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  9. Roland JX-305 User manual

Roland JX-305 User manual

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Copyright 2025 Manuals.Online. All Rights Reserved.

Roland
Before using this unit, care-
fully read the sections enti-
tled: "USING THE UNIT
SAFELY" and "IMPOR-
TANT NOTES" (Owner's
Manual p. 2, 3, 9). These
sections provide important
inl'ormalion concerning the
proper operation of the
unit. Additionally, in order
ined aiiood trrasri
lew imit, OuicI
Start and Owner's
should be read in its entire-
ty. The manuals should be
sayed and kept, on hand as
jx-3as
Owner's Manual
This owner's manual consists of the following 14 chapters and supplementary information.
Before you read this manual, you should read through the Quick Start manual so you're famil-
iar with the basic operation of the unit.
Chapter 1An Overview of the JX-305 HH
Tliis chapter explains liow the ]X-305's sound generator and sequencer are organized, and explains theHH
basic operation. By reading this chapter, you can gain an overall understanding of the JX-305. HjH
Chapiter 2Playing the Keyboard HH
This chapter explains the Key Mode function, the pitch bend lever, the pedals, etc., and how to use tl'<eB^J
arpeggiator. Be sure to read this chapter. ^^H
Chapter 3Playing Patterns VV
Tliis chapter explains how to play patterns, and how to use functions such as Real-Time Transpose, Mute.BCB
Part Mixer, and Play Quantize. Be sure to read this chapter, HHj
Chapter 4One-Touch Phrase Playback (RP5)
This chapter explains the various effect types and how to use them. Read this chapter when you wish to^jW
use effects. ^^^H
Chopter 5Creating Original Sounds (Patch Edit]
This chapter explains the parameters that modify the sound. Read this chapter so you better understand BiJ
how to use the knobs to control the sound when creating your own .suunds. ^^H
Chapter 6Creating an Original Rhythm Set (Rhytihim Editing)
This chapter explains the rhythm set parameters. Read this chapter when you wish to create an original^^B
rhythm set. ^^H
Chapter 7Applying Effects to the Sound (Effects)
This chapter explains the various effect types and how to use them. Read this chapter when you wish to^^fl
use effects. ^^H
Chapter 8Recording Patterns HH
This chapter explains how to record patterns. Read this chapter when you wish to record patterns. KU
Chapter 9Editing Patterns
This chapter explains how to edit patterns, and how to modify music data after it's been recorded. Read^^B
this chapter as necessary. ^^H
Chapter 10 Keeping Frequently Used Patterns Together (Pattern Set) PM
Tlris chapter explains how to use Pattern Sets and how to store patterns in aset. Read this chapter whenijfll
you wisti to use apattern set. ^^H
Chapter 1 1 Placing Patterns in Playback Order to Create aSong PH
This chapter explains haw to play back, record, and edit songs. Be sure to read this chapter if you wish to gJ|
use songs. ^^^H
Chapter 12Using Memory Cards PP^i
Here you can learn how to use memory cards to back up your data, and how to make copies of acard. Be gwA
sure to read this chapter before using memory cards, ^^H
Chapter 13Setting the Operating Environment of the JX-SOS (System) PR
This chapter explains settings that determine the overall configuration for your JX-305, such as its timing jftj
and synchronization preferences. Read this chapter as necessary. ^^^|
Chapter 14 Advanced Applications PVI
This chapter explains how the lX-305 can he used with external M115I equipment, and gives tips for creat-ltj
ing sounds and performing. Read this chapter as necessary. ^^^B
Supplementary Information HHj
Consult this chapter when the JX-305 does not function as you expect, or if an error message is displayed. ^^H
This chapter also contains information such as parameter lists and the MIDI implementation. ^^H
•SmartMedia is atrademark of Toshiba corporation.
•AH product names mentioned in this document are trademarks or regis-
tered trademarks of their respective owners.
Copyright ©1998 JUTLAND CORPOR.ATION
.'\ll rights re5er\'ed. No part of this publication mav be reproduced in any form without the written
USING THE UNIT SAFELY
INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELEaRIC SHOCK, OR INJURY TO PERSONS
Abouf AWARNING and ACAUTION Notices
ZhWARNING
Used for instructions intended to alert
tlie user to the risk of deatfi or severe
injury should the unit be used
improperly.
