Samson MDR MDR 6 User manual
MDR Series Mixers
SIX CHANNEL MIXER WITH HARD DISK MODE
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RISK OF ELECTRIC SHOCK
DO NOT OPEN
Safety Instructions/Consignes de sécurité/Sicherheitsvorkehrungen/Instrucciones de seguridad
ACHTUNG: Um die Gefahr eines Brandes oder Stromschlags zu verringern, sollten
Sie dieses Gerät weder Regen noch Feuchtigkeit aussetzen.Um die Gefahr eines
Stromschlags zu verringern, sollten Sie weder Deckel noch Rückwand des Geräts ent-
fernen. Im Innern befinden sich keine Teile, die vom Anwender gewartet werden kön-
nen. Überlassen Sie die Wartung qualifiziertem Fachpersonal.Der Blitz mit Pfeilspitze im
gleichseitigen Dreieck soll den Anwender vor nichtisolierter “gefährlicher Spannung”
im Geräteinnern warnen. Diese Spannung kann so hoch sein, dass die Gefahr eines
Stromschlags besteht. Das Ausrufezeichen im gleichseitigen Dreieck soll den Anwender
auf wichtige Bedienungs- und Wartungsanleitungen aufmerksam machen, die im mit-
gelieferten Informationsmaterial näher beschrieben werden.
Wichtige Sicherheitsvorkehrungen
1. Lesen Sie alle Anleitungen, bevor Sie das Gerät in Betrieb nehmen.
2. Bewahren Sie diese Anleitungen für den späteren Gebrauch gut auf.
3. Bitte treffen Sie alle beschriebenen Sicherheitsvorkehrungen.
4. Befolgen Sie die Anleitungen des Herstellers.
5. Benutzen Sie das Gerät nicht in der Nähe von Wasser oder Feuchtigkeit.
6. Verwenden Sie zur Reinigung des Geräts nur ein feuchtes Tuch.
7. Blockieren Sie keine Belüftungsöffnungen. Nehmen Sie den Einbau des Geräts nur
entsprechend den Anweisungen des Herstellers vor.
8. Bauen Sie das Gerät nicht in der Nähe von Wärmequellen wie Heizkörpern,
Wärmeklappen, Öfen oder anderen Geräten (inklusive Verstärkern) ein, die Hitze
erzeugen.
9. Setzen Sie die Sicherheitsfunktion des polarisierten oder geerdeten Steckers nicht
außer Kraft. Ein polarisierter Stecker hat zwei flache, unterschiedlich breite Pole. Ein
geerdeter Stecker hat zwei flache Pole und einen dritten Erdungsstift. Der breitere
Pol oder der dritte Stift dient Ihrer Sicherheit. Wenn der vorhandene Stecker nicht in
Ihre Steckdose passt, lassen Sie die veraltete Steckdose von einem Elektriker erset-
zen.
10. Schützen Sie das Netzkabel dahingehend, dass niemand darüber laufen und
es nicht geknickt werden kann. Achten Sie hierbei besonders auf Netzstecker,
Mehrfachsteckdosen und den Kabelanschluss am Gerät.
11. Ziehen Sie den Netzstecker des Geräts bei Gewittern oder längeren Betriebspausen
aus der Steckdose.
12. Überlassen Sie die Wartung qualifiziertem Fachpersonal. Eine Wartung ist not-
wendig, wenn das Gerät auf irgendeine Weise, beispielsweise am Kabel oder
Netzstecker beschädigt wurde, oder wenn Flüssigkeiten oder Objekte in das Gerät
gelangt sind, es Regen oder Feuchtigkeit ausgesetzt war, nicht mehr wie gewohnt
betrieben werden kann oder fallen gelassen wurde.
WARNING: To reduce the risk of fire or electric shock, do not expose this unit to rain
or moisture. To reduce the hazard of electrical shock, do not remove cover or back.
No user serviceable parts inside. Please refer all servicing to qualified personnel.The
lightning flash with an arrowhead symbol within an equilateral triangle, is intended to
alert the user to the presence of uninsulated "dangerous voltage" within the products
enclosure that may be of sufficient magnitude to constitute a risk of electric shock to
persons. The exclamation point within an equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions
in the literature accompanying the product.
Important Safety Instructions
1. Please read all instructions before operating the unit.
2. Keep these instructions for future reference.
3. Please heed all safety warnings.
4. Follow manufacturers instructions.
5. Do not use this unit near water or moisture.
6. Clean only with a damp cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manu-
facturers instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or
other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polar-
ized plug has two blades with one wider than the other. A grounding type plug has
two blades and a third grounding prong. The wide blade or third prong is provided
for your safety. When the provided plug does not fit your outlet, consult an electri-
cian for replacement of the obsolete outlet.
10. Protect the power cord from being walked on and pinched particularly at plugs,
convenience receptacles and at the point at which they exit from the unit.
11. Unplug this unit during lightning storms or when unused for long periods of time.
12. Refer all servicing to qualified personnel. Servicing is required when the unit has
been damaged in any way, such as power supply cord or plug damage, or if liquid
has been spilled or objects have fallen into the unit, the unit has been exposed to
rain or moisture, does not operate normally, or has been dropped.
PRECAUCION: Para reducir el riesgo de incendios o descargas, no permita que este
aparato quede expuesto a la lluvia o la humedad. Para reducir el riesgo de descarga
eléctrica, nunca quite la tapa ni el chasis. Dentro del aparato no hay piezas susceptibles
de ser reparadas por el usuario. Dirija cualquier reparación al servicio técnico oficial. El
símbolo del relámpago dentro del triángulo equilátero pretende advertir al usuario de
la presencia de “voltajes peligrosos” no aislados dentro de la carcasa del producto, que
pueden ser de la magnitud suficiente como para constituir un riesgo de descarga eléc-
trica a las personas. El símbolo de exclamación dentro del triángulo equilátero quiere
advertirle de la existencia de importantes instrucciones de manejo y mantenimiento
(reparaciones) en los documentos que se adjuntan con este aparato.
