Schertler JAM X User manual

MANUAL
WWW . S C H E R T L E R . C O MV1
JAM X
COMBO AMP FOR ACOUSTIC INSTRUMENTS
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•USER•

ACOUSTIC X
AMPS
INTRODUCTION
3
Thank you for choosing the JAM X amplier. JAM X represents the state of the art in Swiss amplier
design, reecting all the needs of the user. Offering a signicantly improved power amp and
speaker section, together with a crossover lter network, limiter and gain, this agship 5-channel
amp provides 240 W (117 dB SPL) of bi-amplied analog power. JAM X is equipped with a 1” dome
tweeter and 8” woofer. It has been engineered with an optimized 2-way bass reex system.
JAM X is ideal for those seeking no-compromise acoustic instrument amplication in both live
performance and studio situations. It delivers the wide low range typically needed for vocals or
acoustic guitars, along with clarity and transparency. The ve inputs can accommodate a variety of
different setups, including an effect loop via the AUX OUT.
SCHERTLER amps feature a sophisticated Class-A preamp with no integrated circuits and No
Negative Feedback (NNFB), resulting in unparalleled dynamics and fast transient behavior.
To make the most of your JAM X amplier and to ensure trouble-free operation, please read this
manual carefully before using the amp for the rst time. We also advise keeping the manual for
future reference.

ACOUSTIC X
AMPS
IMPORTANT SAFETY
INFORMATION
SAFETY FIRST!
Safety is of major importance when operating any electrical equipment,
so please note the following:
On a product, a lightning ash within a triangle indicates the presence of
uninsulated “dangerous voltage” within the product enclosure. This may
be of sufcient magnitude to cause risk of electric shock.
ELECTRICAL SAFETY
Before connecting your amplier to the mains, make sure that the mains voltage does not
exceed the voltage specied on the device.
Do not use your amplier if its mains cable or plug are not in perfect condition. Replace these
as necessary. The replacement cable must be the same as the original.
Your amplier should only be connected to a mains socket with a ground protection system.
When using or installing your amplier, make sure that the mains socket and the amplier’s
mains cable and plug are easily accessible.
Do not, under any circumstances, defeat the safety purpose of the polarized or grounding-type
plug. A polarized plug has two blades with one wider than the other. A grounding-type plug
has two blades and a third grounding prong. The wide blade and third prong are provided
for your safety. If the supplied plug does not t your mains socket, consult an electrician for
replacement of the obsolete socket.
Do not expose your amplier to rain or any other water (even in small amounts). Do not use
the amplier near water.
Avoid spilling drinks or any other liquids on the amplier.
Do not operate your amplier in excessively humid conditions. Avoid excessive heat from
sunshine, re or similar. If the amp is being used in a dusty environment, make sure it is
adequately protected.
Avoid using or installing your amplier near any heat sources such as radiators, heat registers,
stoves, or other heat-producing apparatus. Do not put any sources of open ame (e.g. candles
or pyrotechnics) on or near the amplier.
Do not cover your amplier during use, or obstruct the ventilation ow in any way.
Always leave sufcient clearance between the heat sink and any other surface.
Unplug your amplier during lightning storms, or if it is not going to be used for a while.
(Remove the plug from the mains socket to completely disconnect the amplier.)
Your amplier does not contain any “user serviceable” parts. Servicing and/or repairs should
only be carried out by qualied personnel. See MAINTENANCE AND REPAIR.
OPERATIONAL SAFETY
During live performances or installation, make sure that your amplier’s mains cable cannot be
walked on, tripped over or “pinched” – particularly at sockets, around waste bins etc.
To avoid interference, do not use or install your amplier near power transformers, TV sets, RF
transmitters, electric motors, or any other sources of electrical energy.
To avoid potential accidents, only use attachments, accessories and other equipment such as
carts, stands, tripods, brackets or cases that are specied or recommended by the manufacturer,
or sold with your amplier.
