Massive Audio CORE-1 User manual

User’s Manual
Introduction:
Congratulations! And thank you for purchasing the CORE-1 Signal Processor, a complete
audio signal processing and power management solution for whose seeking performance,
customization and OEM integration. The CORE-1 features the newest Analog Devices DSPs for
state-of-the-art music reproduction, at the same time providing you with endless tweaking capabilities
by the infinite settings and combinations of Parametric Equalizer, Time Alignment, Multiple Crossover
choices and much more. Additionally, the CORE-1 fully protects your vehicle’s electrical system and
audio system components against low battery voltage and blown speakers.
Features:
1) 8 Fully configurable output channels capable of 4V RMS (12.5Vpp) RCA output swing.
2) 8 Summing Input channels compatible with Low-Level & High-Level input types;
3) Bluetooth Audio Streaming with Apt-X codec for audiophile audio quality;
4) State-of-the-art Audio Reproduction:
24-bit resolution ADC / DACs;
56-bit double precision signal processing
Frequency Response from 10 to 22Khz +/- 1 dB
THD < 0.003%
SNR > 93 dB
5) Audio Signal Processor:
Precision Crossover System: Linkwitz-Riley, Bessel and Butterworth topologies,
12, 18, 24, 36 and 48 dB / octave crossover slopes available;
Full Pass / High Pass / Low Pass / Band Pass / Peaking / Shelving filters;
Up to 96 Parametric Equalizer Bands with adjustable Frequency and Bandwidth;
Full Time Alignment Correction and Phase rotation;
R.M.S. Limiter with adjustable Threshold, Attack and Decay
6) Power Management Processor with fully automated actions for Low Battery and Very Low
Battery conditions, with adjustable voltage threshold levels.

Installing the CORE-1 Signal Processor:
WARNING:
Installation of this mobile audio device requires experience with a variety of mechanical and
electrical procedures. If you don’t have the required knowledge / experience to complete
the installation, please consult an authorized Massive Audio dealer about professional
installation option. Before you begin, please note the following:
1) Install the software BEFORE you connect the USB cable. Insert
the CD Software, open “Core1_Installer.exe” and proceed clicking
“Next” till the end. Please consult “Software Installation”.
2) Connect CORE-1 directly to the battery (12Volt DC). Do not
power it from the ignition switch or any type of switch.
Please consult “Power Source Connector”.
3) Make SURE that your vehicle’s battery is fully charged.We
strongly recommend using a battery charger during the setup
process. If the battery voltage is lower than 11.5V, the CORE-1
protection features will kick in and may cause confusion. Please
consult “Power Manager”.
4) If you use the High Level Input, you don’t need to connect the
remote wire input “REM”. CORE-1 features “auto-remote.” Please
consult the “Wiring Diagram” for High Level audio inputs.
5)
ALWAYS connect the REMOTE of the amplifiers to the CORE-1.
Never from the Head Unit. Utilize outputs “REMOTE OUT” 1 to 4.
Please consult “Remote Outputs”.
6) Set the GAIN of the Power Amplifiers to ZERO to avoid “hiss”
noise. CORE-1 already pre-amplifies the signal. Always prefer to
adjust the gain utilizing the software. Please consult “RCA Audio
Outputs”.

OVERVIEW / HARDWARE INSTALLATION:
INPUT PANEL:
Power Source Connector
Computer USB Connector
Bluetooth Audio Connector
Bluetooth Audio Volume
RCA Audio Inputs
OUTPUT PANEL:
RCA Audio Outputs
Memory Select Button
Remote Connector
Remote Outputs
REMOTE CONTROL & LED INDICATORS:
Memory Slot Indicators
Memory Select Button
Gain control Knob
Limiter Actuation LEDs
Power Indicator LEDs
SOFTWARE INSTALLATION
UTILIZING CORE-1:
INPUTS / OUTPUTS TAB:
Master Input Gain
Sound Stage Depth
Output Group Type
Output Gain
Balance Control
Time Alignment Controls
Time Alignment Calculator
Crossover Settings
Output Type
Output Phase
V.U. Meters / RMS LIMITER TAB:
V.U. Meter
R.M.S. Limiter
oThreshold
oAttack
oDecay

