PRESONUS R Series User manual

R-Series R65 V2 and R80 V2
Active AMT Studio Monitors
Owner’s Manual 用户手册
®
www.presonus.com
English

1 Overview 概述 —1
2 Hookup 连接 —3
4 Resources 相关资源—11
Table of Contents
目录内容
1.1 Introduction 介绍 —1
1.2 Product Registration
产品注册 —2
1.3 What’s in the Box 都有什么 —2
2.1 Rear Panel Connections and Controls
后面板连接和控制 —3
2.1.1
Inputs 输入—3
2.1.2 Power 电源—3
2.1.3
Acoustic Tuning Controls 声学调音控制 —4
2.2 Hookup Diagrams
连接图 —
5
2.2.1 Basic Setup 基本设置—5
2.2.2 Advanced Setup with Monitor Controller and
Speaker Switching 使用显示器控制
器和扬声器开关的高级设置 —6
3.1 Monitor Placement and Acoustic Space
Settings 监听器的放置和声学空
间的设置 —7
3.2 Calibrating Using 85 dB SPL“Standard”
Reference 使用 85 dB SPL "标准
"参考值进行校准 —9
4.1 Technical Specifications
技术规格—11
4.2 Troubleshooting 故障排除—13
3 Application Guide 应用指南—7

1
Overview
R-SeriesR65 V2and R80 V2
1
1 Overview
1.1 Introduction
1.1 Introduction
Owner’s Manual
Thankyouforpurchasing the PreSonus®R65V2 or R80V2 active AMTstudio
monitor.PreSonusAudioElectronics has designed the R65 V2 and R80 V2 utilizing
high-grade componentsto ensureoptimumperformance thatwill lasta lifetime.
The R65 V2 and R80 V2 self-powerednear-field monitors differ in cabinet and driver
size, crossover frequency, low-frequency extension, and maximum sound-pressure
level;allotherspecsareidentical.BothmodelsutilizeacustomAMTtweeter.This
design affords an ultra-fast transient response and consistent high-frequency
response.The 6.8-inch AMT tweeter reproduces subtle ultra-high harmonics, adding
air and sense of space not possible with traditional dome tweeters.Theresultis
that you hear every nuance of your mix with astonishing clarity and coherence.
感谢你购买PreSonus® R65 V2或R80 V2有源AMT录音室监听。PreSonus音频电子
公司设计的R65 V2和R80 V2采用了高等级的组件，以确保最佳的性能，将持续一生。
R65 V2和R80 V2自供电近场监听器在箱体和驱动器尺寸、分频器频率、低频延伸和
最大声压级方面有所不同；所有其他规格都是相同的。两个型号都采用了定制的AMT
高音单元。这种设计提供了一个超快的瞬态响应和一致的高频响应。6.8英寸的AMT高
音扬声器再现了微妙的超高谐波，增加了空气和空间感，这是传统球顶型高音扬声器无
法做到的。其结果是你可以听到你的混音的每一个细微差别，具有惊人的清晰度和一致性。
PreSonus Audio Electronics is committed to constant product improvement, and
wevalueyoursuggestionshighly.Webelievethebestwaytoachieveourgoal
of constantproduct improvementis by listening to the real experts: our valued
customers.Weappreciatethesupportyouhaveshownusthroughthepurchase
of this product and are confident that you will enjoy your R65 V2/R80 V2!
About this manual:Wesuggest that youuse this manual to familiarize
yourself with the features, applications, and workflows for your R-Series
studio monitors beforetrying to connect it to the rest of your studio
equipment.This will help you to get better performance and results.
Throughoutthis manual you will find PowerUser Tips that can quickly make
you an studio monitor expert so you can get the most out of your investment.
If this is your first pair of studio monitors, please takea look at Section 3
for details on setting them up properly in your mix environment. More
information is available at www.presonus.com/learn/technical-articles.

