Retroaktiv MPG-50 User manual

OWNER’S MANUAL
MANUAL VERSION 1.0 for MPG-50
OS 1.35

RETROAKTIV MPG-50 OWNER’S MANUAL
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FEATURES
Real time control of all Alpha
Juno tone parameters
The MPG-50 is a MIDI controller designed to
work with the Alpha Juno 1 & 2, and MKS-50
synthesizers. It can control 2 of these synthe-
sizers from one MPG-50 and provides the ability
to cross-fade between the 2 synths.
Flexible assignable controllers
allow new ways of animating
tones
Two assignable sliders (CTRL A & CTRL B) and an
expression pedal input allow for real time over
up to 5 simultaneous tone parameters each.
Use a slider to spen a filter while simultaneous-
ly increasing the chorus rate and decreasing
the filter resonance. The range of each tone
parameter can be selected, and the response
can be inveed.
CC mode transmits and de-
codes CC messages for easy
DAW integration
In CC mode, the MPG-50 will transmit SYSEX to
the synth whenever a slider is moved, and it will
simultaneously send a MIDI CC message that
can be recorded with a DAW. Playing the re-
corded CC back into the MPG will translate the
data back into SYSEX and transmit to the synth.
Random tone generator creates
beautiful, musical tones at the
press of a button
The RANDOM TONE GENERATOR on the MPG-50 is a
poweul tone creation tool featuring the ability to
randomize all of the tone parameters in a musical
way, or to generate completely random tones. Using
the category select, generate pads, brass, strings,
basses, and more. Each section of the synth can be
“masked” so the randomizer will not change that sec-
tion when it generates a new tone. Like the filter set
where it is? Mask the VCF and it won’t get changed!
Route incoming mod wheel and
aftertouch messages to any 5 tone
parameters each
Create amazingly expressive sounds using an exter-
nal midi controller by using the on-board assignable
controls to respond to incoming mod wheel and
aeouch messages. Mod wheel and aeouch can
be routed to up to 5 tone parameters each.
Can be rack mounted, used as a
tabletop controller, or mounted
to the Alpha Juno using the music
holder mounting holes.
Flexible format allows unit to be rack mounted with
optional rack ears. Has 4 rubber feet on the boom
for firm tabletop placement. For Alpha Juno users, an
optional mounting stand is available, allowing for the
MPG-50 to be firmly mounted to the leyboard using
the music holder mounting holes.

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12 3
1 ) MIDI In & MIDI Out Jacks
Allows for MIDI connections to and from the
controller. Incoming MIDI messages are re-
ceived from a controller keyboard and are read
and relayed to the synthesizer via the MIDI
OUT po. Controller data from the MPG-50 is
merged with incoming MIDI data and sent to the
synthesizer.
2 ) Expression Pedal Jack
For connection of a variable expression ped-
al for use with the ASSIGN P function on the
MPG50. Roland, Moog, and Kurzweil expression
pedals have been found to work well with the
MPG50.
3 ) DC Power Jack & Switch
For use with a 9V-12V DC power adapter with
the positive connection on the center pin. The
MPG50 consumes 25mA.
Getting Started
To begin using the MPG-50 connect the DC power adapter to the DC power jack and use the ON/OFF
buon in the rear of the unit to turn on. When power is applied, the MPG-50 splash logo will be dis-
played on the OLED display. The version of the MPG-50 operating system
To communicate with the synthesizer plug the MIDI OUT of the MPG50 into the MIDI IN of the synth.
This will allow the MPG to transmit controller data to the synthesizer. If using an external MIDI con-
troller, plug the MIDI OUT of the external controller into the MIDI IN of the MPG. This will merge the
output of the external controller and the MPG, eliminating the need for a MIDI MERGE when using a
controller keyboard and the MPG to play the Alpha Juno. If you’re sending dense streams of control-
ler data (using a 5 layer ASSIGN, sending to 2 Junos, for example) consider upgrading to a dedicated
hardware merger to merge your keyboard data with the MPG output stream. The MPG hardware buf-
fers are only so large, and you can overwhelm it if you’re sending in lots of aeouch and mod wheel
data that it has to transmit.