Instrucciones importantes de seguridad
1. Lea todo este manual de instrucciones antes de comenzar a usar la unidad.
2. Conserve estas instrucciones para cualquier consulta en el futuro.
3. Cumpla con todo lo indicado en las precauciones de seguridad.
4. Observe y siga todas las instrucciones del fabricante.
5. Nunca utilice este aparato cerca del agua o en lugares húmedos.
6. Limpie este aparato solo con un trapo suave y ligeramente humedecido.
7. No bloquee ninguna de las aberturas de ventilación. Instale este aparato de acu-
erdo a las instrucciones del fabricante.
8. No instale este aparato cerca de fuentes de calor como radiadores, calentadores,
hornos u otros aparatos (incluyendo amplificadores) que produzcan calor.
9. No anule el sistema de seguridad del enchufe de tipo polarizado o con toma de
tierra. Un enchufe polarizado tiene dos bornes, uno más ancho que el otro. Uno
con toma de tierra tiene dos bornes normales y un tercero para la conexión a
tierra. El borne ancho o el tercero se incluyen como medida de seguridad. Cuando
el enchufe no encaje en su salida de corriente, llame a un electricista para que le
cambie su salida anticuada.
10. Evite que el cable de corriente quede en una posición en la que pueda ser pisado
o aplastado, especialmente en los enchufes, receptáculos y en el punto en el que
salen de la unidad.
11. Desconecte de la corriente este aparato durante las tormentas eléctricas o cuando
no lo vaya a usar durante un periodo de tiempo largo.
12. Dirija cualquier posible reparación solo al servicio técnico oficial. Deberá hacer que
su aparato sea reparado cuando esté dañado de alguna forma, como si el cable de
corriente o el enchufe están dañados, o si se han derramado líquidos o se ha intro-
ducido algún objeto dentro de la unidad, si esta ha quedado expuesta a la lluvia o
la humedad, si no funciona normalmente o si ha caído al suelo.
ATTENTION: Pour éviter tout risque d’électrocution ou d’incendie, ne pas exposer
cet appareil à la pluie ou à l’humidité. Pour éviter tout risque d’électrocution, ne pas
ôter le couvercle ou le dos du boîtier. Cet appareil ne contient aucune pièce rem-
plaçable par l'utilisateur. Confiez toutes les réparations à un personnel qualifié.
Le signe avec un éclair dans un triangle prévient l’utilisateur de la présence d’une
tension dangereuse et non isolée dans l’appareil. Cette tension constitue un risque
d’électrocution. Le signe avec un point d’exclamation dans un triangle prévient
l’utilisateur d’instructions importantes relatives à l’utilisation et à la maintenance du
produit.
Consignes de sécurité importantes
1. Veuillez lire toutes les instructions avant d’utiliser l’appareil.
2. Conserver ces instructions pour toute lecture ultérieure.
3. Lisez avec attention toutes les consignes de sécurité.
4. Suivez les instructions du fabricant.
5. Ne pas utiliser cet appareil près d’une source liquide ou dans un lieu humide.
6. Nettoyez l’appareil uniquement avec un tissu humide.
7. Veillez à ne pas obstruer les fentes prévues pour la ventilation de l’appareil.
Installez l’appareil selon les instructions du fabricant.
8. Ne pas installer près d’une source de chaleur (radiateurs, etc.) ou de tout équi-
pement susceptible de générer de la chaleur (amplificateurs de puissance par
exemple).
9. Ne pas retirer la terre du cordon secteur ou de la prise murale. Les fiches cana-
diennes avec polarisation (avec une lame plus large) ne doivent pas être modi-
fiées. Si votre prise murale ne correspond pas au modèle fourni, consultez votre
électricien.
10. Protégez le cordon secteur contre tous les dommages possibles (pincement,
tension, torsion,, etc.). Veillez à ce que le cordon secteur soit libre, en particulier à
sa sortie du boîtier.
11. Déconnectez l’appareil du secteur en présence d’orage ou lors de périodes
d’inutilisation prolongées.
12. Consultez un service de réparation qualifié pour tout dysfonctionnement (dom-
mage sur le cordon secteur, baisse de performances, exposition à la pluie, pro-
jection liquide dans l’appareil, introduction d’un objet dans le boîtier, etc.).
Table of Contents
Introduction 2
MDR6 Features 3
Controls and Functions
Front and Rear Panel Layout 4–5
Mono Input Channel Section 6–7
MasterSection 8–9
MDR6 Input and Output Connections 10–11
Operating the MDR6 12–15
System Set-ups 16–17
MDR6 Wiring Guide 66
Specifications 67
Block Diagram 71
Copyright 2002 - 2005, Samson Technologies Corp.
Version 4.0 - Printed April, 2005
Samson Technologies Corp.