Loud volume levels can cause irreparable damage to both the device and your hearing, so
avoid the following while using your amplier:
- acoustic feedback (never point microphones directly at a loudspeaker)
- high levels of distortion
- impulse noises (loud “pops”) that can occur when a device is switched on/off, connected to
or disconnected from a system.
MAINTENANCE AND REPAIR
Your amplier can be carefully cleaned, as necessary, using a dry cloth. Do not use water.
When cleaning, do not use any solvents (such as acetone or alcohol). These could damage the
amplier’s nish and its labeling.
Visually check your amplier on a regular basis for any signs of wear and tear or damage, but
do not attempt any kind of servicing or repair.
If your amplier malfunctions, or is damaged, e.g. if liquid has been spilled or objects have
fallen inside, the amp has been exposed to rain or moisture, does not operate normally, or
has been dropped, please call your nearest SCHERTLER technical assistance center. (For more
information, you can contact us at the address on the last page of this manual.)
5

ACOUSTIC X
AMPS
Class–A High Voltage Preamp / No Integrated Circuits / No NFB
1
2
53 4
INSTRUMENT IN
MIC IN P24 GAIN LOW
GAIN RESON LOW MID HIGH REV / AUX VOLUME
INSERT LINE OUT
10VØ GAIN WARM LOW PARAMETRIC MIDS
flat
300 Hz
300 Hz
3.3 KHz
3.3 KHz
HIGH
HIGH
REV / AUX
REV / AUX
VOLUME AUX OUT
VOLUME VOLUMEL RSTEREO IN
MASTERREVERB
master
DECAY
D.I. OUT
SWISS
MADE
240 Hz
150 Hz
700 Hz
700 Hz
gain
gain
PARAMETRIC MIDS
JAM X
GND LIFT
2 4 0 W A T T
A C O U S TIC
A M P L I F I E R
LENNAHC5
A C O U S TIC
A M P L I F I E R
S E R I A L N U M B E R
WWW . S C H E R T L E R . C O M
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JAM X
1 3 0 W A T T P O W E R C O N S U M P TIO NX S E R I E S
P24
INSTRUMENT IN
MIC IN 10V
CAUTION
RISK OF ELECTRIC
SHOCK
DO NOT OPEN
TO REDUCE RISK OF FIRE,
DO NOT EXPOSE THIS
EQUIPMENT TO RAIN
OR MOISTURE. FOR
CONTINUED PROTECTION
AGAINST RISK OF FIRE,
REPLACE ONLY WITH THE
SAME TYPE AND RATING
OF FUSE.
Class–A High Voltage Preamp / No Integrated Circuits / No NFB
1
2
53 4
INSTRUMENT IN
MIC IN P24 GAIN LOW
GAIN RESON LOW MID HIGH REV / AUX VOLUME
INSERT LINE OUT
10VØ GAIN WARM LOW PARAMETRIC MIDS
flat
300 Hz
300 Hz
3.3 KHz
3.3 KHz
HIGH
HIGH
REV / AUX
REV / AUX
VOLUME AUX OUT
VOLUME VOLUMEL RSTEREO IN
MASTERREVERB
master
DECAY
D.I. OUT
SWISS
MADE
240 Hz
150 Hz
700 Hz
700 Hz
gain
gain
PARAMETRIC MIDS
JAM X
GND LIFT
2 4 0 W A T T
A C O U S TIC
A M P L I F I E R
LENNAHC5
A C O U S TIC
A M P L I F I E R
S E R I A L N U M B E R
WWW . S C H E R T L E R . C O M
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JAM X
1 3 0 W A T T P O W E R C O N S U M P TIO NX S E R I E S
P24
INSTRUMENT IN
MIC IN 10V
CAUTION
RISK OF ELECTRIC
SHOCK
DO NOT OPEN
TO REDUCE RISK OF FIRE,
DO NOT EXPOSE THIS
EQUIPMENT TO RAIN
OR MOISTURE. FOR
CONTINUED PROTECTION
AGAINST RISK OF FIRE,
REPLACE ONLY WITH THE
SAME TYPE AND RATING
OF FUSE.
