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  9. Pioneer DC-X55Z User manual

Pioneer DC-X55Z User manual

Operating
Instructions
STEREO
DOUBLE
CASSETTE
TAPE
DECK
AMPLIFIER
DC-X55Z/DC-555Z
STEREO
CASSETTE
TAPE DECK
AMPLIFIER
DC-X33Z/DC-333Z
FM/AM
DIGITAL
SYNTHESIZER
TUNER
F-X552Z/F-X55ZL/TX-555Z/TX-555ZL
AM/FM
STEREO
TUNER
F-X33Z/F-X33ZL
/
TX-333Z/TX-333ZL
STEREO
TURNTABLE
PL-X55Z/PL-X33Z/PL-555Z/
PL-333Z
Thank
you
for
buying
this
Pioneer
product.
?lease
read
through
these
operating
instructions
so
you
will
snow
how
to
operate
your
model
properly.
After
you
have
‘inished
reading
the
instructions,
.put
them
away
in
a
safe
alace
for
future
reference,
rn
some
countries
or
regions,
the
shape
of
the
power
plug
and
jower
outlet
may
sometimes
differ
from
that
shown
in
the
ex-
slanatory
drawings.
However,
the
method
of
connecting
and
operating
the
unit
is
the
same.
WARNING:
to
prevent
FIRE
OR
SHOCK
HAZARD,
0
NOT
EXPOSE
THIS
APPLIANCE
TO
RAIN
OR
MOISTURE.
MPORTANT
NOTICE
‘For
U.S,
and
Canadian
models]
The
serial
number
for
this
equipment
is
located
on
the
rear
yanel.
Please
write
this
serial
number
on
your
enclosed
war-
‘anty
card
and
keep
in
a
secure
area.
This
is
for
your
security.
‘For
Canadian
model]
CAUTION:
to
prevent
ELECTRIC
SHOCK
DO
NOT
JSE
THIS
(POLARIZED)
PLUG WITH
AN
EXTENSION
CORD,
ECEPTACLE
OR
OTHER
OUTLET UNLESS
THE
BLADES
CAN
38
FULLY
INSERTED
TO
PREVENT
BLADE
EXPOSURE.
ATTENTION:
pour
prevenir
tes
cHocs
ELEC-
TRIQUES
NE
PAS
UTILISER
CETTE
FICHE
POLARISEE
AVEC
UN
PROLONGATEUR
UNE
PRISE
DE
COURANT
OU
UNE
AUTRE
SORTIE
DE
COURANT,
SAUF
SI
LES
LAMES
PEUVENT
ETRE
INSEREES
A
FOND
SANS
EN
LAISSER
AUCUNE
PARTIE
4
DECOUVERT.
——
CONTENTS
———_---
Initial
Tarmatilel
Set
Up
scsecwenriencivemrnvecrceunaeen
ce
3
Connections
3
Antenna
Connection
4
|
AM/FM
Channel
Step
Switch
.
5
Front
Panel
Facilities
.
5
|
Graphic
Equalizer
Controis
8
Cassette
Tapes
..
8
Basic
Operations
-
10
|
Tape
Dubbing
(Editing)
.
12
L
Copying
Tapes
........
LINE
VOLTAGE
SELECTOR
SWITCH
Only
muiti-voltage
models
are
provided
with
this
switch.
U.S.,
Canadian,
European,
U.K.,
and
Australian
models
are
not
provided
with
this
switch.
Before
your
model
is
shipped
from
the
factory,
the
switch
is
set
to
the
power
requirements
of
the
destination;
nevertheless,
you
should
check
that
it
is
set
properly
before
plugging
the
power
cord
into
the
AC
outlet.
1.
Disconnect
the
power
cord.
2.
Use
a
medium
size
screwdriver,
3.
Insert
the
screwdriver
into
the
groove
on
the
voltage
selector
and
adjust
to
the
voltage
value
of
your
area.
a
10-120
Volts
\
Screwdriver
~
These
operating
instructions
cover
all
the
models
above.
Refer
to
the
items
corresponding
to
your
model,
“This
product
is
manufactured
ta
‘comply
with
the
radio
in-
terference
requirements
of
EEC
Directive
76/889/EEC
and
82/499/EEC.”
Relay
Playback
...
Mic
Mixing
for
Singing
Along
witi
Accompaniment
Music
Search
........
Surround
System
Recording
and
Playback
Using
the
Audio
Timer
Maintenance
......
Troubleshooting
.
Specifications
....
READ
INSTRUCTIONS
-
Ail
the
satety
and
operating
instructions
should
be
read
before
the
appliance
is
operated.
RETAIN
INSTRUCTIONS
—
The
operating
instruc-
tions
should
be
retained
for
future
reference.
HEED
WARNING
—
All
warnings
on
the
appliance
and
in
the
operating
instructions
should
be
adhered
to.
FOLLOW
INSTRUCTIONS
—
Ali
operating
and
use
instructions
shoutd
be
followed.
WATER
AND
MOISTURE
—
The
appliance
should
not
be
used
near
water
—
for
example,
near
2
bathtub,
washbowl,
kitchen
sink,
laundry
tub,
ina
wet
basement,
or
near
8
swimming
pool,
etc.
LOCATION
—
The
appliance
should
be
instalied
in
a
stabie
location.
WALL
OR
CEILING
MOUNTING
—
The
appliance
should
not
be
mounted
to
a
wali
or
ceiling.
VENTILATION
—
The
appliance
should
be
situated
so
that
its
location
or
position
does
not
interfere
with
its
proper
ventilation,
For
exarnple,
the
appliance
should
not
be
situated
on
a
bed,
sofa,
rug,
or
similar
surface
that
may
block
the
ventilation
open-
ings;
or,
placed
in
2
built-in
installation,
such
as
a
bookcase
or
cabinet
that
may
irnpede
the
flow
of
air
through
the
ventilation
openings.
HEAT
-
The
appliance
should
be
situated
eway
from
heat
sources
such
as
radiators,
heat
registers,
‘stoves,
or
other
appliances
{including
amplifiers)
that
produce
heat.
POWER
SOURCES
--
The
appliance
should
be
con-
nected
to
a
pawer
supply
only
of
the
type
describ-
ed
in
the
operating
instructions
or
as
marked
on
the
appliance.
POQWER-CORD
PROTECTION
—
Power-supply
cords
should
ba
routed
so
that
they
are
not
likely
to
be
walked
on
or
pinched
by
items
placed
upon
or
against
tham,
paying
particular
attention
to
cords
at
plugs,
convenience
receptacles,
and
the
point
where
they
exit
from
the
appliance.
POLARIZATION
—
if
your
purchased
product
is
pro-
vided
with
a
polarized
power
plug,
please
read
the
following
instructions.
This
product
is
equipped
with
a
polarized
alternating
current
line
plug
(a
plug
having
one
biade
wider
than
the
other).
This
plug
will
fit
into
the
power
outlet
only
one
way.
This
is
a
safety
feature.
'f
you
are
unable
to
insert
the
plug
fully
into
the
outlet,
try
reversing
the
plug.
{f
the
plug
should
still
fail
to
fit,
contact
your
electrician
to
replace
your
obsolete
outlet.
Do
not
defeat
the
safaty
purpose
of
the
polarized
pug.
CLEANING
—
The
appliance
shouid
be
cleaned
only
with
a
polishing
cloth
or
@
soft
dry
cloth.
Never
clean
with
furniture
wax,
benzine,
insecticides
or
other
volatile
liquids
since
they
may
corrode
the
cabinet.
IMPORTANT
14
The
lightning
flash
with
arrowhead,
within
an
equilateral
triangle,
is
intended
to
alert
the
user
of
the
presence
of
uninsulated
“dangerous
voltage"
within
the
product's
enclosure
that
may
be
of
sufficient
magnitude
to
constitute
a
risk
of
electric
shock
to
persons.
SAFETY
INSTRUCTIONS
POWER
LINES
—
An
outdoor
antenna
should
be
located
away
from
power
fines.
NONUSE
PERIODS
—
The
power
cord
of
the
ap-
pliance
should
be
unplugged
from
the
outiet
when
iaft
unused
for
2
iong
period
of
time.
OBJECT
AND
LIQUID
ENTRY
—
Care
should
be
taken
so
that
objects
do
not
fall
and
fiquids
are
not
spilled
into
the
enclosure
through
openings.
DAMAGE
REQUIRING
SERVICE
—
The
appliance
should
be
serviced
by
Pioneer
authorized
service
center
or
qualified
service
personne!
when:
*
The
power-supply
cord
or
the
plug
has
been
damaged;
or
®
Objects
have
falien,
or
liquid
has
been
spilled
into
the
appliance;
or
*
The
appliance
has
been
exposed
to
rain;
or
©
The
appliance
does
not
appear
to
operate
normally
or
exhibits
a
marked
change
in
performance;
or
*
The
appliance
has
been
dropped;
or
the
enclosure
damaged.
SERVICING
—
The
user
should
not
attempt
to
service
the
appliance
bayond
that
described
in
the
‘operating
instructions.
For
all
other
servicing,
con-
tact
the
nearest
Pioneer
authorized
service
center.
POWER
LUNES.
senvice
ENTRANCE
CONDUCTORS
+
PORE
a,
4
cAoUNo
yy
ctaMes
Power
SenViCE
GROUNDING
ELECTAODE
SYSTEM
(eg.
mteroe
metal warer
Be!
BONDING
CAUTION
RISK
OF
ELECTRIC
SHOCK
DO
NOT
OPEN
CAUTION:
TO
PREVENT
THE
RISK
OF
ELECTRIC
SHOCK,
DO
NOT
REMOVE
COVER
(OR
BACK).
NO
USER-
SERVICEABLE
PARTS
INSIDE.
REFER
SERVIC-
ING
TO
QUALIFIED
SERVICE
PERSONNEL.
STAND
OFF.
INSULATORS
b
TENN,
ISCHARGE
UNIT
«
OPTIONAL
ANTENNA
GROUNDING
ELECTRODE
1
br
ee
hk
ARTI
IF
ul
yD
BY
1s
LOCAL
CODES.
FIG.A
(NEC
SECTION
OUTDOOR
ANTENNA
GROUNDING
~
if
an
outside
antenna
is
connected
to
tha
antenna
verminal,
be
sure
ihe
antenna
system
is
grounded
so
as
to
provide
some
protection
against
voltage
surges
and
built
up
static
charges.
In
the
U.S.A.
section
810
of
the
National
Elec-
trical
Code,
ANSI/NFPA
No.
70-1984.
pro-
vides
information
with
respect
to
proper
grounding
of
the
mast
and
supporting
struc-
ture,
grounding
of
the
lead-in
wire
to
an
anten-
na
discharge
unit,
size
of
grounding
conduc-
tors,
location of
antenna-discharge
unit,
con-
nection
to
grounding
electrodes,
and
re-
quirements
for
the
grounding
electrode.
See
Fig.
A.
a)
Use
No.
10
AWG
(5.3
mi
copper,
No.
8
AWG
(8.4
mm?)
aluminum,
No.
17
AWG
(3.0
mm?)
copper
clad
steel,
bronze
wire,
of
larger
as
ground
wire.
b)
Secure
antenna
lead:in
and
ground
wires
to
house
with
stand-off
insulators
spaced
from
4
feat
(1.22
meters)
10
6
feet
(1.83
meters)
apart
¢)
Mount
antenna
discharge
ANTENNA
unit
as
closaly
as
passible
to
CEADIN
WIRE
where
lsad-in
enters
house.