575 Underhill Blvd.
P.O. Box 9031
Syosset, NY 11791-9031
Phone: 1-800-3-SAMSON (1-800-372-6766)
Fax: 516-364-3888
www.samsontech.com
Table des matières
Introduction 18
Caractéristiques de la console MDR6 19
Réglages et fonctions
Faces avant et arrière 20–21
Entrées mono 22–23
Section de sortie 24–25
Connexions d’entrées et de sorties de la MDR6 26–27
Utilisation de la console MDR6 28–31
Configurations d’utilisation 32–33
Guide de câblage de la console MDR6 66
Caractéristiques techniques 68
Synoptique 71
Inhalt
Einleitung 34
MDR6 Features 35
Regler und Funktionen
Vorder- und Rückseite 36–37
Mono-Eingangskanal-Sektion 38–39
Master-Sektion 40–41
MDR6 Eingänge und Ausgänge 42–43
MDR6bedienen 44–47
System-Einrichtungen 48–49
MDR6-Verdrahtung 66
Technische Daten 69
Blockdiagramm 71
Indice
Introducción 50
Características del MDR 51
Controles y Funciones
Distribución del panel frontal y trasero 52–53
Sección de canal de entrada mono 54–55
Sección Master 56–57
Conexiones de entrada y salida del MDR6 58–59
Manejo del MDR6 60–63
Configuraciones del sistema 64–65
Cableado del MDR6 66
Especificaciones técnicas 70
Diagrama de bloques 71
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ENGLISH
2
Congratulations on your purchase of the Samson MDR6 mixer! The MDR6 is an six channel mixer, with four low noise
microphone pre-amps. The MDR6 also features HDM (Hard Disk Mode), which when engaged, provides a special moni-
toring and bussing mode ideal for interfacing with a computer based hard disk recorder. Clean, clear sound reproduction
packaged in a rugged enclosure, ensure reliable high quality sound from performance to performance. Optimized for
recording, live sound reinforcement and commercial installations, the MDR6 is an ideal mixer solution offering big sound
in a compact package.
In these pages, you’ll find a detailed description of the features of the MDR6 mixer, as well as a description of its front
and rear panels, step-by-step instructions for its setup and use, and full specifications. You’ll also find a warranty card
enclosed—please don’t forget to fill it out and mail it in so that you can receive online technical support and so we can
send you updated information about these and other Samson products in the future.
With proper care and adequate air circulation, your MDR6 will operate trouble free for many years. We recommend you
record your serial number in the space provided below for future reference.
Serial number:
Date of purchase:
Should your unit ever require servicing, a Return Authorization number (RA) must be obtained before shipping your unit
to Samson. Without this number, the unit will not be accepted. Please call Samson at 1-800-3SAMSON (1-800-372-6766)
for a Return Authorization number prior to shipping your unit. Please retain the original packing materials and if possible,
return the unit in the original carton and packing materials.
Introduction
3
ENGLISH
3
MDR6 Features
The Samson MDR6, six channel mixer, is a comprehensive, all-in-one solution for live sound, recording, fixed installation
and post production applications. Here are some of its main features:
• Six channels – Two Mic/Line plus two Stereo inputs with mic pre’s.
• Flexible design topology ideal for live sound, recording and post production.
• Unique monitoring and bussing in HDM (HARD DISK MODE) provides a seamless interface with computer
based, hard disk recording systems.
• 60 mm audio taper faders on all channels and the master Mix outputs.
• 2TK LEVEL control allows you to mix in a CD, DAT, Cassette, Computer Sound Card or Mini Disk.
• Three-band channel equalizer, +/-15dB at 80Hz, 2.5 KHz and 12KHz provides precise and musical results in
sound shaping.
• An Auxiliary Send for external effects, on stage monitor mix, or headphone mixing.
• Five segment LED Meter with VU ballistics displays the main MIX output.
• High quality, low noise, discrete microphone pre-amplifiers with 48-Volt phantom power, provide Maximum
Dynamic Range and transparent audio.
• Advanced circuit design using discrete components and high quality, low noise op-amps carefully selected at
each stage of the signal path.
• Quality built and rugged construction ensure reliable performance from venue to venue and session to session.
• Three-year extended warranty.
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4
ENGLISH
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11
5
6
7
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10
9
1
2
3
4
27
12
28 29
25
26
13 14 15 16
17
18
19
20
21
22
23
24
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
5
-265
-26
60
+26 60
+26
MONO
MONO OUT
AUX OUT
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK LEVEL
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
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0
10
5
20
30
40
15 15
10
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0
10
5
20
30
40
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0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
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0
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30
40
10
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20
30
40
15 15 15
HARD
DISK
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2 CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LLRRMIXMIX
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC REC
RECREC MASTER SECTION
PEAK
+6
0
-6
-20
POWER48V
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Controls and Functions
POWER PHANTOM
AC ADAPTOR
ON ON
CAUTION
RISK OF ELECTRICAL SHOCK
DO NOT OPEN
RISQUE DE SHOCK ELECTRIQUE
NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK
DO NOT REMOVE BOTTOM COVER
NON SERVICEABLE PARTS INSIDE
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
REFER SERVICING TO QUALIFIED PERSONNEL
SERIAL NUMBER :
MADE IN CHINA
www.samsontech.com
DESIGNED AND ENGINEERED IN THE UNITED STATES BY SAMSON TECHNOLOGIES
POWER
A B C
Front and Rear Panel Layout
5
ENGLISH
5
Front and Rear Panel Layout
FRONT PANEL
1 MIC/LINE – Combination Input connector for Low-Noise
Microphone pre-amp and Line level inputs.
2 GAIN – Used to set the input level of the mic pre and line
input.
3 CLIP – Red LED will illuminate indicating when the mic GAIN
has been adjusted too high.
4 HIGH FREQUENCY – Controls the high band of the Channel
Equalizer, +/- 15 dB at 12KHz.
5 MID FREQUENCY – Controls the mid band of the Channel
Equalizer, +/- 15 dB at 2.5KHz.
6 LOW FREQUENCY – Controls the low band of the Channel
Equalizer, +/- 15 dB at 80Hz.
7 AUX – Pre fader auxiliary send that can be used with an exter-
nal effects processor, or to create a cue or monitor mix.
8 PAN – Controls the channel’s position between left and right
in the stereo bus.
9 RECORD – Used in the HDM (HARD DISK MODE) to assign the
channel to the Record bus.
10 FADER – 60 mm audio taper fader provides smooth control
over level changes.
11 STEREO MIC/LINE - Combination Input connector for
Low-Noise Microphone pre-amp and Left Line Input for the
stereo channels.