CONTROLS
1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9
7
2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 2.10 2.11
1.1. INSTRUMENT IN: An unbalanced input for the connection of 1/4” jacks, with optimal sensitivity
for high level signals. The electronics will adapt to any situation - no special action is required.
1.2. PHASE: In the event of feedback, or unwanted effects between channels, use the PHASE
REVERSE button.
1.3. 10V: This supplies the jack connector with 10 VDC for powering electret microphones.
1.4. GAIN: This variable gain preamplier adjusts the sensitivity level to ensure the best possible
processing of the signal through the channel. It is important that this input level is set and optimized
in the best way to achieve the cleanest sound possible.
1.5. OVERLOAD: This LED (when lit) indicates that the level of the input signal is too high and it
might therefore introduce distortion.
Practical tip: When using an amplied speaker, distorted input signals should be avoided at all cost
in order to prevent potential damage to the speaker. While playing your instrument, carefully set the
preamp/gain level by turning up the GAIN control until the OVERLOAD LED begins to blink. At this
point, turn the gain back down slightly. Now set the MASTER Volume between 30% and 60%. With
the gain and master levels appropriately set, you can now set the channel volume as you please.
1.6. WARM: When active, this low-pass lter dampens higher frequencies to produce a warmer
sound when using bridge-mounted pickups such as the SCHERTLER STAT Series for violin, cello and
double bass.
1.7. HIGH, MID, LOW (EQ): These controls are for high, mid and low frequency regulation. Offering
cut and boost of ±15 dB, they allow a wide range of tonal variations to be explored. Parametric
MID regulation offers the possibility to cut or boost a frequency range between 300 Hz and 3.3
kHz. When the controls are positioned centrally there is no cut or boost of the selected frequency
band.
1.8. REV/AUX: This rotary control sets the level of the digital reverb on the channel and the level
of the signal to the AUX OUT output. If you want to bypass the onboard reverb, you can set the
REVERB Master control to zero and use the REV/AUX to control the amount of signal you want to
send to an external effect unit, or to an additional monitor.
1.9. VOLUME: This rotary control regulates the channel volume.
2.1. MIC INPUT (XLR): This input is electronically balanced for XLR-type connections. The channel is
designed for any kind of microphone source e.g. dynamic and condenser mics.
2.2. INSTRUMENT IN: An unbalanced input for the connection of 1/4” jacks, with optimal sensitivity
for high level signals. The electronics will adapt to any situation - no special action is required.
2.3. P24: Phantom power supplies the XLR connector with 24 VDC for powering condenser
microphones. Most condenser (and dynamic) mics, and some preamps, can be safely phantom
powered. In certain cases however, phantom power can cause damage. This tends to happen with
unbalanced microphones, preamps, or stompboxes that have been modied for balanced XLR use.
If in doubt, please contact the manufacturer to check the compatibility of your audio device before
using the amplier.
2.4. 10V: This supplies the jack connector with 10 VDC for powering electret microphones.
2.5. GAIN: This variable gain preamplier adjusts the sensitivity level to ensure the best possible
processing of the mic/instrument signal through the channel. It is important that this input level is set
and optimized in the best way to achieve the cleanest sound possible.
2.6. OVERLOAD: This LED (when lit) indicates that the level of the input signal is too high and it
might therefore introduce distortion. (See “Practical tip”, 1.5.)
2.7. RESON: The RESONANCE (notch) lter cuts the frequency of 150 Hz/240 Hz to reduce low-
frequency feedback. Left: no attenuation (at), Right: maximum attenuation.
2.8. RESON button: Use the RESON button to select the resonant frequency of the instrument
(240 Hz/150 Hz).
2.9. HIGH, MID, LOW (EQ): These controls are for high, mid and low frequency regulation. Offering
cut and boost of ±15 dB, they allow a wide range of tonal variations to be explored.