1
Overview
R-SeriesR65 V2and R80 V2
2
PreSonus Audio Electronics致力于不断改进产品，我们高度重视您的建议。我们相信，实现我
们不断改进产品的目标的最佳方式是听取真正的专家：我们尊贵的客户。我们感谢您通过购买
本产品对我们的支持，并相信您会喜欢您的R65 V2/R80 V2!
关于本手册。我们建议您在尝试将R系列录音室监听设备与其他录音室设备连接之前，使用本手
册熟悉其功能、应用和工作流程。这将有助于你获得更好的性能和效果。
在这本手册中，你会发现一些强大的用户提示，可以使你迅速成为演播室监听专家，从而使你
的投资得到最大的回报。
如果这是你的第一对录音室监听器，请看第3节，了解在混音环境中正确设置它们的细节。更多
信息可在 www.presonus.com/learn/technical-articles。

3
1
Overview
R-SeriesR65 V2and R80 V2
1.2 Product Registration
1.3 What’s in the Box 都有什么
1.2 Product Registration Owner’sManual
PreSonus is committed to delivering the best experience for our customers.
MyPreSonusis aone-stopportal forallourregisteredcustomers’needs.
From your my PreSonus account, you can view all your PreSonus hardware
and software registrations;contact support; track ordersand more.
Toregister your R-Series studio monitor, go to My.PreSonus.com and
follow the onscreen instructions. PreSonus致力于为我们的客户
提供最佳体验。MyPreSonus是一个满足我们所有注册客户需
求的一站式门户。
通过我的PreSonus帐户，您可以查看您所有的PreSonus硬件
和软件注册；联系支持；跟踪订单等等。
要注册您的R系列演播室监听器，请访问My.PreSonus.com并
按照屏幕上的指示操作。
OR 或者
Download the MyPreSonus app from the Apple App Store or Google Play.
从Apple App Store或Google Play下载MyPreSonus应用程序。
Your R-Series package contains the following R系列套装包含以下内容:
(1) R65 V2
or
R80 V2 active AMT studio monitor
R-Series Quick Start Guide 快速入门
IEC Power Cable
IEC 电源电缆
R-Series R65 V2 and R80 V2
Active AMT Studio Monitors
Quick Start Guide
®
ww w . pr e so nu s .c o m

4
2
2.1
Hookup
Rear Panel Connections and Controls
R-SeriesR65V2andR80V2
Owner’s Manual
2.1 Rear Panel Connections and Controls 后面板的连接和控制
2 Hookup 连接
2.1.1 Inputs 输入
Line-level Inputs. The R-Series studio monitors provide a choice of three line-
level input types: balanced XLR, balanced ¼”TRS, and unbalanced RCA. Do not
connect more than one source to your R-Series studio monitors simultaneously.
PowerUser Tip: Whenever possible,it is recommendedthat you utilize the balanced
line-level inputs on your R-Series studio monitors.Balanced cablesand connections are
resistanttoinducednoisefromradiofrequenciesandelectromagneticinterference(RMI
and EMI).Ifyouraudiosourcehasonly unbalancedconnections (either ¼”TSorRCA), itis
recommendedthat the RCA input be used.¼” TS-to-RCAcablesandadapters arereadily
available at most music supply stores. Whether utilizing the balanced or unbalanced
inputs, alwaysuse the shortest cablelength possible to minimize the risk of induced noise
in your studio monitors.
Input Gain. Sets the level of the input signal before it is amplified.
线路电平输入。R系列工作室监听器提供了三种线级输入类型的选择：平衡XLR，平衡¼
"TRS，和不平衡RCA。不要同时将一个以上的信号源连接到R系列工作室监听器上。
电源用户提示。只要有可能，建议使用R系列录音室监听器上的平衡线级输入。平衡电缆和连接
可以抵抗无线电频率和电磁干扰（RMI和EMI）引起的噪音。和EMI）。如果你的音源只有非平
衡连接（¼" TS或RCA），建议使用RCA输入。¼"TS-RCA电缆和适配器在大多数音乐用品商
店都能买到。无论使用平衡或不平衡输入，都要尽可能使用最短的电缆长度，以减少录音室监
听中诱发噪音的风险。
输入增益。设置输入信号放大前的电平。
2.1.2 Power
IEC PowerConnection. This is the power inlet for your R-Series studio
monitor. IEC电源连接。这是R系列工作室监听器的电源入口。
Warning: Do not remove the center grounding prong or use a ground-
lift adapter, as this could result in electric shock.
警告： 不要拔掉中间的接地线，也不要使用接地线适配器，否则可能
导致触电。