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MENU NAVIGATION
The MPG-50 will display the MAIN menu screen when booted up. Menus can be selected by using the
buons to the le of the display. On menu pages that feature the cursor, move the cursor using the LEFT and
RIGHT buons. To change a parameter value in a menu, use the black rotary encoder dial. Push the encoder
in to use the SHIFT function. The SHIFT function is used to toggle a buon’s second function. For example,
holding SHIFT and pressing the RIGHT buon will transpose the Alpha Juno’s DCO up one octave. Pressing LEFT
while holding shi will transpose the DCOs one octave down.
There are several menu pages on the MPG-50. To access a menu, use the navigation buons on the front
panel. The LEFT and RIGHT buons are used to navigate the cursor when in a menu other than the MAIN
menu. There are multiple menus that you can access using the front panel menu buons. Use the following
buons to access the various menus.
MIDI BUTTON - Use the MIDI buon to navigate to the MIDI seings menus. The MIDI seings menus contain
the seings used to select the MIDI channels of the MAIN and AUX synths, as well as toggling CC to SYSEX
translation modes and MIDI MAP functions. Pressing SHIFT+MIDI initiates “MIDI PANIC” (All notes off, all control-
lers off on all channels).
PATCHGEN BUTTON - Use the PATCHGEN buon to access MANUAL MODE, the SCRATCH PATCH GENERATOR, and
the RANDOM TONE GENERATOR.
ASSIGN BUTTON - Use the ASSIGN buon to access the assignable controller seings, to route incoming mod
wheel, breath control, and aeouch messages to Juno parameters, or to LOAD and STORE user-created AS-
SIGNs.

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MAIN BUTTON - Use the MAIN buon to jump to the MAIN screen at any time from any other menu. If in the
MAIN menu, use the MAIN buon to jump to the patch menu for the MKS-50, or the Alpha Juno seings page.
Use the SHIFT+MAIN buon to select which layer (MAIN, AUX, or BOTH) the MPG-50 is controlling. Press ENTER
when on the MAIN screen to enter ASSIGNABLE CC menu.
ENTER BUTTON - The ENTER buon is a general purpose buon that has different functions, depending on the
page that you’re current;y in. If on the MAIN screen, use ENTER to check the CC assignment of any slider on
the MPG. (Excluding GLIDE, MASTER VOLUME, CTRL A, CTRL B s
LEFT & RIGHT BUTTONS - Use these to navigate the cursor position on the MENU pages. Holding SHIFT and one
of these buons will transpose the octave of the current layer being controlled.
ENCODER - Use the ENCODER to change the value of any highlighted menu value. Pressing the ENCODER =
SHIFT. Holding SHIFT and turning ENCODER will increment or decrement the currently selected value by 10.
MIDI MENU
The MIDI MENU contains the seings used for communicating with the synth(s) you plan on program-
ming with the MPG. The MPG uses MIDI to communicate with the AJ & MKS-50. There are 2 “channels” avail-
able on the MPG-50, a MAIN, and an AUX channel. Note that the MAIN and AUX channels are not MIDI channels.
They are controller channels. The MPG-50 can control 2 separate MKS-50/AJs from one MPG. One is the MAIN
synth, and the other is the AUX synth. The MPG can control both synths individually or simultaneously. Use the
MAIN/AUX/BOTH toggle to control which synth the MPG is sending control data to. PRESS SHIFT+ENTER to store
your MIDI seings as defaults.
The MPG uses SYSEX and CC data to communicate with the synthesizer. (All parameters except MASTER VOL-
UME and GLIDE are sysex.) Whenever a slider on the MPG is moved, the new value is transmied to the synth.
The data will only be transmied to the synth receiving on the current controller channel. (MAIN, AUX, BOTH)
When seing up the MPG-50 for the first time, the model (Alpha Juno or MKS-50) must be selected on the
MAIN and AUX channels. If only using one synth, only the MAIN channel must be configured. MIDI MENU func-
tions are as follows:
MAIN CHANNEL : Sets the MIDI channel of the MAIN synth channel. (1-16)
MAIN TRANSLATE : Selects which CC to SYSEX translate mode is used. (Default is translate off)
MAIN UNIT TYPE : Use to select the model of synth used on the MAIN channel. Select MKS for use with MKS-50.
Select AJ for use with Alpha Juno 1 & 2. Select PHU for a Phutura plug-in map. Select USR to use the currently
selected USER MIDI CC map.
AUX CHANNEL : Sets the MIDI channel of the MAIN synth channel. (1-16)
AUX TRANSLATE : Selects which CC to SYSEX translate mode is used. (Default is translate off)
AUX UNIT TYPE : Use to select the model of synth used on the MAIN channel. Select MKS for use with MKS-50.
Select AJ for use with Alpha Juno 1 & 2. Select PHU for a Phutura plug-in map. Select USR to use the currently
selected USER MIDI CC map.