12 RIGHT LINE – Right Line Input connector on the stereo chan-
nels.
13 AUX RET – Input connector from external line level sources.
14 CONTROL ROOM – Left and Right output connectors for con-
necting a monitor system.
15 MIX – Left and Right main Mix output connectors.
16 AUX OUT – Line level output from the Auxiliary bus.
17 MONO OUT – The Left and Right main Mix outputs are
summed together to a monaural signal and sent out this con-
nector.
18 2 TRACK INPUTS & OUTPUTS – Connect a DAT,
Cassette, Mini Disk or Hard Disk Recording system.
19 MONO OUT LEVEL – Used to set the volume of the
MONO mix.
20 HDM ( Hard Disk Mode) - Switch configures the mixer for
recording and overdubbing on a computer based hard
disk recording system.
21 PHANTOM – Indicates that the 48 Volt Phantom Power is
on.
22 POWER – Indicates the MDR6 is powered up.
23 OUTPUT METER - Five segment display with VU
ballistics indicates main Mix level.
24 MIX FADERS – Used to control the overall volume of
the Left and Right main Mix outputs.
25 2TK LEVEL - Level control used to mix the 2 track input
with the mix from the channel inputs.
26 AUX RETURN – Used to mix in level of the effects return.
27 HEADPHONE JACK – Connect stereo headphones here.
28 C ROOM/HEADPHONE – Adjusts the volume of the con-
trol speakers or headphones.
29 2TRACK/MIX – Switches between the main Mix and the
2 Track in the Control Room output.
30 BALANCE – Adjusts the relative loudness of the
signal sent to the Left and Right mix outputs.
REAR PANEL
A AC ADAPTOR INLET – Connect External AC power sup-
ply here.
B POWER – Switches on the MDR6’s main power.
C PHANTOM – Engages the 48-Volt Phantom power sup-
ply to microphone pre- amps.
Front and Rear Panel Layout
6
ENGLISH
6
Controls and Functions
The following section details each part of the MDR6’s MONO INPUT CHANNELS including the GAIN control, 3-BAND EQ,
AUX send, RECORD, PAN and LEVEL controls. The input channels one through four on the MDR6 feature high quality,
discrete transistor pre-amp providing transparency and extended dynamic range. The combination connector accepts
a standard XLR mic cable for microphone level signals, or a standard 1/4" phone cable, either balanced (TRS – TIP/ RING/
SLEEVE) or unbalanced (TS – TIP/SLEEVE) for line level signals.
GAIN
The MDR6’s pre-amp stage has a variable GAIN control with a range of 5 to 60dB on the
MIC input and –26 to +26dB on the LINE input.
CLIP LED
The MDR6’s MIC/LINE pre-amp also includes a CLIP LED which, when illuminated, indi-
cates that the signal is peaking or overloading. To reduce distortion, lower the GAIN con-
trol to keep this LED from staying on.
CHANNEL EQUALIZER
The MDR6 input channels feature a 3-band equalizer allowing you to adjust the high,
mid, and low frequencies independently on each channel. The channel’s frequency
response is flat when the knobs are in the "12:00" position. Rotating the knob towards
the right will boost the corresponding frequency band by 15dB, and rotating it towards
the left will cut the frequency by 15dB. The frequency centers, range of boost or cut, and
equalizer type for each band are as follows:
High: 12KHz +/- 15dB shelving type
Mid: 2.5KHz +/- 15dB peaking type
Low: 80Hz +/- 15dB shelving type
AUX SEND
The AUX section is often used for a monitor mix in a live sound mixing, or for a head-
phone mix in a recording application. Each input channel includes an Aux send which
controls the amount of that channel’s signal that is sent to the Aux bus.
1
2
4
1
2
4
3
3
MONO INPUT CHANNEL SECTION
7
ENGLISH
BALANCE (Stereo Inputs Only)
The MDR6’s BALANCE control is used to place or position a mono input
into the stereo main Left and Right MIX bus. For a stereo input, the bal-
ance control is used to center the sound between the Left and Right Mix
bus. You can create a stereo image by panning some input signals to the
left and others to the right.
PAN (Mono Inputs Only)
The MDR6’s PAN control is used to place or position the mono signal into
the stereo main Left and Right MIX bus. You can create a stereo image by
panning some input signals to the left and others to the right. The MDR6’s
PAN control is a Power-Pan circuit, which includes a 3dB dip in the center
position. This is desirable since there’s a 3dB increase in gain when the
mono input signal is heard in both the Left and Right MIX bus.
RECORD
The RECORD switch is used when operating the MDR6’s HDM (HARD DISK
MODE). If HDM in the master section is not engaged, the RECORD switch
LED will be off and pressing the RECORD switch will have no effect. This
is the normal mode of operation for most live mixing situations, however
since the HDM provides some extra flexibility in signal routing. The HDM
can be used for zone mixing as well. For more information on the HDM,
see the section “Using the HDM” on page 14 of this manual.
FADER
The MDR6’s 60mm input FADER controls the overall channel level. The
input FADER features an audio taper and no detents for smooth fades.
5
Controls and Functions
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MONO INPUT CHANNEL SECTION
7
8
7
7
5
6
8
8
ENGLISH
2TK LEVEL
The 2TK LEVELcontrol is used to adjust the amount of signal that is sent from the 2T IN jacks to the main L/R Mix
bus. For more information see the following section "Mixing a 2-track with the Stereo MIX".
HDM
The HDM switch enables the HARD DISK MODE and is used
to interface with a computer based, hard disk recorder. When
turned on, the channel RECORD switches are activated for
special bussing and monitoring features. For more informa-
tion on using HDM, see the section "Using the HDM" on page
14 of this manual.
Mixing a 2-track with the Stereo Mix
You can mix the 2T IN with the input faders using the Hard Disk Mode.