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2.1
Hookup
Rear Panel Connections and Controls
R-SeriesR65V2andR80V2
Owner’s Manual
PowerSwitch.This istheOn/Offswitchforyour R-Seriesstudiomonitor.Whenyour
R-Series studio monitor is powered On, the blue LED on the front panel will
illuminate.
电源开关：这是R系列演播室监听器的开/关开关。当你的R系列演播室
监听器通电后，前面板上的蓝色LED将亮起。
AC Select Switch. The input-power voltage is set at the factory to correspond with
the country to which the R-Series studio monitor was shipped. Use this switch only if
you are using your R-Series monitor in a country that uses a different standard
voltage than is used in the country where your purchased your monitor originally.
AC选择开关。输入电源电压是在工厂设置的，与R系列演播室监听的
国家相对应。R系列演播室监听器在出厂时就已设定好输入电源电压，
以对应R系列演播室监听器的发运国家。只有在以下情况下才使用这个
开关 只有当你在一个使用不同标准电压的国家使用你的R系列监听器
时，才使用这个开关。只有当你在一个使用不同标准电压的国家使用
你的R系列监听时，才使用这个开关，而不是你最初购买监听的国家所
使用的电压。
2.1.3 Acoustic Tuning Controls 声学调谐控制
High Frequency. Boosts or cuts all frequencies above 10 kHz by ±6 dB.
PowerUserTip: The HighcontrolontheR-Seriesstudio monitorsisahigh-shelfEQand
raisesor lowersall frequencies above 10 kHz. This EQ is much like the treble controlon a
car stereo and likewise can make big changes to the sound very quickly. If you find your
mixes are translating too dark on other speaker systems, try lowering this control. Too
bright? Raise this controla bit. In either case, anomalies in your room may be negatively
impactingyourR-Series studiomonitors’performance. SeeSection3forset-upand
calibration tips
.
Mid Frequency. Boosts or cuts frequencies around 1 kHz by ±6 dB.

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2.1
Hookup
Rear Panel Connections and Controls
R-SeriesR65V2andR80V2
Owner’s Manual
高频。将10kHz以上的所有频率提升或削减±6dB。
电源用户提示。 R系列录音室监听音箱上的高频控制是一个高架EQ，
提高或降低10kHz以上的所有频率。这个EQ很像汽车音响上的高音控
制，同样可以很快地对声音做出很大的改变。如果你发现你的混音在
其他扬声器系统上转化得太暗，可以尝试降低这个控制。太亮了？把
这个控制调高一点。无论哪种情况，你的房间的异常情况都可能对你
的R系列工作室监听的性能产生负面影响。关于设置和校准的提示，见
第3节。
中频。将1kHz左右的频率提升或削减±6dB。
PowerUserTip: TheMidcontrolisapeakEQthatletsyouraiseorlowerthelevelofa
two-octave-wide frequency band centered at 1 kHz that can make subtle changes to the
frequencyresponseofyourR-Seriesmonitors.Ingeneral,youwillnotwanttoalterthis
controlas it will change the flat frequency response of your R-Series monitors.However,if
youwouldliketoquicklyemulatetheperformanceofconsumerspeakers,loweringthis
control will mimic the mid-range scoop that is the hallmark of consumer designs.
LowCutoff.Rollsoffthelevelofallfrequenciesbelowthespecifiedfrequency(80or
100Hz)at aslopeof-12dB /octave.SettingthiscontroltoFlatallowsthe speaker’s
natural roll off to take over.
Power User Tip: If you are using a subwoofer that doesn’t feature a variable low pass
filter, like the PreSonus Temblor T10 provides, you will use this control to set the crossover
point for your 2.1 system.
Forinformation on configuring a 2.1 system in the studio,
please visitwww.PreSonus.com/Learn/Technical-Articles.
电源用户提示： 中音控制是一个峰值均衡器，可以让你提高或降低以1kHz为中心的两个倍频程的频带水平，可以对R系列监听
音箱的频率响应进行微妙的改变。一般来说，你不会想改变这个控制，因为它将改变你的R系列监听的平坦频率响应。然而，
如果你想快速模仿消费者扬声器的性能，降低这个控制将模仿消费者设计中的中频。
低位截断。以-12dB/倍频程的斜率滚去指定频率（80或100Hz）以下的所有频率的电平。将此控制设置为平坦，可以使扬声器
的自然滚降被取代。