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MAIN MAP CHANNEL : Sets the MIDI channel that incoming note and controller data will be transmied on
when mapping is turned on. Sysex and translated sysex will be transmied on the MAIN channel. All other
incoming data will be transmied on the MAP channel. (Synth must be on OMNI mode for this to work) Map-
ping is used when a DAW is playing back and recording MPG-50 data simultaneously.
AUX MAP ENABLE : Enables MIDI MAPPING of incoming note and controller data.
AUX MAP CHANNEL : Same as MAIN MAP CHANNEL.
AUX MAP ENABLE : Same as MAIN MAP ENABLE.
CC TO SYSEX TRANSLATE MODES
The Alpha Juno and MKS-50 parameters can only be changed using sysex, which can be an issue for
people recording controller data with their DAW. Many DAWs do not allow SYSEX message to be recorded.
MPG-50 allows incoming CC messages (See table in last section of manual) to be translated into SYSEX mes-
sages for the Juno, allowing users to record and playback slider movements. MPG-50 has 3 CC to SYSEX trans-
late modes:
CC+SYX : In this mode, incoming CCs are translated into SYX. When a slider is moved, the corresponding SYX
message as well as the CC message will be transmied from the MPG-50 MIDI OUT. The synth will respond to
the SYX, and the DAW can record the CC. When this recorded CC is played back into the MPG-50, the corre-
sponding SYX message will be sent to the synth.
CC ONLY: In this mode, incoming CCs are translated into SYX, and when a slider is moved, only the coded CC
message will be sent (No sysex). This means that in order for a SYX message to be sent to the synth when in
this mode, a CC must be played back into the MPG-50. This mode is ideal for people recording slider move-
ments into their DAW and looping them back into the MPG-50.
SYSEX ONLY: In this mode, incoming CCs are translated into SYX, and when a slider is moved, only the corre-
sponding sysex is transmied. Use this mode if playing back a recorded CC track and not wanting the MPG to
transmit CC messages when a slider is moved.
MIDI MAPPING: Sometimes it may be ideal to record slider movements with a DAW while also translating
another recorded CC track. A feedback loop can result if the MPG-50 is translating CC messages that it is
simultaneously transmiing, resulting in erratic behavior. To remedy this, the MPG-50 features 2 MIDI OUTPUT
MAPPERS, one for each controller channel. What the MAP does is take any incoming note or controller data
on the associated controller channel (MAIN or AUX) and maps it to the selected MAP output channel. For
example, if the MAIN MIDI CHANNEL is channel 1, and the MAIN MAP CHANNEL is channel 2, and MAP is enabled,
then incoming CCs to be translated will be translated, then transmied as SYSEX on CH 1, while any incoming
note/controller data on CH 1 will be transmied on CH 2. If the receiving synth is in OMNI mode, then it will
still only recognize sysex on the selected channel (1 in this case), but it will receive note data on any channel.
When mapping is turned on, the MPG will reject any MIDI message that is NOT the MAIN or AUX channel, thus
preventing a feedback loop by not allowing the note data on channel 2 to re-enter the MIDI stream. This fea-
ture is used when recording and translating MPG-50 slider movements at the same time.

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MAIN MENU
The MAIN MENU will display the currently selected Juno parameter and its current value. Pressing MAIN while
in any other menu will navigate to the MAIN screen. If already on MAIN screen, then pressing main will navi-
gate to the MKS-50 and Alpha Juno seings menus. Note that if a parameter is toggled in either the MKS-50
menu or the Alpha Juno menu, that parameter will be transmied to the currently selected layer. For example,
if you are using 2 MKS-50s, then you need to select the synth before sending a PATCH MENU change.
When on the MAIN MENU, pressing ENTER will display the USER CC MAP. Pressing ENTER again will return to the
MAIN screen. The ENCODER can be used to enter slider values when on the main screen.
Pressing SHIFT+ENTER when in the MAIN menu will toggle the HOLD function. The HOLD function will send a
SUSTAIN PEDAL ON/OFF message to the currently selected layer.
ASSIGN MENU
FRONT PANEL ASSIGNABLE CONTROLS
The MPG-50 features a poweul feature called an ASSIGN.
There are 3 separate ASSIGNs in the MPG-50: ASSIGN A,
ASSIGN B, and ASSIGN P. Each assign allows users to control
up to 5 Juno parameters using the CTRL A, CTRL B sliders, and
the EXPRESSION PEDAL.
Pressing the ASSIGN buon will navigate to the ASSIGN
menu. The currently selected ASSIGN (A, B, or P) will be dis-
played on the screen. Each press on the ASSIGN buon will
navigate to another ASSIGN.
An ASSIGN can have up to 5 layers each. Each layer of an
ASSIGN contains the following seings:
LAYER NUMBER - The top line of the ASSIGN menu displays
the current assign, as well as how many layers there are in
that ASSIGN, and which of those layers is currently being dis-
played. For example, ASSIGN A LYR 1 OF 5 means that ASSIGN
A is currently selected, and it has 5 layers. Layer 1 seings
are being currently displayed.
PARAMETER: Each layer of an ASSIGN must have a parame-
ter assigned to it. For example, selecting VCF CUTOFF as the
parameter when in ASSIGN A will make the VCF CUTOFF value
change when CTRL A is moved.
MIN & MAX: Use these seings to set the range of the cur-
rently selected parameter in the current layer.
INVERT: Turn INVERT on to inve the current ASSIGN LYR.

