Millennia LOCi User manual

Millennia
Millennia Media, FPC
4600 Missouri Flat Road
Placerville, CA 95667
http://www.mil-media.com
[phone]
Fax [phone]
Music & Media Systems
Owner’s Manual
Jf010715
LOCi
Universal Playback Equalizer
Phono Preamplifier

Page 2 of 16
Millennia Media, FPC
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
[phone]
Fax [phone]
READ THIS FIRST!
Any changes or modifications not expressly
approved by MILLENNIA MEDIA, FPC could void
your authority to operate this equipment under
the EC or FCC rules.
1. Copyright: You acknowledge that no title to
the intellectual property in the LOCi is
transferred to you.
2. Inspection: Inspect packing box(es), LOCi,
and cable(s) for damage, unusual marks, or
shortages. It is your responsibility to report
damage, shortage, or misshipments in a timely
manner. Millennia Media and/or its dealers will
not be responsible for claims arising from
damage in shipping, nor will claims for shortage
or misshipments be honored, more than 10 days
after ship date.
3. Read this manual carefully and completely
before attempting to use the LOCi. Improper
operation could result in damage to product. It
is the user's responsibility to understand the
safe use and operation of this device.
4. The shipping box of the LOCi system will
include (1) Owner's Manual, (2) LOCi, (3) a UL
approved power cord (Canada and US units
only), (4) Owner's Registration Card. Fill out the
Owner's Registration Card and return to
Millennia Media at your earliest ability.
The material contained in this manual consists of
information that is property of Millennia Media,
FPC and is intended solely for use by the
purchasers of the equipment described in this
manual. Millennia Media, FPC expressly prohibits
the duplication of any portion of this manual or
the use thereof for any purpose other than the
operation and/or maintenance of the equipment
described in this manual without the express
written permission of Millennia Media, FPC.
Under copyright laws, this manual may not be
duplicated in whole or in part without the written
consent of Millennia Media, FPC.
LOCi and Analog Legacy are trademarks of
Millennia Media, FPC with all rights reserved. All
other trademarks herein are property of their
respective holders. Serial numbers are located
on the left side of each unit.
SAFETY PRECAUTIONS
For your safety and the safety of others, be sure
to read and understand all safety and
operational instructions before attempting to use
the LOCi. WARNING: The LOCi internal circuitry
carries lethal voltages. Carefully observe all
warnings, precautions, and instructions on the
LOC and as described in the instructions
supplied with the unit.
1. WATER, MOISTURE, AND SPILLAGE
Do not attempt to use the LOCi in, near, or
around water or in unusually moist
environments, such as near a sink or swimming
pool. Prevent liquids or any other materials or
objects from spilling or falling into the LOCi unit.
2. HEAT AND VENTILATION
Be sure to allow adequate ventilation to LOCi
and avoid using or installing unit in close
proximity to heat sources, such as heaters,
stoves, radiators, power amplifiers, spotlights,
or other heat-producing appliances or
equipment.
3. POWER SOURCES AND POWER CORD
PROTECTION
The LOCi Power Supply should be connected to a
power source only of the type described in the
operating instructions or as marked on the
Power Supply. Route the power cord so that it is
not likely to be walked on or pinched by having
objects placed on it. Pay particular attention to
plugs, receptacles, and the point where the AC
power cord exits the LOCi.
4. GROUNDING
For your safety, it is extremely important that
the grounding pin of the 3-wire power cable
(included with unit) be inserted into a grounding
type 3-pin power outlet. If you are unable to
insert the plug into an existing outlet, contact an
electrician to install a properly grounded 3-pin
power outlet, preferably that with OFI
protection, if available.
Features and specifications subject to change
without notice.
© 2015 Millennia Media, FPC, All rights reserved