ZL CAUTION
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
*Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
About the Symbols
A
c
The Asymbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must ne\'er
be carried out (are forbidden). Tlie specific tiling that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The •symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. Iii
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
ALWAYS OBSERVE THE FOLLOWING
AWARNING AWARNING
•Before using this unit, make sure to read the /^
instructions below, and the Owner's Manual. '•N
•Do not open (or modify in any way) the imit or its
AC adaptor.
•Do not attempt to repair the unit, or replace parts /\^
within it (except when this manual provides specific^--'
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
"Information" page.
•Be sure to use only the AC adaptor supplied with«^
the unit. Also, make sure the line voltage at the instal- ^^
lation matches the input voltage specified on the AC /l\
adaptor's body. Other AC adaptors may use adiffer-
ent polarity, or be designed for adifferent voltage, so
their use could result in damage, malfunction, or elec-
tric shock.
•Avoid damaging the power cord. Do not bend it{\^
excessively, step on it, place heavy objects on it, etc. AV_y
damaged cord can easily become ashock or fire haz-
ard. Never use apower cord after it has been dam-
aged.
•Never use or store the unit in places that are: /S^
•Subject to temperature extremes (e.g., direct^
sunlight in an enclosed vehicle, near aheating/
duct, on top of heat-generating equipment); or are
•Damp (e.g., baths, wasluooms, on wet floors); or
are
•Humid; or are
•Dusty; or are
•Subject to high levels of vibration.
•This imit should be used only with arack or stand /|y
that is recommended by Roland. ''
•When using the unit with arack or stand recom-^^
mended by Roland, the rack or stand must be careful- ^^
ly placed so it is level and sure to remain stable. If not
using arack or stand, you still need to make siu'e that
any location you choose for placing the unit provides
alevel surface thai will properly support the unit, and
keep it from wobbling.
•This unit, cither alone or in combination with an|N/N
amplifier and headphones or speakers, may be capa- ^^-^
ble of producing sound lex'els that could cause perma-
nent heai'ing loss. Do not operate for along period of
time at ahigh volume level, or at alevel that is
uncomfortable. If you experience any hearing loss or
ringing in the ears, you should immediately stop
using the unit, and consult an audiologist.
•Do not allow any objects (e.g., flammable material, /^\
coins, pins); or liquids of any kind (water, soft drinks, V^
etc.) to penetrate the unit.
AWARNING ACAUTION
•Immediately turn the power off, remove the AC /Jv.
adaptor from the outlet, and request servicing by your '*
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the
"Information" page when:
•The AC adaptor or the power-supply cord has
been damaged; or
•Objects have fallen into, or liquid has been
spUled onto the unit; or
•The unit has been exposed to rain (or otherwise
has become wet); or
•The unit does not appear to operate normally or
exhibits amarked change in performance.
•In households with small children, an adult should /^
provide supervision until the child is capable of fol- '
lowing all the rules essential for the safe operation of
the unit.
•Protect the unit from strong impact.
(Do not drop it!) A
•Do not force the unit's power-supply cord to share f\^
an outlet with an unreasonable number of other V^
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord's outlet must never
exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the insula-
tion on the cord to heat up and eventually melt
through.
•Before using the unit in a foreign country, consult /Sy
with your retailer, the nearest Roland Service Center, ''
or an authorized Roland distributor, as listed on the
"Information" page.
•The unit and the AC adaptor should be located so /5v
their location or position does not interfere with their ''
proper ventilation.
•Always grasp only the plug or the body of the AC mm
adaptor when plugging into, or unplugging from, an ^^
outlet or this unit.
•Whenever the unit is to remain unused for an aB
extended period of time, disconnect the AC adaptor. ^^
•Try to prevent cords and cables from becoming ^\^
entangled. Also, all cords and cables should be placed ''
so they are out of the reach of children.
•Never cHmb on top of, nor place heavy objects on /\\
the unit. V_y
•Never handle the AC adaptor body, or its plugs, f
with wet hands when plugging into, or unplugging
from, an outlet or this unit.
•Before moving the unit, disconnect the AC adaptor MB
and all cords coming from external devices. ^^
•Before cleaning the unit, turn off the power and ^^
unplug the AC adaptor from the outlet (Quick Start, ^^
p. 5).
•Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the outlet. ^^
Contents
Features of the JX-305
.
Important Notes
Front and Rear Panels..
...8
...9
,10
Chapter 1. an Overview of the JX-305
How the JX-305 Is Organized 13
How the Sound Generator Is Organized 13
How the Sequencer Is Organized 14
Selecting aPatch 18
Playing Two Patches from the Keyboard
(Key Mode) 18
Playing One Patch Over the Entire Keyboard (Single)....! 8
Layering Two Patches (Dual) I'J
Playing Different Patches with the Left and Right Hands
(Split) 19
Changing the Split Point 20
Selecting the Upper Part/Lower Part 20
Modifying the Key Mode Settmgs in the Editing Pages 20
Smoothly Changing the Pitch of the Sound
(Portamento) 21
Portamento On/Off 21
Changing the Time Over Which the Pitch Changes
(Portamento Time) 21
Playing Notes Which Lie Outside the Range of the
Keyboard (Octave Shift) 21
Changing the Pitch (Pitch Bend Lever) 22
Applying Modulation to the Sound 22
Using the Modulation Lever 22
Using Aftertouch 22
Chapter 3. Playin
Playing Patterns 30
Adjusting the Tempo 31
Viewing the Number of Measures in aPattern 31
Muting aSpecific Part (Part Mute/Rhythm Mute)....32
Transposing During Playback
(Real-Time Transpose) 32
Using the VALUE Dial or [INC] [DEC] 32
Using the Keyboard 33
Changing the Settings of Each Part 33
Using the Part Mixer Page to Make Changes 33
Using the Editing Pages to Make Changes 34
Saving Patterns You've Modified (Pattern Write) ....36
Copying and Initializing Settings .37
Using the Knobs to Modify the Sound During
Playback (Real-Time Modify) 38
Modifying the Sound for an Individual Rhythm Group.39
About Memory..
Basic Operation.
,.15
..16
Chapter 2. Playing the Keyboard 18
Changing the Keyboard Dynamics
(Keyboard Velocity) 22
Sustaining the Notes You Play (Hold Pedal) 23
Using aPedal to Modify the Sound
(Control Pedal) ....23
Control Pedal Settings 23
Pressing Chords to Produce Arpeggios
(Arpeggiator) 24
Playing Arpeggios 24
Creating an Arpeggio Pattern 24
Changing the Way in WWch the Arpeggio Will Play
(Arpeggio Style) 25
Adding Expression to the Arpeggio (Accent Rate) 25
Changing the Pitch Range of the Arpeggio
(Octave Range) 26
Selecting the Part in Dual Mode Which
Will Play the Arpeggio (Arpeggio Destination) 26
Making More Detailed Settings 26
Saving Arpeggio Settings (Arpeggio Write) 28
Playing aRhythm Set 28
Listening to Sound Processed by the Effects
(Audition) 29
30
Returning aPattern to Its Original State During Playback
(Pattern Reset) 39
Ensuring Correct Playback bom the Middle of aPattern ..
(MIDI Update) 40
Changing the Groove of aPattern (Play Quantize) ..40
Selecting Parts to Use with Play Quantize 41
Correcting Inaccuracies in the lyiytlim (Grid Quantize) 41
Giving Swing to the Rhythm (Shuffle Quantize) 42
Givi7ig nGroove tn the Rhythm (Groove Quantize) 43
Using Pedal for Control (Switch Pedal) 46
Specifying the Function of the Switch Pedal 46
Using the Pedal to Change the Tempo 46
Simultaneously Changing the Tempo and Pilch
(Turntable) 47
Chapter 4. One-Touch Phrase Playback (RPS) 48
Chapter 5. Creating Original Sounds (Patch Edit)....