TO
EXTERNAL
ANTENNA
jumper
wire
not
smater
TERMINALS
OF
PRODUCT
S)
Use
jute
i
than
No.8
AWG
(13.3
mm
copper
oF
equivalant
when
separate
antenna-ground:
ing
elactrods
is
used
The
exclamation
point
within
an
equilataral
iriangle
is
intended
to
alert
the
user
of
tha
presence
af
important
operating
and
maintenance
(servicing)
instructions
in
the
literature
accompanying
the
appliance.
IMPORTANT
2
If
the
apparatus
is
fitted
with
AC
mains
power
outlet(s),
see
REAR
PANEL
FACILITIES
for
convenient
connec-
tion
of
additional
Hi-Fi
component(s}.
Make
all
connec-
tions
to
the
AC
outlet(s)'
and
the
signai
terminals
first.
Connect
the
plug
to
the
wall
socket
last,
make
sure
that
the
power
switch
is
off.
Disconnect
the
wall
plug
when
the
equipment
is
not
in
(regular)
use,
e.g.
when
on
vacation.
FOR USE
IN
THE
UNITED
KINGDOM
The
wires
in
this
mains
lead
are
coloured
in
accordance
with
the
following
code:
Biue:
Neutral
Brown:
Live
stead
of
this
ap
lowred
marking
as
As
the
colours
of
the
wires
in
the
ma
paratus
may
not
correspond
with
the
identifying
the
terminals
in
your
ji
follows:
The
wire
which
is
coloured
blue
mus!
te
connec:
the
terminal
which
is
marked
with
the
letter
N
or
oured
black.
The
wire
which
is
coloured
brown
must
b:
NNEC
to
the
terminal
which
is
marked
with
the
letter
L
or
col
oured
red.
Equipment
sold
in
the
U.K.
is
not
supplied
with
3
power
plug.
2
<ARB1001>
INITIAL
TURNTABLE
SET-UP
1.
Check
accessory
items
and
attaching
pi
<
EP
Adaptor
Rubber
Met
2.
Remove
the
clamps
(2)
and
lift
off
the
platter.
To
remove
the
clamps,
twist
them
in
the
direction
indicated
in
the
illustration,
and
lift
them
straight
up.
Clamp
Place
the
rubber
mat
on
top
of
the
platter.
Remove
the
band
securing
the
tonearm,
Disconnect
the
tonearm
from
the
arm
rest.
Remove
the
stylus
guard.
3.
Hook
the
turntable
drive
belt
over
your
finger.
4,
Set
the
platter
onto
the
turntable
so
that
the
platter
shaft
passes
through
it.
Hook
the
drive
belt
over
the
motor
pully.
Rotate
the
platter
a
few
times
by
hand
to
make
sure
that
the
beit
is
correctly
in
place.
For
details,
refer
to
ANTENNA
INSTALLATION
on
page
4
for
the
connec-
co
N
N
ECT]
oO
N
Ss
tion
of
the
FM
and
AM
antennas.
Perform
connections
by
matching
the
colors
of
the
connecting
cords.
Before
performing
connections,
turn
off
the
power
switch
of
the
cassette
tape
deck
amplifier
Insert
the
plugs
as
far
as
they
will
go.
An
improper
connection
or
poor
con-
tact
will
result
in
no
sound,
or
will
degrade
the
sound.
Connect
the
white
plug
to
the
left
channel
and
the
red
plug
to
the
right
channel.
For
the
sake
of
convenience,
the
expression
“turntable
legs“
is
abbreviated
in
the
instructions.
Attaching
the
legs
of
the
turntable
(Only
DC-X55Z
and
DC-
X33Z)
Perform
connections
by
matching
the
colors
of
the
connecting
cords.
Attach
the
legs
accompanying
the
turntable
to
the
rear
panel
of
the
vassette
deck
amplifier.
¢
Be
sure
to
attach
the
left
(L)
and
right
(R)
legs
to
their
proper
positions,
insert
the
guide
pins
on
the
legs
inte
the
holes
in
the
back
of
the
cassette
deck
amplifier.
Fasten
the
legs
in
place
with
the
screws
provided.
After
connecting
the
antenna,
mount
the
tumtable
securaly
on
top
of
the
Suround
speaker
Turntable
Suround
speaker
legs.
xa
X1A
{sold
separately!
(sold
separately}
Turntable
teg
{L)
\_J
{Do
not
install
the
turntable
until
all
wiring
connections
are
completed}
pp
=
Tuner
Tuner
<
Screw
Cassette
tape
deck
Speaker
system
(Only
F-X55Z,
F-XB5ZL,
_
Speaker
system
eB
.
|
TX-B562
and
TX-5882U}
‘
Saale
.
Gees
3
\
S
Deck
Guide
pins
|
i
amplifier
)
|
CONNECTING
THE
SPEAKER
CORDS
|
=
Whit
Re,
neil
ee
|
Insert
the
wire
38
FS.
gw?
1
Speaker
cord
Terminal
lever
Pull
the
lever
forward
L
=
Black
"Mp
Ng
i
j
BY
\
:
*
Make
sure
that
the
speaker
cords
are
securely
in
place.
7
|
ee
CHECKIN
[aovret
(ore)
‘CKING
THE
ACCESSORIES
|
-
3
pari
A
:
ae
ee
Cassette
deck
amplifier
in
J
FM/AM
Tuner
:
ieee)
Only
DC-X55Z
and
arcane
pas
Ne
=
DC-X33Z
=
T-type
antenna
CO
player
LaserVision
player
|
ale
Ulustration
not
applicable
te
the
U.K.
model.
i@
|
abe
g
ae
When
using
audio
timer
*
Turntable
legs
........
2
Tuner
input/
-2
AM
loop
antenna
.
outputcard
..
Bececnne
nen nnn
{
Audio
timer
|
2fjn
-~~--~-~-----
;
SWS
es
+
Push
in
the
plug
of
the
Tuner
input/output
cord
firmly
until
it
locked
inte
place,
3
**
Do
not
connect
speakers
other
than
surround
speakers
to
the
sur-
round
system
speaker
terminals.
<ARB1001>
ANTENNA
CONNECTION
Radio
reception
is
not
possible
unless
the
antenna
is
properly
connected.
The
strength
of
broadcast
signals
varies
from
one
area
to
another
{signal
pro-
pagation
is
especially
poor
in
metropolitan
areas
where
there
are
many
tall
buildings
and
in
mountainous
areas}.
Proper
antenna
installation
is
vital
to
good
reception.
AM
ANTENNA
The
AM
loop
antenna
supplied
with
the
tuner
should
be
connected
to
the
AM
antenna
terminals.
The
antenna
should
be
placed
at a
distance
from
the
tuner,
and
should
not
be
allowed
to
touch
metallic
objects.
Avoid
piacing
it
near
CD
players,
personal
computers,
television
sets,
and
other
devices
generating
radio
frequencies.
Setting
Up
the
AM
Antenna
°
Fold
out
the
supports
on
the
bottom
of
the
antenna.
insert
the
stopper
in
the
hole
in
the
antenna
to
lock
them
in
place.
°
Place
the
antenna
on
a
level
surface
and
rotate
it
to
locate
the
orientation
that
yields
the
best
reception.
AM
Loop
Antenna
Set-up
Connect
to
AM
antenna
terminals.
LS
a
——
Ped
Stopper
AM
Loop
Antenna
Connection
The
accessory
AM
loop
antenna
must
be
connected
to
ensure
proper
reception.
The
accessory
AM
loop
antenna
must
be
connected
to
ensure
proper
reception,
(Only
F-X552,
F-X55ZL,
TX-885Z
and
TX-b552L}
{Only
F-X33Z,
F-X33ZL,
TX-3332
and
TX-333ZL}
FM
ANTENNA
FM
T-type
Antenna
Attachment
Connect
the
accessory
FM
T-type
antenna
to
the
FM
terminals.
Stretch
the
antenna
out
to
its
full
length,
and
affix
it
to
a
wall,
etc.
Stretch
out
both
ends
Ped
|
2,
is
|
|
ae)
See
x
Correct
Incorrect
(lol@ole
|
{Only
F-X882Z,
F-X56ZL,
TX-58Z
and
TX-585ZL)
{Only
F-X33Z,
F-X33ZL,
TX-333Z
and
TX-333ZL}
4
ARB1001>
EXTERNAL
FM
ANTENNA
INSTALLATION
Use
an
external
antenna
when
the
signals
trom
the
station
are
weak
and
cannot
be
picked
up
by
the
accessory
T-type
FM
antenna,
or
when
the
sound
heard
is
accompanied
by
iarge
amounts
of
noise.
There
are
iwo
ways
of
cannecting
the
external
FM
antenna
to
the
ANTENNA
terminals:
with
300-ohm
teeder
wire,
or
with
a
75-chm
coaxial
cable.
it
is
recommended
that
you
use
the
75-ohm
coaxial
cable
so
that
the
effects
of
extraneous
noise
are
reduced
to
2
minimum.
When
the
connecting
cable
is
a
75-ohm
coaxial
cable
75-ohm
coaxial
cable
with
PAL
connector
elo|@lo|o
75-ohm
coaxial
cable
without
PAL
connector
(Only
F-X33Z,
F-X33ZL,
iGnly
Fx!
TX-3332
and
TX-333ZL)
TX
852.
F
X862L,
od
TX-SREZU)
When
the
connecting
cable
is
a
300-ohm
feeder
wire
300-ohm
feeder
Pa
{Only
F-X33Z,
F-X33ZL,
fy
F-XS5Z,
F-XS5
1X-338Z
and
TX-333ZL}
Tesiee
and
Te
S382)
Sey
AM/FM
CHANNEL
STEP
SWITCH
only
&xgsz
ana
Tx-585z]
This
switch
not
provided
on
models
for
use
in
Europe,
North
America,
or
Australia.
(Provided
only
on
models
stamped
“Z/E”
on
packing
case.}
The
AM/FM
channel
step
switch
is
located
on
the
rear
panel
of
the
digital
syn-
thesizer
tuner.
Before
the
tuner
leaves
the
factory,
this
switch
is
set
to
the
chan-
nel
allotment
plan
of
the
area
in
which
the
tuner
is
sold.
When
the
TUNING
switch
is
given
a
single
push,
the
frequency
display
will
change
in
the
following
units,
Model
CHANNEL
STEP
Frequency
change
destination
switch
position
FM
mode
|
AM
mode
Continental
ee
:
:
|
Gen
100
kHz10
kHz
100
kHz
10kHz
|
Other
countries
|
80
kH2/9
kHz
|
BO
kHz
9
kHz
FRONT
PANEL
FACILITIES
NOTE:
«ff
the
TUNING
switch
is
held
in
the
depressed
position,
the
traquency
display
will
change
continuously
and
stop
when
the
switch
is
rejeased.
©
if
the
switch
is
set
to
the
wrong
position,
correct
tuning
will
not
be
possi-
ble.
Consult
your
dealer
if
you
are
not
sure
about
the
channel
allotmernt
plan
in
your
area.
7
STEREO
CASSETTE
TAPE
DECK
AMPLIFIER
|
The
illustration
shows
model
DC-X56Z.
The
operation
of
DC-585Z
is
the
same
as
that
of
DC-X552,
Ci?)
®
9006
®
eo
©
[CASSETTE
TAPE
DECK}
®
This
unit
is
provided
with
an
automatic
tape
selector
function.
°
This
unit
is
a
forwerd
mode
priority
auto-reverse
deck.
Both
recording
and
playback
always
start
in
the
forward
direction.
If
you
press
the
STOP/EJECT
(1/4
)
switch
during
reverse
playback,
the
head
for
forward
playback
will
be
reselected
automatically.