GROUP EQUALIZERS (1 to 4) TABs
EQ Bands
Reset EQ
Side Selection: (L+R), (L), (R)
Boost / Cut
Frequency
Bandwidth
Parametric
Hi-Shelf
Lo-Shelf
POWER MANAGER TAB
Voltage Readings
Power Source Selection
Low Battery Condition
Very Low Battery Condition
Volts: Set (Action Start Voltage)
Volts: Clear (Action Stop Voltage)
Action to take (automatic action)
Startup Delay (sequential Power On)
Manually Selecting Remote ON / OFF
TOP MENU:
SAVE / LOADING settings to / from CORE-1
Frequency Response Graph
Language Selection
COM PORT Selection
TROUBLESHOOTING:
Device Driver Software
Amplifiers won’t turn ON
Amplifiers being shutdown randomly
Music Volume Level varying
Power LEDs are Orange / Red / OFF
Limiter LEDs constantly ON
Excessive HISS noise
“POP” and / or “THUMP” noise
Absence of sound when using High Level Input
Non Synchronized Power ON / OFF with Head Unit
Bluetooth Volume Level doesn’t Match Head-Unit’s
Bluetooth Audio sounds “noisy”
Can’t Pair my Phone with CORE-1 Bluetooth

OVERVIEW / HARDWARE INSTALLATION:
Input Panel.
Power source connector: Connect to your vehicle’s battery and head-unit. Utilize a small flat
screwdriver to secure the wires connection to the plug. The plug is connected “up side down” to the
Unit, so make sure to follow the correct connection order as shown on the picture bellow:
Tip: Voltage readings can be observed at the “Power Manager” tab on the software.
GND: Connect to vehicle’s ground;
REM: Remote wire input, connect to the Head Unit blue wire.
DO NOT use in case CORE-1 is being used with a
“High-Level”audio source.
+: Connect directly to +12V of the vehicle’s battery. DO NOT
power Core-1 from a switched power source. CORE-1
needs constant power in order to work properly,
AUX: If you have an auxiliary battery, connect to the +12V.

Computer USB Connector: Connect to the computer after successful software installation.
This is how CORE-1 communicates with your computer. Make sure that you have successfully
installed CORE-1 software, only then, you should proceed connecting the CORE-1 unit to the
computer using the supplied USB cable.
Bluetooth Audio Connector: Insert the provided Bluetooth Audio module. By utilizing the
supplied Bluetooth Audio module, you will be able to stream high-quality audio directly to CORE-1 by
pairing it with your cellphone. Make sure that the Bluetooth is enabled on your phone. Search for
Devices and you will find CORE-1. If not successful, please refer to the Troubleshooting item 13.
Bluetooth Audio Volume: Begin by setting it to the middle. This volume control is meant to
help you balance the volume of your Bluetooth audio device with your Head-Unit. Although CORE-1
comes with the volume set at the maximum level, we strongly recommend that you set the volume at
the middle and then, proceed making small adjustments to satisfy your listening preference.
RCA Audio Inputs: Connect to the audio output of your head unit, which can be either a
factory or an aftermarket model. These inputs are also compatible with Low Level audio, which you
should use with good quality RCA cables, as well as compatible with High Level audio, which you
should use the supplied “RCA to High Level” adapter cables. The inputs are “summed”, which
guarantees perfect compatibility with factory head-units by combining the frequencies of each
channel, resulting in the reconstitution of the full-range audio that will be further processed by the
CORE-1.
In case you’re using Low Level (or line level), make sure that you connect at least one pair (Left /
Right) of RCA cables from the RCA Outputs of your Head-Unit to the RCA Inputs of CORE-1.
In case you’re using High Level (or speaker level), use the supplied “RCA to High Level” adapter
cables to connect CORE-1 to the speaker wires of your head-unit. Please make sure to properly
match the phase (+/ -) and sides (left / right) in order to have a good listening experience. We
recommend to place the supplied “Dummy load” resistors across the (+) and (-) wires of the head
unit speaker output, basically “taking place” of the speaker that was originally installed. Please
consult the “Wiring Diagram” here. Some cars need this to “trick” the Head Unit into thinking that
the speaker is still present, thus allowing music to be played through the speaker wires. Equally
important, please do not use the REMOTE input of the Power source connector. The CORE-
1 features “AUTO-REMOTE”, which exempts the use of the REMOTE wire because it senses
when the factory head-unit has been turned ON or OFF.

