Roland GR-700 User manual

Contents
[f] Panel Description ........... 3,4
[2]Connection ................ 6
(VGUitar cee Sek ee A 6
(2)Amplifier.. 2.00 0020000-2.. 6
(3)Control Pedal... 2.2.0.0... 7
(B)JOperation ................. 8
* Outline of the GR-700*% ...... 8
(1)Recallinga Patch........... 8
Number Pedal, Bank Pedal .... 9
(QVHOIG ic ik ee pee ae ees 10
(3)Guitar Controller... ........ 10
a. Balance.............. 10
b. Master Volume. ........ 10
c. Mode Switch .......... 11
d. Vibrato Knob and
e. Touch Plate.......... 11
f. Cutoff Frequency and
g. Editknob........... 11
(AV EGIL Sos d: boy wae Gok dg ges 12
a. Edit Pedal ............ 12
b. Selecting a Parameter..... 12
c. EditMap............. 12
d. Setting the Data Value. ... 13
e. Editing Cutoff Frequency.. 13
f. Completion of Editing.... 14
MTuning@........... 14
(5)Panel Switches ........... 15
a. Dynamics Switch... 00... 15
b. String Selector Switch .... 15
c. Chromatic Switch. ...... 16
d. Chorus Switch ......... 16
e. Mernory Cartridge Switch, . 16
f. Memory Write Switch... .. 16
(6)Write. 2 eee 7
a. Memory Write Switch... .. 7
b. Rearrangement of Patches.. 18
(4] Memory Cartridge... ........ 19
a. Memory Cartridge Slot... . 19
b. Memory Cartridge Switch... 19
c. Copy, Save, Load ....... 20
Problems caused by your improper
playing manner... .......... 21
[6] Programmer PG-200/Synthesizer
Section of GR-700........... 22
DCO had sate 4 ee RES 24
MCE Girg.d oath whe ee 27
WCE. isan dae ses ae eee 28
ORO a Son cite ae © ents eee 29
ENV.................. 30
MIO Gee nt, ow sey bee eh ee gates 31
Specifications/Option .......... 32
* Adjusting the output level of the
Guitar Controller