Pressing Notes to Play Back Phrases 48
Causing aPhrase to Conliniie Playing (RPS Mold) 49
Assigning Phrases to the Keyboard 49
The Basis for the Sound of a Patch (Tones) 53
What aTone Consists of 53
Sound-Editing Procedure 53
Changing the Basic Waveform of the Sound
(Wave/FXM) 56
Pitch-Related Settings 57
Modifying the Pitch (Pitch) 57
Making the Pitch Change Over Time (Pitch Envelope) ..58
Making More Detailed Settings .'54
Brightness-Related Settings (Filter) 61
Modifying the Brightness of the Sound (Filter) 61
Making the Brightness Change Over Time
(Filter Envelope) 63
Making More Detailed Settings 65
Settings Related to Volume and Pan (Amplifier) 67
Adjusting the Volume and Pan 67
Creating Time-Variable Change in Volume
(Amplifier Envelope) 68
How aRhythm Tone Is Organized 85
Creating the Sounds 85
Specifying the Basic Waveform of the Sound
(Wave) 86
Pitch-Related Settings 87
Changing the Pitch of the Sound (Pitch) 87
Making the Pitch Change Over Time (Pitch Envelope) ..87
Making More Detailed Settings 89
Brightness-Related Settings (Filter) 90
Modifj'ing the Brightness of the Sound (Filter) 90
Making the Brightness Change Over Time
(Filter Envelope) ''1
Turning Effects On/Off 101
Adding Reverberation to the Sound (Reverb) 102
Adjusting the Overall Reverb Volume (Reverb Level)..102
Adjusting the Reverb Volume for Each Part
(Part Reverb Level) 102
Making More Detailed Settings 103
Adding an Echo to the Sound (Delay) 103
Adjusting the Overall Delay Volume (Delay Level) 104
Adjusting the Delay Volume for Each Part
(Part Delav Level) 104
Making Settings for Each Phrase 50
Using the Part Mixer to Modify Settings 50
Changing the Patch of Each RPS Part 51
Saving the Phrases You Assigned (RPS Set Write)...52
53
Chapter 6. Creating an Original Rhythm Set {Rhythm Edit)
Chapter 7. Applying Effects to the Sound (Effects)
Making More Detailed Settings 68
Applying Cyclic Changes to the Sound (LFO) 71
Selecting the Waveform That Will Modulate the Sound
(LFOl Waveform) 72
Adjusting the Speed of Modulation (LFOl Rate) 72
Adjusting the Depth of Modulation (LFOl Depth) 73
Making More Detailed Settings 74
Specifying the Parameters That Will Be Modified
by Each Controller (Control) 76
Adjusting the Range of Pitch Bend (Bend Range) 76
Control 1/2/3/4 (Control Destination 1/2/3/4) 11
Ctrl 1/2/3/4 Depth (Control 1/2/3/4 Depth) 17
Settings Common to the Entire Patch (Common) 77
Smoothly Changing the Pitch (Portamento) 77
Making More Detailed Settings 78
Saving Patches You've Created (Patch Write) 82
Copying and Initializing Settings 83
Making More Detailed Settings 92
Settings Related to Volume and Fan (Amplifier) 94
Adjusting the Volume and Pan (Amplifier) 94
Creating Time-Varying Change in Volume
(AmpUfier Envelope) 95
Making More Detailed Settings 96
Adjusting the Range of Pitch Bend (Bend Range) ....97
Adjusting the Effects for Each Rhythm Tone (Rhythm
Tone) 97
Saving Rhythm Sets You've Created
(Rhythm Set Write) 98
Copying and Initializing Settings 99
Making More Detailed Settings 105
Applying Various Effects to the Sound (Multi-Effects)
106
Selecting the Type (Multi-Effects Type) 106
Adjusting the Overall Multi-Effects Volume
(Mulli-Effects Output Level) 106
Making Multi-Effects Settings 107
Specifying the Part(s) to Which Multi-Effects Will Be
Applied (Part Multi-Effects Switch) 124
Chapter 8. Recording Patterns
Chapter 9. Editing Patterns
.