Page 3 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
[phone]
Fax [phone]
5. DAMAGE REQUIRING SERVICE
This unit should be repaired or serviced by
qualified personnel whenever:
• The AC power cord has been damaged, or
• An audio cable has been damaged, or
• Objects have fallen or liquid has spilled into
any LOCi unit, or
• The unit does not function properly or exhibits
a marked change in performance, or
• The unit has been abused, dropped, or
damaged, or
• The unit has been exposed to rain or moisture
6. SERVICING
Deadly voltages are found inside the LOCi
chassis. The user should not attempt to repair or
service this unit. All servicing and/or repairs
should be referred to Millennia Media.
If, after reading all instructions, precautions, and
warnings, you have remaining questions, please
contact Millennia Media directly before
attempting to use your LOCi. Retain this owner’s
manual as a record of your purchase to aid
positive identification in the event of loss.
INTRODUCTION
The LOCi Analog Legacy is a hand-crafted
collection of Millennia's essential preamplifier
and equalizer circuitry tailored specifically for
the needs of archiving and mastering
professionals, and serious audiophiles requiring
a sonically uncompromised analog front-end.
The LOCi is a selectable mono or stereo
processing chain which can be used with
virtually any modern or legacy phonograph
cartridge. Any known type of legacy record
pressing (78, 45, 33, etc.) can be compensated
perfectly with the LOCi, including vertical groove
processes.
When the LOCi does not offer a precise preset
compensation point or loading characteristic, the
user may define virtually any custom parameter
via plug-in passive components. The LOCi offers
a discrete-hybrid signal path from input to
output, employing both bipolar and field-effect
transistors where they are best applied for
Millennia's hallmark sonic invisibility and
dynamic uniformity. The LOCi accepts balanced
line level or phono level input via gold XLR
connectors. Outputs are both XLR and RCA
phono.

Page 4 of 16
Millennia Media, Inc.
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LOC REAR PANEL
(1) INPUTS:
Bal Phono Input 1 / MM Conventional 3-pin
female XLR input connectors for use with
differential-balanced phono cartridges. Can also
be used with certain line-level sources.
Standard input load resistance is 47,000 ohms.
This resistance can be changed by the user to
facilitate different phono cartridge load
requirements. See phono preamp PCB
illustration on page 7.
Standard input load capacitance is 470 pF. This
capacitance can be changed by the user if
necessary, but should not be lower than 270pF.
XLR pin 2 is positive polarity. XLR pin 3 is
negative polarity. Connector contacts are
Neutrik gold plated. It is suggested that XLR
cable connectors used with the LOCi employ
identical plating.
Bal Phono Input 2 /MC, Conventional 3-pin
female XLR input connectors for use with all
standard phono cartridges. Can also be used
with certain line-level sources. Inputs 2 and 3
connect to an input transformer, the Lundahl
LL9226.
Phono In 3/MC RCA input. To use the RCA input
connections, select “MC OUT” on the front panel
Use your cartridge manufacturers recommended
R/C loading. The cartridge loading can be
modified by changing resistors and capacitors.
See illustration on page 13.
(2) PHONO PRE DIR OUT
Buffered Direct output from the pre amp card.
Post polarity and mono switching. This is the
same signal fed into the compensation and filter
circuits.
(3) PHONO PRE TRIM OUT
Adjustable, buffered signal derived from the
Direct out.
(4) UNBAL EQ OUT PRE TRIM
Post filter and compensation circuit unbalanced
signal. Available in both RCA and XLR
connections. Output RCA connections are
independent of input switching.
(5) BAL EQ OUT POST TRIM
Balanced output from the compensation and
filter circuits.
(6) EARTH/AUDIO GROUND JUMPER STRAP
A barrier terminal which ties earth ground to
audio ground. If ground “hum” loops are
experienced when using the LOCi, removing this
jumper may help. Using this jumper to lift
ground, the integrity of the chassis/earth safety
ground connection is never compromised.
(7) AC VOLTAGE MAINS SELECTION “100-
120” or “200-240”
A power entry module with a removable fuse
holder block. This fuse holder block is selectable
for 100 - 120 Volt or 200 - 240 Volt worldwide
mains powering. The fuse block contains two
fuses - one fuse is in series with the hot power
line while the other fuse is in series with the
neutral power line. Both fuses must be installed.
To change the mains voltage selection, remove
IEC power connector and assure that the LOCi is
not connected to mains power. With a non-
conductive tool, gently pry the fuse block away
from the power entry module. Remove the two
fuses and replace both with type as shown
below.
Slide out the internal PC Board, turn it over, and
reinsert the PCB so that the desired AC mains
voltage appears in the viewing window.
Double check that the fuses installed correspond
to the AC mains voltage range which appears in
the viewing window. Gently push the fuse block
back until flush and snug.
FUSES:
For 100-120 VAC mains, use two 5 x 20 mm,
1A, slow blow, 250 V, Littelfuse 218 or equiv.
For 200-240 VAC mains, use two 5 x 20 mm,
1A, slow blow, 250 V, Littelfuse 218 or equiv.
Use only the power cord provided with the LOCi
unit or equivalent U/L approved type SV, SVT,
SJ, or SJT AC power supply cord. Do not defeat
the third pin earth ground. If ground lifting is
desired, remove the Earth/Audio Ground Jumper
Strap (topic #6, above). Export units are not
supplied with a power cord