[{1]
Panel
Description
@
GUITAR
INPUT
MEMORY CARTRIDGE
@Memory
This
is
to
insert
the
Memory
Cartridge.
(M16C)
@POWER
Power
Switch
Refer
to
“t!mportant”
on
P. 2.
1)
AC
IN
@AC
Inlet
This is to connect the supplied power
cable.
47
DYNAMICS
@Dynamics
Switch
(P.
15)
This
selects
whether
or
not
to
control
the
DCO,
VCF,
or
VCA
by
picking
intensity.
d®
STRING
SELECT
e@String
Selector
Switch
<P,
15)
By
using
this
switch,
you
can select
whether
to
control
each
string
by
voice,
Hold
and/or
Pitch
Bender
data.
4
CHROMATIC
@Chromatic
Switch
(P.
16)
This turns on or off the Chromati
mode,
@® CHORUS Chorus Switch <P. 16)
Turn
this
switch
on
to
obtain
Chorus
effect
that
gives
spaciousness
to
the
sounds,
@1) MEMORY WRITE
e@Memory
Write
Switch
(P.
17)
Depress this switch before writing a
timbre into memory.
@ MEMORY CARTRIDGE
@Memory/Cartridge
Switch
<P.
25)
When
this
switch
is
set
to
the
Memory
position, the internal memory of the
GR-700
is
ready
to
be
used.
With
it
set
to
the
Cartridge
position,
the
data
in
the
cartridge
is
to
be
ready.
@ LOAD, SAVE, COPY (P. 20)
These buttons can also be used for
saving
or
loading
between
the
internal
memory and the cartridge.
@TUNE Tune Knob (P. 14)
This
knob
adjusts
the
pitch
o
synthesizer
within
the
range
of
cents (+1/4 tone).
(6) PROGRAMMER
Programmer
Connector
<P.
22)
Connect
the
Prograrnmer
PG-200 to
this
connector
by
using
the
6P
DIN
Cahle
of the
PG-200
@
MIDI
OUT
@MIDI
Out
Connector
(P.
31)
By
connecting
a
MIDI
device
through
this
connector,
the
GR-700
can con-
trol
any
MIDI
Instrument.
@Guitar
Input
Connector
¢P.
6)
Connect
the
Guitar
Controller
here.
he
50
Cartridge Slot <P. 19)
(®MEMORY
PROTECT
@Memory
Protect
Switch
<P.
19)
With
this
switch
set
to
on,
the
data
will
be
protected
from
accidental
loss.
@PITCH
@Pittch
Control
Jack
(P.
7)
By
connecting
the
Foot
Volume
to
this
jack,
the
Bender:
function
can
be
controlled
with
pedal
operation.
@)
OUTPUT
e@Balanced
Output
Connectors
(XLR)
(P. 6)
@LEVEL
e@Level
Selector
Switch
<P.
7)
This
selects
the
level
of
the
output
signal
from the
Output
Jack
@.
OUT
PUT
eOutput
Jacks
<P,
7)
Through
this
jack,
synthesizer
and
guitar
sound
is
output.
@
GUITAR
OUT
Guitar
Output
Jack
<P.
6)
Through
this
jack
regular
guitar
sound
will
be
output,
ae a
(®VCF
@VCF
Control
Jack
<P.
7)
By
connecting
the
Foot
Volume
to
this
jack,
the
Cutoff
frequency
of
the
VCF
can
be
changed
with
pedal
opera-
tion.
Ill
@ @ Display (P. 9, 14)
This
shows
the
Bank
and
Patch
Num-
ber
of
the
patch
program
currently
used,
or
the
parameter
number
and
data
value
in
editing.
@) NUMBER PEDAL (P.9, 14)
This can be used to assign the number of the Patch Program or parameter to
be
used
for
editing.
@HOLD
@Hold
Pedal
(P.
2)
As
long
as
this
pedal
is
being
de-
pressed,
the
sound
will
remain
at
its
sustain
level.
*This
Hold
effect
does
not
apply
to
the
Decay
sound
(=whose
sustain
level
is
zero).
@)BANK
@Bank
Pedal
is
used
to
assig
ber
in
memory.
14)
1e Bank Num-
QHEDIT eEdit Pedal <P. 14)
This
used
for
edit
the
timbre.

Important
The GR-700 is designed to be used speci-
fically with the Roland G-series Guitar
Controllers for most integrated guitar
synthesizer system.
*If the output level of the Guitar Cont-
roller is not appropriate, the following
troubles may be caused.
> Exessive Output Level
When played hard, the pitch gets
unstable.
The sound of irrelevant strings are
heard.
Response is late.
> Unsufficient Output Level
There is no sound heard unless you
play the guitar hard,
The sound does not last.
if you are annoyed by the above
troubles, adjust the output level as
instructed in “Adjusting the output
level of the Guitar Controller” on P.33.
If those still remain even after adjust-
ment, refer to ‘’[5] Problems caused by
your improper playing manner’ on
P.21,
Power Supply
@The appropriate power supply for this
unit is shown on its name plate. Please
make sure that the voltage system in
your country meets that.
@Please use the different socket than the
one
used
for
the
noise
generating
device
{such as monitor, variable lighting
system).
eWhen setting up the GR-707 with an ex-
ternal amplifier or the Guitar Control-
ler, turn both of them off.
@This unit might not work properly if
turned on immediately after turned off.
lf this happens, simply turn it off and
turn it on again a few seconds later.
@This unit might get hot while operating,
but there is no need to worry about it.
Features
®@Processing the vibration of each string
by computer and controlling its synthe-
sizer section, the GR-700 can express
aven subtle playing technique.
@Even during live performance, the cur-
rent tone color can be easily edited by
using Pedal Switch and guitar's controls,
without reaching your hands.
@By
using
the
PG-200
Programmer
(optional),
even
wider
variety
of
tone
color
creation
is
obtained.
@
The
Memory
Cartridge
allows
expansion
of
the
Memory
Capacity.
(up
to
64)
Location
@Operating
the
GR-700
near
a
neon
or
fluorescent
lamp
may
cause
noise
inter-
ference.
If
so,
change
the
angle
of
the
GR-700.
eAvoid
using
the
GR-700
in
excessive
heat
or
humidity
or
where
it
may
be
affected
by
direct
sunlight
or
dust.
Cleaning
@Use a soft cloth and clean only with a
neutral detergent.
@Do not use solvents such as paint thin-
ner.
Repairing
@Save the necessary data onto a tape or
cartridge before having the GR-700
repaired, in case it happens to be erased
accidentally.
@}n its Chromatic mode, Chromatic Scale
is obtainable.
eA large LED Display, dust-proof
switches, improve accuracy and dura-
bility.
@ Provided with Remote Control function
for DCO and VCF, and Stereo Chorus,
etc, wide variety of synthesizing is
available.
eThe MIDI Out allows the GR-/00 to
control any MIDI instrument.