7
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2.2
Hookup
Hookup Diagrams
R-SeriesR65V2andR80V2
Owner’s Manual
2.2 Hookup Diagrams 连接图
R65 V2
R65 V2
AcousticSpace. Cuts the level of all frequencies below 800 Hz by either -4 dB or -2
dBtocompensateforthebassboostthatnaturallyoccurswhenaspeakerisplaced
near a wall or a corner. If your R-Series monitors can be placed away from the walls in
your mix space, leave this control set to 0 dB.
PowerUser Tip:
The closer your studio monitors are to a wallor a corner,the more the
boundary bass will be boosted. If you notice your mixes lack low end when played away
from your mix environment, try adjusting the Acoustic Space to create a more even
frequencyresponseandhelptomitigateacompactmixposition. Formoreinformation
on studio monitor placement,please review Section 3.1.
声学空间。 将
800Hz
以下的所有频率的电平削减
4dB
或
-2dB
，以补偿扬声
器靠近墙壁或角落时自然产生的低音增强。如果你的 R 系列监听音箱可以
远离你的混音空间的墙壁，让这个控制设置为 0dB 。
电源用户提示 ：你的录音室监听音箱离墙或角落越近，边界低音就会被
提升得越多。如果你注意到你的混音在远离你的混音环境下播放时缺乏
低频，可以尝试调整声学空间来创造一个更均匀的频率响应，并帮助缓
解紧凑的混音位置。更多关于录音室监听位置的信息，请查看第
3.1
节。
2.2.1 Basic Setup 基本设置
Quantum

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2.2
Hookup
Hookup Diagrams
R-SeriesR65V2andR80V2
Owner’s Manual
Temblor T10
0
R80 V2
R80 V2
E5
E5
2.2.2 Advanced Setup with Monitor Controller and Speaker Switching 使用显示器控制器和扬
声器开关的高级设置
Quantum

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3.1
Application Guide
Monitor Placement and Acoustic Space Settings
R-SeriesR65V2andR80V2
Owner’s Manual
Monitor Placement and Acoustic Space Settings
3.1
Application Guide
应用
3
Speakers 8” to 12” from wall
Beforeplacingyourstudiomonitorsinyourmixingenvironment,positionyour
desk or monitor stands so that yourspeakers will be at least 8 to 12 inches
awayfrom walls and corners.This will be adequateto preventsound waves
from hitting the wall and reflecting back to you,causing phase cancellation
and other potentiallyharmful acoustic interactions.Thismight not always be
possible,and there are some waysto mitigatecramped mixing spaces.
When a monitor is placed close to a wall, orin a corner,the low frequencies
tendto beemphasizedmorethan ifthemonitorissomedistanceawayfrom
anyroom boundary. Commonlyreferredto as“boundary bass boost,”it is
most pronouncedif the monitor is in a corner and less pronounced,but still
present,ifthemonitorisnearonewall.Whileanincreasedbass response
may be desirable in a listening environment, for studio mixing this can
cause mixes to sound too bright when played on consumer stereo systems
because the audio engineer will instinctively reduce the bass contentin
the mix to counterbalance for what they are hearing in the studio.
To compensate for this phenomenon, every PreSonus studio
monitor is equipped with an Acoustic Space control that
cuts all frequencies below 800 Hz by a specified amount:
在将录音室监听音箱放置在混音环境中之前，请将您的桌
子或监听音箱支架放置在离墙壁和角落至少8至12英寸的
地方。这将足以防止声波撞到墙上并反射到你身上，造成
相位抵消和其他潜在的有害声学交互作用。这可能并不总
是可能的，有一些方法可以缓解拥挤的混音空间。
当监听音箱靠近墙壁或放在角落时，低频往往比监听音箱
离任何房间边界有一段距离时更容易被强调。通常被称为
"边界低音增强"，如果监听器在角落里，它是最明显的，
如果监听器靠近一面墙，则不太明显，但仍然存在。虽然
在聆听环境中，增加低音响应可能是可取的，但对于录音
室混音来说，这可能会 因为音频工程师会本能地减少混
音中的低音内容，以平衡他们在录音室中听到的声音，所
以在消费者立体声系统上播放时，会导致混音听起来太
亮。
为了补偿这种现象，每台PreSonus录音室监听音箱都配
备了一个声学空间控制，可以将800赫兹以下的所有频率
按指定的数量削减。