To do this follow these simple steps.
• Connect the 2-track device to the 2T IN input connectors and
any mic or line inputs to channels 1-8.
• In this mode the C/ROOM+PHONES control will act as your
master volume, so for now, turn that all the way down.
• Connect the CR LEFT and RIGHT outputs to your power
amp or powered speakers.
• Press the HDM switch in the master section so that the yellow
LED is illuminated.
• Now raise the C/ROOM+PHONES level control up to a bit
under 5.
• Raise the MASTER FADERS to “O” so you can hear the mix from
the input channels 1 – 8.
• Now, raise the channel faders and 2TK LEVEL control until you have the mix you want.
• Adjust the C/ROOM+PHONES level control to set the desired final level.
9
Controls and Functions
2 TRACK INPUT AND OUTPUT
The MDR6’s 2 Track section provides the connections for playback and recording for an external device such as
a DAT, cassette recorder, CD or Mini Disk. -The signal from a device connected to the 2T IN is heard only in the
CONTROL ROOM and HEADPHONE outputs.
MASTER SECTION
Auxiliary Return
The MDR6 has a stereo auxiliary return, which can be accessed via the pair of 1/4-inch phone jacks located on the top
panel. The Auxiliary Return can be used to connect any stereo line level signal, but they are primarily used to connect the
output of external effects processors.
AUX RET
This adjusts the amount of signal that is coming from the AUX RET jacks to the MAIN bus.
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ENGLISH
C/ROOM + PHONES
The C/ROOM + PHONES control is used to set the level sent to the control room outputs, and also to the head-
phone jack.
+48V - Phantom Power LED
The +48V LED illuminates indicating that the 48 volt
phantom power is applied to the microphone pre-amps
enabling use with condenser microphones.
The +48V LED will light up when the Phantom Power
switch (located on the rear panel) is switched to the ON
position.
POWER LED
The Power LED lights up to indicate that the main
POWER switch (located on the rear panel) is on.
Output Level Meter
The OUTPUT LEVEL METER allows you to monitor the
level of the signal which is being sent to the MIX OUT
jacks.
NOTE: To avoid distortion, adjust the L/R faders so that
the 0 indicator LED lights occasionally.
MIX/2T
The MIX/2T switch selects the signal source that you are
monitoring in the CONTROL ROOM and HEADPHONE
outputs. When the switch is in the up position, the sig-
nal source is from the LEFT/ RIGHT MIX bus. When the
MIX/2T switch is in the down position, the signal source
is from the 2-TRACK input.
L MIX R
The master MIX level controls are the overall volume
control for the MIX bus. The MAIN level affects both the
Control room signal which is output to the speakers and
the line level signal which is output from the MIX OUT
jacks.
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Controls and Functions
MASTER SECTION
12
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13 14
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ENGLISH
Line Level Input - Mono Input Channels
Use these inputs to connect synthesizers, drum machines, effects processors or any line-level signal. The LINE
inputs have a nominal operating level of -40dB through - 10dB. TRS phone jacks (located in the center of the
Combination connector). Connector pin-out - Sleeve: Ground, Tip: Hot (+), Ring: Cold (-)
Microphone Input - Mono Input Channels
Use these inputs to connect Low Impedance microphones and low level signals from direct boxes. The MIC inputs
have a nominal operating level of –50dB through -20dB. The MIC inputs also feature +48V phantom power, allow-
ing you to use condenser microphones. The Phantom Power switch located on the MDR6’s rear panel enables
phantom power on all the microphone inputs when set to the ON position. XLR Connector pin-out - Pin 1: Ground,
Pin 2: Hot (+), Pin 3: Cold (-)
Line Level Input - Stereo Input Channels
The MDR6’s stereo channels have a stereo LINE input with the Left Input located in the center of the Combie con-
nector and a separate 1/4-inch connector for the Right Input. You can connect the outputs from stereo devices
such as synthesizers, drum machines, effects processors or any stereo line-level signal. The LINE inputs have a nomi-
nal operating level of -40dB through - 10dB. TRS phone jacks Connector pin-out - Sleeve: Ground, Tip: Hot (+), Ring:
Cold (-)
Microphone Input - Stereo Input Channels
The MDR6’s stereo channels have a utility MIC input located on the Combie connector. The utility MIC inputs have a
nominal operating level of –50dB through -20dB. The MIC inputs also feature +48V phantom power, allowing you
to use condenser microphones. The Phantom Power switch located on the MDR6’s rear panel enables phantom
power on all the microphone inputs when set to the ON position. XLR Connector pin-out - Pin 1: Ground, Pin 2: Hot
(+), Pin 3: Cold (-)
MDR6 Input and Output Connections
CHANNEL 1–6 MIC and LINE INPUTS
The MDR6’s six input channels each have a "Combie" (combination XLR & 1/4-inch) connector with a LINE level, Hi-Z
(High Impedance) input and a MIC level, Low-Z (Low Impedance) input. By using the GAIN control on channels 1 +
2 you can connect a variety of signal sources from microphones to line level devices such as synthesizers, and drum
machines. All the LINE and MIC inputs are balanced. The MIC inputs are compatible with microphones with output
impedances of 50~600 Ohms and the LINE inputs are compatible with line level devices of 600 Ohms.
NOTE: It is not possible to simultaneously use both the LINE and MIC inputs on the same channel (with the exception on
the stereo input channels). Use only one of the inputs for the appropriate source on each channel.
Following below is a detailed description of the MDR6’s input and output connectors.
1
1
3
3
4
4
5
6
2
7 89
2
11
ENGLISH
AUX RETURN LEFT/RIGHT
The AUX RETURN LEFT/RIGHT are stereo inputs that are generally used to connect the outputs of an effects proces-
sor, but can also accept the signal from any line level source like a keyboard, recorder and even another mixer. The
signal connected to he AUX RETURN LEFT/RIGHT will feed the main LEFT/RIGHT MIX bus. The overall level is con-
trolled by the AUX RET knob located in the master section on the front panel.