(2) Connection
(1) Guitar
(2) Amplifier
The GR-700 can be set up with any of
the Guitar Controller G Series, but the
G-707 is the best option to fully benefit
the advantages of the GR-700.
Unlocking
Locking
C-24D Cable
a oe
Guitar Amplifier
If you use only the Output Jack @ ,
mixed sound of direct guitar and synthe-
sizer will be obtained. If using two ampli-
fiers (stereo), Chorus effect will sound
more effective. Select an appropriate out-
put level with the Level Selector Switch
43 depending on the type of the ampli-
fier you use. (The knack is to select the
position that allows desirable volume
with the amplifier’s volume and the
Master volume set to 5 to 7)
PA Amplifier
6
For setting up, use the supplied connec-
tion cable C-240. Also, be sure to make
all the connections with the units off.
GUITAR INPUT
Through the Guitar Output Jack @), only
direct guitar sound is sent out. The
output level is about the same as that of
an. usual electric guitar. If both this jack
and Output Jack @% are used at the same
time, only the synthesizer sound is out-
put through the Output jack @.
The natures of the guitar and the synthe-
sizer sound are quite different, so it is
better to use an appropriate amplifier or
speaker respectively.
Monitor

7
(3) Control Pedal
>For Synthesizer Output
Keyboard Amplifier, Monitor Amplifier
Vocal Amplifier, PA or Audio Equip-
ment.
»For Guitar Output
Guitar Amplifier
*It is possible to use the Normal Out of
the Guitar Controller to output direct
guitar sound, but using the Guitar Out
of the GR-700 will make the operation
more comfortable.
Pitch Bend function and VCF Cutoff
can be controlled by using the Boss Foot
Volume FV-200.
*Connect to the Output Jack of the
FV-200.
*Set the Minimum Volume to zero.
The Balanced Output Connector (9 is
used for setting up with the Balanced
type mixer or effect unit. If both this
connector and Guitar Output Jack @,
the connector output only synthesizer
sound. The rated output level is fixed
+4dB(max.)/600Q2. Also, the output from
this connector is transformless, so, to
convert into unbalanced output, open the
2nd pin and use 1st and 3rd pins.
In monaural set-up, be sure to mix the
output signal of the two channels with a
mixer.
*Remove the spring holder from the
FV-200. (Refer to the operation manual
of the FV-200 to see how to remove it)
*While not using the FV-200, unlatch it.
*You can use other Foot Volume but
may find it awkward compared to the
FV-200 because of the limited control
range, etc.
PITCH VCF
OROKOROKe)
FV-200