Recording Your Playing As You Perform
(Real-Time Recording) 125
Recording Procedure 125
Auditioniiig Piorases During Recording
(Rehearsal Function) 127
Recording an Arpeggio Performance 127
Recording Knob Movements (Modify Data) 128
Recording Smoothly Across Patterii Boundaries 128
Recording Part Mixer Operations 128
Recording the Mute Settings 129
Recording Changes in Tempo 129
Erasing Unwanted Data While You Record
(Rcal-Tuno Erase) 130
Editing the Musical Data of aSpecified Part
(Pattern Edit) 138
Copying aPortion of aPattern (Copy) 138
Deleting Unwanted Measures (Delete Measure) 140
Inserting Blank Measures (Insert Measure) 140
Erasing Unwanted Data (Erase) 141
Transposing the Pitch (Transpose) 142
Modifying the Strength of Notes (Change Velocity) 142
Modifying the Note Length (Change Gate Time) 143
Shifting the Timing Slightly (Shift ClocJ<) 144
Tliiiming Out Unneeded Data (Data Thin) 145
Converting the Note Timing of aPattern (Reclock) 145
Using aPattern Set to Recall Patterns 152
Assigning aPattern to be Recalled 152
Playing Back aSong 154
Recording aSong 155
Editing Songs (Song Edit) 155
Copying aSong (Song Copy) 156
Cautions When Using aMemory Card 159
Before Using aNew Card (Format) 159
Saving All Internal Settings to aCard
(User Backup) 160
Recording Notes One at aTime (Step Recording) ..131
Recording I'rocedure 131
Recording Notes One by One (Step Recording 1) 132
Various Ways to Input Notes 133
Recording Individual Notes to Grid Locations
(Step Recording 2) 134
Inputting Complex lyiytlims 136
Checking the Remaining Amount of Memory
(Memory Information) 137
Temp (Temporary) 137
User (User Memor)') 137
Card (Card Memory) 137
Using Play Quantize Settings to Modify aPattern
(Edit Quantize) 146
Individually Editing Musical Data
(Microscope Edit) 146
View the Musical Data That You Input 147
Musical Data Handled in Microscope Mode 147
Modifying the Value of Musical Data (Change Event) .148
Deleting Musical Data (Delete Event) 150
Inserting Musical Data (Insert Event) 150
Moving Musical Data (Move Event) 151
Hiding Unwanted Musical Data (View Filter) 151
Chapter 10. Collecting Frequently Used Patterns in aSet (Pattern Set) 152
Chapter 11. Connecting Patterns in Playback Order to Create aSong. 154
Chapter 12. Using Memory Cards 159
Saving aPattern Set That Was Modified
(Pattern Set Write) 153
Deleting Unwanted Patterns from aSong
(Delete Pattern) 156
Inserting aPattern (Insert Pattern) 157
Saving aSong That You Recorded (Song Write) 157
Initializing Sellings (Song hiitialize) 158
Restoring the Saved Settings Back to Internal Memory
(Backup Load) 161
Deleting the Backup File from the Card
(Backup Delete) 161
Copying an Entire Card (Card Duplicate) 161
Chapter 13. Setting the Operating Environment of the JX-305 (System). 163
Controller-Related Settings 163
Changing the Loudness of Notes Played on tlie Keyboard
(Keyboard Velocity) 163
Setting Aftertouch Sensitivity (Aftertouch Sens) 163
Specifying How the Pedal Will Function 163
MIDI-Related Settings 164
Disconnecting the Keyboard from the Internal Sound
Generator (Local Switch) 165
Using an External MIDI Keyboard in Place of the
Keyboard of the JX-305 (Remote Keyboard Switch) 165
Differentiating Between Units of the Identical Model
(Device ID Number) 165
Re-Transmitting Messages Received at MIDI IN from
MIDI OUT (Thru Function) 165
Specifying the Reception Status for Each Part
(Rx Switch) 165
Specifying How Knob Data Is Transmitted
(Edit Transmit/ Receive Mode) 165
Reception Settings for Each Type of Message 166
Transmission Settings for Each Type of Message 166
Sequencer-Related Settings 166
S)T\clironization Settings (S5mc Mode) 167
Transmitting Synchronization Messages (Sync Out) 167
Making Songs Play Continuously (Loop Mode) 167
Setting the Metronome (Metronome Mode) 167
Adjusting the Metronome Volume
(Metronome Level) 167
Specifying tlie Timing for RPS Playback
(RPS Trigger Quantize) 167
Synchronizing Arpeggios to tlie Pattern
(Arpeggio Sync) 168
Calculating aChecksum Automatically
(Auto Checksum) 168
Specifying the Resolution of the Tap Tempo
(Tap Resolution) 168
Tuning and Sound Generator Related Settings 168
Adjusting the Display Contrast (LCD Contrast) 168
Adjusting the Overall Tuning (Master Tune) 168
Tuning Each Note (Scale Tune) 168
Specifying How Patches Will Be Switched
(Patch Remain) 169
Specifying the Number of Notes for Each Part
(Voice Reserve) 169
Specifying the Variable Range of Resonance
(Resonance Limiter) 169
Specifying the Pattern at Power-On (Default Pattern) ..169