Page 5 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
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http://www.mil-media.com
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LOCi FRONT PANEL
(1) INPUT SELECT PUSHBUTTON Switches
(L&R)
Select either IN - MM (Moving Magnet)
connected to Input 1, or OUT MC (Moving Coil)
connected to inputs 2 or 3.
(2) MONO SELECT SWITCH "MONO (L+R)"
Pushbutton switch (German ITT) which combines
left and right inputs into a summed mono signal.
When this switch is depressed and illuminated,
left and right input signals are combined into a
single mono signal sent to both left and right
compensation and filter path inputs.
(2) POLARITY REVERSE SWITCH "POL REV"
Pushbutton switch (German ITT) which, when
depressed and illuminated, reverses the polarity
(180 degree inversion) of the right channel input
signal. Use with vertical groove recordings or
stereo sources which are in reversed polarity
relative to each other.
(4) SIGNAL PRESENT & OVERLOAD
INDICATORS "SP" & "OL"
Green and red LEDs (light emitting diodes)
which show signal activity (green) and high-level
(red). The green Signal Present LED illuminates
with an audio signal level of approximately -30
dBu, and should illuminate with any normal
phono input signal. The red high-level LED
illuminates with an audio signal level of
approximately +20 dBu at the Post EQ output
XLR jacks and should only illuminate on the very
highest peak levels.
(5) HIGH RESOLUTION PHONO GAIN
CONTROL
Detented, 36-position gain control employing a
Grayhill mil-spec gold plated rotary switch.
Switch gain is approximately 1.5 dB per step
and is inter-channel matched to better than 0.08
dB at all settings. After a brief warm-up period,
adjustment of this switch is virtually silent. Two
illuminating pushbutton switches ("A" = Green
and "B" = Amber) determine the gain "range" of
the rotary switch.
When the pushbutton switches are not
depressed and non-illuminated, the phono
preamplifier gain is as printed on the front panel
(9.0 dB, 10.5 dB, 12.0 dB, etc..).
When the green "A" pushbutton switch (only) is
depressed and illuminated, add 18 dB to the
gain settings as printed on the front panel.
When the green "A" and amber "B" switches are
both depressed and illuminated, add 36 dB to
the gain settings as printed on the front panel.
For example, with both pushbutton switches
depressed and the rotary switch at 1:00 o'clock
position, the preamp gain would be 55.5dB
(19.5 + 36).
(6) BAND IN/OUT SWITCH "IN"
Pushbutton switch which places its associated
EQ band in circuit or out of circuit. There are
eight bands of equalization on the LOC Analog
Legacy.
Four bands provide precise phono compensation,
including RIAA and an unlimited number of
legacy curves.
Four additional bands (marked "FILTER") provide
additional sculpting and repair tools. An EQ band
is in-circuit when its associated band switch is
depressed and LED is illuminated. Band In/Out
switches are provided both for comparing a
single EQ band setting versus flat-band
response, and for bypassing any band entirely,
such as with flat acoustic recordings.
(7) FREQUENCY SELECT ROTARY SWITCH
Six position rotary switch (Grayhill, gold
contacts, military spec) which selects fixed high
and low band frequency points.
LF compensation frequencies are preset to 200,
250, 300, 400, 500/RIAA, and 700/USER (in
Hz).
HF compensation frequencies are preset at 10
kHz to -5.0, -7.0, -9.5, -11.5, -13.7/RIAA, and -
16.0/USER (in dB).
Where a switch is marked "USER", the user may
change the value of a fixed capacitor to allow for
virtually any compensation frequencies not
preset on the factory stock rotary switch points.
See printed circuit board diagram on page 8 for
capacitor socket location (C14 on LF board and
C8 on HF board).