@
REVERSE
MODE
switch
Sets
the
reverse
mode
for
the
playback-only
deck.
a
i
Switch
positions;
Play
Hl
[
CD
Continuous
play
\
mee
=
ei
|
=a)
Reverse
play
Continuous
playback
is
automatically
stopped
after
8
round
trips.
Note
that
it
will
be
counted
as
one
reversal
if
the
tape
direction
is
changed
using
the
direc-
tion
switch.
(One
round
trip
will
be
counted
if
the
switch
is
pressed
twice.)
@
Direction
switch/indicator
{DIRECTION}
Depress
to
set
the
playback
direction
of
the
playback-only
deck.
Direction
change
can
only
be
performed
during
playback.
>
...
Lights
when
forward
mode
is
selected.
<
...
Lights
when
reverse
mode
is
selected.
@
Cassette
compartment
(Playback
only)
The
illustration
shows
model
DC-X33Z.
The
operation
of
DC-333Z
is
the
same
as
that
of
DC-X33Z.
@
REVERSE
MODE
switch
Sets
the
reverse
mode
for
the
record/play
deck.
|
Switch
positions
Play
Record
Continuous
playback
is
automatically
stopped
after
8
¢
will
be
counted
as
one
reversal
if
the
tape
direction
is
«
tion
switch.
(One
round
trip
will
be
counted
if
the
switch
is
pr
@
Recording
indicator
(REC}
-
me
Double-side
recording
|
Continuous
play
side
recording
Reverse
play
Singl
und
imps.
Note
that
it
anged
using
the
direc-
twice.)
2...
Lights
during
recording.
Flashes
during
tape
copying.
(DC-X552
and
DC-555Z
only}
@
Direction
switch/indicator
(DIRECTION)
Depress
to
set
the
recording
and
playback
direction
of
the
record/play
deck.
Direction
change
can
be
performed
during
recording,
playback
or
pause.
>
...
Lights
when
forward
mode
is
selected.
Flashes
if
tape
travel
is
stopped
during
reverse
recording.
<
...
Lights
when
reverse
mode
is
selected.
@
Cassette
compartment
(Recording
and
playback)
@
TAPE
COUNTER
(Record/play
deck.)
3-digit
display
measures
tape
travel
on
record/play
deck.
@
TAPE
COUNTER
RESET
button
Ss
<ARB1001>
FRONT
PANEL
FACILITIES
@
COPY
SPEED
switch
Press
to
set
the
copy
mode.
NORMAL
...
Permits
you
to
fisten
to
playback
normaily
during
dubbing
(normal
speed
copying)
QM
HIGH
...
High
speed
dubbing
(double-speed,
half-time
copying)
@
Playback-only
switches
€*}
(PLAY)
.
Forward
or
reverse
mode
playback.
€&
(FAST)
Rewind
in
forward
mode,
fast
forward
in
reverse
mode.
>
(FAST)
.....
Fast
forward
in
forward
mode,
rewind
in
reverse
mode.
®@/2
(STOP/EJECT)
...
Stops
tape
travel.
Ejects
cassette
if
pressed
when
tape
is
stopped.
@
Synchronized
copy
switch
{SYNCHRO
COPY)
Press
to
start
copying
from
Deck
|
to
Deck
Il.
Set
the
copying
speed
{NOR-
MAL
or
HIGH)
using
the
COPY
SPEED
switch.
®
Press
this
switch
only
after
you
have
set
the
COPY
SPEED
switch
as
desired.
If
this
switch
is
pressed
first,
the
speed
cannot
afterwards
be
changed,
even
if
the
COPY
SPEED
switch
position
is
later
changed.
@
Dolby
NR
switch
Press
to
activate
noise
reduction
system.
Use
to
play
back
tapes
recorded
us-
ing
Dalby
B
NR
noise
reduction.
°
‘Tapes
recorded
using
Dolby
B
NR
noise
reduction
should
always
be
played
back
with
the
naise
reduction
system
on.
Sound
quality
will
be
adversely
affected
if
they
are
played
back
with
the
system
off,
or
if
tapes
recorded
using
a
different
noise
reduction
system
are
played
back
with
the
Dolby
B
NR
system
on.
*
It
is
recommeded
that
tapes
recorded
using
Dolby
B
NR
be
so
marked
on
the
label.
This
will
help
to
prevent
incorrect
setting
of
the
noise
reduction
switch
during
playback.
AUAUAU
UDA
VAUD
URAL
Rasa
eA
Noise
reduction
manufactured
under
license
from
Dolby
Laboratories
Licens-
ing
Corporation.
“Dolby”
and
the
double-D
symbol
are
trademarks
of
Dolby
Laboratories
Licensing
Corporation.
VAUD
VV Vs
U
RV
rar
VAY
LAU
RU
AUR
NOUV
I
@®
Recording
mute
switch
(REC
MUTE)
Use
to
create
blank
intervals
on
a
tape
during
recording.
Works
only
while
held
depressed.
@
Record/Playback
switches
@
(REC)
0.0...
Record
€*>
(PLAY)
..
Playback
in
forward
or
reverse
mode.
@&
(FAST)
Rewind
in
forward
mode,
fast
forward
in
reverse
mode.
>
(FAST)
Fast
forward
in
forward
mode,
rewind
in
reverse
mode
ais
(STOP/EJECT)
..
Stops
tape
travel.
Ejects
cassette
if
pressed
when
tape
is
stopped.
@B
(PAUSE)
....
Temporarily
stops
tape
travel.
Cancels
pause
mode
when
pressed
again.
[AMPLIFIER/GRAPHIC
EQUALIZER]
@
Power
switch
(POWER)
@
Headphone
jack
(PHONES)
For
miniature
stereo
phone
plug.
®
Microphone
jack
(MIC}
Fer
standard
phone
plug.
8
<ARB1001>
@
Mic
Mixing
Controls
(MIC
MIXING?
Adjusts
balance
between
mic
volume
and
volume
of
other
input
sources.
®ve
veins
©
mc
verre
@
me
ves
E
sOURSE.
Source
input
emphasized
To
listen
to
the
sound
Mic
input
emphasized
from
a
microphone
mix-
ed
with
that
of
a
radio
broadcast
or
tape
playback:
NOTE:
2
Set
the
contro
to
the
SOURCE
position
as
shown
in
Fig.
A
when
not
us
ing
a
microphone.
2
Source
volume
is
cut
by
about
1/100
when
controf
is
set
to
the
MIC
posi
tion.
@
Graphic
equalizer
controls
(GRAPHIC
EQUALIZER)
Fine
adjustments
in
sound
quality
are
possible
using
the
5
controls
on
the
graphic
equalizer.
@
BALANCE
control
@
SURROUND/STEREO
WIDE
switch/indicator
By
using
this
function,
the
sounds
from
stereo
sources
will
be
given
new
breadth,
reproducing
the
effect
of
concert
hall
presence.
NOTE:
Stereo
Wide
sound
has
no
effect
on
monaural
sources
(AM.
broadcasts,
etc.
),
@
Function
switches
(FUNCTION)
Press
the
button
corresponding
to
the
desired
program
source.
TUNER
.
.
Press
to
listen
to
radio.
VIDEO
..
Press
to
listen
to
component
{Hi-Fi
VCR,
laser
disc
player,
etc.)
connected
to
the
auxiliary
input
jacks.
cD...
Press
to
listen
to
CD
player.
.
Press
to
listen
to
turntable.
Press
to
listen
to
tape
playback,
PHONO
TAPE
......
@
Volume
Control
(VOLUME)
1
i
|
/
FRONT
PANEL
FACILITIES
F-X65Z/F-X55ZL
DIGITAL
SYNTHESIZER
TUNER:
TX-588Z/TX-SS5ZL
STEREO
TUNER
|
TX-3332/TX-333Z4,
The
illustration
shows
model
F-X58ZL.
ceo
@@o90
8
.é)
NOTE:
The
illustration
is
of
the
model
for
use
in
continental
European
and
the
U.K.
@
FREQUENCY
display
Permits
reading
the
received
frequency
at a
glance
from
the
displayed
figure.
The
FM
band
is
indicated
by
MHz,
and
the
AM
(MW
or
LW)
band
by
kHz.
@
STEREO
indicator
This
tights
when
a
stereo
program
has
been
picked
up
during
an
FM
broad-
cast.
@
FUNCTION
switch
MW:
Push
to
receive
MW
band
broadcasts.
LW:
Push
to
receive
LW
band
broadcasts.
FM;
Push
to
receive
FM
band
broadcasts.
[Only
AM/FM
switching
is
available
for
models F-X55Z
and
TX-555z.
=)
@
MEMORY
switch
Push
to
operate
the
memory
circuit.
After
the
switch
is
pressed,
the
memory
circuit
will
function
for
about
ten
seconds.
During
this
time,
press
one
of
the
STATION
CALL
switches
to
memorize
the
station
being
currently
received.
if
more
than
ten
seconds
elapse
after
the
MEMORY
switch
is
pressed,
no
sta-
tions
can
be
memorized,
In
this
case,
press
the
MEMORY
switch
again
if
you
wish
to
memorize
a
station.
@
STATION
CALL
switches
These
are
used
to
preset
and
recall
broadcasting
stations.
A
total
of
16
sta-
tions
can
be
preset
[FM:
8,
AM
(MW
or
LW):
8).
¢
To
tune
in
to
a
prememorized
station,
push
the
appropriate
STATION
CALL
switch.
*
Once
the
stations
have
been
preset,
all
you
have
to
do
to
recail
them
is
push
the
STATION
CALL
switch.
@
TUNING
switches
These
are
used
to
locate
the
stations.
Push
either
of
these
two
switches;
the
left
switch
“—’
to
go
to
a
lower,
and
the
right
switch
“+”
to
go
to
a
higher
frequency.
@
TUNED
indicator
This
lights
to
indicate
when
the
finest
tuning
of
a
station
has
been
achieved.
The
illustration
shows
model
F-X33ZL.
NOTE:
The
illustration
is
of
the
model
for
use
in
continental
Europe
and
the
U.K.
@
POWER
indicator
@
TUNED
indicator
This
lights
up
to
indicate
when
finest
tuning
of
a
station
has
been
achieved.
@
STEREO
indicator
This
lights
when
a
stereo
program
has
been
picked
up
during
an
FM
broad-
cast.
@
Dial
pointer
@
Function
switch
MW:
Push
to
receive
MW
band
broadcasts.
LW:
Push
to
receive
LW
band
broadcasts.
FM:
Push
to
receive
FM
band
broadcasts.
{
Only
AM/FM
switching
is
available
for
models
F302
and
TX.
3332,
@
Tuning
knob
Rotate
this
knob
to
pick
up
stations.
7
<ARB1001>
FRONT
PANEL
FACILITIES
@
ARM
ELEVATION
switch
|
TURNTABLE:
PL-X55Z/PL-X33Z/PL-855Z/PL-333Z
|
oe
*
Use
the
switch
for
manual
play.
*
Use
the
switch
to
suspend
record
play
temporarily.
Model
PL-X55Z
Model
PL-555Z
®
Use
the
switch
when
changing
the
tracks
during
actual
play
€
{UP}:
The
tonearm
rises
(the
stylus
moves
away
from
the
record}.
{DOWN|]:
The
tonearm
descends
{the
sivius
is
lowered
onto
the
record)
@
DISC
SIZE
switch
(only
PL-X55Z),
SIZE
switch
{only
PL-5552Z)
Set
this
switch
in
accordance
with
the
size
of
the
record.
30:
For
30
cm
LP
records.
17: for
17
cm
EP
reéords.
@
SPEED
switch
Set
this
switch
in
accordance
with
ihe
seed
of
the
record.
33:
For
33-1/3
rpm
records.
