
7. Solder the other frontal hardware except for the plastic B100k pots. We recommend starting with the
Thonkiconn jacks or 9mm B10k potentiometers, making sure the nuts on each continue to hold them snug
to the panel while still staying attached to the PCB. Hand-tightening the nuts should help with this.
8. Once all other hardware is soldered in place, solder the plastic B100k pots. These can be a little finicky,
so push them into the PCB so they sit squarely and solder one of the side legs first. Before soldering any
more, flip the module over and double-check that the shaft of the pots aren’t touching their panel holes. If
the pot is off-center, reheat the one pad and adjust the potentiometer until it sits squarely. This might take
a few attempts and caution should be exercised not to destroy the pot by overheating. Once the pot is
positioned correctly, solder the rest of the pins and the other leg in place.
6. Double check your work. Make sure all components have properly flowed and that all hardware is
properly soldered to the PCB. We will have inspected the PCB in-house, but mistakes can sometimes
happen so feel free to contact us if anything looks incorrect. If everything looks good…
7. Plug in your Marsupial! Make sure the red stripe on your ribbon cable corresponds to the stripe on the
PCB which indicates the -12V pins. Test all functions: even without calibration, you should be able to get
nice filter sounds from all four outputs, test all CV inputs, and adjust the Resonance from zero to
self-oscillation. If everything seems to be working properly, it’s time to calibrate the module.
Calibration Procedure:
1. Power on the Marsupial and leave it powered for at least 10 minutes. Set the switch to “Parallel” mode,
move “B Offset” knob to 12 O’Clock, and set Resonance knob to full CW so that each filter self-oscillates.
2. Connect a 1V/Oct source to the “1V/Oct A” input. As this is a filter and tracking is likely not critical,
home studio staples such as the Keystep, MI CVPal or MFOS V/Oct Calibrator may suffice depending on
your desired level of precision.
3. Monitor the “LP A” audio output with a tuner or frequency counter. Set the pitch of Filter A to a
mathematically simple frequency such as 110 Hz and use the rear “A-Tune” trimmer to tune Filter A so
that its frequency is roughly 880 Hz with 3V applied. This should provide a good ballpark starting point;
from there monitor the frequency at other 1V intervals up to +5V and adjust the trimmer so the output
frequency is as close to the corresponding multiples of the initial frequency as possible.
4. Once Filter A has been tuned satisfactorily, monitor the “LP B” output instead, making sure nothing is
patched to the “1V/Oct B” input. (This will normalize the incoming CV signal to the 1V/Octave input of
Filter B.) Repeat the procedure from Step 3 for Filter B.
5. Enjoy your filter!