When the controls are positioned centrally there is no cut or boost of the selected frequency band.
2.10. REV/AUX: This rotary control sets the level of the digital reverb on the channel and the level
of the signal to the AUX OUT output. If you want to bypass the onboard reverb, you can set the
REVERB Master control to zero and use the REV/AUX to control the amount of signal you want to
send to an external effect unit, or to an additional monitor.
2.11. VOLUME: This rotary control regulates the channel volume.

ACOUSTIC X
AMPS 9
3.1. MIC INPUT (XLR): This input is electronically balanced for XLR-type connections. The channel is
designed for any kind of microphone source e.g. dynamic and condenser mics.
3.2. P24: Phantom power supplies the XLR connector with 24 VDC for powering condenser
microphones. Most condenser (and dynamic) mics, and some preamps, can be safely phantom
powered. In certain cases however, phantom power can cause damage. This tends to happen with
unbalanced microphones, preamps, or stompboxes that have been modied for balanced XLR use.
If in doubt, please contact the manufacturer to check the compatibility of your audio device before
using the amplier.
3.3. GAIN: This variable gain preamplier adjusts the sensitivity level to ensure the best possible
processing of the signal through the channel. It is important that this input level is set and optimized
in the best way to achieve the cleanest sound possible.
3.4. OVERLOAD: This LED (when lit) indicates that the level of the input signal is too high and it
might therefore introduce distortion. (See “Practical tip” 1.5.)
3.5. HIGH, MID, LOW (EQ): These controls are for high, mid and low frequency regulation. Offering
cut and boost of ±15 dB, they allow a wide range of tonal variations to be explored. Parametric
MID regulation offers the possibility to cut or boost a frequency range between 300 Hz and 3.3
kHz. When the controls are positioned centrally there is no cut or boost of the selected frequency
band.
3.6. REV/AUX: This rotary control sets the level of the digital reverb on the channel and the level
of the signal to the AUX OUT output. If you want to bypass the onboard reverb, you can set the
REVERB Master control to zero and use the REV/AUX to control the amount of signal you want to
send to an external effect unit, or to an additional monitor.
3.7. VOLUME: This rotary control regulates the channel volume.
4.1. STEREO IN: 1/8” mini jack stereo input for PC, MP3 and other electronic devices. Volume
depends on the MASTER volume regulation.
Class–A High Voltage Preamp / No Integrated Circuits / No NFB
1
2
53 4
INSTRUMENT IN
MIC IN P24 GAIN LOW
GAIN RESON LOW MID HIGH REV / AUX VOLUME
INSERT LINE OUT
10VØ GAIN WARM LOW PARAMETRIC MIDS
flat
300 Hz
300 Hz
3.3 KHz
3.3 KHz
HIGH
HIGH
REV / AUX
REV / AUX
VOLUME AUX OUT
VOLUME VOLUMEL RSTEREO IN
MASTERREVERB
master
DECAY
D.I. OUT
SWISS
MADE
240 Hz
150 Hz
700 Hz
700 Hz
gain
gain
PARAMETRIC MIDS
JAM X
GND LIFT
2 4 0 W A T T
A C O U S TIC
A M P L I F I E R
LENNAHC5
A C O U S TIC
A M P L I F I E R
S E R I A L N U M B E R
WWW . S C H E R T L E R . C O M
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JAM X
1 3 0 W A T T P O W E R C O N S U M P TIO NX S E R I E S
P24
INSTRUMENT IN
MIC IN 10V
CAUTION
RISK OF ELECTRIC
SHOCK
DO NOT OPEN
TO REDUCE RISK OF FIRE,
DO NOT EXPOSE THIS
EQUIPMENT TO RAIN
OR MOISTURE. FOR
CONTINUED PROTECTION
AGAINST RISK OF FIRE,
REPLACE ONLY WITH THE
SAME TYPE AND RATING
OF FUSE.