[3] Operation
sa
2)
a
re:
* Outline of the
GR-700*
The GR-700 is a 6 voice, fully programm-
able guitar synthesizer that includes
Memory Capacity (RAM) of 64 different
timbres.
Like a keyboard synthesizer, it consists
of DCO, VCF, VCA, ENV, and LFO
sections, and 32 kinds of parameters
(elements) are featured to control each
section, The GR-700 adopts a unique
method of synthesizing, that is editing
the existing patch. You are to assign any
existing patch and the relevant parameter
for editing. The Display Window shows
the parameter number and the data value,
so that you can quite easily proceed this
editing operation. Moreover, it features
Dynamics function that controls the
DCO, VCF and VCA by the intensity of
string picking, and the String Select
function that allows you to select which
of the strings to take on the Hold or
Pitch Bender effect.
(1)Recalling a Patch
Each
timbre
in
memory
has
a
number
(=Memory
Number).
|f you assign the appropriate number, the
patch you want will be recalled ready to
be used,
Also, proceeding Writing procedure, you
can write any existing patch into
memory.
The Memory Number is the combination
of a Bank number (1 to 8) and a Patch
Number (1 to 8). That is, each of the 8
banks has 8 patches making 64 in all.
>» Four main Functions of the GR-700.
1. Recalling a preprogrammed patch
from memory and play it.
2. Adding various effects to the timbre.
3. Editing the existing patch and create
a new timbre.
4. Writing a patch into memory.
*Function 1 and 2 is obtainable in Play
mode, 3 in Edit mode, and 4 in any
mode.
a
(IL iT A I
e{LTT TTT)
@ er
7 oe eee ee
is Bank 5 and Patch Number 6.

9
Switching the GR-700 on will cause its that Memory Number /-/ is ready to
Display Window to respond with 7-1 be played.
and select the Play mode. This shows
[__Number
Pedal
@%),
Bank
Pedal
a
4
To assign a Memory Number, use the ponding Patch Number. To assign the
Bank: and the Number Pedals. Pressing Bank Number, press the Bank Pedal
a Number Pedal will assign the corres- then appropriate Number Pedal.
[ ‘Recalling a patch
(You may skip this and
go directly to the next Assigning a Bank Number Assigning a Patch Number
procedure)
ee ee eee te ee ee ee, re
U s
/ ‘NA
)
/ —> |}
(Edit Mode) ———>
! i h
—————> Playing the Cray Mods
* You may assign either Patch Number or Bank Number
first, or even assign only one of them.

(2) Hold
The Hold function will work on the
synthesizer sound.
Pressing the Hold Pedal @ will hold the
sound currently in use, That is, the sound
will be retained at its sustain level as long
as the Pedal is depressed.
On releasing the Pedal, the sound will
decay strictly in the set release time of
the Envelope curve without affected by
the string vibration.
Ens
re
ene,
Also, the Hold effect can be set for each
string independently, therefore it is
possible to play other string while listen-
ing to the Hold sound.
While the Pedal is being depressed, the
Display Window shows 1 - 1.
(3) Guitar Controller
*Refer to the operation manual of the
respective Guitar Controller to see its
functions.
a. Balance
With this knob turned fully counterclock-
wise, only direct guitar sound is obtained.
Adjust its level by using the Master
Volume b and the volume knob on the
amplifier. {If it is necessary, tune the
strings)
Sones
As you rotate this Balance Knob clock-
wise, synthesizer sound will be increased
and at its fully clockwise position, only
synthesizer sound will be heard. (If you
use two different amplifier respectively
for the guitar and the amplifier, each
volume can be independently set.)
b. Master Volume
This is to set the overall volume,

