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  9. PRESONUS StudioLive 312AI User manual

PRESONUS StudioLive 312AI User manual

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®
™
©2013 PreSonus Audio Electronics, Inc. All Rights Reserved.
StudioLive, CoActual and XMAX are trademarks of PreSonus
Audio Electronics Inc. Temporal EQ is a trademark of Fulcrum
Acoustic. Windows is a registered trademark of Microsoft.
iPad is a registered trademark of Apple, Inc. All specifications
are subject to change.
elated PreSonus Products
®
7257 Florida Blvd.
Baton Rouge, LA 70806
ph 225-216-7887
fax 225-926-8347
suppor[email protected]
www.presonus.com
ile Resources
F
R
To obtain these documents, please go to the
following Web page and click on the Downloads
tab:
www.presonus.com/products/Studiolive-312AI
This data sheet:
PreSonus_StudioLive_312AI.pdf
2D CAD drawing:
PreSonus_StudioLive_AI-Series_PA.dxf
A&E Specs:
PreSonus_StudioLive_312AI_AE.doc
Applications brochure:
PreSonus_StudioLive_AI-Series_Applications.pdf
Compliance statement:
PreSonus_StudioLive_312AI_Compliance.pdf
 StudioLive SL18s Subwoofer
 StudioLive SL328AI Loudspeaker
 StudioLive SL315 Loudspeaker
 WF-150 Wi-Fi dongle thingee
 M10AI-Kit M-10 mounting kit
 SLS312AI-Cover dustcover
 SP1BK mounting pole
 355-NRG-COAX-8: 8"
Coaxial Driver
 355-NRG-LO-FREQ-12: 12"
Low Frequency Driver
 600-NRG0181: SLS312AI Grill
 600-NRG0153: Handle Assembly
StudioLive™
312AI
2000-watt 3-way CoActual™
Loudspeaker with TQ™ DSP
and SL Room Control
SL328AI
SL312AI
SL315AI
SL18sAI
SL328AI
SL312AI
SL315AI
SL18sAI
SL328AI
SL312AI
SL315AI
SL18sAI
SL328AI
SL312AI
SL315AI
SL18sAI
SL312AI BEAM WIDTH AND RESPONSE GRAPHS
Vertical
Horizontal
LF Transducer
Midrange
HF Transducer
Beam Width
Individual Response
Summed Response
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2013
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®
See the back page of this document for a list of ile Resources and elated Products
StudioLive™ AI-Series
SL312 3-way active loud-
speakers combine high
power and advanced coaxial
configuration with the most pow-
erful DSP engine ever built into
a compact PA system. Through
seamlessly integrated software,
StudioLive AI speakers can be
set-up, adjusted and continuous-
ly monitored via wired or wireless
remote control using Windows®,
OSX® or iPad®.
Advanced 24-bit floating point
digital signal processing.
StudioLive AI-Series loud-
speakers were tuned by master
speaker designer Dave Gunness
using Fulcrum Acoustic’s trade-
marked Temporal Equalization™
algorithms. Previously possible
only using powerful outboard
rack processors, TQ™ is used to
manage horn reflection, linear
time and amplitude anomalies
correction, performance
contouring, and dynamic and
excursion limiting.
The result is a coaxial speaker
system with
•Crisper stereo image
•Greater soundstage depth
•More separation between
complex mix components
•Increased resistance
to feedback
•More seamless transitions
between distributed
loudspeakers
•Less fatiguing listening
experience at very high SPLs
•Exceptional clarity
and coherence
Complete remote control.
The robust on-board CPU in
all StudioLive AI speakers also
makes possible an extensive
set of control features for
customizing and optimizing the
system and for monitoring and
fine-tuning performance in real
time.
Since system EQ can be set-up
per speaker independently of a
mixer, mixer output EQs are freed
up for other uses.