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It is easiest to explain how the ASSIGNS work by using an example. Let’s say that you would like to use the
CTRL A slider to sweep the VCF CUTOFF between 30 and 80, while simultaneously sweeping the VCF RESO-
NANCE from 110 to 50. Normally, this would require one hand sweeping the CUTOFF slider up, while the oth-
er hand is sweeping the RESONANCE slider down. By assigning each of these parameters to a single ASSIGN,
this can be done with one hand. To create an assign that does what was just mentioned, select ASSIGN A.
The seings in layer 1 would be as follows:
LYR 1 of 2
VCF CUTOFF
MIN:30 MAX:80
INVERT: OFF
The seings in layer 2 would be:
LYR 2 of 2
RESONANCE
MIN: 50 MAX:110
INVERT: ON
These seings can be entered manually using the cursor to navigate and the encoder to dial in the val-
ues, or a shocut can be used. To automatically fill in all parameters of an ASSIGN layer, hold SHIFT while
moving the parameter to be assigned to the current layer. Moving the slider through the desired range will
automatically enter the MIN and MAX seings. The INVERT seing will be entered when the SHIFT buon is
released. If the final value of the slider is higher than the staing value, then inve will be OFF. If the final
value is less than the staing value, INVERT will be ON. Using this method, it is possible to set up a 5 layer
ASSIGN in a few seconds.
The ASSIGNs correspond to the CTRL A, CTRL B, and EXP PEDAL and moving one of these 3 controllers will
always control the associated ASSIGN. It is also possible to assign incoming MOD WHEEL, BREATH CONTROL,
and AFTERTOUCH MIDI messages to the ASSIGNs. This allows any JUNO parameter to be controlled by these.
ASSIGN A will allow incoming MOD WHEEL or BREATH messages to be routed to it. ASSIGN B will allow incom-
ing channel AFTERTOUCH messages to be routed to it. This allows for great flexibility when using a control-
ler keyboard with your Juno. Notice that in the ASSIGN menus, the box in the lower le of the screen will
display NO MOD. This means that no incoming messages are being routed to this assign. To route incoming
BREATH, MOD WHL, or AFTERTOUCH messages to an ASSIGN, press SHIFT + PATCHGEN when in the ASSIGN
MENU. This will cycle between NO MOD and the available modulation routings available.
Each of the 3 ASSIGNs has a USER PRESET and a DEFAULT PRESET. To store the USER PRESET, navigate to the
ASSIGN you’d like to save, then press SHIFT+ASSIGN (STORE). To recall this ASSIGN, navigate to the ASSIGN
(A, B, or P) you’d like to recall, then press SHIFT+CHORUS ON/OFF (LOAD). If the DEFAULT is currently loaded,
then the USER PRESET will be recalled. If the current ASSIGN is on a USER PRESET, then the DEFAULT will be
recalled.
A memory card upgrade is planned for the MPG-50, which will allow users to save as many ASSIGN setups as
they wish.