~ | c. Made Switch
With this switch set to the II or III
position, both direct guitar and synthe-
sizer sounds are available. At the I posi-
tion, only direct guitar sound is obtained
and the Balance knob (3) does not work.
In the II mode, fairly week picking is
sufficient to sound the synthesizer, but
in the III mode; slightly hard picking
is required,
11
J
*{f using the Guiter Controller G-303 or
G-808, select the position as follows.
vco >]
vco+DIST => i
DIST =I
[ d. Vibrato knob and e. Touch Plate
By using these knobs, vibrato effect can
be obtained. Slightly raise the Vibrato
Knob (d) and touch the Touch Plate A
while holding the string(s) down. To stop
vibrato, touch the Touch Plate B and
immidiately release. If the sound has
initially taken on the vibrator effect, stop
it with the Touch Plate B, then do the
above operations. The rate, delay time
and depth of the vibrato effect work at
its set level in writing. Therefore, it is
necessary to have set these to appropriate
levels even when you are writing a patch
without vibrato effect (the LFO Modura-
tion Switch is set to off).
*if the Vibrator Knob (d) is set to zero,
no vibrato effect is obtained, therefore
you are not annoyed by unexpected
Vibrato effect caused by touching
the Touch Plate accidentally.
f, Cutoff Frequency Knob and g. Edit Knob (Resonance in other G series)
Either of these knob works exclusively in
Edit mode. The Cutoff Frequency Knob
(f) is provided specifically for VCF Cut-
off Frequency controlling. Edit (Reso-
nance Knob) (g) is used to control para-
meters other than that.
* Refer to (4) Edit” on the next page for
the details.

(4) Edit
This Edit mode enables editing the preset
tone color to your taste. The Edit func-
tion may be used as a real time perfor-
mance control since it does not auto-
matically rewrite the existing program,
a. Edit Pedal @
Depressing the Edit Pedal will turn the
GR-700 into Edit mode. The Display
which has been showing the Memory
Ve
unless the appropriate operation for
rewriting is done (refer to P, 23). There-
fore, if selecting the same Patch Program
later, you will hear the original tone
color unchanged.
$$
Number will now show the number of
the Parameter you select and its data
value.
b. Selecting a Parameter |
e
Parameters are elements that devide the
tone color. The GR-700 has 32 kinds of
parameters. To assign the parameter to be
used, firstly find out the parameter num-
ber on the Edit Map and press the cor-
responding Number Pedal twice. The
Parameter number is shown on the left of
the Display in two figures.
c. Edit Map
The Edit Map is a rough illustration of
the Synthesizer Section of the GR-700.
Use this to find out the number of the
parameter you are to use for editing.
*The function of each parameter and
reaction of the synthesizer are explained
ina table in ’’[6] programmer’ (P. 22).
EDIT MAP GR-700
0CO-2
et
we
&|8 @|@
RON a Delay Time Rate
U nerstom
@@
Cel Doe?
© @ @/@ @@@

13
d. Setting the Data Value
Data Value of each parameter actually
corresponds to the position of each knob
or switch on the PG-200. (Refer to P. 23)
The data value can be set with the Edit
1. Volume Knob Display
Knob position 075 +10
gu 5057
Display
2. Rotary Switch Display
Display
{ f
:
{
{
reed
ebet
eee
eeret
LL
A
3
* -
™. x.
%
a Sn
se, e 6
.
=e.
le
‘
’
}
‘
Rotary Switch
3. Slider Switch Display
ON OFF
Display a a
Selider
Switch
e. Editing Cutoff Frequency
— ON
—— OFF
(Resonance) Knob on the Guitar Cont-
roller, and it is shown at the right of the
Display in two figures. There are 3 types
of indication as follows.
\S
gg 0
~~ EDIT
(RESONANCE)
Untike other parameters, the Cutoff
Frequency can be set simply by rotating
the Cutoff Frequency Knob on the
Guitar
respond with CF” during editing.
Controller. The Display will