SL Room Control software
provides each full-range model
with wired and wireless remote
control of
•Speaker group 31-
band graphic EQ
•8-band parametric EQ
•10 notch filters
•Variable high pass filter
•Speaker delay (up to 250 ms)
•Mute and Solo
•Output level
Performance monitoring con-
stantly provides information for:
•Excursion limiting
•Over temperature
•ADC clip detection
StudioLive™
312AI
2000-watt 3-way CoActual™
Loudspeaker with TQ™ DSP
and SL Room Control
F R
 1 x 12"3-Way full-range
active loudspeaker
 8"CoActual™ MF/LF speaker with
integrated 1.75"Compression Driver
 12"ferrite LF transducer
 131 dB Maximum Peak SPL
 2000 Watts Tri-amped Class-D
Pascal Amplification
 Universal switch mode Power Supply
with Power Factor Correction
 24-bit/96kHz Floating Point
DSP with Asymmetric three-way
crossover, Fulcrum Temporal
Equalization™ for uncolored response
and exceptionally crisp transient
response,coaxial speaker coherence
alignment, performance contouring;
temperature and over-voltage
protection, excursion limiting
 Wireless Control over output
level, DSP Presets, and much
more with SL Room Control for
iPad, OS X, and Windows
 Three DSP contours
 100 Hz High Pass Filter
 XMAX™ Mic Preamp with
15V Phantom Power
 Balanced Combo Line
Input with attenuation
 Audio Mix Output
 Speaker attenuation control
 USB port for use with included USB
WiFi module and disaster recovery
 Etherconn connection
for wired control
 Comfortable, ergonomic handles
 Integrated M10 fly points and
dual-position pole mount
 Optional Dante networking
card (coming early 2014)
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SL312AI
3-way PA
Loudspeaker
®
2
•Power-amp soft limiting
Other SL Room Control features
include
•Network setup wizard
and network scanning to
automatically detect all speakers
•Network browser
•Group speaker management
with GEQ, Mute, and Solo
•EQ Preset Browser
•Custom labels and comments
field for each speaker
•Preset Save and Load
•Creation and storage of user
operation mode onboard
each speaker for use away
from SL Room Control
All these DSP features are
wirelessly controllable from SL Room
Control for iPad, OS X, and Windows.
The CoActual approach to better
speaker design.
The new CoActual driver
uses a single magnet structure,
shared by the midrange/woofer
and compression driver. This
results in a much more compact,
lightweight assembly that keeps
the compression-driver diaphragm
located in close proximity to the
larger cone voice coil.
A purpose-built high-frequency
horn is used for high frequency
pattern control and also to keep the
HF energy o of the woofer cone.
This allows the StudioLive AI PA to
remain sonically stable at high levels.
The crossover overlaps the HF
horn and woofer, thereby allowing
the compression driver to fill in
the woofer frequency range that
is shadowed by the horn. TQ™
processing allows the compression
driver to work at lower frequencies
without sonic artifacts.
The woofer’s larger radiating
surface works in conjunction with
the HF horn to improve directional
control at the bottom of the horn’s
operating range. This increases
directional control beyond what can
be accomplished by the horn alone.
At the low-frequency end of its
range, a coaxial horn "leaks" sound
back onto the woofer cone. This
reflects forward, out of time, and
produces tonal colorations that
don’t respond to conventional EQ.
TQ™ eliminates these colorations,
thereby removing one of the primary
shortcomings of conventional co-
axial designs.
SL328AI
SL312AI
SL315AI
SL18sAI
SL312AI DIMENSIONS
23.8"
604 mm
19"
483 mm
20"
508 mm
8
OF
PG
Jun
2013
®
SL312AI
3-way PA
Loudspeaker
7
SL312AI TECHNICAL SPECIFICATIONS
Acoustic Performance
Configuration 3-Way, Tri-amplified Loudspeaker
System
Frequency Response (-10 dB) 50 Hz - 23 kHz
Frequency Response (-6 dB) 56 Hz - 22 kHz
Nominal Coverage (-6 dB) 90 x 60
Maximum Peak SPL 131 dB
Crossover Frequency LF: (overlapped) 100 Hz - 1 kHz,
HF: 1.8 kHz
Directivity Index (DI) 10 dB, >500 Hz
Directivity Factor (Q) 10.0, >500 Hz
Transducer
LF Transducer 1 x 12" Ferrite
MF Transducer 8" CoActual™
HF Transducer 1.75" Compression Driver
Amplifier
Type Class D
Total Power Output 2000W (Total Power without
Protection Algorithms & Limiter
enabled)
LF Power 2 x 500W
MF Power 500W
HF Power 500W
Rated THD < 0.05% (20 Hz - 20 kHz)
Dynamic Range 119 dB (A-weighted)
Bandwidth 20 Hz - 20 kHz
Cooling Free Air Convection
Connections & Controls
Input Channels 1 Mic, 1 Line
Input Connector Types 1 XLR(F), 1 Combo
Phantom Power 15VDC (CH1 only)
Mic Input Impendance 1 kΩ
Line Input Impedance 10 kΩ
Maximum Input +22 dBu
Output Connector 1 XLR(M) - Mix Out