3.1 3.2 3.3 3.4 3.5 3.6 3.7 4.1
Class–A High Voltage Preamp / No Integrated Circuits / No NFB
1
2
53 4
INSTRUMENT IN
MIC IN P24 GAIN LOW
GAIN RESON LOW MID HIGH REV / AUX VOLUME
INSERT LINE OUT
10VØ GAIN WARM LOW PARAMETRIC MIDS
flat
300 Hz
300 Hz
3.3 KHz
3.3 KHz
HIGH
HIGH
REV / AUX
REV / AUX
VOLUME AUX OUT
VOLUME VOLUMEL RSTEREO IN
MASTERREVERB
master
DECAY
D.I. OUT
SWISS
MADE
240 Hz
150 Hz
700 Hz
700 Hz
gain
gain
PARAMETRIC MIDS
JAM X
GND LIFT
2 4 0 W A T T
A C O U S TIC
A M P L I F I E R
LENNAHC5
A C O U S TIC
A M P L I F I E R
S E R I A L N UM B E R
WWW . S C H E R T L E R . C O M
M
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+
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W
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JAM X
1 3 0 W A T T P O W E R C O N S U M P TIO NX S E R I E S
P24
INSTRUMENT IN
MIC IN 10V
CAUTION
RISK OF ELECTRIC
SHOCK
DO NOT OPEN
TO REDUCE RISK OF FIRE,
DO NOT EXPOSE THIS
EQUIPMENT TO RAIN
OR MOISTURE. FOR
CONTINUED PROTECTION
AGAINST RISK OF FIRE,
REPLACE ONLY WITH THE
SAME TYPE AND RATING
OF FUSE.
5.1. FX RETURN: Left and Right unbalanced jack socket for the return of external effects. This can
also be used as a 5th input channel to accommodate an extra line level device.
5.2. FX RETURN VOL: This rotary control regulates the channel volume.
6.1. DI OUT: A general XLR balanced output for connecting to external systems. The output volume
does not depend on the regulation of the MASTER control, but is affected by changes in individual
channel volume.
6.2. DI OUT VOL: This rotary control sets the output level on the DI OUT.
6.3. LINE OUT: This unbalanced jack socket enables connection to external systems. The output
volume depends on the regulation of the MASTER control.
6.4. INSERT: This stereo jack socket enables the connection of an external device (compressor,
equalizer, etc.) in series to all the outputs.
6.5. POWER LED: Indicates when the amplier is switched ON.
6.6. MUTE: This cuts the audio on the Master.
6.7. LOW CUT: When active, this lter cuts all frequencies below 180 Hz - ideal if you play an
instrument that generates aggressive low frequencies. It enables you to connect a subwoofer, and
prevent unwanted vibration and possible damage to your JAM X.
6.8. MASTER: Controls the overall system volume.
6.9. REVERB Master: This control regulates the general level of the digital reverb, common to
all channels. The amount of effect can be individually regulated for each single channel via the
dedicated controls.
6.10. DECAY: This control regulates the length of the reverb (time of the reverb from attack to
silence).