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CC ASSIGN MENU
The MPG-50 will allow users to transmit any CC message (0-127) from any of the 35 parameter sliders, exclud-
ing GLIDE, CTRL A & B, and VOLUME. This is a useful feature that allows the MPG-50 to send controller messag-
es to other hardware or soware synths. To create a layer that transmits the current USER CC MAP, select USR
in the MIDI PROTOCOL menu.
To view or “peek” at a slider’s CC assignment, navigate to the MAIN MENU screen and press ENTER. This will
display ASSIGNABLE CC as well as the controller number this slider is set to transmit when moved. To change
a slider’s CC assignment, press SHIFT and move the slider or use the ENCODER. Each slider can transmit from
either the currently selected layer channel (MAIN MIDI CH & AUX MIDI CH) or a user-selected channel. Press-
ing SHIFT and moving the encoder will set the MIDI channel for each slider to transmit on. If using the layer
midi channel, select XX.
To unmap a CC assignment from a slider, select the slider to be unrouted and press PATCHGEN (CLEAR). Press-
ing SHIFT + PATCHGEN in CC MENU will clear all slider CC mappings.
Use the RIGHT & LEFT buons to select a USER CC MAP. To load a CC MAP, select the MAP, then press SHIFT+
CHORUS(LOAD). To store a CC MAP, select the MAP location the new seing is to be stored in, then press SHIFT
+ ASSIGN(LOAD).
MKS-50 PATCH MENU
MPG-50 has a dedicated PATCH MENU for MKS-50 users. This allows users to alter PATCH MENU seings directly
from the MPG-50 without menu diving on the MKS. The MKS-50 PATCH MENU contains the following seings:
TONE NUMBER (A0-A50 & B51-B99)
MOD DEPTH - Set the depth of MOD WHEEL messages.
PITCH BEND RANGE - Sets the bender range of the MKS-50.
DETUNE - Sets the fine tuning of the MKS-50
XPOS - Sets the MASTER transpose on the MKS-50
KEY MODE - Toggles the KEY MODE (MONO, POLY, CHORD MEM) on the MKS-50.
CHORD MEMORY # - Selects the saved CHORD to use when using CHORD MEMORY.

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ALPHA JUNO PATCH MENU
This menu contains seings for ALPHA JUNO users. The following seings can be changed in this menu:
PITCH BEND RANGE - Sets Alpha Juno pitch bend range.
KEY MODE - Sets key mode on the ALPHA JUNO. Note: There is a bug in the original ALPHA JUNO 1 & 2 firmware
that incorrectly makes the AJ read the MONO command as the CHORD MEMORY command. The MPG-50 uses
the sysex commands given in the owners manual of these products. There are EEPROM updates that fix this
issue. If your Juno does not respond correctly to this command, try updating your Juno firmware to the latest
version.
RANDOM TONE GENERATOR MENU
Pressing the PATCHGEN BUTTON once will open the RANDOM TONE GENERATOR. (RTG) The RTG is a poweul
sound creation tool that will enhance creativity and generate useful, expressive tones. The RTG can generate
a wide array of useful musical sounds, ranging from lush pads to metallic bells. By selecting the category of
sound to be generated, many different textures can be layered in a maer of seconds, allowing users to hear
what the Juno is capable of. The RTG has a masking feature which allows the user to “mask” sections of the
synthesizer that should not be randomized. The amount of randomness can also be set if not using a tone cate-
gory. (ANY selected) To fully utilize the RTG, it is impoant to understand how each of the RTG sections works.
The RTG menu contains the following parameters:
TYPE - This allows the user to select the type of random tone to be created. Selecting ANY will generate a com-
pletely random tone, where the amount of randomness can be set using the AMOUNT parameter at the boom
of the screen. There are multiple categories of tone types that can be created, including BASS, POLYSYNTH,
PAD, BELLS, PERC, STRING, BRASS, DRONE, NOISE and ANY (Completely random) . As OS updates occur, more RTG
categories will be added to the firmware.
MASK - Each section of the Juno can be masked (protected from being randomized by the RTG) by selecting the
section, and turning MSK on. The following secions of the JUNO can be masked:
DCO - This affects SAW, PULSE, SUB SELECT, NOISE & SUB LEVELs.
PMOD - This affects PWM AMOUNT, PWM RATE, DCO LFO AMOUNT, DCO ENV SEL, DCO ENV AMOUNT, and
DCO TOUCH.
VCF - This affects HPF, VCF CUTOFF, and RESONANCE.
FMOD - This affects VCF ENV SEL, VCF ENV AMOUNT, VCF LFO, VCF TOUCH, and VCF TRACK.
VCA - This is the VCA ENV LEVEL slider. It cannot be randomized.
AMOD - This affects VCA TOUCH and VCA ENV SELECT.
ENVL - This affects ENV L1, L2, L3 and FOLLOW.