Controls Mic Level (Variable: O to
+48dB), Line Attenuation
(Variable: -24dB to 0dB), Speaker
Attenuation (Variable: -24dB to
0dB)
Indicators DSP Preset, HPF On/O, Network
Connected, Network Activity,
WiFi Setup, WiFi On, Signal, Limit,
Clip, Thermal
DSP
Contour Presets Normal, LBR Source, Floor
Monitor
HPF 100 Hz 4th Order Linkwitz Riley
Bit Depth 24-bit
Sample Rate 96 kHz
Enclosure
Material 15 mm Baltic Birch
Finish Chemline™ polyurathane
Grille Powder-coated Steel
Dimensions (H x D x W) 23.8" x 19" x 20"
(604 mm x 483 mm x 509 mm)
Unit Weight 51 lbs (23.13 kg)
Handles One on each side
Monitor Angle 50˚
Safety
Amplifier Protection Over-Current, DC, Over/Under-
Voltage, Over-temperature, High
Frequency
Transducer Protections 4-ch. Multi-Threat Limiter
AC
AC Power Input 100-230V~, 50-60 Hz
AC Power Consumption (1/8
Power)
250W
Suspension/Mounting
Rigging Points 12 M10
Mounting 35 mm, 2-Position
Accessories/Replacement Parts
USB Wireless WF-150
M10 Kit M10AI-Kit
Protective Cover SLS312AI-Cover
Sub Pole SP1BK
Replacement Parts 355-NRG-COAX-8: 8" Coaxial
Driver
355-NRG-LO-FREQ-12: 12" Low
Frequency Driver
600-NRG0181: SLS312AI Grill
600-NRG0153: Handle Assembly
SL328AI
SL312AI
SL315AI
SL18sAI
8
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PG
Jun
2013
SL312AI
3-way PA
Loudspeaker
®
4
SL ROOM CONTROL SOFTWARE
Wired and wireless integration
with SL Room Control Software.
The SL312AI communicates
with SL Room Control software over
a wireless or wired LAN network
and communicate performance
parameters such as temperature,
clipping, etc.
SL Room Control is a speaker
management system and remote
control/monitoring software for
StudioLive AI-Series Loudspeakers.
It is designed for use with
Windows, OSX and iPad.
Use the included USB WiFi dongle
to connect to an established wireless
network, or hardwire your StudioLive
loudspeaker to your wireless router
using an Ethernet connection to
provide more stable connectivity.
In addition to providing remote
wireless control over all onboard
features, SL Room Control includes a
Group 31-band Graphic EQ, 8-Band
Parametric EQ, speaker delay as well
as room setup and speaker grouping.
In short, this powerful software ap-
plication opens up the power of the
onboard DSP, providing optimization
tools that were previously only avail-
able in stand-alone rack units.
Onboard Speaker Delay
Using multiple sets of speakers
in a live performance can make a
huge dierence in the quality of the
sound. Rather than relying on a pair
of front-of-house speakers to fill the
entire room, you can create listen-
ing zones throughout the room so
that your front-of-house system only
needs to be loud enough to cover the
front of the room.
This allows you to lower the level,
give the front row listeners’ ears a
break, and get better fidelity from
your speakers.
Delay systems allow you to pro-
vide the same listening experience
throughout the entire venue by
extending the reach of the FOH
system. The onboard DSP on the
StudioLive AI-series loudspeakers
allows you to achieve this experience
without any additional equipment or
wiring.
Onboard Speaker Grouping
SL Room Control provides in-
dividual and grouped speaker
management. Once you have EQ’d
and set the delay time and level for
each speaker, you can group them
together. Grouping speakers allows
you to adjust the overall GEQ of your
entire FOH or
Satellite sys-
tem; addition-
ally, you can
mute or solo
individual
speakers in
the system.
Main screen showing a complete speaker system with pop-up level control and parametric EQ
Notch filter
Group 31-band graphic equalizer
Speaker
performance
monitoring
8
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PG
Jun
2013
SL312AI
3-way PA
Loudspeaker
®
5
SL312AI BLOCK DIAGRAM
SL328AI
SL312AI
SL315AI
SL18sAI
MIC PREAMP
ADC Input Buer
LINE INPUT
CH1
CH2
ADC
CLIP
LED
SIGNAL
LED
DAC
24-bit/96 kHz Floating Point DSP
HF
AMP
MIX OUT
OPTION
10/100
PHY
RJ45
OPTION SLOT
User Layer DSP Processing block
8-band Parametric EQ • Speaker Grouping • Output Delay • Mute • Solo
DAC
DAC
MF
AMP
LF
AMP
Multi-threat
Limit
Internal DSP Processing block
Fulcrum®Temporal EQ™ • Cabinet Tuning • Alignment •Crossover • Status
100 Hz
High Pass
Floor Monitor
LBR Source
Normal
Equalizer
Delay
8
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PG
Jun
2013
SL312AI
3-way PA
Loudspeaker
®
6
General
The loudspeaker shall be self-powered
and include one 8-inch diameter CoActual
transducer with 8-inch low frequency/mid
frequency cone transducer and one integrated,
horn-loaded 1.75-inch compression driver, and
one 12-inch LF cone transducer. Transducer
protection shall consist of a 4-channel Multi-
Threat Limiter.