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3.1
Application Guide
Monitor Placement and Acoustic Space Settings
R-SeriesR65V2andR80V2
Owner’s Manual
• IfyourR-Seriesstudiomonitorsareclosetothecorners
oftheroom,startbysettingtheAcousticSpaceswitchto
-4 dB. This will provide the most bass attenuation.
•
When R-Series studio monitors areplaced closer to the
back wall,set the Acousticspace switch to -2 dB.
• If your mixenvironmentaffordsenough space for your studio monitors
to be placed away from the room’s boundaries, leave the Acoustic
Space switch at 0 dB as no bass attenuationshould be necessary.
• -如果你的R系列录音室监听器靠近房间的角落，首先将声学空间
开关设置为 -4dB。这将提供最大的低音衰减。
• -当R系列录音室监听器靠近后墙时，将声学空间开关设置为-
2dB。
•
-如果你的混音环境有足够的空间让你的录音室监听器远离房间的
边界，将声学空间开关保持在0dB，因为没有必要进行低音衰减。

11
3
3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
2 feet
3 feet
3 feet
60˚
60˚
If possible,your mix position should be placed on the center of a wall as
this will provide a more balanced listening position. Place your speakers so
that they arethe same distance from the sides of the room.Thatis,ifyour
left speaker is six feet from the wall to the left and two feet from the wall
behind, your right speaker should be six feet from the wall to the right and
two feetfrom the wall behind. By centeringyourmix position, your monitor
systemwillprovidemorereliablelow-frequencyintelligibility.Inarectangular
room, it is best to set up along one of the long walls,especially in a smaller
room. This will minimize problems caused by side wall reflections.
Just like it’snot a good idea to set up your mix position in a corner,it’snot a
goodideatocreateacornerwithyourmixposition.Makesurethedistance
from the speaker to the wall behind it is differentthan the distance from
the side wall closest to it. Forexample,if your left speaker is one footfrom
the wall to its left, it shouldn’t also be one foot from the wall behind it.
The R-Series’waveguide design ensures wider horizontal coverage with a tight
vertical dispersion that helps to limit early reflections from your desk or console.
Unlike other monitors that can be placed horizontallyor vertically, this design
requires that the R-Series monitors always be placed in their vertical orientation.
Wheneverpeopletalkaboutlisteningtospeaker systems,they
talkaboutthe“sweetspot.”Asmentioned earlier,thisisthemiddle
position between the two sides of a stereo system, where the speakers
overlap, and it is where the stereo image will be the best.

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3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
如果可能的话，你的混音位置应该放在墙的中央，因为这将提供一个更平衡的聆听位置。放置你的扬声
器，使它们与房间的两侧保持相同的距离。也就是说，如果你的左扬声器离左边的墙六英尺，离后面的墙
两英尺，你的右扬声器应该离右边的墙六英尺，离后面的墙两英尺。通过将你的混音位置居中，你的监听
系统 系统将提供更可靠的低频清晰度。在一个长方形的房间里，最好是沿着其中一面长墙设置，尤其是在
一个较小的房间里。这将最大限度地减少由侧墙反射引起的问题。
这就像把混音位置设置在角落里不是一个好主意一样，用混音位置制造一个角落也不是一个好主意。确保
扬声器到后面墙壁的距离与离它最近的侧墙的距离不同。例如，如果你的左边扬声器离它左边的墙有一英
尺，那么它离它后面的墙也不应该有一英尺。
R系列的波导设计确保了更广泛的水平覆盖，同时具有紧密的垂直弥散，有助于限制来自你的桌子或控制台
的早期反射。与其他可以水平或垂直放置的显示器不同，这种设计要求R系列显示器始终以其垂直方向放
置。
每当人们谈及聆听扬声器系统时，他们都会谈论 "甜蜜点"。如前所述，这是一个立体声系统的两边之间的
中间位置 如前所述，这是一个立体声系统两边的中间位置，扬声器重叠的地方，也是立体声图像最好的地
方。