45:
For
45
rpm
records.
Platter
Rubber
mat
Platter
shaft
EP
adaptor
Dust
cover
Arm
rest
Tonearm
@
START/STOP
switch
(only
PL-X55Z
and
PL-555Z)
Press
this
switch
when
starting
auto
play
or
when
stopping
play.
NOTE:
NOTE:
Be
sure
to
press
the
switch
firmly
when
starting
playback;
if
not
pressed
PL-X33Z
and
PL-333Z
are
not
equipped
with
switch
@.
i
!
firmly,
the
platter
may
rotate
without
the
tonearm
moving.
i
@
CUT
switch
(only
PL-X33Z),
STOP
switch
{only
PL-333Z)
:
Press
this
switch
when
stopping
play.
GRAPHIC
EQUALIZER
CONTROLS
The
advantage
of
the
GRAPHIC
EQUALIZER
over
conventional
tone
controls
is
Hl
that
with
the
five
controls
of
the
GRAPHIC
EQUALIZER
it
is
possible
to
control
T
five
different
narrow,
distinct
sections
of
the
audio
band
width
by
up
to
+8
dB.
=
d
:
]
i
=
l
With
conventional
tone
controls
a
setting
for
a
bass
or
treble
boost
or
cut
will
also
affect
the
lower
or
upper
mid
frequencies.
The
frequency
bands
controlled
=
f
by
the
five
slide
controls
have
been
chosen
to
yield
the
maximum
possible
con-
~
—
-
trol
action
within
the
audio
spectrum.
OOH
Rae
VE
VSS
RHE
TOKE
100 Hz:
=
The
100
Hz
control
is
very
useful
in
enhancing
low
bass
notes
as
in
ALADDIN
I™
:
organ
music.
=
330 Hz:
=
The
330
Hz
control
will
allow
you
to
vary
the
upper
bass
frequencies.
Sf
RS
ORS
ze
Hi
1
kHz:
The
1
kHz
control
is
the
presence
control
and
can
be
used
very
ef-
fectively
to
emphasize,
or
de-emphasize
vocalists.
3.3
kHz:
The
3.3
kHz
control
will
add
brilliance
and
clarity
to
brass
in-
struments
and
violins.
3%
10
kHz:
=
The
10
kHz
control
can
be
used
to
make
up
for
missing
high
on
frequencies
absorbed
by
the
environment
and
to
add
a
natural
crispness
to
music.
86660066
Cartridge
Emphasie
frequency
range
:
De-emphasize
frequency
fange
8
-ARB1001>
HOW
TO
HANDLE
CASSETTE
TAPES
Bear
in
mind
the
following
points
before
loading
cassette
tapes.
is
the
tape
loose,
or
is
some
of
the
tape
out-
side
the
cassette?
If
some
of
the
tape
is
projecting
outside
the
cassette
shell
or
if
it
is
loose,
it
may
not
enter
between
the
capstan
and
pinch
roller.
This
will
prevent
the
tape
from
being
supplied
or
damage
the
tape
itself.
in
cases
like
these,
insert
a
pencil
into
the
reel
hole
and
take
up
the
slack.
Some
cassette
tapes
come
with
a
plastic
or
thick
paper
stop-
per
which
prevents
tape
slack.
Remove
this
stopper
when
loading
the
tape
and
replace
it
after
having
used
the
cassette.
What
are
the
accidental
erasure
prevention
tabs
for?
A
cassette
is
provided
with
these
tabs
so
that
important
or
otherwise
valuable
recordings
wili
not
be
erased
accidentally.
When
the tab
(Fig.
B)
on
the
cassette
shell
is
broken
out
with
the
tip
of
a
screwdriver,
it
will
not
be
possible
to
activate
the
recording
function
even
by
pressing
the
recording
(REC)
switch,
so
valuable
recordings
will
not
be
erased
in
error.
To
re-record
on
a
cassette
whose
tabs
have
been
broken
out,
simply
stick
a
piece
of
doubled
adhesive
tape
over
the
tab
areas,
as
shown
in
Fig.
C.
NOTE:
The
accidental
erasure
prevention
tabs
are
located
at
the
top
left
on
both
sides
A
and
8
{7
or
2},
sa
that
material
on
each
side
can
be
prevented
from
being
erased
in
error.
NOTE
FOR
RE-RECORDING
ON
A
CASSETTE
TAPE
WHICH
HAS
A
BROKEN
TAB/
Fig.
C
x
Adhesive
tape
for
re-recording
CORRECT
METHOD
OF
APPLYING
TAPE
©
Apply
two
layers
of
cellophane
tape.
«
Apply
the
tape
taut
so
that
it
does
not
rise
up.
Apply
vinyl
tape,
gum
tape,
or
other
tape
apart
from
cellophane
tape./
Tips
on
using
cassette
tapes
©
Leader
tape
(which
does
not
allow
saund
to
be
recorded
over
it)
is
provided
at
the
beginning
of
a
cassette
tape.
Start
recording
after
allowing
the
tape
to
run
for
about
5
seconds
so
that
the
leader
tape
clears
the
recording
head.
©
Do
not
leave
a
cassette
tape
exposed
to
the
environment.
Store
the
cassette
in
its
case
so
that
dust
and
dirt
do
not
adhere
to
the
tape
after
use,
and
so
that
the
tape
is
prevented
from
becoming
slack.
Choose
a
location
which
is
not
exposed
to
the
effects
of
magnetism,
dust,
dirt
and
oil
for
storing
the
tapes.
e
Because
C-120
tapes
are
so
thin,
they
easily
jam
in
the
pinch
roller
and
capstan,
and
they
are
susceptible
to
other
trouble
such
as
irregular
winding.
Try
not
to
use
them
with
this
unit.
How
to
prevent
already
recorded
tapes
from
being
erased
How
to
take
up
tape
slack
Fig.
B
For
side
A
For
side
B
Cassette
shell
Tape
INCORRECT
METHOD
OF
APPLYING
TAPE
THIS
MAY
RESULT
IN
AN
ACCIDENT
Apply
to
tap
portion
only.
Insert
an
eraser,
or
the
like.
After
removing
the
cellophane
tape,
completely
wipe
away
all
traces
of
paste.
Use
only
alcohol
or
benzine.
3
<ARB1001>
BASIC
OPERATIONS
NORMAL
RECORDING
STARTING
IN
THE
FORWARD
DIREC
TION
(Record/play
deck
only}
You
can
record
signals
that
have
been
modified
using
the
graphic
equalizer,
as
well
as
microphone
input
mixed
with
another
input
source.
Neither
of
these
are
possible,
though,
during
tape
copying.
1.
Load
@
non-recorded
cassette
tape
in
the
record/play
2.
Press
the
FUNCTION
switch
correspanding
to
the
pr
pobxwn
recorded
{TUNER,
CD,
PHONO,
VIDEO).
switon
3.
Select
the
DOLBY
NR
setting.
|
DECK
AMPLIFIER
The
illustration
shows
model
DC-X56Z.
The
operation
of
a
single
deck
is
the
same
as
that
of
Deck
ii.
DIRECTION
switch
a
i
REC
switch
-—
PAUSE
switch
deck
n
source
to
be
REVERSE
MODE
switch,
STOP/EJECT
4,
Start
playback
of
the
program
source
switch
5.
If
so
desired,
set
the
graphic
equalizer
controls
to
modify
the
signal
to
be
PLAY
switch
4
recorded.
STOP/EJECT
5
switch
6.
Press
the
REC
{
@
)
switch.
POWER
ab)
*
The
REC
indicator
will
light.
switch
ee
7.
Adjust
the
playback
volume
to
the
desired
jevel.
GRAPHIC
EQUALIZER
FUNCTION
switches
—!
TAPE
FUNCTION
switch
controis
*®
Set
the
cassette
tape
deck
amplifier’s
POWER
switch
to
ON.
The
direction
indicator
will
light.
e
Adjust
the
volume
with
the
VOLUME
control
and
tone
with
the
GRAPHIC
EQUALIZER
controls
on
the
cassette
tape
deck
amplifier.
NORMAL
PLAYBACK
STARTING
IN
THE
FORWARD
DIREC-
TION
(Playback-only
deck
and
Record/play
deck)
Tapes
may
be
played
back
on
either
Deck
|
or
Deck
il,
However,
playback
on
both
decks
at
the
same
time
is
not
possible.
If
the
PLAY
(
€2}
)
switch
on
one
deck
is
pressed
during
playback
on
the
other
deck,
continuous
playback
will
be
initiated.
For
details,
see
the
‘Relay
Playback”
section.
Load
a
pre-recorded
cassette
tape.
Press
the
TAPE
FUNCTION
switch.
Select
the
DOLBY
NR
setting.
Press
the
PLAY
(
€#}
)
switch.
*
Press
the
PLAY
(
€*}
}
switch
of
the
deck
into
which
the
tape
is
load-
ed.
5.
To
stop
playback,
press
the
STOP/EJECT
(
&/4)
switch.
=
PLAYBACK
STARTING
IN
THE
REVERSE
DIRECTION
1.
Pertorm
steps
1
—
3
of
“Normal
Playback
starting
in
the
Forward
Direction.”
2.
Press
the
PLAY
(
€2>
}
switch.
©
Playback
starts
in
the
forward
mode.
3.
Press
the
DIRECTION
switch
to
change
to
the
reverse
mode.
(The
DIREC-
TION
indicator
will
show
<1.)
NOTE,
STOP
EJECT
{
Bim
)
©
After
pressing
this
switch
to
stap
the
tape,
allow
time
for
the
tape
heads
to
retract
fully
before
pressing
it
again
to
eject
the
tape.
The
tape
compart-
ment
door
may
hit
the
heads
and
jam,
making
it
impossible
to
remove
the
tape.
Continuous
playback;
©
During
continuous
playback,
tape
playback
will
continue
for
eight
full
plays
{including
forward
and
reversel,
after
which
the
unit
will
stop
automatically;
in
this
case,
however,
the
PLAY
switch
{
€e>
}
will
re-
main
in
the
depressed
position.
CASSETTE
TAPE
RECORDING
The
graphic
equalizer
can
be
used
to
modify
the
source
sound
for
recording.
in
addition,
mic
mixing
output
can
also
be
recorded.
Note
that
these
features
can-
not
be
used
during
tape
copying.
PRECAUTION:
®
After
an
auto-stop
takes
piace
at
the
tape
end
during
recording,
withdraw
the
tape.
(Note
that
if
you
switch
the
unit
OFF
and
then
ON
again
without
withdrawing
the
tape,
recording
will
start
again.|
©
Deo
not
press
the
REC
switch
{
@
}
when
the
right-side
Direction
Indicator
is
flashing;
press
the
STOP/EJECT
{
§/®
}
switch,
then
remove
the
tape.
10
<ARB1001>
PAUSING
AND
RESTARTING
RECORDING
8.
Press
the
PAUSE
(
HM
)
switch.
*
Recording
will
be
suspended.
9.
To
restart
recording
again,
©
Press
the
PAUSE
(
@8
)
switch
again.
STOPPING
RECORDING
10.
Press
the
STOP/EJECT
(
H/
)
switch.
11,
Press
again
to
eject
the
tape.
NOTE:
°
At
the
completion
of
recording,
the
REC
and
PLAY
switches
will
rereir:
depressed,
but
the
heads
and
transport
mechanism
will
be
completely
disengaged.
°
if
the
erasure
prevention
tabs
are
broken
out
of
a
cassette,
the
REC
switch
can
still
be
depressed,
but
the
recording
operation
will
not
be
perfortred.
Be
sure
to
check
the
tape
operation
when
recording.