AUX Output
The signal present at the AUX output is sent from the AUX bus, which is fed from the AUX send on the input chan-
nels. The AUX output can be used as the MONITOR MIX bus in a live sound situation by connecting the output to a
power amp and monitor speaker.
CONTROL ROOM LEFT/RIGHT
The Control Room outputs are used to connect a studio monitor system. The Control Room outputs have the same
output as the L/R MIX, however, the level can be adjusted independently from the main mix using the C ROOM/
HEADPHONES control.
LEFT/RIGHT MIX
In a live sound application the LEFT/ RIGHT MIX outputs are connected to a power amplifier or powered speak-
ers. In a recording application, the LEFT/ RIGHT MIX outputs are used to connect a stereo device such as computer
sound card, DAT, or cassette recorder.
MONO OUTPUT
The Left and Right Mix outputs are summed together and sent to the MONO output. The level of the
Mono signal can be adjusted using the MONO OUT level control located just below the connector and
used to feed a speaker zone in a fixed installation.
MDR6 Input and Output Connections
EXTERNAL OUTPUT JACKS
The MDR6 features several output connectors allowing you to interface a variety of external devices. A stereo recording
device such as a cassette recorder can be connected to the 2 Track jacks, and additional power amplifiers can be con-
nected to the CONTROL ROOM and MAIN output jacks.
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ENGLISH
Operating the MDR6
USING AN EXTERNAL EFFECT
If you want to use an external device for effects processing, you
can easily connect the unit using the MDR6 AUX bus. Follow the
simple steps below to interface your processor:
1. Set the L/R mix faders to the "0" position.
2. Raise the AUX RETURN knobs for the channels to which you
want the external effect to be applied.
3. Set the input level of the external effect so that the sound is not
distorted and so that the effect’s input meter does not indicate
a clipped signal.
4. Use the AUX control to adjust the level of the effects processed
by the external effects device.
PLAYING BACK A CD USING2TK LEVEL
The MDR6 has a dedicated input for playing back a CD, Tape or
Mini Disk, which is heard in the Control Room and Headphone
outputs. Below is a description of how you can play back a CD, Tape or MD using the MDR6’s 2 TRACK INPUT.
• Turn the CONTROL ROOM level control all the way down.
• Adjust the2TK LEVEL control a bit below the "O " position.
• Start playback on the CD, Tape or MD player.
• Now raise the CONTROL ROOM level until you reach a
comfortable listening level.
For more information see the section "Mixing a 2-track with the
Stereo MIX" on page 8 in this manual.
RECORDING A MIX FROM THE MDR6
You can record the audio from the MDR6’s mixer section includ-
ing the MIC, LINE, TAPE IN and AUX inputs to a Cassette deck,
MD, DAT or any other type of recorder using the 2 Track outputs.
Simply connect the MDR6’s 2-Track OUT to the input jacks of the
recorder as shown in the diagram to the right.
OUTPUT
DAT RECORDER
RECORD
INPUT
LR
L R
LLRRMIXMIX
MONO
MONO OUT
AUX OUT
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
AUX RETURN
C/ROOM
+PHONES
PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
HDR
MIX/2T
5
0 10
5
0
2TK TO RETURN
5
0 10
10
5
0 10
MASTER SECTION
MASTER SECTION
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15 15
PEAK
+6
0
-6
-20
POWER
48V
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Signal Processor
INPUT
LEFT
OUTPUT
RIGHT
OUTPUT
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PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
5
-26 5
-26
60
+26 60
+26
MONO
MONO OUT
AUX OUT
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK TO RETURN
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
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30
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10
5
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10
5
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30
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15 15
10
5
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5
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30
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5
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15 15
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5
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10
5
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30
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HARD
DISK
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2 CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LLRRMIXMIX
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC REC
RECREC MASTER SECTION
PEAK
+6
0
-6
-20
POWER48V
SENDING AN INDEPENDENT MIX TO THE MONITOR SPEAKERS
The MDR6’s AUX send can be used to feed a separate set of amplifiers and loudspeakers for stage monitors. This lets you
build one stereo mix for the amplifiers and speakers facing the audience and the other mono mix for the amplifiers and
monitor speakers facing the musicians.
1. Raise the AUX controls for the channels that you wish to hear from the monitor speakers.
NOTE: The AUX controls are "PRE-FADER SENDS" which means they are not affected by the FADER level settings
of each channel. This allows you to create a mix for the monitors that is independent of the main LEFT and RIGHT
MIX.
2. In order to get the most gain from your monitor mix, use an external graphic equalizer like a Samson S curve 131 to cut
out any frequencies that cause feedback.
13
ENGLISH
Operating the MDR6
BASIC OPERATION
The following section explains the basic operation of the MDR6.
CONNECTING MICROPHONES AND
INSTRUMENTS
1. Before connecting mics or instruments, make
sure that the power of all your systems com-
ponents including the MDR6 is turned off.
Also, make sure that the Left and Right MIX
faders are turned all the way down.
2. Connect the cables to your microphones and
instruments, and insert the other end of the
cable firmly into the appropriate input on the
MDR6.
NOTE: SETTING THE INPUT GAIN - When con-
necting a microphone to channels 1 + 2, it’s a
good idea to start with the Gain Control turned
all the way down. Set the input fader to the "0"
position and slowly raise the GAIN control until
you see the CLIP LED turn on. Now, back the
GAIN control down so that the CLIP LED only
lights for a short time during the loudest input
the channel will see.
3. Switch on the power of any peripheral devic-
es, and then power up the MDR6.
