REAR PANEL CONNECTIONS
INPUT - A mono 1/4-inch input for your guitar.!
OUTPUT - A mono 1/4-inch output to go to your amp.!
Power input - The pedal requires a 9VDC power supply providing 150mA or more of current, with a 5.5mm/
2.1mm “BOSS-style” barrel connector. Center negative polarity is required.!
USB - The connector between the power and MIDI IN jacks is a USB C connector. This allows you to connect this
pedal to your computer, phone or tablet using the appropriate cable. The pedal will appear as a MIDI device in any
MIDI enabled app. The Overture will power itself from some USB ports, but using a 9VDC power supply is
recommended when using USB for the most reliable results.!
MIDI IN - Standard 5-pin MIDI input for connection to a MIDI controller.!
MIDI OUT - Standard 5-pin MIDI output for connection to the next MIDI device in the chain.!
OVERDRIVE MODES
Clean Boost - This mode, an RJM original, offers boost up to a light overdrive. It has the highest maximum output
level of all of the modes, and is excellent at pushing an amp into overdrive. Both Bass and Treble controls are
active in this mode.!
Classic - A tribute to what is arguably the most popular overdrive ever made. It can be smooth or a little
aggressive, with a prominent midrange emphasis. This mode has the lowest output level of all the modes, but it’s
still plenty for almost any purpose. The Bass control isn’t active in this mode.!
Boutique - Based on the a boutique version of the classic. This mode is much less compressed and has
somewhat less midrange focus. It has a “leaner” and more open sound. The Bass control isn’t active in this mode.!
Versatile - Based on another, more extensive modification of the classic circuit, this one has a flatter frequency
response compared to the other modes and offers a wider range of tones than the previous two modes thanks to
the Bass control.!
Smooth - This mode combines fairly high headroom with a special MOSFET clipping circuit that produces a more
saturated sound, similar to some cascaded gain amps. The Bass control operates differently in this mode,
adjusting both bass and treble at the same time and changing the overall voice of the overdrive.!
Crunch - The last mode, another RJM original, adds some hard clipping and more aggressive midrange, allowing
it to get into harder rock territory. Both Treble and Bass controls are active in this mode.!