6.11. AUX OUT: This additional mono jack output enables connection to an external effect or monitor.
6.11 6.10 6.9 6.8 6.7 6.6
6.5
6.4
6.3
6.2
6.1
5.1 5.2
CONTROLS

ACOUSTIC X
AMPS 11
Class–A High Voltage Preamp / No Integrated Circuits / No NFB
1
2
53 4
INSTRUMENT IN
MIC IN P24 GAIN LOW
GAIN RESON LOW MID HIGH REV / AUX VOLUME
INSERT LINE OUT
10VØ GAIN WARM LOW PARAMETRIC MIDS
flat
300 Hz
300 Hz
3.3 KHz
3.3 KHz
HIGH
HIGH
REV / AUX
REV / AUX
VOLUME AUX OUT
VOLUME VOLUMEL RSTEREO IN
MASTERREVERB
master
DECAY
D.I. OUT
SWISS
MADE
240 Hz
150 Hz
700 Hz
700 Hz
gain
gain
PARAMETRIC MIDS
JAM X
GND LIFT
2 4 0 W A T T
A C O U S TIC
A M P L I F I E R
LENNAHC5
A C O U S TIC
A M P L I F I E R
S E R I A L N UM B E R
WWW . S C H E R T L E R . C O M
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JAM X
1 3 0 W A T T P O W E R C O N S U M P TIO NX S E R I E S
P24
INSTRUMENT IN
MIC IN 10V
CAUTION
RISK OF ELECTRIC
SHOCK
DO NOT OPEN
TO REDUCE RISK OF FIRE,
DO NOT EXPOSE THIS
EQUIPMENT TO RAIN
OR MOISTURE. FOR
CONTINUED PROTECTION
AGAINST RISK OF FIRE,
REPLACE ONLY WITH THE
SAME TYPE AND RATING
OF FUSE.
7.1
7. 2
7. 3
7.1. POWER ON/OFF: System ON/OFF switch.
7.2. GROUND LIFT: This switch connects and disconnects the ground.
7.3. MAINS POWER CONNECTION:
Connection to mains Fuse carrier
220 - 230 V~ 50 Hz / 60 Hz T 1.6 A L 250 V
240 V~ 50 Hz T 1.6 A L 250 V
120 V~ 60 Hz T 3.15 A L 250 V
100 V~ 50 Hz / 60 Hz T 3.15 A L 250 V
PLEASE ENSURE THAT THE CORRECT VOLTAGE IS OBSERVED
AND THE ORIGINAL CONNECTION CABLE IS USED
REAR PANEL

ACOUSTIC X
AMPS
SIGNAL FLOW
3B EQ
3B EQ
Parametric MID
OL
GAIN
XLR
PHANTOM
P24
JACK
XLR
OL
RESON
GAIN
GAIN
PHASE
JACK
3B EQ
Parametric MID
WARM
OL
AUX OUT
REVERB with
DECAY
STEREO IN
INSERT
MASTER
LINE OUT
LOW CUT TO AMP
DI OUT
JACK R
JACK L
FX RETURN
10V
10V
PHANTOM
P24
13
TECHNICAL
INFORMATION
Weight
Dimensions (LxDxH)
Frequency Response (@ +/-3 dB)
Sensitivity (1W/1m) @1 kHz
Power
SPL Max
Speakers
Construction
System - Format
Mic In connector
Mic In sensitivity
Mic In impedance
Instrument In connector
Instrument In sensitivity
Instrument In impedance
Stereo In connector
Stereo In sensitivity
Stereo In impedance
Insert
Line Out connector
Line Out level
Line Out impedance
DI Out connector
DI Out level
DI Out impedance
Aux Out connector
Aux Out level
Aux Out impedance
Phantom Power (nominal)
Stat Power (10 VDC)
Effect
Preamp
Stand mounting
Available versions
12.5 kg
32.4 x 29.7 x 38 cm
40 Hz to 20 kHz
95 dB
240 W pure analog power amp
117 dB
1” dome tweeter, 8” woofer
12 mm birch BB laminated
Two way, bi-amplied - Bass reex
XLR
-52 dB
4.7 kΩ
1/4” jack unbalanced
-47 dB
820 kΩ
1/8” jack stereo
-10 dBu
40 kΩ
On master
1/4” jack
0 dBu
200 Ω
XLR
-∞ to +6 dBu
180 Ω
1/4” jack unbalanced
0 dBu
200 Ω
24 VDC
Yes
Spring-type digital reverb with decay
Class-A, no negative feedback, no integrated
circuits
Flange mount ø 36 mm, h=102 mm
Dark wood and anthracite

ACOUSTIC X
AMPS 15
FAQ
How do I make the connections to use a second
speaker or amplier?
What is the best way to connect a delay or
other external effect to my JAM X?