RECORDING
STARTING
IN
THE
REVERSE
DIRECTION
1.
Load
a
non-recorded
cassette
tape
in
the
record/play
deck.
*
Make
sure
that
both
of
the
erasure
prevention
tabs
(side
A
and
side
B)
on
the
cassette
are
intact.
2.
Select
the
DOLBY
NR
setting.
3.
Press
the
FUNCTION
switch
corresponding
to
the
program
source
to
be
recorded
(TUNER,
CD,
PHONO,
VIDEO).
4,
Set
the
REVERSE
MODE
switch
to
the
(—_))
position
5.
Press
the
PAUSE
(
§B
)
switch,
6.
Press
the
REC
(
@
)
switch.
*
The
deck
will
be
set
to
the
record
pause
mode.
.
7.
Press
the
DIRECTION
switch
and
set
the
deck
to
the
reverséymode,
©
The
record/play
deck
direction indicator
will
ight.
8.
Start
playback
of
the
program
source
to
be
recorded.
9.
If
so
desired,
set
the
graphic
equalizer
controls
to
modify
the
signal
to
be
recorded.
10.
Press
the
PAUSE
{
BI
}
switch.
@
The
deck
will
be
released
from
the
pause
mode
and
recording
will
start.
e
The
tape
stops
automatically
when
recording
in
the
reverse
direction
is
finished.
PLAYBACK
OF
OTHER
AUDIO
COMPONENTS
CONNECTED
TO
THIS
UNIT
1.
Press
the
function
switch
to
select
the
desired
components.
Component
FUNCTION
switch
CD
player
cD
Component
connected
to
VIDEO
jacks
VIDEC
2.
Start
playback.
For
details
on
how
to
operate
other
components,
refer
to
the
operating
in-
structions
supplied
with
them.
3.
Adjust
the
volume
and
tone
as
desired.
BASIC
OPERATIONS
TURNTABLE
M
lodel
PL-X55Z
Rubber
mat
SPEED
switch
DISC
SIZE
switch
Model
PL-555Z
Rubber
mat
Arm
rest
SPEED
switch
ToAearn
a
ARM
ELEVATION
switch
SIZE
switch
START/STOP
switch
PL-X33Z/PL-333Z
R
1
PARWN
ECORD
PLAY
Push
the
FUNCTION
switch
in
the
PHONO
position
on
the
cassette
deck
amplifier.
Place
the
record
on
the
rubber
mat.
Remove
the
stylus
cover
and
release
the
tonearm
from
the
arm
rest.
Set
the
SPEED
switch.
Move
the
arm
elevation
lever
to
the
UP
position.
Move
the
tonearm
by
hand
across
the
record.
At
this
stage,
the
platter
starts
to
rotate.
Move
the
arm
elevation
switch
to
the
DOWN
position.
PL-X55Z/PL-555Z
|
R
1.
eae,
ECORD
PLAY
(Auto
play)
Push
the
FUNCTION
switch
in
the
PHONO
position
on
the
cassette
deck
amoplitier.
Place
the
record
on
the
rubber
mat.
Remove
the
stylus
cover
and
release
the
tone
arm
from
the
rest.
Set
the
SPEED
and
DISC
SIZE
(SIZE)
switches.
Move
the
arm
elevation
switch
to
the
DOWN
position.
Push
the
START/
STOP
switch
to
start
record
play.
NOTE:
*¢
When
play
is
completed,
the
tonearm
will
return
automatically
to
the
i
arm
rest.
2
When
playing
45
rpm
records
with
large
center
holes,
place
the
EP
adap-
tor
onto
the
platter
shaft.
B
ie
oN
DORON
ginning
Record
Playback
From
Any
Point
{Manual
Play}
Push
the
FUNCTION
switch
in
the
PHONO
position
on
the
cassette
deck
amplifier.
Place
the
record
on
the
rubber
mat,
Remove
the
stylus
cover
and
release
the
tonearm
from
the
arm
rest.
Set
the
SPEED
switch.
Move
the
arm
elevation
switch
to
the
UP
position.
Move
the
tonearm
by
hand
to
the
desired
position
over
the
record.
Move
the
arm
elevation
switch
to
the
DOWN
position.
The
tonearm
will
descend
onto
the
record
and
playback
will
start.
ADJUSTING
THE
STYLUS
DESCENT
POSITION
(Only
PL-X55Z
and
PL-5852)
Proceed
as
follows
when
the
stylus
does
not
descend
at
the
proper
position
on
the
record
during
auto
play.
While
performing
the
adjustment,
take
care
not
to
$scraich
the
record
with
the
stylus.
‘Ts
Place
a
30
cm
LP
record
on
the
platier.
2.
Push
the
START/STOP
switch
to
start
auto
play.
Check
the
direction
and
amount
of
stylus
deviation
(how
many
millimeters
toward
the
inside
or
out-
side
of
the
record’s
lead-in
groove)
3.
Push
the
START/
STOP
switch
to
return
the
tonearm
to
the
arm
rest.
tonearm
across
the
outside
edge
of
the
record.
5.
Rotate
the
screw
with
a
small
screwdriver
in
accordance
with
the
direction
of
the
deviation
observed
in
step
2.
*
Rotate
the
screw
clockwise
if
the
stylus
descends
on
the
outside
of
the
proper
position.
¢
Rotate
the
screw
counterclockwise
if
the
stylus
descends
on
the
inside
of
the
proper
position.
6.
Manually
raturn
the
tonearm
to
the
arm
rest
and
set
the
arm
elevation
switch
to
the
DOWN
position.
Push
the
START/STOP
switch
and
check
that
the
stylus
stops
at
the
lead-in
groove
on
the
outer
circumference
of
the
record.
{f
the
position
is
still
not
correct,
repeat
steps
2
to
6.
If
the
stylus
descends
on
je
of
the
proper
if
the
stylus
descends
on
the
inside
of
the
proper
position
7
a
a
EPLACING
THE
STYLUS
R
1.
Remove
the
screw.
2.
Pull
the
cartridge.
3.
Remove
the
stylus
gently.
4,
Attach
the
new
stylus
to
the
cartridge
and
replace
the
screw.
NOTE:
—
©
The
service
life
of
the
stylus
on
the
supplied
cartridge
ranges
froin
80
to
1,000
hours.
.
*
Using
a
worn
or
damaged
stylus
can
damage
your
records
and
distort
the
sound
reproduction.
Remember
to
replace
the
stylus
at
the
earliest
possible
date.
*°
Always
use
the
PIONEER
“PN-295T”
as
a
replacement
stylus.
°
Always
ask
for
a
genuine
PIONEER
replacement
styfus.”
(FB)
is
the
universal
mark
for
the
Plug-in
connector
system.
Products
carrying
this
mark
are
interchangeable
and
can
be
used
together.
Remove
the
screw.
Pull
the
cartridge.
Remove
the
stylus.
2
Stylus
holder
ee.
2
ei
i
Cartridge
PRECAUTION:
if
the
turntable
is
mounted
directly
on
or
against
a
speaker,
the
vibration
from
the
speaker
will
be
transported
te
the
tonearm’s
cartridge,
thus
causing
feed-
back
howling.
Be
sure
that
speakers
are
mounted
sufficiently
separated
from
the
turntable.
4
<ARB1001>
Set
the
arm
elevation
switch
to
the
UP
position
and
manually
move
the
BASIC
OPERATIONS
TUNER
The
illustration
shows
model
F-X33ZL.
F-X33ZL/F-X33Z/TX-333ZL/
TX-333Z
—
FUNCTION
switch
TUNING
knob
FM
AND
AM
(MW/LW)
RECEPTION
1.
Push
the
FUNCTION
swtich
in
the
TUNER
position
on
the
cassette
deck
amplifier.
2,
Push
the
appropriate
function
switch
on
the
stereo
tuner.
3.
Rotate
the
tuning
knob
and
tune
in
the
desired
station.
The
illustration
shows
model
F-X55ZL.
F-X56Z1/F-X55Z/TX-5552L/TX-555Z
MEMORY
switch
STATION
CALL
switch
FUNCTION
switches
FM
AND
AM
(MW/LW)
RECEPTION
Manual
Tuning
1.
Push
the
FUNCTION
switch
in
the
TUNER
position
on
the
cassette
deck
TUNING
switch
amplifier,
2.
Push
the
appropriate
function
switch
on
the
stereo
tuner.
3.
Push
the
TUNING
switches
(’~”
or
+“)
and
tune
in
the
desired
station.
TAPE
DUBBING
(Editing)
tonty
oc-xssz
and
pc-555z1
Memory
Tuning
1.
Begin
receiving.
For
manual
tuning,
refer
to
Manual
Tuning.
2.
Push
the
MEMORY
switch.
During
the
approximate
ten
seconds
within
which
the
memory
circuit
functions,
push
the
desired
STATION
CALL
switch
to
memorize
the
current
frequency
in
that
switch.
3.
Repeat
steps
1
through
2
to
preset
up
to
16
stations.
©
This
unit
is
fitted
with
a
presetting
function
for
memorizing
stations
in-
dependently
on
both
FM
and
AM
bands:
Once
the
stations
have
been
preset,
all
you
have
to
do
to
recall
them
is
push
the
STATION
CALL
switches.
A
total
of
16
stations
can
be
preset,
a
maximum
of
8
for
each
band.
NOTE:
©
For
AM
band
(MW
or
LW)
a
total
of
8
stations
can
be
preset,
This
can
be
ail
MW
stations,
aif
LW
stations
or
a
combination
of
both.
©
The
electrical
circuit
controlling
the
MEMORY
function
is
powered
by
a
back-up
condenser
so
that
the
unit
will
retain
preset
stations
for
a
number
of
days.
ff
a
preset
station
has
been
erased,
reset
it.
Preset
Tuning
First,
select
the
FUNCTION
switches
to
which
you
wish
to
listen.
Then
press
the
STATION
CALL
switch
corresponding
to
the
station
you
wish
to
listen
to,
and
the
station
will
be
received
simply
and
accurately.
tHlustration
shows
model
DC-X552.
t—5
}+—12
®
By
editing
a
tape
as
you
copy
it,
you
can
make
a
tape
containing
only
selected
songs.
é
*
The
tape
recorded
on
Deck
II
will
always
be
recorded
without
noise
reduc-
tion.
NOTE:
*
You
can
also
start
tape
copying
by
pressing
the
PLAY
switch
of
Deck
f
and
the
REC
switch
of
Deck
Ii
at
the
same
time.
They
should
not
be
press-
ed
together
during
tape
editing.
©
Tapes
recorded
using
the
tape
editing
function
will
be
recorded
without
DOLBY
noise
reduction.
When
playing
them
back,
always
turn
the
Dolby
NR
off.
412
<ARB1001>
6,
10,
12,
14
Press
the
POWER
switch
to
turn
POWER
on.
Load
the
original
tape
into
Deck
|.
Load
the
tape
for
recording
into
Deck
II.
4
ee
Press
the
TAPE
FUNCTION
switch,
if
the
original
tape
was
recorded
using
Dolby
noise
reduction,
set
the
DOLBY
NR
switch
to
the
on
position.
6.
Press
the
PAUSE
{
@§
)
switch
on
Deck
Hl.
7.
Press
the
REC
{
@
}
switch
on
Deck
Il.
8.
Press
the
PLAY
{
€+>
}
switch
on
Deck
|.
©
Play
back
the
selection
you
wish
to
copy
to
the
tape
in
Deck
I
9.
If
so
desired,
set
the
graphic
equalizer
controls
to
modify
the
signal
to
be
recorded.
10.
Press
the
PAUSE
(
8H
)
switch
on
Deck
Il.