Output Panel.
RCA Audio Outputs: Connect to the RCA Inputs of your amplifiers, observing the correct Left
and Right sides, as well as the output group numbers (1 to 4). Capable of up to 4 V R.M.S. (12.5
V.P.P.), the CORE-1 is an efficient Line Driver that will ensure that the signal is pre-amplified enough
before reaching your amplifiers, consequently, better overall Signal-to-Noise ratio is achieved,
ensuring the best music enjoyment with dynamic, clear, and low-noise signal. Make sure that the
gain control of your power amplifier is set to the minimum, to prevent your amplifiers from
saturating due to the strength of the signal output by CORE-1. In case of hiss or noise, please consult
Troubleshooting Item 7.
MEMORY Select button: Use to switch “on-the-fly” between the 3 available Memory slots.
Once you have successfully created and saved your personal settings to the Memory slots of CORE-
1, you can always choose which Memory slot you would like to use at any time, without needing the
computer. Please consult “Saving / Loading settings to / from CORE” section.
REMOTE Connector: Connect to CORE-1 Remote control by utilizing the supplied cable.
With the CORE-1 Remote control you will be able to operate the MEMORY Select button as
described above, as well as adjust the Gain of the Output group(s) chosen by you, which could be the
gain of your Subwoofer for example.

REMOTE OUTPUTs: Connect to the Remote Input of your amplifiers. Utilize a small flat
screwdriver to secure the wires connection to the plug. The CORE-1 must be able to manage the
amplifiers in order to ensure “pop” / “thump” free operation. We recommend only one amplifier per
output, thus maximum of 4 amplifiers. However, you can definitively use two amplifiers per output,
allowing for a maximum of 8 amplifiers.
Tip: Power On delay and state configurations available at the “Power Manager” tab on the software
Remote Control TOP (Left), Remote Control FRONT (Middle), CORE-1 Indicator LEDs (Right)
MEMORY Slot indicators: The Green, Yellow and Red LEDs are indicators of which of the
three available Memory presets is being used by the CORE-1. These LEDs are present both on the
unit itself (see image above, at the right side), as well as on the Remote Control unit.
MEMORY Select button: Use to switch “on-the-fly” between the 3 available Memory slots.
Once you have successfully created and saved your personal settings to the Memory slots of CORE-
1, you can always choose which Memory slot you would like to use at any time, without needing the
computer. This button is present both on the unit itself (as previously mentioned) as well as on the
Remote Control unit. Please consult “Saving / Loading settings to / from CORE” section.
Please observe that the Remote outputs (1 to 4)
are associated to the RCA output groups (1 to 4) by the
Power Management System of CORE-1. Therefore,
please make sure to connect to your amplifiers
accordingly. For example, if your amplifier is connected
to RCA Output Group 2, proceed connecting its remote
input to the Remote Output 2 of CORE-1, so both the
Audio and Remote controls belong to the same group.

Limiter Actuation LEDs: Please consult the “Limiters”section. Whenever the Limiter(s) start
compressing the music signal to protect your system, the corresponding Yellow LED(s) will light up.
Each LED corresponds to its respective Output Group. For example, if the Limiter of Group-2 starts to
work, the Limiter LED number 2 will light up.
POWER Indication LEDs: Please consult the “Power Manager” section. These LEDs notify
you of your vehicle’s battery condition. If the battery voltage level is OK, these LEDs will be Green. If
the battery voltage level is running low, LED(s) become orange. If battery voltage level is very low,
LED(s) become Red for selected actions other than “shutdown”, or, if the “Power Manager” shuts
down the remote output(s), the corresponding LED(s) will be OFF.
GAIN CONTROL knob: Use to control “on-the-fly” the gain (volume) of the
desired output group(s).
By default, CORE-1 comes with the knob assigned to all four output groups,
however you can (and should) change it at any time by utilizing the software. On
the lower left corner of the software, you can use the check-boxes to select the
output group(s) that the knob will be able to control. For example, if you’re utilizing
a subwoofer on Output Group-1 and you wish to control its volume with the knob,
then you check only “1” and leave the other groups unchecked, as shown by the
example picture on the left.

SOFTWARE INSTALLATION:
Step 1:
Please install the CORE-1 Software by advancing through the installation process as indicated:

Wait for completion
of the first
installation part.
Following that,
automatically
another installer
window will open to
install the necessary
Microsoft.NET Chart
Control component.
Please advance
through the
installation process
as indicated:

Step 2:
If CORE-1 hardware unit is already properly installed on your vehicle, go ahead and turn your Head-
Unit ON, make sure you set the Volume all the way down. The CORE -1 will take about 7 seconds to
initialize in the following sequence:
1- Power LEDs going up and down (alternating green color): Boot sequence;
2- Memory LED blinking: Opening Memory Slot;
3- Power LEDs solid green and Memory LED solid: Ready to use.
If Power LEDs aren’t solid green, please consult the Troubleshooting Item 5.
Step 3:
Once CORE-1 has finished initializing, please make sure that the CORE-1 software has been
successfully installed according to Step-1. Now, please proceed connecting the USB cable between
CORE-1 and your preferred computer’s USB 2.0 / 3.0 port. Please be patient and allow a few
minutes while Windows automatically installs the correct device driver software. A baloon should
appear as follows:
If the device driver installation
process don’t complete
successfully, please consult
the Troubleshoot item 1.