Internal Amplification
The loudspeaker shall incorporate four Class D
power amplifiers, each with a burst capability
of 500 W total, Distortion (THD, IM, TIM) shall
not exceed <0.05% (20 Hz - 20 kHz). Dynamic
range shall be 119 dB (A-weighted). Bandwidth
shall be 20 Hz - 20 kHz. Amplifier protection
shall be over-current, DC, over/under voltage,
over-temperature and high frequency.
Performance Specifications
Performance for a typical production unit
shall be as follows, measured at 1/3-octave
resolution: operating frequency range, 56 Hz
to 22 kHz @-10dB; directivity index (DI) 10 dB,
>500Hz; directivity factor (Q) 10.0, >500 Hz;
maximum peak SPL, 131 dB at 1 meter. Hori-
zontal and vertical coverage shall be 90 degrees
by 60 degrees.
Rear Panel
Input connectors shall consist of one Micro-
phone (XLR F) with XMAX™ mic preamplifier and
one Line (combo). 15VDC phantom power shall
be provided to the CH1 preamplifer. Mic input
impedance shall be 1 kΩ; line input impedance
shall be 10 kΩ. Maximum input shall be +22
dBu. An output connector (XLR M)shall be
provided for Mix Output. Controls shall consist
of Mic Level (Variable: Off to +48dB), Line
Attenuation (Variable: -24dB to 0dB), Speaker
Attenuation (Variable: -24dB to 0dB). Indicators
shall consist of DSP Preset, HPF On/Off, Net-
work Connected, Network Activity, WiFi Setup,
WiFi On, Signal, Limit, Clip, and Thermal.
A USB socket shall be provided for Wi-Fi com-
munication and internal software back-up/
restore. A CAT 5 Ethercon connection shall also
be provided.
Digital Signal Processing
The speaker shall have 24-bit bit depth and
96 kHz sample rate. The speaker shall have
Normal, LBR Source, and Floor Monitor Control
presets and 100 Hz 4th Order Linkwitz Riley
High Pass Filter
Software
The speaker shall have the option to be con-
trolled by SL Room Control for Windows 7 and
8 (32- and 64-bit support); OSX 10.7 Lion and
10.8 Mountain Lion; and iPad, iOS 5.1 or later.
SL Room Control shall provide Remote control
over; Onboard DSP Contours; Network Setup
Wizard; Network scanning to automatically
detect all speakers; Network browser; Per-
formance Monitoring over Excursion Limiting,
Over Temperature, ADC Clip detection, Soft
Limiting, Group Speaker Management with
31-Band Graphic EQ; 8-Band Parametric EQ, 10
Notch Filters, Limiter, Mute, and Solo; Speaker
Delay (up to 250 ms); Output Level; EQ Preset
Browser; custom labels for each speaker; preset
save and load; creation of onboard User Presets
for each speaker for use away from SL Room
Control
Power Requirements
The power requirements for the loudspeaker
shall 100 to 230V~ 50-60 Hz. Current draw for
the loudspeaker at 1/8 power shall be 250W.
Physical
Loudspeaker components shall be housed in an
enclosure comprised of 15mm birch with a black
Chemline™ coating. Grille shall be perforated
metal with black, weather-resistant powder
coating. Weight-balanced polymer handles shall
be installed on each side of the enclosure.
Dimensions shall be 20" (509 mm) wide by
23.8" (604.5 mm) high by 19" (483 mm) deep,
including the grille. Weight shall be 62 lbs
(28.12 kg). A 35 mm, 2-position pole socket
shall be provided in the base of the speaker.
Twelve M-10 inserts on the enclosure shall ac-
commodate standard rigging hardware.
The loudspeaker shall be the
PreSonus SL312AI
SL312AI ARCHITECTS’ AND ENGINEERING SPECIFICATIONS
SL312AI FLY POINTS • See Rigging Guide before attempting to fly the speakers
P
O
I
N
T
S
F
L
Y
8
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PG
Jun
2013
®
3
SL312AI
3-way PA
Loudspeaker
SL312AI BACK PANEL
SL312AI POLE AND FLOOR MONITOR OPTIONS
SP1BK mounting pole
10˚
SL18sAI Subwoofer
50˚ floor monitor
position

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