
ROY X Class–A High Voltage Prea mp / No Integra ted Circuits / No NFB MULTIEFFECT
INSERTLINE OUT
MASTER
encoder mix delay + rev chorus
chorus + rev
chorus +de lay
(150 ms)
200
100 mid
mid
slow
slow
fast
fast
00
500
400
800
voice doubler
SWISS
MADE
MULTIEFFECTINSTRUMENT IN Ø GAIN WARM LOW MID HIGH REV / AUX VOLUME STEREO IN L VOLUME
OL
INSERT RESON
10V R
5 6 7
MIC IN A INSTRUMENT IN B
4
PARAMETRIC MIDS
3
2
gain
1
00 Hz . KHz
240 Hz
150 Hz
48V A
10V B
GAIN
OL
LOW MID HI MULTIEFFECT REV / AUX VOLUME
240 Hz
150 Hz
GAIN
OL
LOW MID HIGH MULTIEFFECT REV / AUX VOLUME
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
PARAMETRIC MIDS
gain
00 Hz . KHz
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
D.I. OUT AUX OUT HEADPHONES
DECAY REVERB
master
7 C H A N N E L − A C O U S T I C − A M P L I F I E R
ROY X 4 5 0 W A TT
ACO U S TI C
A M P L I F I E R
2 3 0 W A T T
− P O W E R −
CONSUMPTION
SERIAL NUMBER
W W W . S C H E R T L E R . C O M
M
A
D
E
+
S
W
I
S
S
FOOTSWITCH
REV
delay
flat
RESON
flat
700 Hz
700 Hz
INSERTMIC IN A INSTRUMENT IN B48V A
10V B
FOOTSWITCH
MULTIEFFECT
ROY X Class–A High Voltage Prea mp / No Integra ted Circuits / No NFB MULTIEFFECT
INSERTLINE OUT
MASTER
encoder mix delay + rev chorus
chorus + rev
chorus +de lay
(150 ms)
200
100 mid
mid
slow
slow
fast
fast
00
500
400
800
voice doubler
SWISS
MADE
MULTIEFFECTINSTRUMENT IN Ø GAIN WARM LOW MID HIGH REV / AUX VOLUME STEREO IN L VOLUME
OL
INSERT RESON
10V R
5 6 7
MIC IN A INSTRUMENT IN B
4
PARAMETRIC MIDS
3
2
gain
1
00 Hz . KHz
240 Hz
150 Hz
48V A
10V B
GAIN
OL
LOW MID HI MULTIEFFECT REV / AUX VOLUME
240 Hz
150 Hz
GAIN
OL
LOW MID HIGH MULTIEFFECT REV / AUX VOLUME
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
PARAMETRIC MIDS
gain
00 Hz . KHz
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
D.I. OUT AUX OUT HEADPHONES
DECAY REVERB
master
7 C H A N N E L − A C O U S T I C − A M P L I F I E R
ROY X 4 5 0 W A T T
ACO U S TI C
A M P L I F I E R
2 3 0 W A T T
− P O W E R −
CONSUMPTION
SERIAL NUMBER
W W W . S C H E R T L E R . C O M
M
A
D
E
+
S
W
I
S
S
FOOTSWITCH
REV
delay
flat
RESON
flat
700 Hz
700 Hz
INSERTMIC IN A INSTRUMENT IN B48V A
10V B
FOOTSWITCH
MULTIEFFECT
ROY X Class–A High Voltage Prea mp / No Integra ted Circuits / No NFB MULTIEFFECT
INSERTLINE OUT
MASTER
encoder mix delay + rev chorus
chorus + rev
chorus +de lay
(150 ms)
200
100 mid
mid
slow
slow
fast
fast
00
500
400
800
voice doubler
SWISS
MADE
MULTIEFFECTINSTRUMENT IN Ø GAIN WARM LOW MID HIGH REV / AUX VOLUME STEREO IN L VOLUME
OL
INSERT RESON
10V R
5 6 7
MIC IN A INSTRUMENT IN B
4
PARAMETRIC MIDS
3
2
gain
1
00 Hz . KHz
240 Hz
150 Hz
48V A
10V B
GAIN
OL
LOW MID HI MULTIEFFECT REV / AUX VOLUME
240 Hz
150 Hz
GAIN
OL
LOW MID HIGH MULTIEFFECT REV / AUX VOLUME
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
PARAMETRIC MIDS
gain
00 Hz . KHz
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
D.I. OUT AUX OUT HEADPHONES
DECAY REVERB
master
7 C H A N N E L − A C O U S T I C − A M P L I F I E R
ROY X 4 5 0 W A T T
ACO U S TI C
A M P L I F I E R
2 3 0 W A T T
− P O W E R −
CONSUMPTION
SERIAL NUMBER
W W W . S C H E R T L E R . C O M
M
A
D
E
+
S
W
I
S
S
FOOTSWITCH
REV
delay
flat
RESON
flat
700 Hz
700 Hz
INSERTMIC IN A INSTRUMENT IN B48V A
10V B
FOOTSWITCH
MULTIEFFECT
ROY X Class–A High Voltage Prea mp / No Integra ted Circuits / No NFB MULTIEFFECT