NOTE: It is important to remember the Golden
Rule of audio … " LAST ON, FIRST OFF".
Translated, this means that when turning on
your system, you should always turn your power
amplifiers or powered monitors on LAST, and when turning your system off, turn your power amps off FIRST. This helps
avoid any loud pops caused by inrush current at power up, which can sometimes damage loudspeakers.
4. Turn on your power amp or powered monitors and raise the level control to the manufacturers’ recommended oper-
ating level.
5. Set the Left and Right MIX faders in the MDR6’s master section to the "0" position.
6. While speaking into the mic (or playing the instrument), adjust the channel Fader control so that the "0" LED of the
MAIN section peak level meter lights occasionally.
7. You can shape the tone of each channel by adjusting the equalizer controls as desired.
Bass Guitar
Lead Guitar
Keyboards
SIGNAL FLOW
SIGNAL FLOW
S
A
M
S
O
N
R
2
1
SIGNAL FLOW
SIGNAL FLOW
Vocal
Signal Processor
Direct Box
Stereo Signal
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PAN
0
L R
HF
12K
0
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1010
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15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
5
-26 5
-26
60
+26 60
+26
MONO
MONO OUT
AUX OUT
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK TO RETURN
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
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5
20
30
40
10
5
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10
5
20
30
40
15 15
10
5
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5
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30
40
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30
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15 15
10
5
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5
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30
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15 15 15
HARD
DISK
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2 CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LLRRMIXMIX
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC REC
RECREC MASTER SECTION
PEAK
+6
0
-6
-20
POWER48V
14
ENGLISH
Operating the MDR6
Using The HDM (HARD DISK MODE)
The MDR6 includes an exclusive HDM (HARD DISK MODE) that has been designed to interface with computer based
hard disk recorders. Never before have such flexible routing and monitoring been included in such a small mixer. The
HDM provides a seamless solution for recording and overdubbing on a hard disk recorder by providing a special record
bus plus unique monitoring to solve latency problems.
When you are working with the mixer configured to HDM, the MDR6 engages the RECORD bus and a special 2-Track lis-
tening mode. When engaged, the HDM allows you to assign any of the channels to the RECORD bus. In this mode, the 2-
Track output (located in the Master section) is now outputting the mix from the RECORD bus. While in HDM you can still
mix in the 2-Track return, however, it will not be recorded since it is not sent to the RECORD (2-Track Out) bus. Therefore,
if your hard disk recorder is connected to the 2-Track Inputs and Outputs, you can listen to the output of the hard disk
recorder while listening to the MDR6 input channels. By listening to the tracks that you are recording directly from the
input faders, you avoid having to loop back the track you
are recording, thereby eliminating latency delays. Follow
the examples below to use the HDM.
Set the MDR6 INPUT faders all the way down and the L
& R MIX faders to the “0” position. For this example, we’ll
first record a rhythm track sequence from a MIDI keyboard
(any stereo track will do), then do an overdub. If you are
using an imported loop or internal sequencer, skip the
Recording section and go on to the Overdub section.
Recording Using HDM
1. Connect the output from your computer sound card
to the MDR6’s 2-Track In and then connect the MDR6’s
2-Track Output to the input of the sound card.
2. Connect the outputs from a MIDI keyboard to the ste-
reo inputs channels 5/6.
3. Engage the HDM switch in the MASTER section.
4. Press the RECORD switch on the MDR6’s channel 5/6. The input channel’s REC LED
will flash indicating the channel is assigned to the RECORD bus.
5. Raise the channel 5/6 fader to the nominal area (0 ).
6. Now, test your listening level by starting the MIDI sequencer and slowly raising the
Control Room output level until you have set a comfortable listening level. If the
sound is too low, raise the output level of your keyboard. If the sound is distorted,
lower the output level of your keyboard.
7. Select the record enable on the tracks you are recording to on your hard disk record-
er and set a level as described in your software manual.
8. Press REC/PLAY on your recorder and play on the MIDI sequencer.
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PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
5
-26 5
-26
60
+26 60
+26
MONO
MONO OUT
AUX OUT
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK TO RETURN
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
0
10
5
20
30
40
10
5
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5
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30
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15 15
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15 15 15
HARD
DISK
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CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2 CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LLRRMIXMIX
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC REC
RECREC MASTER SECTION
PEAK
+6
0
-6
-20
POWER48V
15
ENGLISH
Operating the MDR6
Using The HDM (Continued)
Overdubbing Using HDM
Now that you have recorded a basic rhythm track you can overdub additional tracks using MDR6’s HDM. For this exam-
ple, we’ll overdub a vocal track using a microphone. Follow the steps below.
1. Connect the output from your computer sound card to the MDR6’s 2-Track In and then connect the MDR6’s 2-Track
Output to the input of the sound card.
2. Connect a microphone to the MDR6’s Channel 1 microphone input and set a proper level using the GAIN control
and peak LED.
3. Engage the HDM switch.
4. Press the RECORD switch on the MDR6’s Channel 1. The input channel’s REC LED will flash indicating the channel is
assigned to the RECORD bus.
5. Raise the Channel 1 fader to the nominal area (0 ).
6. Now, test your listening level by pressing PLAY on your hard disk recorder and by slowly
raising the 2TK LEVELlevel control until you have set a comfortable listening level. Use
the 2TK LEVELand CONTROL ROOM/HEADPHONE level controls to set a good balance
between the hard disk recorder and the input.
7. Select the record enable on the track you are recording to on your hard disk recorder and
set a level as described in your software manual.
8. Press REC/PLAY on your hard disk recorder and record your vocal track.
NOTE: The RECORD bus is stereo, therefore the input channels PAN and BALANCE controls will
determine how much signal is sent to the LEFT or RIGHT
2-TRACK output. If you want an input channels signal to send only to the LEFT RECORD bus,
then set the PAN control all the way to the left. If you want an input channels signal to send
only to the RIGHT RECORD bus, then set the PAN control all the way to the right.