Specif\ring the Arpeggio Style at Power-On
(Default Arpeggio Style) 170
Restoring the Factory Settings (Factory Preset) 170
Chapter 14. Advanced Applications 171
Taking Advantage of MIDI 171
What Is MIDI? 171
Controlling the JX-305 from an External MIDI Device. .172
Controlling an External MIDI Device from the JX-305..174
Synchronizing an External Sequencer 175
Synchroruzing to an External Sequencer 175
Saving Pattern and Patch Data on an External Sequencer
(Bulk Dump) 176
Example of Real-Time Modify 178
Example of Multi-Effects Settings 180
Troubleshooting
Error Meggoge List <
Waveform List ,
Preset Patch List ,
Preset Rhythm Set List ,
Effects Template List ,
Preset Pattern List ,
RPS Pattern List ,
RPS Set List
Parameter List
Transmit/Receive Setting List
,
MIDI Implementation ,
Main Specifications ,
Index ,
.183
.185
.187
.190
.195
.203
.204
.210
.219
.223
.235
.236
.256
.257
High-performance synthesis engine
The all-important sound generator is ahigh-perfor-
mance synthesizer offering 64-note polyphony. Arich
array of parameters, including sharp filters and ADSR
envelopes can be modified using the knobs on the
panel to create your own sounds. The soimd generator
can also be used as amultitimbral sound module, pro-
viding up to eight parts.
Cutting-edge patterns that lead the
scene
The JX-305 contains 274 high-quality preset patterns
for immediate use and 494 RPS patterns. Since the pat-
terns cover awide range, from teclino to reggae, this
instrument provides everything you need for most sit-
uations.
Sounds that match today's trends
The diverse assortment of carefully selected sounds
and rhythm sets ranges from those from the TD-303,
JUNO, JUPITER and TR-808/909—indispensable for
the dance scene—to realistic acoustic sounds. From the
day you take the JX-305 home, you can enjoy today's
leading-edge sounds.
You can also create yoiu- own original sounds and
store them in memory for immediate recall at any
time.
Three sophisticated digital effect units
High-performance DSP (digital signal processing)
technology provides you with awide range of effects.
Three effect units are provided: Reverb adds reverber-
ation, Delay adds echo-like effects, and general-pur-
pose ffect unit provides 24 types of effect that have
been optimized for dance music.
Three key modes
The JX-305 provides three key modes: single, dual,
and split. It's ea.sy to divide the keyboard into left and
right zones, which can play different sormds simulta-
neously, or you can layer two sounds for every note.
Asequencer to help your ideas take
shape
You can construct asong in real time as you play, sim-
ply by switching the playback patterns. During
recorciing, you can switch the recording part to record
non-stop.
The JX-305's internal memory by itself can contain
approximately 75,000 notes (up to 200 patterns). By
using amemory card (SmartMedia), the capacity can
be boosted to amaximum of approximately 480,000
notes (up to 200 patterns).
Use the arpeggiator to create phrases
You can play arpeggios simply by pressing the key-
board. Your musical imagination and taste are all you
need to create completely new phrases.
RPS (Real-Time Phrase Sequence) func-
tion
Y'ou can play back phrases simply by pressing asingle
key. This has awide variety of uses, such as adding
accents during asong, or playing an entire song using
just RPS.
Play quantize changes the groove in
real time
The JX-305 provides three types of play quantize:
Grid, Shuffle and Groove. Simply by rotating aknob,
you can produce your own "groove" in real time.
Controls for live performance
The JX-305 is designed for live performance, witli fea-
tures such as amute button that lets you instantly
silence the playback of aspecific part or rhythm
instrument, and aReal-Time Transpose function that
lets you transpose during pattern playback. Of course,
you can also move knobs during pattern playback to
modifv the sound in real time.
8
Important Notes
In addition to the items listed under "USING THE
UNIT SAFELY" on page 2, please read and observe
the following:
Povs^er Supply
•Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
•The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
•Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
•Using the unit near power am^pUfiers (or other equipment
containing large power transformers) may induce hum.
To alleviate the problem, change the orientation of this
unit; or move it farther away from the source of interfer-
ence.