e. Completion of Editing
When editing is completed, ‘’@” will be
shown in the middle of the Display. At
this stage, assigning a patch or pressing
the Edit Pedal will turn the GR-700 to
the Play mode.
= Tuning 8
By using Parameter 48, guitar tuning
can be easily done. Assign Parameter
48 and just pick any string, and you
will hear the synthesizer sound (in
the pitch of the open string regardless
of the actual pitch). Tune your guitar
with this synthesizer sound.
[ Edit |
(Play Mode >
o;o0|;00
| > (| Edit Mode }——> | olo O/D 0/0
— ap Og9'0 0/0
Parameter Display
aH
EDIT MAP
0 ocloaly
9000/0000
Assigning Parameter
*If
more
than
one
string
is
picked
at
the
same
time,
they
will
all
sound.
“The
Display
shows
the
string
number
picked
(or
last
string
picked
if
more
than
one
string
is
picked).
*The
Standard
pitch
of
the
synthesizer
sound.
is
adjusted
with
the
Tune
Knob
on
the
rear
panel.
Setting
Data Value
Playing the guitar
Edit Mode

(5)Panel Switches
Panel Switches () to @ can be used in
any mode, that is, these can be manually
controlled even during live performance.
(The indicator lights when each switch is
on)
15
The position of each knob of @) to @
can be written into memory by Writing
procedure explained on P. 17.
a. Dynamics Switch (7)
When this switch is on, dynamics effect
can be obtained in each DCO, VCF and
VCA section by picking intensity. That is,
the depth of the ENV moduration on the
DCO and VCF, or level of the VCA
change depending on how hard you pick
the string. No matter how hard you pick,
there is no effect deeper or volume higher
b. String Selector Switch
than the level set with each parameter ob-
tained.
If the depth of each DCO and VCF is set
to zero, this dynamics effect is not ob-
tained at ail, so be sure to set it to an ap-
propriate level in editing or writing a
patch.
|
Use this switch to select the string(s) on
which the Voice, Hold and/or Pitch
Bender function(s) work. {1]}to (6) corres-
pond to tst to 6th strings.
Depress this switch, then select
the string(s) that is to take on
synthesizer voice by pressing cor-
responding switch of [1] to 6).
<
2
oO m
wotp) Depress this switch, then select
the string(s) on which the Hold
Pedal has its effect.
Pitcn| Select the string(s) on which the
Pitch Bend function works.
QO m
z
o
Depress this switch, and select Up
or Down mode by Up/Down
Switch (the indicator lights in Up
mode).
=
a]
|
9g! co)
= z
Depending whether Up or Down mode
has been selected, pressing the Pedal will
raise or lower the pitch.
After setting is completed, you can see
whether you have set all the effects
correctly as you wished, just by pressing
each switch of Voice, Hold and Pitch
Bend.

1G
a c. Chromatic Switch 49
String Selection | =
When this is on, the scale will become
chromatic (=temperament) like the key-
board’s, !n this mode, fairly accurate
tuning is required, as the string frequ-
ency decides the scale. Also, pitch bend-
ing or glissando effect changes chromati-
cally. (It may be a good idea to tune by
using guitar and chromatic synthesizer
sounds.)
d. Chorus Switch @ |
To benefit the best possible chorus effect,
use two amplifier (stereo), if possible.
e. Memory Cartridge Switch @
(Refer to P. 19}
f. Memory Write Switch @) |
Press this switch to write a patch into
memory, (Refer to P. 17)
( Play/Edit Mode
wee
wenecewe eee
Play/Edit Mode