Step 4:
Once the automatic device driver installation is complete, open CORE-1 software from your
Desktop shortcut:
CORE-1 Software Main Screen
Click on the drop down list and select the COM port: Please note that the available COM
port will vary according to the USB port you chose on your computer. Each time you choose a
different USB port, the USB Device Driver will be reinstalled and a different COM port will appear. We
suggest that you use always the same USB port. Now, click and you’re ready to fully enjoy
all of CORE-1 features! Remember that you can always select your preferred language by clicking
on the language box:

Utilizing CORE-1:
The CORE-1 Signal Processor offers a wide variety of tools to help you get the most out of
your sound system, as well as achieve the best listening experience in different music styles. In order
to accomplish that, let’s take a closer look at each of the CORE-1 functions:
Inputs / Outputs:
This is the main control Tab, where the most important adjustments are realized. These
adjustments are:
Input Gain (Necessary to match with your Head Unit);
Output Gain for each group (Necessary to match your amplifer(s) and speakers);
Balance;
Time Alignment;
High Pass / Low Pass / Speaker type selection;
Output type and phase;
Stage Depth widening effect (optional);
Remote Control gain knob group(s) assignment.
For example, if the RCA Output of your Head Unit is capable of 2Vrms, it will become a 4Vrms signal
after passing through CORE-1.
This is the Master Input
Gain adjustment. It controls the
input sensitivity of the 8-Channel
Summing inputs. This adjustment
should vary according to the
output capability of your audio
source. By default, the input signal
is amplified 2x, which will be
apropriate in most cases.
This is a sound stage depth and widening sound effect designed that can be used
according to your personal taste, and to increase the perception of space in small cars.
You can set anywhere from 0 (off) to 10. We recommend to use it between 1 to 4.

CORE-1 features 4 stereo output groups (8-CH RCA outputs). Each group can be individually
configured to suit the type of transducer (speaker) that you wish to use, for example, subwoofers,
midbass, tweeters and more.
For example, a tweeter without an appropriate High Pass filter is likely to suffer permanent damage.
Hence, if you want to go “Custom”, make sure you read carefully the specifications of your
transducers prior to CORE-1 operation.
By selecting one of the listed types of transducers, CORE-1
will automatically suggest parameters for Low Pass, High Pass and
Output Type settings. These parameters will work well with most products
on the market. However, depending on your level of expertise, you can
always choose “Custom” and using your best judgment and professional
experience, choose optimal parameters for your particular application. Be
aware that high-frequency transducers are prone to damage when
subjected to frequencies below their recommended range of operation.
The output Gain works as a “volume control”. It controls the signal
amplitude on each corresponding output group, thus controlling the signal
intensity that the amplifier receives from CORE-1.
Once you have selected the types of transducer that are being utilized on
each output group, for example, Subwoofer, Mid-Bass and Tweeter, you
can adjust the sound intensity level of each according to your musical
preference.
The Balance Control should be used to set the ideal gain levels
for Left ( L ) and Right ( R ) channels of the output group. Ideally, the
sound emitted from the speakers of both left and right sides must reach
the listener’s position (usually the driver) with the same intensity level.
However, inside the car cabin the left speaker is always closer to than the
right speaker, leading to a small mismatch between the two. In order to
correct that and have a perfect listening experience, you can always
compensate for this difference using the balance control.
The Time Alignment controls should be utilized in order to
compensate for the non-uniform physical distances between the
transducers and the listener. In other words, the distance between the
listener and the speakers inside the car always differ.