Page 6 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
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The LOCi compensation and filter circuits are
based upon a unique shunt topology. This
topology is unlike conventional "state variable"
filters in that only one signal path amplifier is
employed. Compare this with conventional filter
designs employing upwards of four to seven
signal path amplifiers. Fewer amplifiers means
greatly improved sonic integrity.
LF filter points are preset to 20, 35, 60, 100,
180, and 260 Hertz. High frequency filter points
are preset to 1, 2, 3, 5, 8, and 12 kHz.
(8) PEAK/SHELF SELECT SWITCH
Pushbutton switch which selects LF and HF filter
curve shape. When switch is depressed and LED
is illuminated, EQ is shelving at 6 dB per octave.
When switch is not depressed, EQ is peaking
with a fixed "Q" of 1.0 about the center
frequency selected.
(9) BOOST/CUT CONTROL
Four conductive plastic rotary potentiometers
offering up to +10 dB of boost and -10 dB of
cut. Boost/Cut potentiometer has 21 detented
positions for accurate repeatability and session
logging.
(10) PRE EQ OUTPUT TRIM
Variable output from the input to the filter and
compensation circuits. A setting of '0' is unity
gain. This is post preamp/switching circuits, pre
compensation/filter circuits.
(11) POST EQ OUTPUT TRIM
Variable balanced output post
compensation/filter circuits. A setting of '0' is
unity gain.
(12) POWER SWITCH "POWER"
Rocker switch for switching AC line power on
and off.

Page 7 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
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Phono Cartridge Loading Component Locations
Standard input load resistance is 47,000 ohms.
This can be changed by the user to facilitate
different phono cartridge load requirements.
Standard input load capacitance is 470 pF. This
capacitance can be changed by the user if
necessary, but should not be lower than 270pF.
Channel 1 Channel 2
MC- R43/R45 MC- R49/R51
MC- C17/C19 MC-C32/C34
MM- R47/R48 MM- R53/R54
MM- C69/C70 MM- C71/C72

Page 8 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
[phone]
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User settings on the Low Compensation (LFL/LFR) and high compensation (HFL/HFR) boards
The clockwise most (full CW) setting on the Low
and High Compensation network settings
(marked “700 USER” and “-16.0 USER” can be
changed to a custom response by plugging in
different value capacitors into the filter boards
that are connected to the respective selection
knob on the front panel. To change the value,
unplug the unit from power, remove the top
panel (12 screws) and carefully remove the
capacitors from location C12/C14 and replace
with selected value from table. Either socket
may be used, Note that only the two OUTSIDE
pins of each connector are connected. See
pictures for placement.
Top view low comp
C12/C14 value (s)
+3dB point
4.3 uF
1KHz
3.3 uF
1.3KHz
2.5 uF
1.8KHz
2.0 uF
2.15KHz
1.0 uF
3.9KHz
Stock value- 5.17 uF (4.7uF +0.47uF)
700 Hz

Page 9 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
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Top view high comp
C8 value (s)
Attenuation at 10KHz
5600 pF
-17 dB
6200 pF
-18 dB
6800 pF
-19 dB
8200 pF
-20 dB
9200 pF
-21 dB
0.01 uF
-22 dB
0.012 uF
-23 dB
0.015 uF
-25 dB
Stock value 4700 pF
-16 dB