Will my condenser mic work with the JAM X’s
24 V phantom power?
The easiest way to connect an external speaker
(or a second active amp) is via the LINE OUT
or DI OUT.
If you only have one instrument connected
to your amp, you can use the master section
INSERT. For this connection you will need a Y
insert cable. Another way of connecting the
external effect is in series: the effect must be
in the chain just before the signal enters the
amp (guitar —> pedal —> amp). A third option
(maybe the best) is to use the amplier’s AUX
OUT. This is the parallel send that sends the
signal to the internal reverb as well. By using
the AUX OUT you can feed your delay input
and continue using the internal reverb. The
channel effect send will be the same for both
the external effect and the internal reverb. You
will be able to set the amount of the effect/
reverb using the returns.
JAM X provides way more than the nominal
24 VDC, but, since it is not actually 48 V we
cannot legally label it P48. However, most
modern microphones will work just ne. For
more technical information, please read the
FAQ section on SCHERTLER website.
FAQ
Amp bags, along with other SCHERTLER product
accessories, are available from the online web
shop at www.schertler.com. You can buy the
product itself and/or its accessories from the
relevant product page.
Digital versions of our manuals are available in
English, Italian, German and French. These can
be downloaded from the product pages of the
SCHERTLER website: www.schertler.com
No, our amplier electronics are designed
for mains use only. It is not possible to modify
the amp for “battery powering”. You could
however connect the amp to an external voltage
compatible battery that can accommodate the
amp’s supplied power cable/plug.
Yes, the INSERT connection works on the
Master, so it affects all the channels.
JAM X’s Class-A electronics and bootstrap
technology inputs allow you to connect
any audio source to the amp (instruments,
microphones or line signals). However,
instruments which generate aggressive low
frequencies (such as bass guitars) will produce
greater “energy” in the lower range that can
be potentially damaging to internal speakers.
If you are playing a bass through the JAM X,
the LOW CUT lter on the master section will
cut all frequencies below 180 Hz. This also
enables you to connect a separate subwoofer,
preventing unwanted vibration and possible
damage to your amp.
Where can I buy amplier bags/accessories?
Can I get a copy of this manual in other
languages?
Can I bypass the internal power supply and
power the amp via battery?
Does the I/O INSERT allow you to put effects
on all channels?
Can I use JAM X with a bass?

ACOUSTIC
·AUDIO·
PRODUCTS
S
W
I
S
S
M
A
D
E
VIA BEROLDINGEN 18
6850 MENDRISIO
SWITZERLAND
T [phone]
F [phone]
[email protected]
WWW.SCHERTLER.COM
WARRANTY
All SCHERTLER products are covered by a limited two-year factory warranty (from the date of
purchase) in respect of manufacturer defects. Details can be obtained from your local dealer /
representative.
SCHERTLER SA strongly believes in “common sense”. Therefore, misuse of our products is not
covered under rights obtained through our warranty policy, or through internationally recognized
terms and conditions. For more information on warranty, please visit the SCHERTLER website.
PRODUCT DISPOSAL
This product must not be disposed of in general household waste. It should be taken to a disposal
center for electrical / electronic waste. Please note any local or national regulations that may be
applicable here.
TRADEMARKS
The SCHERTLER® name and logo are registered trade names / trademarks of SCHERTLER SA
Switzerland. All SCHERTLER® products use proprietary technology and are covered by one or
more worldwide patents.
DISCLAIMER
All information and technical specications published here are based on data that was available at
the time of publication. SCHERTLER is, however, constantly aiming to improve its range of products
and therefore reserves the right to amend product specications and information without notice.
SCHERTLER takes no responsibility for any direct or indirect damage (including loss of prot), which
arises as a result of, or in connection with the information in this manual.
COPYRIGHT
This manual is the property of SCHERTLER SA and, as such, is subject to Swiss copyright law. No part
of this manual should be reproduced, edited or distributed without prior consent from SCHERTLER.
APPENDIX