©
Press
the
PAUSE
(
88
}
switch
on
Deck
II
to
start
recording.
11.
Adjust
the
piayback
volume
to
the
desired
level.
12,
When
the
desired
selection
is
over,
press
either
the
PAUSE
(
8
)
switch,
or
the
REC
MUTE
switch
followed
by
the
PAUSE
(
§
)
switch,
to
stop
the
tape
in
Deck
Il.
148.
Locate
the
next
selection
to
be
copied
to
the
tape
in
Deck
Ml
and
start
playback.
*
Use
fast
forward
or
rewind
as
needed.
14,
Press
the
PAUSE
(
8B
)
switch
on
Deck
Il
again,
*
Recording
on
Deck
ff
will
resume.
gaeons
By
repeating
the
above
steps,
you
can
assemble
a
tape
containing
only
desired
selections,
in
any
order
you
choose.
TAPE
DUBBING
(Editing)
USING
THE
REC
MUTE
SWITCH
(function
of
Deck
fl
only}
During
recording,
while
the
REC
MUTE
switch
is
held
depressed
(ON),
input
signals
are
not
recorded,
thus
allowing
you
to
create
blank
spaces
on
the
tape.
Creating
blank
intervals
on
a
tape
1.
Start
recording
according
to
the
dure
given
in
the
section
“NORMAL
RECORDING
STARTING
IN
THE
FORWARD
DIRECTION”
or
“RECOR-
DING
STARTING
IN
THE
REVERSE
DIRECTION.”
2.
During
recording,
press
the
REC
MUTE
switch
for
about
4
seconds
at
the
appropriate
point
to
cut
the
signal
to
the
deck
and
create
a
blank
interval
on
the
tape.
3.
While
holding
the
REC
MUTE
switch
pressed,
press
the
PAUSE
(
HB
)
switch
again
to
suspend
recording.
4,
Press
the
PAUSE
{
BH
}
switch
again
to
restart
recording,
Be
careful
not
to
press
the
REC
MUTE
switch
except
when
necessary.
COPYING
TAPES
only
pc-xs5z
and
DC-555z]
illustration
shows
model
DC-X55Z.
{5)
Tape
copying
is
accomplished
by
playing
back
the
original
on
Deck
|
and
record-
ing
on
Deck
Il,
(Note
that
the
reverse
is
not
possible.)
lf
a
tape
recorded
using
Dolby
NR,
is
copied,
the
copy
as
well
will
have
the
same
noise-reduction
characteristics.
Copies
of
tapes
originally
recorded
without
noise
reduction
will
have
no
noise
reduction
effects.
*®
Tape
copying
with
added
graphic
equalizer
effects
is
not
possible.
@
Do
not-press
the
REC
MUTE
switch
as
this
will
create
a
blank
interval
on
the
tape.
COPYING
WHILE
LISTENING
TO
PLAYBACK
(The
record
indicator
will
flash
slowly.)
Press
the
POWER
switch
to
turn
POWER
on.
7
Load
the
original
tape
in
Deck
|
and
the
tape
for
recording
in
Deck
II.
Set
the
REVERSE
MODE
switch.
«
Make
sure
that
the
setting
is
the
same
for
both
decks
when
copying.
Ni
REVERSE
MODE
Switch
Deck
|
Deck
I
Operations
i
5
Double-side
copy
from
Deck
|
CD
to
Deck
Il
Single-side
copy
from
Deck
|
~
to
Deck
Il
4.
Press
the
COPY
SPEED
switch
and
set
it
to
the
NORMAL
position.
5.
Press
the
TAPE
FUNCTION
switch.
pying
is
possible
regardless
of
the
FUNCTION
switch
setting.
er,
the
sound
from
the
speakers
will
be
that
of
the
program
source
selected.
6.
Press
the
SYNCHRO
COPY
switch.
©
Deck
|
will
start
playback
and
Deck
#1
will
start
recording.
*
In
the
reverse
mode,
the
tape
will
automatically
stop
when
it
reaches
the
end,
The
switches,
however,
will
remain
depressed.
*
Tape
copy
is
unaffected
by
the
volume
and
graphic
equalizer
settings.
*
Set
the
volume
and
graphic
equalizer
controls
as
desired.
7.
To
stop
copying
midway,
press
the
STOP/EJECT
{
§/
}
switch
on
both
decks.
HIGH-SPEED
COPYING
{The
record
indicator
will
flash
rapidly.)
1,
Press
the
POWER
switch
to
turn
power
on.
2.
Load
the
original
tape
in
Deck
|
and
the
tape
for
recording
in
Deck
II.
3.
Set
the
REVERSE
MODE
switch.
®
Actual
copy
operations
are
the
same
as
in
the
above
section.
4.
Press
the
COPY
SPEED
switch
and
set
it
to
the
HIGH
position.
5.
Press
the
SYNCHRO
COPY
switch.
Tape
copying
is
possible
regardless
of
the
FUNCTION
switch
setting
However,
the
sound
from
the
speakers
will
be
that
of
the
program
source
selected.
*
In
the
reverse
mode,
the
tape
will
automatically
stop
when
n
reaches
the
end.
The
switches,
however,
will
remain
depressed
NOTE:
&
When
using
in
the
same
room
as
a
television
set,
position
far
enough
away
from
the
set
to
avoid
interference,
or
turn
off
power
to
the
Wwievision
set.
13
<ARB1001>
RELAY
PLAYBACK
(Uninterrupted
playback
from
Deck
|
to
Deck
Hi
or
Deck
li
to
Deck
1)
[only
DC-X55Z
and
DC-5552]
lustration
shows
model
DC-X55Z.
Playback
can
be
started
from
either
Deck
|
or
Deck
il.
5.6
Extended
Relay
Playback
Extended
relay
playback
lasting
8
hours
is
possible
when
C-60
tapes
are
used,
and
playback
lasting
12
hours
is
possible
when.
C-90
tapes
are
used
and
the
reverse
mode
switch
for
both
decks
is
set
to
the
(C_>)
position.
Press
the
POWER
switch
to
turn
power
on.
Load
pre-recorded
tapes
in
both
decks.
Set
the
reverse
mode
switch
for
Deck
|
and
Deck
II.
NS
Relay
playback
will
be
performed
according
to
the
setting
of
the
mode
swit-
ches
as
shown
here.
Playback
Method
Deck
|
Deck
|
fy
Extended
relay
playback
|
One
roundtrip
on
each
deck
|
=):
Continuous
playback
on
Deck
|
Continuous
playback
on
Deck
if
me)
4,
Search
for
the
start
of
the
first
desired
program
on
the
tapes
in
deck
|
and
deck
Ul.
5.
Press
the
PLAY
(
€*}
}
switch
on
the
deck
to
be
started
first
*
Playback
starts.
6
Press
the
PLAY
{
€+}
}
switch
on
the
other deck.
*
This
deck
is
now
set
to
the
relay
playback
stand-by
mode
and
will
start
playback
when
the
deck
started
first
stops
or
is
set
to
the
pause
mode.
7.
Relay
playback
will
zake
place
according
to
the
method
selected
in
step
3,
after
which
both
decks
will
stop
automatically.
Extended
Relay
Playback
|
Stops
after
4
roundtrips
on
each
deck
|
One
roundtrip
on
each
deck
|
Sto}
atter
1
roundtrip
on
each
deck
|
Continuous
playback
1
roundirip
on
Deck
Ht
followed
by
8
round-
on
Deck
|
trips
on
Deck
I
|
round
|
Continuous
playback
7
roundtap
on
Deck
|
followed
by
on
Deck
fl
trigs
on
Dack
8.
To
stop
relay
playback,
press
the
STOP/EJECT
(
8/&
}
switch
on
both
decks.
MIC
MIXING
FOR
SINGING
ALONG
WITH
RECORDED
ACCOMPANIMENT
The
illustration
shows
model
DC-X55Z,
MIXING
KNOW-HOW
Mixing
involves
combining
the
signals
from
two
input
sources
{a
microphone
and
a
tape,
for
exampie}.
SINGING
ALONG
WITH
A
TAPE
1.
Plug
a
microphone
into
the
MIC
jack.
2.
Press
the
POWER
switch
to
turn
power
on.
3.
Adjust
the
volume
to
a
suitable
level.
4.
Set
the
MIC
MIXING
control
to
the
center
position.
*
If
howling
occurs
(a
high-pitched
sound
from
the
speakers},
take
the
following
steps.
414
<ARB1001>
{1}
Move
the
mic
away
from
the
speakers.
{2)
Lower
the
volume.
#%e
5.
Select
the
desired
program
source
using
the
FUNCTION
switches,
6.
Start
playback
of
the
program
source.
7.
Adjust
the
overall
volume.
8.
Using
the
MIC
MIXING
control,
adjust
the
sound
balance.between
the
mic
and
the
program
source
a
9.
Start
recording
on
cassette
tape
deck
amplifier
10.
Sing
along
with
the
program
using
the
microphone.
Because
both
MIC
and
SOURCE
inputs
are
controlled
together
by
the
mix-
ing
function,
the
mixing
control
can
also
be
used
as
a
manual
fader
when
recording.
+
Fading
refers
to
the
recording
technique
in
which
the
volume
of
an
input
source
is
gradually
increased
or
decreased.
MIXING
RECORDING
You
can
use
the
mixing
feature
to
record
input
from
a
microphone
and
another
source
together.
1.
Perform
steps
1
to
8
in
the
section
“SINGING
ALONG
WITH
A
TAPE.”
2.
Load
a
tape
for
recording
into
record/play
deck
3.
Press
the
REC
{
@
}
switch
on
record/play
deck.
4.
Sing
along
with
the
program
source
MUSIC
SEARCH
only
pc-x55z
and
DC-555Z]
Ilustration
shows
made!
DC-X66Z.
|Function
of
Deck
|
only!
{
The
Music
Search
Function
works
to
detect
blank
intervals
(4
seconds
or
more}
between
recorded
selections
during
fast
forward
or
rewind,
and
starts
playback
automatically
at
the
start
of
a
selection.
1.
Press
the
POWER
switch
to
turn
power
on.
2.
Load
prerecorded
tapes
in
Deck
I.
3.
Press
the
PLAY
(
€*>!
switch.
4,
To
skip
to
the
start
of
the
selection
following
the
one
currently
playing,
press
the
fast
forward
switch.
To
skip
back
to
the
start
of
the
selection
currently
playing,
press
the
rewind
switch.
a
SURROUND
SYSTEM
What
is
surround
sound?
With
ordinary
stereo,
sound
normally
comes
only
from
speakers
in
front
of
the
listener.
In
a
concert
hall
or
theatre
though,
sound
reflected
from
the
wails
and
ceiling
reaches
the
listener
from
ail
directions.
This
is
what
accounts
for
the
feel-
ing
of
ambience
or
spaciousness
of
a
live
performance.
Surround
sound works
to
sepraduce
these
effects
to
produce
fuller,
more
“live”
sound.
NOTE:
If
the
8-XIA
surround
speaker
systems
(sold
seperately)
are
used
they
will
reproduce
normal
stereo
sound
when
the
SURROUND/STEREO
WIDE
switch
i$
not
pressed,
Constructing
a
Surround
System
in
the
Forward
Mode:
To
repeat
the
same
selection,
press
the
FAST
<
}
switch.
To
skip
to
the
next
selection,
press
the
FAST
|
>
}
switch
In
the
Reverse
Mode:
To
repeat
the
same
selection,
press
the
FAST
(
>
)
switch.
To
skip
to
the
next
selection,
press
the
FAST
(
&
}
switch
6.
When
the
blank
interval
between
selections
is
de
automatically.
ed,
playback
will
start
NOTE:
Note
that
the
Music
Search
Function
may
not
work
properly
with
the
follow.
ing
types
of
tapes.