(6) Write
Writing Patch
Edit Mode
The GR-700 allows you to write the
sound you have synthesized into me-
mory.
(WA
a, Memory Write Switch @) |
[ Writing Procedure
1. Turn the GR-700 into Edit mode, then
edit any existing patch to your taste.
2. Set the Memory Protect Switch
to OFF.
3. Press the Memory Write Switch @),
* Here, the indicator lights up and the
Display shows Memory Number.
( = will flash)
4, By using the Pedal Switch, assign the
Memory Number, (=Bank and Patch
Number}
PROTECT
ON OFF ON
Assigning
Bank Number
*You do not need to assign Bank
Number, if writing into the same
Bank (e. g. replacing a patch with the
edited one}
*You do not need to assign a wrong
Bank Number, depress the Bank “edal
once again, then press the correct
Number Pedal.
*The moment you have assigned the
Patch Number, writing is completed,
and the GR-700 is turned to Play mode.
*|lf the Protect Switch has been set to
ON, the Display will show Prot. In such
a case, set the Protect Switch to OFF,
then repeat writing procedure.
Assigning
Patch Number
PROTECT
Aisin ON OFF ON
>
Weiioag
s,s
*If
the
Protect
Switch
has
been
set
to
ON,
no
writing
is
done
and
the
Display
will
show
“Protect”
on,
right
after
as-
signing
Patch
Number.

,. b. Rearrangement of Patches
By
using
the
Write
function
of
the
GR-700,
you
can
rearrange
the
Patches
as
you
like.
1. Assign the Memory Number where
you wish to copy the Patch.
* Here, if you wish to retain the Patch
in that Memory Number, copy it to
any Memory Number that you deem
not so indespensable as others.
(Copy procedure is the same as write
procedure).
2. Assign the Memory Number of the
patch you wish to copy, and take
writing procedure.
18
see
Example: Copying the Patch of Memory
Number 2-1 to 1-2.
PATCH 1 2 3 4 5
BANK: TN
sane [21] | RY |
Memory Number 1-2 is the Patch
you wish retain. Memory Number
2-4
is
the
Patch
you
do
not
mind
erasing.

[4])Memory Cartridge
The supplied Memory Cartridge M-16C
can be used to save the data in memory
and recall it at anytime you like. That is
it works just like the memory of the
19
GR-700, retaining 64 different patches.
Also, the data in the cartridge is fully
supported by battery for about 5 years.
a. Memory Cartridge Slot @)
*Be sure to insert the cartridge into this
slot securely as shown on the right.
Product Number
on this side
a —
b. Memory Cartridge Switch @2 |
Pressing this switch wiil alternately turn
the GR-700 to Internal Memory and
Cartridge Memory. When the GR-700 is
in the Cartridge mode, the indicator lights
up and the Display will show “ C "onits
left. All of Recall, Edit and Write func-
tions are available by this Memory
Cartridge, and the necessary operation
is exactly the same as for internal.
*xEven if the GR-700 is turned to
Memory Cartridge mode, the patch in
the internal Memory remains as it is.
Therefore, it is possible to copy a patch
in the Internal Memory to the Memory
Cartridge or copy a patch in the
Memory Cartridge into Internal Me-
mory. in either case, it is necessary to
set the Protect Switch of the Cartridge
to OFF.
Indication of Cartridge mode
Protect Switch

| c. Copy Save Load @
By
using
these
switches,
it
is
possible
to
save
the
entire
data
in
the
GR-/00's
Memory
into
the
Cartridge
and
load
it
into
internal
Memory.
* Display
e@Copy is completed.
Protect Switch is set to ON.
[_
~
[~
=
@Memory
Cartridge
is
not
securely
inserted.
@
There
is
something
wrong
with
the
Memory
Cartridge.
| Save/Load
SAVE
CHO
;
:
Protect
Switch
on
the
RUS
-
Copy
is
completed
ee
to
OFF
SAVE
—_—_——>
Play
Mode
_?
While
holding
the
coPpY = button down
LOAD
(C1)
protect
switch
on
the
|
=
|
Insert
the
Cartridge
GR-700
set
to
OFF
m7
~
|
oe
|
to the slot and
LOAD
repeat
the
procedure.
*The
above
procedure
will
replace
the
*If
the
Protect
Switch
is
ON,
Prat
is
existing
data.
shown and copy is impossible.