Page 10 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
[phone]
Fax [phone]
Legacy Recordings EQ
The 78 RPM record was a standard format for
decades, followed by 33-1/3 RPM. While 33 RPM
“LP” records produced after 1954 almost
universally follow the EMI or RIAA standards,
compensation curves used for 78 RPM records
varied significantly between manufacturers and
era. Via historical research and empirical testing,
audio engineers have attempted to classify the
myriad of legacy equalization formats.
The following chart lists a small sampling of
various EQ curves which have been derived from
papers, audio journals, jacket information on
early LPs, experimentation, and other sources
for records made generally between 1925 and
1955. The audio engineer should use these
numbers as a guide only. Ultimately, use your
ears as the final reference for correct
compensation on legacy formats.
SOURCE SERIES
TURNOVER
(Hz)
ROLLOFF (dB @ 10
kHz)
Acoustic Recording (such as
cylinders, etc.)
0 (or as
required)
0 (or as required)
“AES”
standard
400 -12
AFRS Transcriptions 500 0 or -5
Allegro 750 -16
Allied 500 -16
American Recording Society 500 -12 or –13.7
Angel 500 -12
Arizona 400 -12
Artist 500 -16
Atlantic 500 -16
Audiophile 300 -8
BBC Transcriptions 1949 500 -5
BBC Transcriptions most 250-300 0 to -5
Bach Guild 501-529 500-750 -16
Banner adjust as required 500 -16
Bartok 629 -16
Bartok 301-304, 309, 906-920 700 -16
Berliner speed = 71.29 RPM 0 0
Blue Bird 800 -10
Blue Note Jazz 400 -12
Boston COL* -16
Brunswick rare 1000 -8.5
Brunswick from 1946 300 -16
Brunswick early 300-500 0 or -16
BSI 353 -10.5

Page 11 of 16
Millennia Media, Inc.
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SOURCE SERIES
TURNOVER
(Hz)
ROLLOFF (dB @ 10
kHz)
Caedmon 629 -11
Caedmon 1001-1022 700 -12
Cameo
inconsistent, adjust as
required
Canyon 400 -12
Capitol FDS 400 -12
Capitol-Telefunken 500 0
Capitol 500 -12
Cetra Soria 400 -12 or -16
Cetra 400 -11
Coliseum 400 -12
Columbia* 1925 200 -7
Columbia* 1926 250 -5
Columbia* 1938-most 300 -16
Columbia* various COL* -16
Columbia* European 300 -5
Concert Hall 400 -12
Contemporary 400 -11
Cook Laboratories 500 -11
Cook Laboratories binaural inside band 500 0
Coral 400 or 750 -12 or -16
Decca early 150 or 300 0 or -6
Decca 1946- 400 or 500 -12
Decca FFRR 1949 250 -5
Decca FFRR 1951 300 -14
Deutsch-Grammophone 300 -5
Dial 500 or 750 -16
Disc 300 -16
Ducretet-Thomson 450 -11
EMI 1931 250 0
EMI 33LP 500 -12
EMS 375 -12
Edison 0 0
Electrola 800 -10
Elektra 629 -16

Page 12 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
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SOURCE SERIES
TURNOVER
(Hz)
ROLLOFF (dB @ 10
kHz)
Epic thru 1954 COL* or 750 -16
Esoteric 400 or 500 -12
European 280 0
Festival 750 -16
Folkways 629 -16
Good Time Jazz 400 -12
Gramophone 300 -10
HMV 1925-1946 250 0
HMV 1946 400 -10
HMV 1946-1954 500 or 800 -16
HMV American 400 -12
Handel Society 750 -16 or -17
Haydn Society 750 -16 or -17
Harmony Acoustics thru 8/29 300 -16
Hit of the Week 500 -5
Kapp 700 -16
Kendall 629 -16
King 500 -16
Linguaphone 300 0
L’Oiseau-Lyre 500 -10
London early 300 0
London up to LL846 500 or 750 -10.5
London FFRR 1949- 250 or 280 -5
Lyrichord early 400 or COL* -16
Lyrichord newer 629 -16
Mercury thru 10/54 400 -12
MGM 500 0 or -12
Montilla 500 -12
Musicraft 750 -14
“NAB” standard 500 -16
New Records 750 -16
Nocturne 400 -12
Oceanic COL* or 750 -16
Odeon early electricals 700 0