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3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
Creating the sweet spot is relatively easy. Simply angle, or“toe-in,”each
speaker so that the tweeters form an equilateral triangle with your
head—that is, the speakers are the same distance from each other as
they arefrom you.Themonitors should be angled, or“toed in,”so that
they areeach directed to an ear,ratherthan pointedstraight ahead.
Ideally,near-fieldstudiomonitorsliketheR-Seriesshouldbeplacedso
thatthehigh-frequencydrivers(commonlyknownas‘tweeters’)areatthe
same height as your ears when youare seatedin the mix position.
High-frequency content is much more directional than low frequency content.
Because of this,you can more accuratelyhear what is happening if the high
frequenciesaredirected atyourear.Onceyouhavecreatedthesweetspot,
sit down and make sure that your ears are level with the center of tweeter.
创造最佳听音位置是相对容易的。只需将每个扬声器的角度或 "脚尖 "对准，使高音扬声器与您的头部形成
一个等边三角形，也就是说，扬声器之间的距离与您的距离相同。监视器应该有一定的角度，或者说 "趾高
气扬"，使它们各自对准一只耳朵，而不是直指前方。
理想情况下，像R系列这样的近场演播室监听器应放置在当你坐在混音位置时，高频驱动器（通常称为 "高
音扬声器"）与你的耳朵处于同一高度。
高频内容比低频内容更具有方向性。正因为如此，如果高频指向你的耳朵，你可以更准确地听到正在发生
什么。一旦你建立了甜蜜点。坐下来，确保你的耳朵与高音喇叭的中心持平。

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3
3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
3.2 Calibrating Using 85 dB SPL “Standard” Reference 使用85dB SPL "标准 "参考值进行校
准
After you have properly positioned your studio monitors and listening
position, it is helpful to set all the levels in your studio so that you are
optimizing every component.Taking the time to properly calibrate your
speakers can be very valuable in this respect and will also give you a great
starting point to troubleshoot or fine-tune your mixing environment.
Themainpurposeofspeaker calibrationisto ensurethata specificmeteredaudio
level in your DAW or on your mixer equals a predetermined SPL in your studio
environment. Depending upon the method and reference levels used during
calibration,propercalibrationcanhelpreduceunwantednoise,minimizetheriskof
damage to your studio monitors and to your ears, maximize the reference capabilities
ofdifferentspeakertypes,andensureyouheartheaudioasaccuratelyaspossible.
Whencalibratingreferencemonitors ina studio,theacousticlevelor
sound pressure level (SPL) should be measured from the mix position at
seated ear height. There are an assortment of great SPL metering apps
on the market forsmartphones, and manyarefree!Youcan also find
accurateSPLmetersatyourfavoritelocal electronics-supply store.
TheSPL meter should be held at arm’slength, with the microphone pointedat
the centerpoint between the left and right speakers (whereyour head will be),
angled at 45 degrees to ensure an accurate reading. If your SPL meter is also your
cell phone, make sure your finger or cell phone case isn’tcovering the mic!
在你正确定位了你的演播室监听器和聆听位置之后，在你的演播室里设置所有的电平是很有帮助的，这样
你就可以优化每个组件。花点时间正确地校准你的扬声器，在这方面是非常有价值的，也会给你一个很好
的起点来排除故障或微调你的混音环境。
扬声器校准的主要目的是确保你的DAW或调音台中的特定计量音频电平等于你的演播室环境中预先确定的
声压级。根据校准过程中使用的方法和参考电平，正确的校准可以帮助减少不必要的噪音，最大限度地减
少对录音室监听和耳朵的损害，最大限度地提高不同类型扬声器的参考能力，并确保你尽可能准确地听到
音频。
在演播室中校准参考监听器时，应从坐着的耳朵高度的混音位置测量声级或声压级（SPL）。市场上有各
种优秀的智能手机声压级测量应用程序，而且很多都是免费的！你也可以找到精确的声压级测量仪。你也
可以在你最喜欢的当地电子用品商店找到精确的声压级表。
声压级计应与手臂保持一定距离，麦克风对准左右扬声器之间的中心点（你的头会在那里），角度为45
度，以确保读数准确。如果你的声压级计也是你的手机，请确保你的手指或手机壳没有覆盖住麦克风！