Enter the distances found on the “Measured Distance” fields and hit “Calculate!” CORE-1 will
automatically calculate and apply optimum values for Balance and Time Alignment, so you
don’t have to worry about doing it manually. This will result in perfect soundstage, as if all
speakers were perfectly aligned and at the same distance from the listener. The picture on the left
shows a typical example of a 3-Way system alignment using Subwoofer, Mid-Bass and Tweeters.
If you wish to perform the Time Alignment manually, just drag the sliders corresponding to the
delay-distance on the (L) and (R) sides until you get appropriate soundstage imaging. You can also
type the distance-delay that you wish to achieve by typing inside the fields and then pressing TAB.
The “LINK” Checkbox allows you to link two or more output groups together, so that when you move
the delay-distance slider in any of the linked output groups, they will all move together. This way, you
can simultaneously apply the desired amount of delay-distance to the chosen output groups. To
exemplify, imagine that you have Mid-Ranges on GROUP-3 and Tweeters on GROUP-4. Let’s
assume that your Mid-Ranges and Tweeters are physically well aligned. Therefore, you can apply the
same amount of delay-distance correction to both simultaneously, so you can link GROUP-3 with
GROUP-4 for the sake of simplicity.
A simple and effective way to
perform Time Alignment and Balance
correction is available by utilizing the
calculator built-in the software.
Beforehand, please set your preferred
measurement unit. You can choose to
enter measured distances in Inches
(USA) or Centimeters (other countries).
Go to: File Set Measurement Units.
Then proceed opening the calculator. Go
to:
File Time Alignment and Balance
Calculator.
Now, all you have to do is to sit as the
driver and measure the distances
between you facing forward and the
transducers (speakers) in your car.
By using Time Alignment correction, CORE-1 digitally compensates
for these differences in distance, leading to a perfect listening
experience, as if the speakers where all physically aligned to each
other.

If you’re not entirely comfortable defining these settings, don’t worry, just select the type of transducer
that you’re utilizing, by selecting it from the drop-down list as mentioned before.
By doing so, CORE-1 will automatically adjust the Crossover for perfectly safe operation and optimal
performance with most transducers. However, if you like to experiment and explore the maximum
capabilities of your sound system components, you feel free to experiment with it. Just bear in mind
that high-frequency transducers are prone to damage when subjected to frequencies bellow their
recommended range of operation. For example, a tweeter without an appropriate High Pass filter is
likely to suffer permanent damage.
Tip: You can check for the “frequency response” specification of your speakers, and adjust the
crossover within that range.
In general, the higher is the crossover slope, which means “more dB per octave”, the higher is the
speaker protection, however, higher slopes may not sound as good as lower slopes.
Please observe the graph bellow. It represents 12, 24, 36 and 48 dB / octave Linkwitz-Riley
High-Pass crossover slopes. Note that with 12 dB/oct (blue) the curve is smoother, thus less low-
frequency speaker protection. In the other hand, 48dB / oct (orange) the curve is very sharp, which
offers excellent protection, but may not be very “ear candy”. Hence, 24 dB / octave (green) is a great
combination, offering excellent sound quality and, at the same time, good speaker protection.
The Crossover Settings define the frequency range of
operation that each transducer will reproduce. For example, a
subwoofer reproduces lower frequencies, normally from 20Hz to
80Hz, whereas a tweeter reproduces higher frequencies, normally
from 4000Hz to 20000Hz. So it is of extreme importance to
correctly define the frequency range operation of each transducer
in the “(Hz)” field, in order to ensure safe operation and quality
sound reproduction.
As you can see, CORE-1 features a wide variety of Crossover topologies
and slopes, being these Butterworth, Bessel and Linkwitz-Riley, and 12, 18,
24, 36 and 48dB / Octave. By default, we suggest Linkwitz-Riley 24dB /
Octave for most applications, because its phase and slope characteristics
help to obtain excellent sound quality, and at the same time, offer very good
speaker protection.
Each topology has its own phase and response characteristics, which can
serve you as tools to experiment different combinations and achieve the
best result with your audio system.

Frequency Response at 100Hz : 12dB/oct Blue, 24dB/oct Green, 36dB/oct Purple, 48dB/oct Orange
The Output Type provides you with 4 different ways to configure the CORE-1 RCA outputs:
3 - “Mono (Left)” for Mono audio reproduction of the Left channel only.
Application example: Using one power amplifier for each side of your car.
4 –“Mono (Right)” for Mono audio reproduction of the Right channel only.
Application example: Using one power amplifier for each side of your car.
The Output Phase can be configured in 4 different ways:
CAUTION: Be careful with the phase configuration and dual voice coil subwoofers!
When utilizing dual voice-coil subwoofers, if you by accident choose one of the “L+ / R-“ or “L- / R+”
configurations, the polarity of the voice-coils will be reversed to each other, forcing them to move in
opposite directions, which may lead to permanent damage to your subwoofer.
1 - “Stereo (L/R)” for Stereo audio reproduction.
Application example: front speakers of your car.
2 - “Mono (L+R)” for Mono audio reproduction of Left and Right channels
summed. Application example: subwoofer of your car.
“L+ / R+” Non-inverted phase audio reproduction. Recommended for most cases.
“
L+ / R+” Inverted phase audio reproduction.
“L+ / R+” Left side Non-inverted phase, Right side inverted phase.
“L+ / R+” Left side Inverted phase, Right side non-inverted phase.