Page 13 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
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SOURCE SERIES
TURNOVER
(Hz)
ROLLOFF (dB @ 10
kHz)
Odeon pre-1947 300 -8.5
Oiseau-Lyre thru 1954 COL* -8.5
Okeh electricals 300 0 or -8.5
Oriole
inconsistent, adjust as
required
Orthoacoustic Transcriptions 500 -16
Overtone 400 or 500 -16
Oxford 750 -16
Pacific Jazz 400 -12
Parlophone varies with era 300 or 500 0 or –8.5
Pathe
inconsistent, adjust as
required
Period 500 -16
Polydor 300 -8.5
Philharmonia 400 -12
Polymusic 500 -16
Ploymusic binaural inside band 500 0
RCA Victor
early acoustics 71.29
RPM
0 0
RCA Victor
later acoustics 76.59
RPM
0 0
RCA Victor 1925 78 RPM 250 or 300 0 or -5
RCA Victor 1931 LP only 700 or 800 0 to –10.5
RCA Victor 1933 375 -8.5
RCA Victor 1935 300 or 500 0
RCA Victor 1938 500 -5
RCA Victor 1938 – 1948 500 0 to -12
RCA Victor 1948 500 -10.5
RCA Victor 1949- 500 -12 or -13
Rachmoninoff Society 750 -16
Radiofunken 400 0
Remington 500 -16
Renaissance 750 -12
“RIAA” standard 500 -13.7
Riverside 400 -12
Romeo
inconsistent, adjust as
required
Schirmer 1000 -24

Page 14 of 16
Millennia Media, Inc.
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SOURCE SERIES
TURNOVER
(Hz)
ROLLOFF (dB @ 10
kHz)
Stradivari 750 -16
Supraphone 400 0
Technicord 800 -12
Telefunken 400 0
Transcriptions various, typical 500 -16
Ultraphone 400 0
Urania most COL* or 750 -16
Urania newer 400 -12
Vanguard
411-22, 6000-18, 7001-
7011,
8000-8004 COL* or 750 -16
Velvet Tone acoustics to 8/29 300 -16
Vitaphone 950 -18.5
Vitaphone motion picture 300 0
Vocalion electricals 300 0
VOX 500 or 750 -16
War Department 12” Special Services 700 -5
Western Electric early transcriptions 300 0
Westminster pre-1956 500 or 750 -16
Westminster “AES” printed on jacket 400 -12
Westrex 200 0
Zonophone early 71.29 RPM 0 0
Zonophone
most
300
0
Per NAB standards, the nominal speed of a 78
RPM record is precisely 78.26 RPM +/- 0.5%. *COL — Some recordings were compensated with a roll off of -16 dB @ 10 kHz and a modified
500 Hz turnover that requires an additional VLF
boost using a 100 Hz shelving filter @ +3.0 dB.
Often referred to as a "Columbia curve," some
sources list this at 300 Hz turnover with similar
HF and VLF characteristics. Better advice: trust
your ears.
Signal block diagram