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3
3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
Youshould calibratethe right and left monitors independently to ensurethat
both monitors are set to the same acoustic level.This will ensure that your stereo
mixesarebalanced and will translatewell acrossdifferentspeaker systems.
ThegoalofthisStandardReferenceCalibrationistoensurethatwhentheoutput
metersinyour DAWormixerregister0dB,theSPL atyourmixpositionis85 dB.
你应该独立地校准右边和左边的监听器，以确保两个监听器被设置为相同的
声学水平。这将确保你的立体声混音是平衡的，并能在不同的扬声器系统中
很好地转换。
这个标准参考校准的目标是确保当你的DAW或调音台的输出表记录到0dB
时，你的混音位置的声压级是85dB。
1. Connectthemain outputsofyouraudiosourcetoyour studiomonitors.
Theleft output should be connected to the speaker on your left. The
right output should be connected to the speaker on your right.
2. BeginbyturningtheinputsensitivityofyourR-Seriesmonitorstothelowest
setting.
3. Turntheoutputofyouraudiosource(audiointerface,mixer,orspeaker-
management device) to its lowest setting.
Note:
If you have any outboard processors (EQs, limiter, etc.) connected between the
audio source and your monitors, disconnect or bypass them. If your audio source is a
mixer, make sure that it is zeroed out.
4. Play20 Hzto 20 kHz full-bandwidth pink noise at 0dB through the outputs of
your primary audio source.
5. Turn upthe outputs of your primary audio sourceto the unity gain setting.“Unity
gain”is the setting at which the signal level is neither boosted nor attenuated.It
is usually marked by a“0”or a“U”on the audio device’slevelfader or knob. In
many digital interfaces and digital devices, the device’s maximum level is also its
unity gain setting. Please consult your audio device’s user’s manual or the
manufacturer’sWebsiteformoreinformationonitslevelsandadjustments.You
should not hear the pink noise. If you do, repeat step 2.
6. While measuring the output level with an SPL meter, begin slowly increasing the
input sensitivity (volume)of your left speaker until the acoustic level of the test
tone playing reaches 82 dB SPL. When both speakers play simultaneously,the
overall SPL will increase by about +3 dB (85 dB).
7. Power down your left speaker.
8. Slowly increase the input sensitivity (volume) of your right speaker
untiltheacousticlevelofthetesttoneplayingreaches82dBSPL.
9. Stopthe pinknoiseandturnyourleftspeakerbackon.Playsomeprogram
music youarefamiliar with through your speakers and sitdown in your mix
position.Youmayneedtofine-tuneyourspeakerplacementuntilthesound
is balanced and you havea nice,wide sweet spot from which to mix.

