• Entrees vers sorties@ 1 kHz: -80 dB• Fader au minimum@ 1 kHz: -75 dB
Nachbareingiinge@ 1 kHz: -90 dB• Eingiinge auf Ausgiinge@ 1 kHz: -80 dB• Fader aus@ 1 kHz: -75 dB
Mute Switch / Break Switch Mute @1 kHz: -90 dB
lnterruptor Mute / Break @1 kHz: -90 dB
Fonction Mute/ Break activee@ 1 kHz: -90 dB
Mute-Taste/ Break-Taste Mute@ 1 kHz: -90 dB
All inputs: +22 dBu • Main Mix XLR: +28 dBu • All other outputs: +22 dBu
Todas las entradas: +22 dBu • Mezcla principal XLR: +28 dBu • Resto de salidas: +22 dBu
Toutes les entrees : +22 dBu • Main Mix XLR: +28 dBu • Toutes les autres sorties: +22 dBu
Alie Eingiinge: +22 dBu • Main Mix XLR: +28 dBu • Alie anderen Ausgiinge: +22 dBu
Format: USB 2.0, 1 Stereo Input/2 Stereo Outputs• A/D/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Formato: USB 2.0, 1 Entrada / 2 Salidas stereo • A/D/ A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Format: USB 2.0, 1 Entree stereo/ 2 sorties stereo• A/D/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Format: USB 2.0, 1 Stereo-Eingang / 2 Stereo-Ausgang • A/D/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
2.9 X 7.5 X 8.4 in
74>< 191 X 213 mm
2.6 lb
1.2 kg
100VAC-240VAC, 50-60 Hz
3,3 X 10,7 X 11.9 in
84 x 272 x 302 mm
4.9 lb
2.2 kg
4,0 X 13,0 X 14,8 in
102 x 330 x 376 mm
7.9 lb
3.6 kg
16 PROFXV3 PROFESSIONAL EFFECTS MIXERS WITH use

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Mic in to insert send out, max gain: -128 dBu
Residual Output Noise: All outputs, master levels and channel levels off: - 95 dBu
All outputs, master levels unity, 1 channel level unity: -85 dBu
Entrada de micro a salida de envio de insercion, ganancia maxima: -128 dBu
Ruido de salida residual: Todas las salidas, niveles mastery de canal en off: - 95 dBu
Todas las salidas, niveles master a unitario, nivel de 1 canal a unitario: -85 dBu
Entree micro vers depart Insert, gain au max: -128 dBu
Bruit de sortie residue! : Toutes les sorties, niveau principal et des entrees au minimum: - 95 dBu
Toutes les sorties, niveau principal a l'unite, 1 niveau de voie al'unite : -85 dBu
Mic In auf Insert Send Out, max. Gain: -128 dBu
Rauschspannungsabstand: Alie Ausgange, Master-Pegel und Kanalpegel aus: 95 dBu
Alie Ausgange, Master-Pegel auf Unity, 1 Kanalpegel auf Unity: -85 dBu
Mic input to any output (Gain at unity): +O, -1 dB, 20 Hz - 30 kHz
Entrada de micro a cualquier salida (Ganancia unitaria): +O, -1 dB, 20 Hz - 30 kHz
Entree micro vers n'importe quelle sortie (gain al'unite): +O, -1 dB, 20 Hz - 30 kHz
Mic In auf beliebigen Ausgang (Gain auf Unity): +O, -1 dB, 20 Hz - 30 kHz
Mic Input to Main Output (22 Hz - 80 kHz): <0.01%@ +4 dBu output
Entrada de micro a salida principal (22 Hz - 80 kHz): <0.01%@ +4 dBu salida
Entree micro vers sortie Main (22 Hz - 80 kHz): <0.01%@ +4 dBu en sortie
Mic In auf Main Out (22 Hz - 80 kHz): <0,01 %@+4 dBu Ausgang
Adjacent Inputs@ 1 kHz: -90 dB• Inputs to Outputs@ 1 kHz: -80 dB• Fader Off@ 1 kHz: -75 dB
Entradas adyacentes@ 1 kHz: -90 dB• Entradas a salidas@ 1 kHz: -80 dB• Fader off@ 1 kHz: -75 dB
Entrees adjacentes@ 1 kHz: -90 dB• Entrees vers sorties@ 1 kHz: -80 dB• Fader au minimum@ 1 kHz: -75 dB
Nachbareingange@ 1 kHz: -90 dB• Eingange auf Ausgange@ 1 kHz: -80 dB• Fader aus@ 1 kHz: -75 dB
Mute Switch/ Break Switch Mute@l kHz: -100 dB
lnterruptor Mute/ Break@ 1 kHz: -100 dB
Fonction Mute/ Break activee@ 1 kHz: -100 dB
Mute-Taste I Break-Taste Mute @1 kHz: -100 dB
All inputs: +22 dBu • Main Mix XLR: +28 dBu • All other outputs: +22 dBu
Todas las entradas: +22 dBu • Mezcla principal XLR: +28 dBu • Resto de salidas: +22 dBu
Toutes les entrees : +22 dBu • Main Mix XLR : +28 dBu • Toutes les autres sorties : +22 dBu
Alie Eingange: +22 dBu • Main Mix XLR: +28 dBu • Alie anderen Ausgange: +22 dBu
Format: USB 2.0, 1 Stereo Input/2 Stereo Outputs• AID/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Formato: USB 2.0, 1 Entrada / 2 Salidas stereo• A/D/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Format: USB 2.0, 1 Entree stereo/ 2 sorties stereo• A/D/A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
Format: USB 2.0, 1 Stereo-Eingang / 2 Stereo-Ausgang • A/D/ A: 24 bit, 44.1 kHz, 48 kHz, 96kHz, 192kHz
4,4 X 17.7 X 17.1 in
112 x 450 x 434 mm
15.2 lb
6.9 kg
100VAC-240VAC, 50-60 Hz
4.4 X 24,1 X 17,1 in
112 x 612 x 434 mm
I9.8 lb
9.0 kg
4.4 X 32,3 X 17,1 in
112 x 820 x 434 mm
26.5 lb
12.0 kg
All specifications subject to change• Todas estas especificaciones estan sujetas a cambios sin previo aviso •
Les caracteristiques peuvent etre modifiees • Technische Anderungen und Erganzungen vorbehalten
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Quick Start Guide 17