Such
malfunctioning
does
not
indicate
a
problem
with
the
cassette
deck.
*®
Tapes
with
intervals
shorter
than
4
seconds
between
selections.
©
Tapes
having
a
high
noise
level
between
selections.
©
Tapes
containing
music
{such
as
classical)
with
extended
quiet
passages,
or
blank
intervals
within
a
selection.
°
Tapes
containing
voice
recordings
with
pauses
and
silent
passages,
©
Tapes
containing
selections
with
extremely
quiet
passages
that
last
for
4
seconds
or
more.
©
Tapes
whose
recording
level
is
very
low,
resulting
in
quiet
passages
that
fast
for
4
seconds
or
more.
Speaker
System
Placement
Examples
The
sound
effects
obtained
in
a
surround
system
depend
on
speaker
placement,
Experiment
with
various
arrangements
to
find
the
one
most
suited
to
your
tastes.
Placing
the
speakers
so
that
they
are
slightly
higher
than
earlevel
contributes
to
sound
quality.
{Case
A]
Good
sound
dispersion;
recommended
for
movies,
etc.
[Case
B]
Sound
appears
to
come
from
directly
in
front
of
listener.
Good
for
listening
to
music
recordings.
ae
[Case
C}
Offers
most
varied
effects;
good
for
watching
sports
programs
or
listening
to
live
recordings.
ao
Example
A:
Example
B:
Stereo
Wide
The
sound
takes
on
added
depth
A
sound
field
created
as
if
play
Even
if
surround
speakers
are
not
used,
pressing
the
SURROUND/STEREO
which
is
effective
when
watching
were
being
conducted
in
front
of
WIDE
switch
will
result
in
a
wider
stereo
image
and
a
greater
sense
of
presence.
a
movie,
the
listener.
Example
C:
Ww
ss
Ari
ambience
resembling
that
of
a
FT
LEFT
wv
RIGHT:
LEFT
|
ay
[RIGHT]
|
concert
hali
or
theater.
FRONT
Listening
area
“|
4437
Listening
area
SURROUND
FRONT
YL)
Listening
area
SURROUND
LEFT
RIGHT:
15
<ARB1001>
UNATTENDED
RECORDING
1.
Set
the
POWER
switch
of
the
cassette
deck
amplifier
to
OFF
and
connect
the
power
cord
to
the
outlet
on
the
audio
timer.
Set
the
POWER
switches
of
components
to
be
used
to
ON.
Load
a
tape
for
recording
in
the
record/piay
deck.
Select
the
DOLBY
NR
switch.
Press
the
TUNER
function
switch
and
tune
in
the
station
te
be
recorded.
Turn
down
the
volume,
Set
the
audio
timer
so
that
the
power
comes
on
at
the
desired
time.
(Power
to
the
components
should
be
off
at
this
point.)
Press
the
REC
(
@
}
switch.
9.
Power
will
be
turned
on
automatically
at
the
preset
time,
and
recording
in
the
forward
direction
will
start.
Noapon
so
MAINTENANCE
WAKE-UP
PLAYBACK
1,
Set
the
POWER
switch
of
the
cassette
tape
deck
amplifier
to
OFF
and
con-
nect
the
cassette
tane
deck
amplifier's
power
cord
to
the
audio
timer.
2.
Set
the
POWER
switches
of
the
camponants
to
ON.
3.
Select
the
DOLSY
NR
switch.
4.
Load
the
tape
which
is
to
be
played
back
5.
Adjust
the
volume
control
to
produce
the
level
of
volume
required
when
timer
playback
starts.
~~
6.
Set
the
time
on
the
audio
timer
so
that
the
power
cornes
on
at
the
desired
time
(this
action
switches
off
the
power
to
the
audio
components}.
7.
Press
the
Play
{
€+>
)
switch.
At
the
preset
time,
the
power
is
switched
on
and
the
playback
starts
automatically.
Only
models
DC-X55Z
and
DC-S552
Depress
both
Play
(
<*>
)
switches.
Deck
|
and
Deck
Hl.
At
the
preset
time,
the
POWER
is
switched
on
and
the
relay
playback
(from
Deck
|
to
Deck
if)
starts
automatically.
Operations
will
vary
according
to
the
audio
timer
used.
For
details,
see
the
operating
instructions
supplied
with
the
timer.
CLEANING
THE
HEAD
SECTION
The
heads,
capstan
and
pinch
roller
are
parts
which
are
liable
to
get
dirty
quite
easily.
In
particular,
if
the
heads
are
dirty,
the
high
frequency
components
of
the
sound
will
not
be
reproduced
and
the
stereo
balance
will
be
impaired,
resulting
in
a
deterioration
in
sound
quality.
It
is
therefore
recommended
that
the
head
section
be
cleaned
regularly,
1,
Press
the
STOP/EJECT
(
&i/*
}
switch
to
open
the
cassette
door.
2.
Dip
a
cleaning
swab
into
the
cleaning
fluid
and
use
it
to
wipe
the
heads,
capstan,
and
pinch
roller.
Playback
head
Capstan
Pinch
roller
NOTE:
¢
This unit
uses
a
head-slant
standby
system,
with
the
result
that
the
heads
are
mounted
at
an
angled
position.
*
Clean
the
rec/playback
head
as
shown
in
the
above
drawing.
16
<ARB1001>
DEMAGNETIZING
THE
HEAD
The
rec/playback
head
becomes
magnetized
when
you
use
the
tape
deck
for
prolonged
periods
of
time.
This
results
in
noise
being
generated
and
the
treble
dropping
off
during
recording
and
playback.
The
rec/playback
head
should
therefore
be
demagnetized
regularly
with
a
head
demagnetizer
(sold
separately).
For
further
details,
refer
to
the
operating
instructions
accompanying
your
head
demagnetizer.
NOTE:
©
Do
not
hold
screwdrivers,
metal
objects,
or
magnets
closéto
the
heads.
*
When
demagnetizing
the
heads,
be
sure
the
unit's
POWER
switch
is
in
the
OFF
position.
TROUBLESHOOTING
incorrect
operations
are
often
mistaken
far
trouble
and
malfunctions.
if
you
think
that
there
is
something
wrong
with
this
component,
check
the
points
below.
Sometirnes
the
trouble
may
le
in
another
component.
Investigate
the
other
components
and
electrical
appliances
being
used.
If
the
trouble
cannot
be
rectified
even
after
exe
work,
Cassette
Deck/Amp
ising
the
checks
fisted
below,
ask
your
nearest
PIONEER
authorized
service
center
or
your
dealer
to
carry
out
repair
Symptom
Cause
Remedy
No
sound
from
speakers.
©
ts
volume
level
turned
down?
*
Increase
volume
level.
*
Tape
deck
will
not
work.
*
Is
deck
in
pause
mode?
¢
is
tape
loaded
correctly?
*
Press
PAUSE
(
fH
}
switch
to
release
pause
mode.
©
Load
correctly.
No
sound
from
tape
deck.
@
Is
TAPE
FUNCTION
switch
selected?
*
js
a
blank
tape
loaded?
*
Press
TAPE
FUNCTION
switch.
©
Load
a
pre-recorded
tape.
Recording
not
possible.
*
is
tape
loaded
in
Deck
I?
|
@
Load
blank
in
Deck
Hf
for
recording.
High
frequency
sounds
not
|
reproduced.
*°
Are
heads
clean?
®
Is
a
non-Doiby
tape
being
played
back
with
the
Dolby
system
on?
®
Clean
heads.
*
Turn
off
the
Doiby
system.
High
frequencies
over-
emphasized.
*
Is
a
Dolby
tape
being
played
back
with
the
Dolby
system
off?
¢
Turn
on
the
Dolby
system.
Noise
picked
up
during
recording
of
tape,
record,
radio,
etc,
°
Is
power
to
TV
set
turned
on?
°
Is
unit
located
too
close
to
TV
set?
©
Turn
off
TV
set.
©
Move
unit
at
least
30
cm
from
TV
set.
Stereo
Tuner
No
sound.
*
Is
TUNER
FUNCTION
switch
selected?
*
Select
TUNER
FUNCTION
switch.
AM
reception
not
possible.
*
Is
loop
antenna
connected?
*
Is
band
selector
switch
set
to
AM?
*
Js
station
tuned
in
properly?
*
Connect
loop
antenna.
®
Press
AM
switch.
Tune
in
station
properly.
FM
reception
not
possible.
®
Is
antenna
connected?
*
Is
band
selector
switch
set
to
correct
position?
*
Connect
antenna,
following
instructions
on
page
4
ructions
on
page
7,
®
Set
switch
properly,
following
i
Large
amount
of
noise
*
Are
radio
waves
weak,
causing
antenna
input
to
be
insuffi-
cient?
|
*
Switch
OFF
the
CD
player.
Turntable
Turntable
does
not
work.
*
is
drive
belt
properly
attached?
*
Attach
belt
correctly.
No
sound.
*
Is
PHONO
FUNCTION
switch
selected?
©
Select
PHONO
FUNCTION
switch.
Static,
scratching
noise
pro-
duced.
*®
Is
record
surface
dirty?
©
Is
record
warped
or
scratched?
*
Clean
record.
*
Replace
record.
Stylus
does
not
descend
at
correct
position.
*
Is
descend
position
set
correctly?
*
Is
record
a
special
color
or
size?
*
Adjust
descent
position
as
explained
on
page
11.
*
Change
record
or
play
back
manually.)
i
a
UH
<ARB1001>
SPECIFICATIONS
DC-X862Z/DC-555Z
DC-X33Z/DC-333Z
AMPLIFIER
SECTION
Continous
Average
Power
Output
is
40
Watts*
per
channel,
min.,
at
8
ohms
from
40
Hertz
to
20,000 Hertz,
with
no
more
than
0.3%
total
harmonic
distortion.
AMPLIFIER
SECTION
Continous
Average
Power
Output
is
25
Watts*
per
channei,
min.,
at
8
ohms
from
40
Hertz
to
20,000 Hertz,
with
no
more
than
9.3%
total
harmonic
distortion.
*Measured
pursuant
to
the
Federal
Trade
Commission's
Trade
Regulation
rules
on
Power
Output
Claims
for
Amplifiers.
*Measured
pursuant
to
the
Federal
Trade
Commissian’s
Trade
Regulation
i
rules
or
Power
Outgut
Claims
for
Ampittiers>
Continuous
Power
Qutput
40
to
20,000Hz
40
W
+
40
W({T.H.D.
0.3%
8
ohms)
1kHz
(DIN)
..
es
50W
+
50
W(T.H.D.
1%
8
ohms}
1
kHz
(DIN
music
power)
.
7OW
+
70
W(T.H.D.
1%
8
ohms)
PMPO
Hum
and
Noise
(IHF,
short-circuited,
A
network)
PHONO
...
tine
Hum
and
Noise
(DIN
continous
Power/
PHONO
...
68
dB/60
dB
Total
Harmonic
Distortion
(40
Hz
to
20,000
Hz,
8
ohms)
20
Watts
per
channel
power
OUTPUL
.....eeeeesereeerereeeeee
No
more
than
0.2%
Tape
Deck
Section
Systems
Heads
...
+++
4
track,
2-channel
stereo
.
“Hard
Permalloy”
recording/
playback
head
x
1
“Hard
Permalloy”
playback
head
x
1
“Ferrite”
erasing
head
x1
DC
servo
2
speed
motor
x2
-+No
more
than
0.09%
(WRMS)
Approximately
100
seconds
(C-60
tape)
Motor
Wow
and
Flutter.