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16
ENGLISH
Bass Guitar Lead Guitar
Keyboards
SIGNAL FLOW
SIGNAL FLOW
S
A
M
S
O
N
R
2
1
SIGNAL FLOW
SIGNAL FLOW
Vocal
Signal Processor
Direct Box
Stereo Signal
RIGHT MAIN
OUTPUT
LEFT MAIN
OUTPUT
POWERED SPEAKER
INPUT POWERED SPEAKER
INPUT
SAMSON TECHNOLOGIES CORP., HICKSVILLE, NEW YORK
TO P REVE NT SHOC K DO
NO T O P EN . N O US E R
SE R V I C AB L E P A RT S
INSIDE. REFER SERVICING
TO QUALIFIED SERVICE
PERSONNEL. TO PREVENT
FIRE OR SHOCK HAZ ARD
DO NOT EXPOSE TO RAIN
OR MOISTURE.
CAUTION
HEATSINK MAY BE
HOT! DO NOT BLOCK
AIRFLOW OR OVER-
HEATING MAY OCCUR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
SERIAL
NUMBER
FUSE
FUSE RATING
12A/250V (115V)
6A/250V (230V)
CAUTION
!
~AC INPUT
115V/230W, 50/60HZ
510W (115V)900W (230V)
USE CLASS 2 WIRING MAXIMUM LOAD IMPEDANCE 4Ω
RIGHT LEFT
+RIGHT LEFT+
GROUND
OUTPUT 250W/4Ω
SERVO 550 STUDIO AMPLIFIER
RIGHT
LEFT
BRIDGED
MONO STEREO
INPUTS
(BALANCED
10KΩ/0dBm0)
TIP RING SLEEVE
TIP +
RING -
SLEEVE GND
AUX 2
OUTPUT
MONITOR AMP
OUTPUTS
SIGNAL FLOW
SIGNAL FLOW
SIGNAL FLOW
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
5
-26 5
-26
60
+26 60
+26
MONO
MONO OUT
AUX OUT
LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT RIGHT LEFT RIGHT
2T IN 2T OUT
MIX/2T
PAN
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
30
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
BAL
0
L R
HF
12K
0
15
1010
55
15
MF
2.5K
15
1010
5
15
0
5
0
LF
80Hz
0
15
1010
5
15
5
0
5
0 10
5
0 10
2TK TO RETURN
5
0 10
5
0 10
AUX
0 10
AUX
0 10
AUX
0 10
AUX
0 10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15 15 15
HARD
DISK
CHANNEL 1CHANNEL 1 CHANNEL 2CHANNEL 2 CHANNEL 3/4CHANNEL 3/4 CHANNEL 5/6CHANNEL 5/6 LLRRMIXMIX
MIC/LINE 1 MIC/LINE 2 MIC/LINE 3/4 MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC REC
RECREC
MASTER SECTION
PEAK
+6
0
-6
-20
POWER48V
MDR6 System Set-Ups
This system shows the
MDR6 connected to a
pair of powered speak-
ers like the SAMSON
Expedition EX20. The
MONITOR OUT is con-
nected to an external
power amp, which is
driving 2 monitor speak-
ers. For inputs, one micro-
phone is connected to
channel 1’s low-imped-
ance input, and the
output of the Bass Direct
Box is also connected
to the Low-Impedance
input on Channel 2. The
Keyboards, as well as
the Lead Guitar’s signal
processor's outputs, are
connected to the MDR6’s
line inputs.
MDR6’s AUX OUT
connected to an external
monitor amp.
MDR6 LIVE SOUND SET-UP
17
ENGLISH
MDR6 System Set-Ups
This system shows the MDR6
in a recording set up with the
LEFT and RIGHT CONTROL
ROOM output hooked up
to powered studio monitors
and the AUX OUT feeding
a headphone mix sent to a
Samson S•phone headphone
amp. For inputs, a microphone
is connected to channel 1’s
low-impedance input, and the
output of the Bass Direct Box
is also connected to the Low-
Impedance input on channel
2. The Keyboards, as well as the
Lead Guitar’s signal proces-
sor's outputs, are connected to
the MDR6s line inputs.
MDR6 RECORDING SET UP
FRANÇAIS
18
Nous tenons à vous remercier d’avoir choisi la console Samson MDR6. La MDR6 est une console six canaux, avec 4 pré-
amplificateurs micro à faible bruit. La MDR6 offre également une fonction HDM (Hard Disk Mode), offrant un mode
d’affectation des bus et du système d’écoute prévu pour les enregistrements sur ordinateur. Le boîtier très robuste vous
assurera une qualité exceptionnelle, utilisation après utilisation. Optimisée pour l’enregistrement, la sonorisation et les
installations commerciales, la MDR6 offre une solution de mixage idéale avec un son d’une fidélité parfaite dans un for-
mat compact.
Dans ces pages, vous trouverez une description complète des fonctions de la MDR6, ainsi qu’une description des
réglages et connecteurs de face avant et arrière. Vous trouverez également les instructions d’utilisation pas à pas et les
caractéristiques techniques. Vous trouverez aussi une carte de garantie — veillez à la remplir et à nous la retourner pour
bénéficier des informations sur les mises à jour et les nouveaux produits Samson.
Avec une utilisation correcte, la MDR6 vous offrira de nombreuses années d’utilisation sans souci. Nous vous recomman-
dons d’inscrire dès maintenant le numéro de série et la date d’achat du produit ci-dessous.
Numéro de série :
Date d’achat :
En cas de réparation, consultez votre revendeur ou votre distributeur avant tout envoi. Conservez l’emballage d’origine
pour tout transport ou envoi futur du produit.
Introduction
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2
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