•Tliis device may interfere with radio and television recep-
tion. Do not use this device in the vicinity of such
receivers.
•Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed vehi-
cle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
Maintenance
•For everyday cleaning wipe the unit with asoft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use acloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with asoft, dry cloth.
•Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and /or
deformation.
Repairs and Data
•Please be aware that all data contained in the unit's mem-
ory may be lost when the unit is sent for repairs.
Important data should always be backed up on amemoiy
card, another MIDI device (e.g., asequencer), or written
down on paper (when possible). During repairs, due care
is taken to avoid the loss of data. However, in certain
cases (such as when circuihy related to memory itself is
out of order), we regret that it may not be possible to
restore the data, and Roland assumes no liability concern-
ing such loss of data.
Additional Precautions
•Please be aware that the contents of memory can be irre-
trievably lost as aresult of amalfunction, or the improper
operation of the unit. To protect yourself against the risk
of loosing important data, we recommend that you peri-
odically save abackup copy of important data you have
stored in the unit's memory on amemory card or another
MIDI device (e.g., asequencer).
Unfortunately, it may be impossible to restore the con-
tents of data that was stored in the unit's memory, a
memory card or another MIDI device (e.g., asequencer)
once it has been lost. Roland Corporation assumes no lia-
bility concerning such loss of data.
Use areasonable amount of care when using the unit's
buttons, sliders, or other controls; and when using its
jacks and connectors. Rough handling can lead to mal-
functions.
Never strike or apply strong pressure to the display.
When connecting/disconnecting all cables, grasp the con-
nector itself—never puU on the cable. Tliis way you will
avoid causing shorts, or damage to the cable's internal
elements.
To avoid disturbing your neighbors, try to keep the unit's
volume at reasonable levels. You may prefer to use head-
phones, so you do not need to be concerned about those
around you (especially when it is late at night).
When you need to transport the unit, package it in the
box (including padding) that it came in, if possible.
Otherwise, you will need to use equivalent packaging
materials.
The soimds, phrases and patterns contained in this product
are sound recordings protected by copyright. Roland hereby
grants to purchasers of this product the permission to utilize
the sound recordings contained in this product for the cre-
ation and recording of original musical works; provided
however, the sound recordings contained in this product
may not be sampled, downloaded or otherwise re-recorded,
in whole or in part, for any other purpose, including but not
limited to the transmission of all or any part of the sound
recordings via the internet or other digital or analog means
of transmission, and/or the manufactvire, for sale or other-
wise, of any collection of sampled sounds, phrases or pat-
terns, on CD-ROM or equivalent means.
The sound recordings contained in this product are the origi-
nal works of Roland Corporation. Roland is not responsible
for the use of tlie sound recordings contained in this prod-
uct, and assumes no liability for any infringement of any
copyright of any third party arising out of use of the sounds,
phrases and patterns in this product.
Important
Please observe the following points when using the JX-305.
Various types of data required for the IX-305's operation are
held in internal flash memory. If the power is turned off
while data is being written to flash memory, writing will not
he completed correctly, and .subsequent operation can be
affected.
While the following display appears, never turn off the
power or remove the memory card.
Processing. .
.
Keep F'Duet"' ON
Front and Rear Panels
Roland
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Front Panel
1VOLUME Knob
Controls the overall volume of the JX-305.
2REALTIME MODIFY Section
Here you can make settings for sound parameters (p. 54) and effects (p. 101). Also, in the Part
Mixer page you can make various settings for each part (p. 33).
3QUANTIZE Section
Modifies the groove of the pattern (p. 40).
4ARPEGGIATOR/RPS Section
Here you can make arpeggiator (p. 24)/RPS settings (p. 48).
5KEYBOARD Section
Here you can make settings which affect the notes played on the keyboard, such as Key Mode
(p. 18), Octave Shift (p. 21), and Portamento (p. 21).
6TRANSPOSE Button
Press this button when you wish to transpose (p. 32).
7SEQUENCER Section
Here are tlie buttons related to sequencer playback (p. 30) and recording (p. 125).
8DISPLAY Section
The parameter you wish to modify using [INC] [DEC] or the [VALUE] dial appears in the display.
9INC/DEC (Increment/Decrement) Buttons
VALUE Dial
Use these to modify the value of aparameter (p. 16).
10