Fast
Winding
Time
Frequency
Response
—-20
dB
recording:
Normal
tape
.
..
35 Hz
to
14,000
Hz
+6
dB
CrOz
we
seve
35
Hz
to
15,000
Hz
+6
dB
Metal
tape.
35
Hz
to
16,000
Hz
+6
dB
Signal-to-Noise
Ratio
‘Dolby.
NR
ORF
sec
Nenicccnce
Geese
tedeededisedees
cna’
sts
eeepssevednrdecueets¥e
56
dB
Noise
Reduction
Effect
Dolby
B
type
NR
ON
.......-.
ee
ceeceeeeeee
sesesereee
More
than
10
dB
{at
8
kHz)
Furnished
Parts
Operating
Instructions
.........26.
Turntable
legs
parts
(only
DC-X6SZ)
Miscellaneous
Power
requirements
U.LS.,
Canadian
models
wcrc
European
model
.
U.K.
model
....
Other
destination
models
Leessansasnensancersoeaeonssavencsscaneeees
AC
110/120/220/240
V
(switchable)
50/60
Hz
AC
120
V,
60
Hz
-
AC
220
V,
50/60Hz
sees
AC
240
V,
50/60
Hz
Power
Consumption
U.S.,
Canadian
models
European
model
U.K.
and
Australian
models
‘Other
destination
models
Dimensions
230
W
(CSA
260
VA}
380W
++.
360(W)
x
190{H}
x
283
(D}
mm
14-3/
16(W)
x
7-7/
16(H)
x
11-1/8(D}
in
420(W)
x
190(H)
x
283(D)
mm
16-9/16(W)
x
7-7/
16(H}
x
11-1/8{D)
in
Weight
(without
package)
DC-X552
DC-5552
7.4
kg
(16
ib
5
oz)
7.6
kg
(16
ib
5
oz)
18
<ARB1001>
Continuous
Power
Output
46
to
20,000Hz
..
1
kHz
{DIN}...
1
kHz
(DIN
music
power}
.28W
+
25
WIT.H.D.
0.3%
8
ohms}
-32W
+
32W(T.H.D.
1%
Bohms)
»48W
+
45
W
(THD.
1%
8
ohms)
PMPO
...
.
SOW
+
SOW
Hum
and
Noise
(IHF,
short-circuited,
A
network)
PHONO
..
ee
72.98
Hum
and
Noise
(DIN
continous
Power/50
m
PHONO
..
68
dB
‘60
dB
Total
Harmonic
Distortion
(40
Hz
to
20,000
Hz,
8
ohms)
12.5
Watts
per
channel
power
output
...
_..
No
more
than
0.2%
Tape
Deck
Section
Systems
Heads
..
«4
track,
2-channel
stereo
.
“Hard
Permalioy”
recording/
playback
head
x
1
“Ferrite”
erasing
head
x
1
Motor
....
terieeess
DC
servo
motor
x
1
Wow
and
Flutter
lo
more
than
0.09%
(WRMS)
Fast
Winding
Time
Approximately
100
seconds
(C-60
tape)
Frequency
Response
-20
dB
recording:
NOMmMal
tape
si
ciriessseins.sivistcensdecesnedveaseraseeees!
cree
35
Hz
to
14,000
Hz
CrOz
we
sa
35
Hz
to
15,000
Hz
Metal
tape
sees
35
Hz
to
16,000
Hz
Signal-to-Noise
Ratio
Dolby
NR
OFF
fos
aries
cence
iecnses
senceebenresarneceecerens
sseerenevers
SO
OB
Noise
Reduction
Effect
Dolby
B
type
NR
ON
00...
eeeeeeeeeeee
tonneee
More
than
10
dB
(at
5
kHz)
Furnished
Parts
Operating
instructions
.
Turntable
legs
parts
(Only
DC-X33Z)
Miscellaneous
Power
requirements
U.S.,
Canadian
models
European
model
AC
220
V,
50/60Hz
U.K.
model
....
Senaanestaenessadsedacsssenecsnaeeceee:
vee
AC
240
V,
50/60
Hz
Other
destination
models
‘ey,
«AC
110/120/220/240
V
(Switchable)
50/60
Hz
-
AC
120
V,
60
Hz
Power
Consumption
U.S.,
Canadian
models
European
model
U.K.
and
Australian
models
Other
destination
models
Dimensions
180
W
(CSA
180
VA)
..
230W
230
W
-
360(W}
x
190(H)
x
283 1D)
mm
14-3/16(W)
x
7-7/16(H)
x
11-1/8(D}
iri
oo
420(W)
x
190(H)
x
28310)
mm
16-9/
16(W)
x
7-7/
16(H)
x
11-1/8(D)
in
Weight
(without
package}
DBC-X33Z
DC-333Z
.6.4kg
(14
Ib
2
02)
.
6.6
kg
(14
Ib
9.02)
F-XBBZL/F-X55Z/TX-SS5ZL/TX-B55Z
FM
Tuner
Section
Frequency
range
Usable
Sensitivity
Sensitivity
(DIN)
.
87.5
MHz
to
108
MHz
1.2
ABE,
IHF
(1.02/75
ohms)
.
Mono:
0.9
uV/75
ohms
Stereo:
31.5
:V/78
ohms
..
Mono:
77
dB
Stereo:
73
dB
Signal-to-Noise
Ratio
(IHF,
85
dBf
input}
Signal-to-
Noise
Ratio
{DIN)
Stereo:
60
dB
Distortion
Stereo:
0.4%
(1
kHz)
Alternate
Channel
Selectivity
67
dB
(400
kHz)
Stereo
Separation
-
40dB
(7
kHz)
Antenna
Input
.
300
ohm
balanced
75
ohm
unbalanced
MW
(AM)
Tuner
Section
Frequency
range
.o..sesesseeeeesesesesenenees
530
kHz
to
1,600
kHz
when
10
kHz
step
531
kHz
to
1,602
kHz
when
9
kHz
step
Sensitivity
(IHF,
Loop
antenna)
.
300
pV
/m
.
OdB
.
Loop
Antenna
Signal-to-Noise
Ratio
.........
Antenna
LW
Tuner
Section
(For
LW-equipped
models
only)
Frequency
range
153
kHz
to
281
kHz
Miscellaneous
Dimensions
F-X55ZL
and
F-X85Z
«++
360(W)
x
56(H)
x
215(D)
mm
14-3/16(W)
x
2-3/16(H)
x
8-7/16({D)
in
ceeee
420(W)
x
56(H)
215(D)
mm
16-9/16(W)
x
2-3/16(H)
x
8-7/16{D)
in
TX-595ZL
and
TX-555Z
Weight
(without
package)
F-X58ZL
and
F-X55Z
...
TX-555ZL
and
TX-655Z
wen
LBkg
(4
Ib}
.
2.0
kg
(4
Ib
6
02)
Furnished
Parts
FM
T-type
Antenna
1
AM
Loop
Antenna
..
Tuner
input/output
cord
|
F-XaaZL/FX88z/TX-B9RZL/TX-3332
FM
Tuner
Section
FraQuennGy
FANE
....csseseesresensecsssnevseeseescnceeeecerererenen
87.5
MHz
to
108
MHz
Usable
Sensitivity
15.3
dBf,
IHF
(1.6
xV/75
ohms)
Sensitivity
(DIN)
.
ws.
Mono:
1.3
u¥/75
ohms:
Stereo:
35.4
uV/75
ohms
Signal-to-Noise
Ratio
(IHF,
85dBf
Input)
.
Mono:
77
dB
Stereo:
73
dB
Signal-to-Noise
Ratio
(DIN)
.
Stereo:
60
dB
Distortion
Stereo:
0.4%
(1
kHz)
Alternate
Channel
Selectivity
55
dB
(400
kHz)
Stereo
Separation
Antenna
Input
...,
.-
40.dB
(1
kHz)
300
ohm
balanced
75
ohm
unbalanced
MW
(AM)
Tuner
Section
Frequency
range
Sensitivity
(IHF,
Loop
antenna}
Signal-to-Noise
Ratio
.
Antenna
.
531
kHz
to
1,602
kHz
-
250
uV/m
+
50
dB
Loop
Antenna
LW
Tuner
Section
(Far
LW-equipped
models
only)
Frequency
range
.
153
kHz
to
281
kHz
Miscellaneous
Dimensions
F-X332ZL
and
F-X33Z
360{W)
x
56(H}
x
217(D}
mm
14-3/
16(W)
x
2-3/
16(H)
x
8-8/16(D}
in
TX-B33ZL
and
TX-333Z
vo
esseccscseseeceeeseeeeceee
420(W)
x
S6(H}
x
217(D}
mm
16-9/
16(W)
x
2-3/
16(H)
x
8-8/16(D}
in
Weight
{without
package)
F-XSBZL
and
F-XB3Z
oo.
seeeecesccereeceeceesecerraeverserseeneecses
1.6
kg
(3
ib
8
02)
VX-B3BZL
and
TX-BBBZ
os
eesecesscccecseeesssceeeseasccseesananerees
1.8
kq
(4
tb)
Furnished
Parts
FM
T-type
Antenna
AM
Loop
Antenna
..
Tuner
input/output
cord
.
PL-X552Z/PL-X33Z/PL-555Z/PL-333Z
0.
Motor,
Platter
Motor
Type
..
DC
serve
motor
Drive
Method
..
sere
Balt
drive
Speed
..
33-173,
45
RPM
Speed
Variation
-
0.058%
WRMS
(JIS)
+
0.07%
WTD
Peak
(DIN)
S/N
Ratio
v
68.dB
(DIN-B)
Platter
...
_
aluminum
die-cast
Tonearm
Type
+++.
Static-balance
type,
straight
tonearm
MM
type
PN-295T
Stylus
........
»..
0.6
mil
diamond
Output
voltage
2.5
mV
(1
kHz,
5em/s,
Lat.
peak)
Tracking
Force
..
1
—
1.5g
(optimum
1,25
g)
Frequency
Response
.
10
Hz
te
30,000
Hz
Load
Resistance
vee
SO
KR
Cartridge
Weight
ren
Og
Other
Dimensions
PL-XB5Z
and
PL-X33Z
voereeeseeereeesseeeseteee
360
W
x
96.5
H
x
384
D
(rm)
PL-555Z
and
PL-333Z
420(W)
x
99H)
x
374(0)
mm.
16-9/16(W)
x
3-1/8(H)
x
14-3/410)
in
Weight
PL-X562Z
3.2
kg
(7
Ib
1
02)
PL-X33Z
kg
(6
tb
14
02)
PL-555Z
7
kg
(8
Ib
3
va)
PL-333Z
3.7
kg
(8
lb
3.02)
Accessories
=
45-RPM
Adaptor
SYSTEM
ACCESSORIES
Operating
Instructions
.....
Specifications
and
design
subject
to
possible
modifications
Without
notice
due
to
improvement.
19
<ARB1001>
PIONEER
ELECTRONIC
CORPORATION
4-1,
Meguro
7-Chome,
Meguro-ku,
Tokyo
153,
Japan
PIONEER
ELECTRONICS
[UBA]
ING.
SOOO
Airport
Plaze
Drive
P.O.
Box
1720,
Long
Geach,
Californie
90601-1720
USA.
.
BIONEER
ELECTRONIC
[EUROPE]
N.V.
Keetbergisan
1,
2740
Beveren,
Beigium
TEL:
03/77528:08
PIONEER
ELECTRONICS
AUSTRALIA
PTY.LTD.
176-184
Soundary
Road,
Breeside,
Victoria
3185,
Austrailia
TEL:
[03]
580-9911
<86J16YOD07>
Printed
in
Japan
<ARBi001-D>

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