V. U. Meters:
If the sound output level still not high enough, you may proceed slowly increasing the gain
potentiometer of your power amplifier with caution. This way, all gains will be well balanced and the
system will operate without distortion or noises.
R.M.S. Limiter (V.U. Meter TAB):
The R.M.S. Limiter is an extremely important tool that, if utilized correctly, can prevent your
speakers from blowing. Best of all is that it does not necessarily mean compromising music
enjoyment. The Limiter algorithm was especially created to preserve music dynamics while protecting
your sound system. It is called "R.M.S. Limiter" because RMS averaging function is applied on the
input signal before its level is compared to the threshold. This allows a more relaxed compression
that also more closely relates to human perception of loudness.
Advantages:
1- Prevent output clipping from amplifier, which can damage the speakers;
2- Prevent speaker cone excursion beyond the maximum limit (Xmax);
3- Control the amount of output power of the amplifier, thus preventing overheating;
4- Set limit to “how abused” the sound system can be;
5- Set limit to maximum possible SPL output to prevent hearing loss.
Threshold dB sets the point in which if the signal level is equal to or higher, activates the Limiter.
In other words, it’s when the limiter will start to work to compress the signal. To set the Threshold
value, you can use either the Threshold bar on the left side of the V.U. Meter, or the numeric box.
The V.U. Meters correspond directly to the instant output
signal level of the RCA output channels. Therefore, it is
important to configure both the Master Gain and the gain
of each Output Group so that the signal intensity isn’t high
enough to reach 0dB at the maximum volume setting,
which is the absolute maximum limit before distortion
occurs, as well as not so low that you can’t even see the
meter bars going up and down.
We suggest that you configure the Master and the gain of
each Output Group in a way that that when your head unit
is at the maximum volume setting, the V.U. Meter reaches
-2dB at the most.

Attack dB/s is the rate in which the limiter will decrease the gain to reach the level set by the
Threshold.
Decay dB/s is pretty much the inverse. It Is the rate in which the limiter will "release" the signal, in
other words, increase the gain back to its normal.
The rate unit "dB/s" literally means how many decibels can be attenuated in one second, thus
giving us an idea of the "speed" of the attack / decay. For example, 100 dB/s means that 1/10th of a
second (100 milliseconds), up to 10 dB can be attenuated.
In order to use the Limiter R.M.S. basically you only need to set the Threshold level. Attack &
Decay will work well on the default configuration. However, you may as well use Attack & Decay
settings to have better control over the compromise of music dynamics & transducer protection.
Whenever the limiter starts compressing the music signal to protect your system, the indicative
yellow LEDs on top of the CORE-1 hardware unit will lit up. At any moment you can know if the
Limiters are actuating just by looking at CORE-1.
EQUALIZERS:
The CORE-1 features 4 fully independent Equalizer modules, being one dedicated for each
output Group. Additionally, each one of these four equalizer modules is capable of equalizing the Left
(L) and Right (R) channels separately. A total of up to 96 parametric equalizer bands possible.
These equalizer modules are exceptionally efficient because they operate strictly within the
output frequency range of the output group, which was previously assigned by the crossover. This is
a major advantage because the equalizer bands are always fully utilized, regardless of your
crossover configuration, unlike traditional products.
You can choose the equalizer of one of the four available output groups by selecting the
corresponding “EQ-Group” tab, as show highlighted above in red. Once you select the tab, all
adjustments performed to this particular Equalizer module will be applied to the corresponding output
group, without affecting other output groups. In other words, you will be able to equalize your mid-
bass without affecting your tweeters for example.
The EQ Bands lets you choose how many EQ Bands you would like to have for the
selected output group. By increasing / decreasing the number of desired EQ bands, the
software automatically calculates the “Frequency” (center frequency) and the “BW”
(bandwidth) for optimized equalizer operation within the frequency range of your speaker.
The Range shows you the range of frequency that your speaker is operating within. This
frequency range is defined by the Crossover settings, previously mentioned. Basically the
frequencies of the bottom and the top (for example 20Hz to 20480Hz) are the
“boundaries” in which the selected equalizer will operate.