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3.2
Application Guide
Calibrating Using 85 dB SPL “Standard” Reference
R-SeriesR65V2andR80V2
Owner’s Manual
Note:
If 85 dB is too loud for your room, either because of noise constraints or becausethe
room is too small,you can redo the above calibration steps and dial in each speakerto 79
dB instead. The important thing is that both speakers are set to the same SPL level, not
the level itself.
1. 将你的音源的主输出连接到你的演播室监听。左边的输出应该连接到你左边的扬声器上。右边的输出应连接到右边
的扬声器上。
2. 首先将R系列监听音箱的输入灵敏度调到最低设置。
3. 将音源（音频接口、调音台或扬声器管理设备）的输出调至最低设置。
注意：如果你在音源和监听之间有任何外置处理器（均衡器、限制器等）连接，请断开或绕过它们。如果你的音源是
调音台，确保它被调零。
4. 通过你的主要音源的输出，在0dB处播放20Hz至20kHz的全带宽粉红噪声。
5. 将主音源的输出调高到统一增益的设置。"统一增益 "是指信号电平既不提升也不衰减的设置。它通常在音频设备的
电平推子或旋钮上以 "0 "或"U "标记。在许多数字接口和数字设备中，设备的最大电平也是其统一的增益设置。请查
阅你的音频设备的用户手册或制造商的网站，了解更多关于其电平和调整的信息。你不应该听到粉红噪音。如果你听
到了，请重复第2步。
6. 关闭你的左扬声器的电源。
8. 缓慢地增加你的右扬声器的输入灵敏度（音量），直到播放的测试音的声级达到82 dB SPL。
9. 停止粉红噪音，重新打开你的左扬声器。通过你的扬声器播放一些你熟悉的节目音乐，并在你的混音位置坐下来。
你可能需要微调你的扬声器位置，直到声音平衡，你有一个很好的、宽阔的甜蜜点来进行混音。
注意： 如果85分贝对你的房间来说太大，无论是因为噪音限制还是因为房间太小，你可以重新进行上述校准步骤，将
每个扬声器拨到79分贝，而不是79分贝。重要的是，两个扬声器都被设置为相同的声压级，而不是级别本身。

17
4
4.1
Resources
Technical Specifications
R-SeriesR65V2andR80V2
Owner’s Manual
4.1 Technical Specifications 技术规格
4 Resources 相关资源
IINPUTS (R65 V2 and R80 V2) 输入
1 - Balanced XLR
1 - Balanced ¼”TRS
1 - Unbalanced RCA
PERFORMANCE 性能
Frequency Response (-3 dB) 频率响应
R65V2
45Hz–22 kHz
R80V2 40Hz–22 kHz
Crossover Frequency
分频频率
R65V2
2.7 kHz
R80V2 2.6 kHz
LF Amplifier ower
低频放大器
R65V2andR80V2
Class A/B, 75W
HF Amplifier ower
高频放大器
R65V2andR80V2 Class A/B, 65W
Peak SPL at 1M 1M 下的峰值声压级
R65V2
104 dB
R80V2 107 dB
LF Driver
低频驱动器
R65V2
6.5”Woven composite
R80V2 8”Woven composite
HF Driver (R65 V2 and R80 V2)
高频驱动器
Type
AMT
Diaphragm 6.8 in2 (4400 mm2)
Equivalent Diaphragm ø
3”(76 mm)
Input Impedance (R65 V2 and R80 V2) 输入阻抗
Balanced 20 kΩ
Unbalanced
10 kΩ
USER CONTROLS (R65 V2 and R80 V2) 用户操作
Volume Range 提及范围
Type 类型 A-type taper
HF Control
高频控制
Settings 设置
+/- 6dB shelf @ 10kHz

18
4
4.1
Resources
Technical Specifications
R-SeriesR65V2andR80V2
Owner’s Manual
Mid-frequency Control 中频控制
Settings 设置 +/- 6dB @ 1kHz
Low Cut 低频切除
Settings Flat, 80Hz, or 100Hz
Acoustic Space 声学空间
Settings
Flat, -2dB or -4dB
PROTECTION (R65 V2 and R80 V2) 防护
RF interference 射频干扰
Output-current limiting
输出电流限制
Over-temperature
过热
Turn-on/off t ansient
开启
/
关闭的瞬态
Subsonic fil er
External mains fuse 外部电源熔断器
POWER 电源
R65V2andR80V2 100-120V ~50/60 Hz or 220-240V ~50/60 Hz
EnergyConservationMode 节约能源模式
<0.5W
CABINET 箱体
R65V2andR80V2 Vinyl-laminated MDF
PHYSICAL 物理
(Width/Height/Depth)
宽度
/
高度
/
深度
R65V2 8” (203 mm)/ 13”(328 mm)/ 10.3” (261 mm)
R80V2 9.5” (241 mm)/ 15”(379 mm)/ 12” (309 mm)
Weight 重量
R65V2 14.7 lbs (6.65 kg 公斤 )
R80V2
19.8 lbs (9 kg
公斤
)