Page 15 of 16
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PREAMP & SYSTEM SPECIFICATIONS
THD + Noise, 20 Hz - 30 kHz
MM In to Direct out
.006% @ +20dBu out
MM In to Pre EQ Trim Out .006% @
+20dBu out
.01% @ +30dBu out
MM In to Unbal Out
.006% @ +12dBu out
MM In to Post EQ Out
.006% @ +20dBu out
.007% @ +30dBu out
MC In to Direct out
.03% @ +20dBu out
MC In to Pre EQ Trim Out .03% @
+30dBu out
MC
In to Unbal Out .03% @ +12dBu out
MC In to Post EQ Out
.03% @ +28dBu out
The increase in THD on the MC channel is due to
Transformer ‘sweetness’.
Frequency Response -3 dB points,
Filters/Compensation out. 3 Hz to 200 kHz,
typical, flat
Frequency Response, +/- 0.5 dB 20
Hz to 50 kHz typical, flat
Maximum Input Level
+18 dBu
Maximum Output Level +30
dBu
Maximum System Gain MM
In to Direct out 58dB
MM In to Pre EQ Trim Out 68dB
MM In to Unbal Out
52dB
MM In to Post EQ Out
68dB
MC In to Dir Out 80dB
MC In to Pre EQ Trim Out 88dB
MC In to Unbal Out
73dB
MC To Post EQ Trim Out 88dB
Input Impedance User
selectable (resistor/capacitor)
Factory Stock: 47.5k ohms & 270 pF
Output Impedance
49.9 ohms, unbalanced
Noise
Better than -127 dB EIN, flat, all
outputs
Better than -124 dB EIN, RIAA in,
Unbalanced and Post EQ out.
Three-pin XLR Polarity Pin
2 = positive polarity, Pin 1 = ground
EQUALIZER SPECIFICATIONS
Maximum Filter Boost & Cut
~+/- 20 dB (21 step detent)
Notch Filter "Q" (Quality Factor) Q =
1.0
Low Frequency Comp Points
200, 250, 300, 400, 500/RIAA,
700/USER
High Frequency Comp Points (@ 10 kHz) -
5.0, -7.0, -9.5, -11.5, -13.7/RIAA, -16.0/USER
Low Filter Fixed Frequencies 20,
35, 60, 100, 180, 260 Hz
High Filter Fixed Frequencies 1.0,
2.0, 3.0, 5.0, 8.0, 12.0 kHz
Peak/Shelf Selection on all Filters? Yes
Bypass Selection on all Bands? Yes
v
ELECTRO-MECHANICAL
Power Consumption
50 Watts, nominal
Power Requirements
100VAC to 240VAC, 50/60Hz,
selectable
Fuses (2 required)
2 ea 1A with 100-120VAC mains
(5x20mm,
slow-blow, 250V)
2 ea 500mA with 200-240V mains
(5x20mm,
slow-blow, 250V)
Dimensions
19" W x 15.0" D x 3.5" H
Net Weight
approximately 26 pounds
Millennia Media reserves the right to change
specifications, delivery, and pricing without
notice.

Page 16 of 16
Millennia Media, Inc.
4600 Missouri Flat Road, Suite 11
Placerville, CA 95667
http://www.mil-media.com
[phone]
Fax [phone]
WARRANTY
Millennia Media will repair this product, free of
charge, in the USA, in the event of defect of
materials or workmanship for one (1) year
following date of purchase. This warranty is
extended only to the original LOC purchaser.
This limited warranty covers failures due only to
defects in materials and workmanship which
occur during normal, intended use and does not
cover damage which occurs in shipment or
failures which are caused by products not
supplied by Millennia Media. This limited
warranty does not cover failures which arise
from accident, misuse, abuse, neglect,
mishandling, misapplication, faulty installation,
improper adjustment, alteration or modification
of product, incompatibilities, line-power surges,
acts of God, or service performed by anyone
other than Millennia Media or its authorized
agent.
LIMITS AND EXCLUSIONS
There are no express warranties except as listed
above. Millennia Media shall not be liable for
special, subsequent, incidental, consequential,
or punitive damages, including, but not limited
to: damage to recordings, archives, broadcasts,
mixing consoles, or any associated equipment,
downtime costs, loss of goodwill, or claims of
any party dealing with purchaser for such
damages resulting from the use of this product.
All warranties, express and implied, including
the warranties of merchantability and fitness for
a particular purpose are limited to the applicable
warranty period set forth above.
Some states do not allow the exclusion or
limitation of incidental or consequential
damages, or length of time an implied warranty
remains in effect. As such, the above exclusions
may not apply. This warranty gives you specific
legal rights and you may also have other rights
which can vary from state to state.
The LOCi Analog Legacy is hand-crafted in the
USA
Copyright 2015 Millennia Media, FPC
All rights reserved.