INSERTLINE OUT
MASTER
encoder mix delay + rev chorus
chorus + rev
chorus +de lay
(150 ms)
200
100 mid
mid
slow
slow
fast
fast
00
500
400
800
voice doubler
SWISS
MADE
MULTIEFFECTINSTRUMENT IN Ø GAIN WARM LOW MID HIGH REV / AUX VOLUME STEREO IN L VOLUME
OL
INSERT RESON
10V R
5 6 7
MIC IN A INSTRUMENT IN B
4
PARAMETRIC MIDS
3
2
gain
1
00 Hz . KHz
240 Hz
150 Hz
48V A
10V B
GAIN
OL
LOW MID HI MULTIEFFECT REV / AUX VOLUME
240 Hz
150 Hz
GAIN
OL
LOW MID HIGH MULTIEFFECT REV / AUX VOLUME
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
PARAMETRIC MIDS
gain
00 Hz . KHz
GAIN
OL
MULTIEFFECT REV / AUX VOLUME
48V
MIC IN INSERT LOW HIGH
D.I. OUT AUX OUT HEADPHONES
DECAY REVERB
master
7 C H A N N E L − A C O U S T I C − A M P L I F I E R
ROY X 4 5 0 W A T T
ACO U S TI C
A M P L I F I E R
2 3 0 W A T T
− P O W E R −
CONSUMPTION
SERIAL NUMBER
W W W . S C H E R T L E R . C O M
M
A
D
E
+
S
W
I
S
S
FOOTSWITCH
REV
delay
flat
RESON
flat
700 Hz
700 Hz
INSERTMIC IN A INSTRUMENT IN B48V A
10V B
FOOTSWITCH
MULTIEFFECT
QUICK START
TURN ON THE AMP
Check the MASTER volume, GAIN and channel VOLUME pots are completely closed or the MUTE is engaged.
Connect the power cable to mains and switch on the amp.
If a ground noise (hum at 50-60Hz) occurs, ip the ground lift switch (GND LIFT) on the rear panel.
CONNECTIONS
Connect microphones to the XLR or instruments to the ¼”jack sockets. Remember to activate the P48 phantom
power on the XLR when using condenser microphones and DYN P48 contact microphones or the 10V on the
¼”jacks when using STAT pickups or other electrostatic microphones. LINE signals can be connected via the
stereo /8”jack.
LEVELS SET UP
Playing (or singing) loud, turn the GAIN up until the OL red LED starts to blink, from there turn it back down a
little. Now open the MASTER between 0% and 50% nally adjust CHANNEL VOLUME as needed.
OTHER FEATURES
Once the levels are properly set, you can shape your sound with the EQ and the WARM lter (on ch. 1) or cut
the selectable 150 Hz or 240 Hz with the RESON notch lter (on ch.2) and set the amount of REVERB you want
on each channel and its return on the MASTER. The LOW CUT button will high pass the signal to the MASTER.
EXTERNAL EFFECTS
You can connect external effects on the MASTER (affecting all channels) using a Y-cable: connect the stereo
¼”jack to the INSERT socket and the two mono ¼”jacks to the input and output of the external pedal.
In alternative, for parallel connection, connect the AUX OUT to the external effect’s input and the return from
the effect into ch. 5. Set the amount of signal you want to send to the effect with the REV/AUX pot of each
channel. If you don’t want to use the internal reverb module, simply turn the REVERB MASTER down to zero.
USER GUIDE available online at www schertler com
RELATED PRODUCTS
TEDDY
Stage monitor
BAG STAT
pickups
VOLUME
PEDAL
CONNECTIONS
Instruments inputs
(Ch. , 4 and 5) LINE
Stereo input
EFFECTS RETURN
or LINE input
INSERT
(Ch. 1, 2, and 4)
UNBALANCED
LINE output to
other amp
UNBALANCED
AUX output to effects or
stage monitor
BALANCED
DI output to mixer
TO external effects FROM external effects
CA XF XM
XLR cable
CA JM JM
¼”jack cable
DYN P48
contact
microphones
Microphones input
(condenser or dynamic)
or DYN contact microphones
(Ch. 2 and )